The Spectator Volume Ii Part 131

For this Reason, when any publick Affair is upon the Anvil, I love to hear the Reflections that arise upon it in the several Districts and Parishes of London and Westminster, and to ramble up and down a whole Day together, in order to make my self acquainted with the Opinions of my Ingenious Countrymen. By this means I know the Faces of all the princ.i.p.al Politicians within the Bills of Mortality; and as every Coffee-house has some particular Statesman belonging to it, who is the Mouth of the Street where he lives, I always take care to place my self near him, in order to know his Judgment on the present Posture of Affairs. The last Progress that I made with this Intention, was about three Months ago, when we had a current Report of the King of France's Death. As I foresaw this would produce a new Face of things in Europe, and many curious Speculations in our British Coffee-houses, I was very desirous to learn the Thoughts of our most eminent Politicians on that Occasion.

That I might begin as near the Fountain Head as possible, I first of all called in at St James's, where I found the whole outward Room in a Buzz of Politics. The Speculations were but very indifferent towards the Door, but grew finer as you advanced to the upper end of the Room, and were so very much improved by a Knot of Theorists, who sat in the inner Room, within the Steams of the Coffee-Pot, that I there heard the whole Spanish Monarchy disposed of, and all the Line of Bourbon provided for in less than a Quarter of an Hour.

I afterwards called in at Giles's, where I saw a Board of French Gentlemen sitting upon the Life and Death of their Grand Monarque. Those among them who had espoused the Whig Interest, very positively affirmed, that he departed this Life about a Week since, and therefore proceeded without any further Delay to the Release of their Friends on the Gallies, and to their own Re-establishment; but finding they could not agree among themselves, I proceeded on my intended Progress.

Upon my Arrival at Jenny Man's, I saw an alerte young Fellow that c.o.c.ked his Hat upon a Friend of his who entered just at the same time with my self, and accosted him after the following Manner. Well, Jack, the old Prig is dead at last. Sharp's the Word. Now or never, Boy. Up to the Walls of Paris directly. With several other deep Reflections of the same Nature.

I met with very little Variation in the Politics between Charing-Cross and Covent-Garden. And upon my going into Wills I found their Discourse was gone off from the Death of the French King to that of Monsieur Boileau, Racine, Corneile, and several other Poets, whom they regretted on this Occasion, as Persons who would have obliged the World with very n.o.ble Elegies on the Death of so great a Prince, and so eminent a Patron of Learning.

At a Coffee-house near the Temple, I found a couple of young Gentlemen engaged very smartly in a Dispute on the Succession to the Spanish Monarchy. One of them seemed to have been retained as Advocate for the Duke of Anjou, the other for his Imperial Majesty. They were both for regulating the t.i.tle to that Kingdom by the Statute Laws of England; but finding them going out of my Depth, I pa.s.sed forward to Paul's Church-Yard, where I listen'd with great Attention to a learned Man, who gave the Company an Account of the deplorable State of France during the Minority of the deceased King. I then turned on my right Hand into Fish-street, where the chief Politician of that Quarter, upon hearing the News, (after having taken a Pipe of Tobacco, and ruminated for some time) If, says he, the King of France is certainly dead, we shall have Plenty of Mackerell this Season; our Fishery will not be disturbed by Privateers, as it has been for these ten Years past. He afterwards considered how the Death of this great Man would affect our Pilchards, and by several other Remarks infused a general Joy into his whole Audience.

I afterwards entered a By Coffee-house that stood at the upper end of a narrow Lane, where I met with a Nonjuror, engaged very warmly with a Laceman who was the great Support of a neighbouring Conventicle. The Matter in Debate was, whether the late French King was most like Augustus Caesar, or Nero. The Controversie was carried on with great Heat on both Sides, and as each of them looked upon me very frequently during the Course of their Debate, I was under some Apprehension that they would appeal to me, and therefore laid down my Penny at the Bar, and made the best of my way to Cheapside.

I here gazed upon the Signs for some time before I found one to my Purpose. The first Object I met in the Coffeeroom was a Person who expressed a great Grief for the Death of the French King; but upon his explaining himself, I found his Sorrow did not arise from the Loss of the Monarch, but for his having sold out of the Bank about three Days before he heard the News of it: Upon which a Haberdasher, who was the Oracle of the Coffee-house, and had his Circle of Admirers about him, called several to witness that he had declared his Opinion above a Week before, that the French King was certainly dead; to which he added, that considering the late Advices we had received from France, it was impossible that it could be otherwise. As he was laying these together, and dictating to his Hearers with great Authority, there came in a Gentleman from Garraway's, who told us that there were several Letters from France just come in, with Advice that the King was in good Health, and was gone out a Hunting the very Morning the Post came away: Upon which the Haberdasher stole off his Hat that hung upon a wooden Pegg by him, and retired to his Shop with great Confusion. This Intelligence put a Stop to my Travels, which I had prosecuted with [much [1]]

Satisfaction; not being a little pleased to hear so many different Opinions upon so great an Event, and to observe how naturally upon such a Piece of News every one is apt to consider it with a Regard to his own particular Interest and Advantage.

L.

[Footnote 1: [great]]

No. 404. Friday, June 13, 1712. Budgell

['--Non omnia possumus omnes.'

Virg. [1]]

Nature does nothing in vain: the Creator of the Universe has appointed every thing to a certain Use and Purpose, and determin'd it to a settled Course and Sphere of Action, from which, if it in the least deviates, it becomes unfit to answer those Ends for which it was designed. In like manner it is in the Dispositions of Society, the civil Oeconomy is formed in a Chain as well as the natural; and in either Case the Breach but of one Link puts the Whole into some Disorder. It is, I think, pretty plain, that most of the Absurdity and Ridicule we meet with in the World, is generally owing to the impertinent Affectation of excelling in Characters Men are not fit for, and for which Nature never designed them.

Every Man has one or more Qualities which may make him useful both to himself and others: Nature never fails of pointing them out, and while the Infant continues under her Guardians.h.i.+p, she brings him on in this Way; and then offers her self for a Guide in what remains of the Journey; if he proceeds in that Course, he can hardly miscarry: Nature makes good her Engagements; for as she never promises what she is not able to perform, so she never fails of performing what she promises. But the Misfortune is, Men despise what they may be Masters of, and affect what they are not fit for; they reckon themselves already possessed of what their Genius inclined them to, and so bend all their Ambition to excel in what is out of their Reach: Thus they destroy the Use of their natural Talents, in the same manner as covetous Men do their Quiet and Repose; they can enjoy no Satisfaction in what they have, because of the absurd Inclination they are possessed with for what they have not.

Cleanthes had good Sense, a great Memory, and a Const.i.tution capable of the closest Application: In a Word, there was no Profession in which Cleanthes might not have made a very good Figure; but this won't satisfie him, he takes up an unaccountable Fondness for the Character of a fine Gentleman; all his Thoughts are bent upon this: instead of attending a Dissection, frequenting the Courts of Justice, or studying the Fathers, Cleanthes reads Plays, dances, dresses, and spends his Time in drawing-rooms; instead of being a good Lawyer, Divine, or Physician, Cleanthes is a downright c.o.xcomb, and will remain to all that knew him a contemptible Example of Talents misapplied. It is to this Affectation the World owes its whole Race of c.o.xcombs: Nature in her whole Drama never drew such a Part: she has sometimes made a Fool, but a c.o.xcomb is always of a Man's own making, by applying his Talents otherwise than Nature designed, who ever bears an high Resentment for being put out of her Course, and never fails of taking her Revenge on those that do so.

Opposing her Tendency in the Application of a Man's Parts, has the same Success as declining from her Course in the Production of Vegetables; by the a.s.sistance of Art and an hot Bed, we may possibly extort an unwilling Plant, or an untimely Sallad; but how weak, how tasteless and insipid? Just as insipid as the Poetry of Valerio: Valerio had an universal Character, was genteel, had Learning, thought justly, spoke correctly; 'twas believed there was nothing in which Valerio did not excel; and 'twas so far true, that there was but one; Valerio had no Genius for Poetry, yet he's resolved to be a Poet; he writes Verses, and takes great Pains to convince the Town, that Valerio is not that extraordinary Person he was taken for.

If Men would be content to graft upon Nature, and a.s.sist her Operations, what mighty Effects might we expect? Tully would not stand so much alone in Oratory, Virgil in Poetry, or Caesar in War. To build upon Nature, is laying the Foundation upon a Rock; every thing disposes its self into Order as it were of Course, and the whole Work is half done as soon as undertaken. Cicero's Genius inclined him to Oratory, Virgil's to follow the Train of the Muses; they piously obeyed the Admonition, and were rewarded. Had Virgil attended the Bar, his modest and ingenious Virtue would surely have made but a very indifferent Figure; and Tully's declamatory Inclination would have been as useless in Poetry. Nature, if left to her self, leads us on in the best Course, but will do nothing by Compulsion and Constraint; and if we are not satisfied to go her Way, we are always the greatest Sufferers by it.

Wherever Nature designs a Production, she always disposes Seeds proper for it, which are as absolutely necessary to the Formation of any moral or intellectual Excellence, as they are to the Being and Growth of Plants; and I know not by what Fate and Folly it is, that Men are taught not to reckon him equally absurd that will write Verses in Spite of Nature, with that Gardener that should undertake to raise a Jonquil or Tulip without the Help of their respective Seeds.

As there is no Good or bad Quality that does not affect both s.e.xes, so it is not to be imagined but the fair s.e.x must have suffered by an Affectation of this Nature, at least as much as the other: The ill Effect of it is in none so conspicuous as in the two opposite Characters of Caelia and Iras; Caelia has all the Charms of Person, together with an abundant Sweetness of Nature, but wants Wit, and has a very ill Voice; Iras is ugly and ungenteel, but has Wit and good Sense: If Caelia would be silent, her Beholders would adore her; if Iras would talk, her Hearers would admire her; but Caelia's Tongue runs incessantly, while Iras gives her self silent Airs and soft Languors; so that 'tis difficult to persuade one's self that Caelia has Beauty and Iras Wit: Each neglects her own Excellence, and is ambitious of the other's Character; Iras would be thought to have as much Beauty as Caelia, and Caelia as much Wit as Iras.

The great Misfortune of this Affectation is, that Men not only lose a good Quality, but also contract a bad one: They not only are unfit for what they were designed, but they a.s.sign themselves to what they are not fit for; and instead of making a very good Figure one Way, make a very ridiculous one another. If Semanthe would have been satisfied with her natural Complexion, she might still have been celebrated by the Name of the Olive Beauty; but Semanthe has taken up an Affectation to White and Red, and is now distinguished by the Character of the Lady that paints so well. In a word, could the World be reformed to the Obedience of that famed Dictate, Follow Nature, which the Oracle of Delphos p.r.o.nounced to Cicero when he consulted what Course of Studies he should pursue, we should see almost every Man as eminent in his proper Sphere as Tully was in his, and should in a very short time find Impertinence and Affectation banished from among the Women, and c.o.xcombs and false Characters from among the Men. For my Part, I could never consider this preposterous Repugnancy to Nature any otherwise, than not only as the greatest Folly, but also one of the most heinous Crimes, since it is a direct Opposition to the Disposition of Providence, and (as Tully expresses it) like the Sin of the Giants, an actual Rebellion against Heaven.

Z.

[Footnote 1:

Continuo has leges aeternaque foedera certis Imposuit natura locis.

Virg.]

No. 405. Sat.u.r.day, June 14, 1712. Addison.

[Greek: Oi de panaemerioi molpae then hilaskonto, Kaln aeidontes paiaeona kouroi Achaion, Melpontes Ekaergon. Ho de phrena terpet akouon.]

Hom.

I am very sorry to find, by the Opera Bills for this Day, that we are likely to lose the greatest Performer in Dramatick Musick that is now living, or that perhaps ever appeared upon a Stage. I need not acquaint my Reader, that I am speaking of Signior Nicolini. [1] The Town is highly obliged to that Excellent Artist, for having shewn us the Italian Musick in its Perfection, as well as for that generous Approbation he lately gave to an Opera of our own Country, in which the Composer endeavoured to do Justice to the Beauty of the Words, by following that n.o.ble Example, which has been set him by the greatest Foreign Masters in that Art.

I could heartily wish there was the same Application and Endeavours to cultivate and improve our Church-Musick, as have been lately bestowed on that of the Stage. Our Composers have one very great Incitement to it: They are sure to meet with Excellent Words, and, at the same time, a wonderful Variety of them. There is no Pa.s.sion that is not finely expressed in those parts of the inspired Writings, which are proper for Divine Songs and Anthems.

There is a certain Coldness and Indifference in the Phrases of our European Languages, when they are compared with the Oriental Forms of Speech: and it happens very luckily, that the Hebrew Idioms run into the English Tongue with a particular Grace and Beauty. Our Language has received innumerable Elegancies and Improvements, from that Infusion of Hebraisms, which are derived to it out of the Poetical Pa.s.sages in Holy Writ. They give a Force and Energy to our Expressions, warm and animate our Language, and convey our Thoughts in more ardent and intense Phrases, than any that are to be met with in our own Tongue. There is something so pathetick in this kind of Diction, that it often sets the Mind in a Flame, and makes our Hearts burn within us. How cold and dead does a Prayer appear, that is composed in the most Elegant and Polite Forms of Speech, which are natural to our Tongue, when it is not heightened by that Solemnity of Phrase, which may be drawn from the Sacred Writings. It has been said by some of the Ancients, that if the G.o.ds were to talk with Men, they would certainly speak in Plato's Style; but I think we may say, with Justice, that when Mortals converse with their Creator, they cannot do it in so proper a Style as in that of the Holy Scriptures.

If any one would judge of the Beauties of Poetry that are to be met with in the Divine Writings, and examine how kindly the Hebrew Manners of Speech mix and incorporate with the English Language; after having perused the Book of Psalms, let him read a literal Translation of Horace or Pindar. He will find in these two last such an Absurdity and Confusion of Style, with such a Comparative Poverty of Imagination, as will make him very sensible of what I have been here advancing.

Since we have therefore such a Treasury of Words, so beautiful in themselves, and so proper for the Airs of Musick, I cannot but wonder that Persons of Distinction should give so little Attention and Encouragement to that Kind of Musick, which would have its Foundation in Reason, and which would improve our Virtue in proportion as it raised our Delight. The Pa.s.sions that are excited by ordinary Compositions generally flow from such silly and absurd Occasions, that a Man is ashamed to reflect upon them seriously; but the Fear, the Love, the Sorrow, the Indignation that are awakened in the Mind by Hymns and Anthems, make the Heart better, and proceed from such Causes as are altogether reasonable and praise-worthy. Pleasure and Duty go hand in hand, and the greater our Satisfaction is, the greater is our Religion.

Musick among those who were styled the chosen People was a Religious Art. The Songs of Sion, which we have reason to believe were in high Repute among the Courts of the Eastern Monarchs, were nothing else but Psalms and Pieces of Poetry that adored or celebrated the Supreme Being.