The Old Showmen and the Old London Fairs Part 16

Bartholomew Fair was reduced by this step to a dozen stalls, and from that time may be considered as practically extinct. In Britannia Fields, what was called New Bartholomew Fair was attended by the shows which of late years had resorted to Smithfield and one or two others, among which was Reed's theatre, the prices of admission to which ranged from sixpence to two s.h.i.+llings. The performances consisted of _The Scottish Chieftain_, in which Saker played Ronald, the princ.i.p.al character, and a pantomime called _Harlequin Rambler_. Among the minor shows was that of Hales and his sister, the Norfolk giant and giantess, who issued a bill containing the following effusion of the Muse that inspired the poet of Mrs. Jarley's wax-work:--

"Miss Hales and her Brother are here to be seen, O come let us visit the sweet lovely Queen; Behold she is handsome--in manners polite-- Both she and her brother near eight feet in height!

I have seen all the tallest in towns far and near, But never their equal to me did appear!

All England and Scotland, and Ireland declare, Their like was ne'er seen yet in them anywhere.

"Here's the smallest of women creation can show, Complete in proportion from top to the toe; And a Lady of rank from New Zealand secured, Escap'd from the murder her husband endured!

And a fine youthful female presented to sight, All spangled and spotted with brown and with white; Large Crocodiles here, and a Boa behold, With a fine Anaconda all glistening with gold.

"Here's a silver-haired Lady, with skin white as snow, Whose eyes are like rubies that roll to and fro!

You will find her a species different from all, The black and the whites, or the low and the tall!

But to sing all her beauties I need not begin, Nor the fine azure veins that appear through her skin; For these, mind, no poet or painter can show, But when you behold her, O then you may know!

"Exhibitions like this may to us be of use-- What a contrast of creatures this world can produce!

See the tallest and smallest before us in state.

What a prodigy rare and phenomena great!

From such wonders eccentric presented to view We now may our study of nature pursue; And philosophy truly may draw from it then, That Temp'rance produces the tallest of men."

Hales made enough money by the exhibition of himself to purchase the lease and goodwill of a public-house in Drury Lane, where he lived several years. Many persons visited the house purposely to see him, but he never appeared in the bar before eleven o'clock, and was careful to avoid making himself too cheap. I saw him once, in crossing the street towards his house, stoop to raise in his arms a little girl, suggesting to my mind the giant and fairy of a pantomime.

In pursuance of the policy indicated in the report of 1840, Bartholomew Fair, now represented by a few stalls, was proclaimed in 1850 by deputy; and this course was followed until 1855, when not a single stall-keeper applied for s.p.a.ce, and the ceremony of proclaiming the fair was omitted altogether. The new fair in Britannia Fields was held only two or three years, that concession to the showmen and to the fair-going portion of the public having been designed only for the purpose of facilitating the extinction of the old fair in Smithfield.

Greenwich Fair was the scene in 1850 of an outrageous and dastardly attack on Johnson and Lee's theatre by a body of soldiers from Woolwich. It seems to have originated in a practical joke played by a soldier upon a young man in the crowd before the theatre, and which, being resented, was followed by an a.s.sault. On the latter retreating up the steps of the parade waggon, followed by his a.s.sailant, Nelson Lee interposed for his protection, and was himself a.s.saulted by the soldier, who was thereupon ejected. A number of soldiers, witnessing the discomfiture of their comrade, immediately rushed up the steps, and began an indiscriminate attack upon everybody on the parade. The company, finding themselves over-matched, took refuge in the interior, or jumped off the parade, and fled as if for their lives.

An actor named Chappell stood by Nelson Lee after the rest had fled, but he joined in the stampede ultimately, and the proprietor of the theatre was left alone, defending himself and property against a swarm of foes.

The story told long afterwards of the harlequin of the company was, that he ran without pause to the railway station, and jumped into a train just starting for London. He then ran from London Bridge to Sh.o.r.editch, and rus.h.i.+ng, exhausted and excited, into a public-house adjoining the City of London theatre, gasped, "Blood--soldiers--Mr. Lee--frightful affair--three pen'orth o' brandy!"

The soldiers, having driven their opponents off the field, began destroying the front of the theatre, and smas.h.i.+ng the lamps, which, fortunately, were not lighted. If they had been burning, the result would probably have been a terrific conflagration, which might have swept the fair, and destroyed many thousands of pounds' worth of property. Nelson Lee, resisting with all his might the destruction of his property, had a rope made fast round his body, and was about to be hoisted to the top of the front, when a dozen constables arrived, and the a.s.sailants immediately abandoned the field, and, leaping off the parade, mixed with the crowd.

Many of them were captured, however, and, being taken before a magistrate, were committed for trial at the ensuing Old Bailey sessions. Johnson and Lee withdrew from the prosecution, however, expecting that their forbearance would be rewarded by pecuniary compensation for the destruction of their property, which the Recorder had suggested should be given by the officers of the regiment to which the offenders belonged; but, on application being made to the officers, they informed Lee that there were _no regimental funds_ available for the purpose, and I believe not a penny was ever received by Johnson and Lee by way of compensation.

During the Whitsuntide Fair, the soldiers were confined to their barracks; but, as many of them were in the habit of visiting the theatre with their friends, this measure diminished the receipts, and thus added loss to loss. Johnson and Lee attended no other fairs that year, but removed the theatre to Croydon, where they erected it in a field adjoining the Addis...o...b.. Road, near the Brighton and South-Eastern railway stations.

Henry Howard and Mrs. Campbell played the leading characters here, and afterwards at Hertford and Uxbridge.

Wombwell died this year in his living carriage at Richmond, at the age of seventy-three. He was buried in Highgate cemetery, his coffin being made of oak from the timbers of the _Royal George_, which sank off Spithead in 1782. As his executors were instructed by his will to have no nails used in its construction, it was put together on the dove-tailing system. The menagerie was divided in accordance with his will into three parts, which were bequeathed respectively to his widow, a niece named Edmunds, and another relative named Day.

The expectation of such results as attended the Hyde Park Fair of 1838 from the concourse of people flocking into the metropolis during the summer of 1851, when the first great international exhibition was held, caused arrangements to be made for a "world's fair" on a large scale, to be held during the same time at Bayswater. A committee was formed for its organisation and management, consisting of Johnson and Lee, Algar, Mussett, Mills, Trebeck, and Young. Algar was the proprietor of the Crown and Anchor refreshment and dancing booth, well-known to the frequenters of Greenwich and Croydon Fairs; Mussett and Mills were almost as well known as leading names among the stall-keepers attending the great fairs; Trebeck was a toy-dealer in Sun Street, Bishopsgate.

The undertaking was as complete a failure, however, as the fair of 1838 had been a success. The ground was in bad condition, and its softness was a difficulty at the commencement. Mrs. Wombwell's elephant waggon stuck in the mud, and had to be left there until the next day; and the elephant extricated himself with difficulty by lifting one leg at a time, and stepping upon trusses of straw laid down to give him a firm footing.

Edmunds would not venture to the ground which he had taken for his menagerie, but arranged his caravans at the entrance of the field. The weather was cold and cheerless when the fair was opened, and the railway companies had not begun running trains at low fares. When the fine weather and the excursion trains did come, the fair had come to be regarded as a failure, and it never recovered from the chill and blight of its commencement.

Johnson and Lee's theatre appeared at Greenwich Fair for the last time in 1852, and proceeded thence to Uxbridge, where the company was joined by James Robson, afterwards so famous as a comedian at the Olympic. In the following year, the property was sold by auction, and, as a memorial of an event which has seldom occurred, and will never occur again, I subjoin the advertis.e.m.e.nt:--

"Notice.--To Carmen, Builders, Proprietors of Tea Gardens, Exhibitors, Van Proprietors, Travelling Equestrians, Providers of Illuminations, &c.--The Travelling Theatrical Property known as Richardson's Theatre, comprising Covered Vans and Parade Waggons, Scenery, Wings, Stage Front, Orchestra, with a double stock of beautiful scenery, waterproof covering, draperies, ma.s.sive chandeliers, a great quant.i.ty of baize, flags, &c. Large coat of arms, variegated lamps and devices, eight capital 6-inch wheels, parade waggons, with two large flaps to each, two capital excursion vans, trucks, double stock of new scenery, s.h.i.+fting flies, fourteen long forms, large stock of book-cloths and baize of large dimensions, battened dancing-boards, erection of booths, handsome imitation stone front, two capital money-takers' boxes, with fittings up, handsome ornamental urns, large figures on pedestals, four guns and carriages, handsome pilasters, machinery, flooring throughout the building, with numerous scenery and stage devices, and every other article connected with the stage, a quant.i.ty of quartering, iron, old wheels, &c., &c., &c. Which will be sold by auction by Mr. Lloyd, on the premises, Richardson's Cottage, Horsemonger-lane, Boro'. May be viewed, and catalogues had on the premises, and of the Auctioneers, 5, Hatfield-street, Blackfriars-road."

The property was completely dispersed; the timber and wood-work being purchased by builders, the waggons by wheelwrights, the canvas and tilt-cloths by farmers, and the green baize, curtains, fittings, etc., by Jew dealers. There is not the shadow of a pretence, therefore, for the use of the name, "Richardson's theatre," by any showman of the present day.

The shows travelling after the sale and dispersion of Johnson and Lee's were, exclusive of menageries and exhibitions, Abbott's theatre, Jackman's theatre, and Fossett's circus. I am not sure that Reed's theatre was still in existence. Abbott's theatre was at the Easter fair at Greenwich in 1852, when Charlie Keith, since famous all over Europe as "the roving English clown," was fulfilling his first engagement in it as an acrobat.

Robson, the comedian, was at the same time performing in Jackman's theatre, from which he transferred his services to Johnson and Lee's.

Fossett's circus was pitched that summer at Primrose Hill for a few days, when one of the irregular fairs which are occasionally held in the neighbourhood of London was held. It is a small concern, with only two or three horses. Miss Fossett, the proprietor's daughter, is a tight-rope performer, in which capacity she appeared a few years ago in Talliott's circus, when the company and stud appeared one winter in a temporary building at the rear of some small houses in New Street, Lambeth Walk.

James Talliott, to whom the houses belong, was then well known to the frequenters of the London music-halls, and may be remembered as a trapeze performer in conjunction with Burnett, who called himself Burnetti, but was known among the professional fraternity as Bruiser. He afterwards performed singly at the Strand Music-hall, now the Gaiety Theatre, and other places of amus.e.m.e.nt in the metropolis, and has since owned a small circus, with which he travels during the summer within a circle of a dozen miles from London.

Hilton's menagerie had at this time pa.s.sed into the possession of Manders, and the lion-tamer of the show was an Irishman named James Strand, who had formerly kept a gingerbread-stall, and had been engaged to perform with the beasts when those attractive exhibitions had been threatened with temporary suspension by the abruptness with which his predecessor, Newsome--a brother, I believe, to the circus-proprietor of that name--had terminated his engagement. Strand's qualifications for the profession were not equal to his own estimate of them, however, and Manders had to look out for his successor.

One day, when the menagerie was at Greenwich Fair, a powerful-looking negro accosted one of the musicians, saying that he was a sailor just returned from a voyage, and would like a berth in the show. The musician communicated the man's wish to Manders, and the negro was invited to enter the show. His appearance and confident manner impressed the showman favourably, and, on his being allowed to enter the lion's cage, at his own request, he displayed so much address and ability to control the animals that he was engaged at once, and "the gingerbread king," as Strand was called, was informed that his services could, for the future, be dispensed with. This remarkable black man was the famous Macomo, who for several years afterwards travelled with the menagerie, exhibiting in his performances with lions and tigers as much daring as Van Amburgh, and as much coolness as Crockett.

One of the finest tigers ever imported into this country, and said to be the identical beast that escaped from Mr. Jamrach's premises in St.

George's Street (better known by its old name of Ratcliffe Highway), and killed a boy before it was recaptured, was purchased by Manders, and placed in a cage with another tiger. The two beasts soon began fighting furiously, upon which Macomo entered the cage, armed only with a riding-whip, and attempted to separate them. His efforts caused both the tigers to turn their fury upon him, and they severely lacerated him; but, covered with blood as he was, he continued the struggle for supremacy until the beasts cowered before him, and he was able, with the a.s.sistance of the keepers, to separate them.

It is worthy of remark, in connection with the causes of accidents with lions and tigers, that Macomo, like Crockett, was a strictly sober man, never touching intoxicating liquors of any kind. "It's the drink," said the ex-lion king, who was interviewed by the special commissioner of a London morning journal two years ago; "It's the drink that plays the mischief with us fellows. There are plenty of people always ready to treat the daring fellow that plays with the lions as if they were kittens; and so he gets reckless, lets the dangerous animal--on which, if he were sober, he would know he must always keep his eye--get dodging round behind him; or hits a beast in which he ought to know that a blow rouses the sleeping devil; or makes a stagger, and goes down, and then they set upon him."

Macomo's fight with the two tigers was not the only occasion on which he received injuries, the scars of which he bore upon him to the day of his death, which, contrary to the expectation of every one who witnessed his performances, was a peaceful one. He died a natural death in 1870, when he was succeeded by an Irishman named Macarthy, who had previously been attached in a similar capacity to the circus of Messrs. Bell and Myers.

While performing, in 1862, with the lions belonging to that establishment, he had had his left arm so severely mangled by one of the beasts that amputation became necessary. This circ.u.mstance seems to have added to the _eclat_ of his performances; but he had neither the nerve of Macomo, nor his resolution to abstain from stimulants. Unlike his predecessor, he frequently turned his back upon the lions, though he had frequently been cautioned against the danger he thereby incurred; and it was believed that his disregard of the warning was one of the causes of the terrible encounter which terminated his existence.

Macarthy was bitten on two occasions while performing with Manders's lions, prior to the disaster at Bolton. The first time was while performing at Edinburgh, when one of the beasts made a snap at his remaining arm, but only slightly grazed it. The second occasion was a few days before the fatal accident occurred, when one of the Lions bit him slightly on the wrist. He lost his life in representing a so-called "lion hunt," an exhibition which was introduced by Macomo, and consists in chasing the animals about the cage, the performer being armed with a sword and pistols, and throwing into the mimic sport as much semblance of reality as the circ.u.mstances allow. The exhibition is acknowledged by lion-tamers themselves to be a dangerous one, and it should never be attempted with any but young animals. For their ordinary performances, most lion-tamers prefer full-grown animals, as being better trained; but a full-grown lion does not like to be driven and hustled about, as the animals are in the so-called "lion hunt," and when such are used for this exhibition they are frequently changed.

Macarthy was driving the animals from one end of the cage to the other when one of them ran against his legs, and threw him down. He soon regained his feet, however, and drove the animals into a corner. Whilst stamping his feet upon the floor, to make the animals run past him, one of them crept stealthily out from the group, and sprang upon him, seizing him by the right hip and throwing him down upon his side. For a moment the spectators imagined that this was part of the performance, but Macarthy's agonised features soon convinced them of the terrible reality of the scene before them. As he struggled to rise, three other lions sprang upon him, one of them seizing his arm, from which he immediately dropped the sword.

The keepers now hurried to the unfortunate man's a.s.sistance, some of them endeavouring to beat off the infuriated lions, while others inserted a part.i.tion between the bars of the cage, with a view to driving the animals behind it. This was a task of considerable difficulty, however, for as one beast was obliged to relinquish its hold of the unfortunate man, another rushed into its place. Heated irons were then brought, and by their aid, and the discharge of fire-arms, four of the lions were driven behind the part.i.tion. Macarthy was lying in the centre of the cage, still being torn by the lion that had first attacked him. A second part.i.tion was attempted to be inserted, but was found to be too large; and then one of the keepers drew the first one out a little, with the view of driving the fifth lion among the rest. More blank cartridges were fired, without effect, and it was not until the hot irons were applied to the nose of the infuriated brute that it loosed its hold, and ran behind the part.i.tion.

Even then, before the opening could be closed, the lion ran out again, seized the dead or dying man by one of his feet and dragged him into the corner, where four of the beasts again fell upon him with unsatiated thirst of blood. The terrible scene had now been going on for a quarter of an hour, and, even when all the animals were at length secured, it was found that they were next the entrance of the cage, the opposite end of which had to be broken open before the mangled corpse of the lion-tamer could be lifted out.

As lion-tamers are well paid, and this was only the second fatal accident in the course of half a century, it is not surprising that, as soon as the catastrophe became known, there were several candidates for the vacancy created by Macarthy's death. Mrs. Manders had resolved to discontinue the exhibition, however, and the applicants for the situation received an intimation to that effect.

Mrs. Wombwell retired from the menagerie business in 1866, and was succeeded in the proprietors.h.i.+p by Fairgrieve, who had married her niece.

Fairgrieve retired from the occupation in the spring of 1872, when his fine collection of animals was sold by auction at Edinburgh. As the public sale of a menagerie is a rare event, and Mr. Jamrach and Mr. Rice do not publish prices current, the reader may be glad to learn the prices realised.

The first lot was a rac.o.o.n--"a very pleasant, playful pet," the auctioneer said--which was knocked down to the Earl of Roseberry for one pound. Mr.

Bell Lamonby, another private collector, became the possessor of a pair of agoutis; which he was a.s.sured were "sharp, active little animals, and could sing like canaries," for an equally moderate sum. Then came a strange-looking and ferocious animal called the Tasmanian devil, of which there is a specimen in the gardens of the Zoological Society, and which the auctioneer a.s.sured his hearers was as strong in the jaw as a hyena, but not to be recommended for purchase as a domestic pet. Bids were slow, and even the prospect of purchasing the devil for three pounds did not render buyers enthusiastic; so that Mrs. Day bought the animal for five s.h.i.+llings more.

Then came the baboons and monkeys. The Diana monkey, a white and rose-breasted little animal, was purchased by Dr. Mackendrick for seven pounds; while the Capuchin monkey, full of intelligence, and belonging to a kind fancied by Italian organ-grinders, was knocked down to Mr. Rice for thirty s.h.i.+llings. Mr. Jamrach purchased the drill, "a playful little drawing-room pet, worth twenty pounds to put on the kitchen shelf to look at," for five guineas; and Mr. Rice paid thirty pounds for a male mandrill, five for a female of the same species, eighteen guineas for a pair of Anubis baboons, and fifteen pounds for five dog-faced baboons.

Pa.s.sing on to the bird carriage, the first specimen submitted to compet.i.tion was the black vulture, one of the largest birds of the species, and in excellent plumage. Mr. Rice bought this bird for three pounds ten s.h.i.+llings, and the condor, which had been forty years in the show, for fifteen pounds. Next came the emu, "a very suitable bird for a gentleman's park, and a nice show thing for the ladies in the morning, after breakfast," which Mrs. Day secured for her collection at seven pounds. Mr. Jamrach gave thirteen pounds for the pair of pelicans, bought at the sale of the Knowsley collection, and which had been trained to run races. The fine collection of parrots, macaws, and c.o.c.katoos was dispersed among a number of local fanciers of ornithological beauties.

Proceeding to the larger mammals, the auctioneer knocked down a male nylghau to Mr. Van Amburgh, the great American menagerist, for twenty-six pounds, and a female of the same species to the proprietor of the Manchester Zoological Gardens for ten guineas; while Mr. Jamrach secured a llama for fifteen pounds, and Mr. Rice a young kangaroo for twelve pounds.

Professor Edwards, who had come over from Paris to pick up a few good specimens for the Jardin des Plantes, purchased the white bear, "young, healthy, and lively as a trout," for forty pounds, and a jackal for three pounds. A Thibet bear and three performing leopards were knocked down to Mr. Jamrach for five guineas and sixty pounds respectively. Another leopard, advanced in years, realised only six guineas. Mr. Van Amburgh secured the spotted hyena for fifteen pounds; while a performing striped hyena brought only five s.h.i.+llings above three pounds. Among objects of minor interest, a pair of wolves were sold for two guineas, an ocelot for six pounds ten s.h.i.+llings, three porcupines for ten pounds more, a wombat for seven pounds, a Malabar squirrel for five pounds, and a pair of boa constrictors for twelve pounds.

The large carnivora excited much attention, and fair prices were realised, though in some instances they were less than was expected. Mr. Rice gave a hundred and eighty-five pounds for the famous lion with which Signor Lorenzo used to represent the well-known story of Androcles, two other lions for a hundred and forty pounds each, two young ones for ninety pounds each, and a lioness for eighty pounds. A black-maned lion, said to be the largest and handsomest lion in Britain, was sold to Mr. Jackson, for the Bristol Zoological Gardens, for two hundred and seventy pounds; and his mate, in the interesting condition of approaching maternity, to Mr. Jennison, of the Belle Vue Gardens, Manchester, for a hundred guineas.

Mr. Jamrach gave two hundred pounds for a fine lion, and a hundred and fifty-five pounds for the magnificent tigress that used to figure conspicuously in the performances of Signor Lorenzo.

Mr. Rice, who was the largest purchaser, bought the gnu for eighty-five pounds, and the zebra for fifty pounds. The camels and dromedaries, bought princ.i.p.ally for travelling menageries, realised from fourteen to thirty pounds each, with the exception of a young one, bought by Dr. Mackendrick for nine pounds ten s.h.i.+llings. Menagerists restrict the word "camel" to the two-humped or Bactrian variety, and call the one-humped kind dromedaries; but the dromedary, according to naturalists, is a small variety of the Syrian camel, bearing the same relation to the latter as a pony does to a horse. The dromedaries of Mr. Fairgrieve's collection were, on the contrary, taller than the Bactrian camels.

There was a spirited compet.i.tion for the two elephants, ending in the magnificent full-tusked male, seven feet six inches in height, being knocked down to Mr. Jennison for six hundred and eighty pounds, and the female, famous for her musical performances, to Mr. Rice for a hundred and forty-five pounds. The former animal was described as the largest and cleverest performing elephant ever exhibited. In stature he is exceeded, it is said, by the elephant kept by the Emperor of Russia at the gardens of Tsarski-Seloe; but, while the performances of that beast have been confined to the occasional killing of a keeper, the animal now in the Belle Vue Gardens at Manchester, besides performing many tricks evincing great docility and intelligence, was accustomed to draw the band carriage, would pull a loaded waggon up a hill, and had for the last eighteen months preceding the sale placed all the vans of the menagerie in position, with the a.s.sistance of a couple of men. The entire proceeds of the sale were a little under three thousand pounds.

I do not remember ever visiting a travelling menagerie that afforded me greater pleasure than one of the smaller cla.s.s which I saw some thirty years ago at Mitcham Fair, and subsequently at Camberwell Fair. There were no lions or tigers in the collection, but it included four performing leopards, a tame hyena, and a wolf that seemed equally tame, if such an inference could be drawn from the presence of a lamb in its cage. The showman, who wore neither spangled trunks, nor a coat of chain-mail, but corduroy breeches and a sleeved vest of cat's skin, entered the leopard's cage, with a riding whip in one hand and a hoop in the other. The animals leaped over the whip, through the hoop, and over the man's back, exhibiting throughout the performance as much docility as dogs or cats.

The whip was used merely as part of the "properties." The man afterwards entered the cage of the hyena, which rubbed its head against him, after the manner of a cat, and allowed him to open its mouth. The hyena has the reputation of being untameable; but, in addition to this instance to the contrary, Bishop Heber had a hyena at Calcutta which followed him about like a dog.

Tigers are little used as performing animals, partly perhaps from being less easily procured, but also, I believe, from greater distrust of them on the part of brute-tamers. There was a splendid tigress in Fairgrieve's menagerie, however, with which Signor Lorenzo used to do a wonderful performance; and I saw, some five-and-thirty years ago, in a show pitched upon a piece of waste ground at Norwood, a tiger that played a prominent part in a sensational drama, the interest of which was evolved from the hair-breadth escapes of a British traveller in the wilds of Africa. The author did not seem to have been aware that there are no tigers in that part of the world, the animals so called by the Cape colonists being leopards; but, as the old woman who took money replied to my remonstrance that one tiger could not, without an outrage upon Lindley Murray, be called performing _animals_, "what can you expect for a penny?"