The Catholic World Volume Iii Part 145

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"You! Perico Alvareda! Iniquity without name! Perversity without example! Poor Anna! wretched mother that bore you! Unfortunate little ones! Unhappy Rita! Know, infamous man," continued the count with vehemence, "that your wife has worked with incessant zeal and activity to procure your pardon. She was always at the feet of the judges.

Ventura forgave you before he died. Pedro has forgiven you. My poor brother was the zealous and tireless agent of your friends. He obtained your pardon of the king. All were anxiously seeking you, and he more than all the rest, and I--would to G.o.d I had never found you!"

Diego, who saw the immense grief which the coldness and pallor of death painted upon the changing countenance of Perico, and noticed that he was tottering, said to the count:

"Sir, do you see that you are killing him?"

"I will not antic.i.p.ate the executioner," answered the count, mounting his horse.

"Courage!" murmured Diego in the ear of the sinking Perico. "Look at us. We are all going to die, and we are all serene."

They entered Seville amidst the maledictions of the populace, horrified by their recent crimes. But the indignation with which the crowd saw the vile traitor who had sold his companions, walking among them free, was beyond measure.

This traitor was the convict, who by betraying the others had bought his own pardon, and obtained the reward promised to the person who should secure the arrest of the notorious robber Diego, who had so long laughed at the efforts of his pursuers.

CHAPTER XX.

The prison of Seville was at that time badly situated, in a narrow street in the most central part of the city. It was an ill-looking structure, scaly and mean; wanting in its style the dignity of legal authority and the outward respect which humanity owes to misfortune, even when it is criminal. A few steps from this centre of hardened wickedness and beastly degradation the street ends in the grand _plaza_ of _San Francisco_--an irregular oblong area, bounded by those edifices which make it the most imposing plaza of the famed deanery of _Andalucia_, On the right are the chapter-houses whose exquisite architecture renders them in the eyes of both Sevillans and strangers the finest ornaments of the city. On the left, forming a projecting angle, stands the regular and severe edifice of the _Audiencia_, the tribunal to which justice gives all power. Surmounting it, like a signal of mercy, is its clock--ten minutes too slow; venerable illegality, which gives ten minutes more of life to the criminal before striking the cruel hour named for his execution. Thus all the laws and customs of ancient Spain have the seal of charity. Ten minutes, to him who is pa.s.sing tranquilly along the road of life, are nothing; but to him who is about to die, they are priceless. Upon the threshold of death, ten minutes may decide his sentence for eternity.

Ten minutes may bring an unhoped-for but possible pardon. But even though these considerations, spiritual and temporal, did not exist; though this impressive souvenir of our forefathers were nothing more than the grant of ten minutes of existence to him who is about to die, it would still prove that, even to their most severe decrees, our ancestors knew how to affix the seal of charity. As such it is recognized by the people, who understand and appreciate it, for it is one of the customs which they hold in highest reverence. O Spain! what examples hast thou not given to the world of all that is good and wise! thou that to-day art asking them of strangers!

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On one side of the town-hall, forming a receding angle, is seen the great convent of San Francisco with its imposing church. The other fronts form arches that, like stone festoons, adorn the sides of the plaza. At the end opposite the point first mentioned is an immense marble fountain, of which the flow of waters is as changeless and lasting as the material of the basin which receives it.

One day the plaza of San Francisco and the streets leading to it were covered with an unusual mult.i.tude. What drew them together? Why were they there? To see a man die--but no, not die; to see a man kill his brother! To die is solemn, not terrible, when the angel gently closes the sufferer's weary eyes and gives his soul wings to rise to other regions. But to see a man killed, by a human hand, in travail of spirit, in agony of soul, in tortures of pain, is appalling. And yet men go, and hasten, and crowd each other, to witness the consummation of legal doom. But it is neither pleasure nor curiosity that attracts the awe-struck mult.i.tude. It is that fatal desire of emotion which takes possession of the contradictory human heart. This might have been read in those faces, at once pale, anxious, and horrified. An indistinct murmur ran through the dense mult.i.tude, in the midst of which rose that pillar of shame and anguish; that usurper of the mission of death; that foothold of the forsaken, which no one but the priest treads voluntarily--the fearful scaffold, built at night, by the melancholy light of lanterns, because the men who raise it are ashamed to be seen by the light of G.o.d's sun and the eyes of their fellowmen. The crowd shuddered at intervals at the mournful strokes of the bell of San Francisco, pealing for a being who no longer existed except to G.o.d, for the world had blotted him from the list of the living. Its notes, now rising to G.o.d in supplication for a soul, now descending to mortals in expressive admonition, forming part of the overwhelming solemnity which was inhaled with the air and oppressed the breast, seemed to say, Die, guilty ones die in expiatory sacrifice for this sinful humanity. Only the pure and limpid fountain continued its sweet and monotonous song, unconscious as childhood and innocence of the terrors of the earth. O innocence, emanation of Paradise, still respired in our corrupted atmosphere by children and those privileged beings who have, like faith, a bandage upon their eyes, that they may believe without seeing, and another upon their hearts, that they may see and not comprehend; who have, like charity, their heart in their hand, and, like hope, their eyes fixed on heaven, thou art always surrounded by reverence, love, and admiration, which, as the daughter of heaven, thou meritest.

There are two cla.s.ses of charity: one relieves material sufferings in a material way, and with money--this is beautiful and liberal, but easy, and a social obligation. The other is that which relieves moral anguish, morally. This is sublime and divine.

Of the latter cla.s.s, one that has not been sufficiently praised by society, which finds so many occasions for censure and so few for eulogy, is the Brotherhood of Charity. And who compose this admirable congregation? Those, perhaps, who waste so much paper and phraseology in favor of humanity, philanthropy, and fraternity? No, not one of them condescends to enter this corporation, which is formed princ.i.p.ally of the aristocracy of those places where it has been established. The truth is, that between theory and practice, as between saying and doing, there is a great s.p.a.ce.

In Seville, a short time after the events related in the last chapter, several gentlemen of distinction were seen pa.s.sing through the streets, each holding out a small basket, as he repeated in a grave voice, "For the unfortunates who are to be put to death."

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Diego and his band were a.s.sembled in the chapel of the prison, constantly attended by some of the brotherhood, who, leaving their homes, their pleasures, and their occupations, came to take part in this prolonged agony, consoling the last moments of these sinful men; antic.i.p.ating their wishes with more attention than those of kings are antic.i.p.ated, and pouring balsam into the wound inflicted by the sword of justice.

Two of the most zealous and devoted of the brotherhood, the Count of Cantillana and the Marquis of Greffina, had been to the tribunal, which is established and remains in session in the jail while the condemned are being prepared and led to the scaffold, and during the execution, to ask of it the bodies of those who were to suffer. The following is the formula adopted by this n.o.ble and affecting Catholic inst.i.tution:

"We come, in the name of Joseph and of Nicodemus, to ask leave to take the body down from the place of punishment." The judge grants the prayer, and they withdraw.

Each prisoner was accompanied by his confessor--a blessed staff to sustain the steps that are turned toward the scaffold.

When Perico had finished his sacramental confession, he said to the venerable religious who a.s.sisted him: "My name is not known; they call me 'Perico the Sad;' but, since between earth and heaven nothing is hidden, my family will, sooner or later, know my fate. Have the charity, father, to fulfil my last desire, and be yourself the one to carry the news to my mother. Tell her that I died repentant and contrite, and not so criminal as I appear. An evil life is a ravine into which one is drawn by the first crime. That crime which has weighed and is weighing so heavily upon me, I committed because I preferred a vain thing which men call honor, and which has sometimes to be bought with blood, to the precepts of the gospel, which make a virtue of forbearance and command us to forgive. O father! how different appear the things of life on the threshold of the tomb! Tell my poor sister, whose bridegroom I killed, that I commend her to another and immortal One, who will never deceive her. Tell Pedro that I know he has forgiven me, as did his son, and that I carry this consolation to the grave, and my grat.i.tude to G.o.d. Tell Rita that I lived and died loving her, and that, if I had lived, I never would have reminded her of the past, since she has repented of it. Ask my mother-in-law, who is so good, to recommend me to G.o.d ... . and my poor children ... my orphans ... . Oh! if it were possible that they might never know ... . the fate of their father ... . who ... .

blesses them ..."

Here his bursting heart found vent in sobs.

The priest who heard him, convinced of the innocence of his heart, seeing how he had been surprised into crime by all that exasperates and blinds the reason of a husband, a brother, and a brave man, and forced into an evil life by circ.u.mstances, necessity, and his natural want of firmness, felt as one who without means or power to save it sees a fair vessel das.h.i.+ng to pieces at his feet.

Rita's constant and energetic movements to discover the whereabouts of Perico, whose pardon, with the a.s.sistance of charitable souls, she had obtained from the king, brought her, with her mother, that day to Seville. Attempting to pa.s.s the plaza of San Francisco they encountered the great crowd which had gathered there, and, asking the cause of the tumult, were shown the scaffold. They would have retired, but could not for the press behind them.

One of the condemned is approaching; all burst into exclamations of pity--"Poor boy! This is the one they call 'Perico the Sad;' they say that his wife, a good-for-nothing, was the ruin of him."

Rita's heart beats violently--the criminal pa.s.ses--she sees--she recognizes him. A shriek, another such was never uttered, rends the air--heard in all the market-place.

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Perico stops: "Father," he says, "it is she! it is Rita!"

"My son," replies the priest, "think only of G.o.d, in whose presence you are going to appear, contrite, reconciled, and happy, carrying with you your expiation."

"Father, if I could only see her before I die?"

"My son, think of the bitter punishment and of the glorious illumination you are going to receive from man, who is the instrument of G.o.d in your destiny." Perico wishes to turn "Forward!" orders the sergeant.

He mounts the scaffold and kneels to the spiritual father, who with a calm face, but a heart sorely oppressed, blesses him. He kisses the crucifix, that other scaffold, upon which the Man-G.o.d expiated the sins of others, still turning his eyes toward the place from which the voice sounded that pierced his heart; seats himself upon the bench; the executioner, who stands behind him, places the garrote around his neck; the priest intones the creed; the executioner turns the screw, and a simultaneous cry, "Ave Maria purissima!" sounds in the plaza.

With this invocation to the Mother of G.o.d, humanity takes leave of the condemned at the moment that he is separated from it by the hand of the law.

The executioner covers the face of the victim with a black cloth, and the black shadow of the wings of death falls upon the hushed mult.i.tude.

Some compa.s.sionate persons carried Rita away senseless. Her situation was terrible beyond expression. The convulsions which shook her left her but few moments of consciousness, and in these moments she gave way to her despair in a way so frightful that they were obliged to hold her as if she had been mad. For some days it was impossible to move her. At length her relatives brought a cart to take her away.

They laid her in it, upon a mattress, but not one of them would accompany her for shame. Maria went alone with her child, sustaining her head upon her lap. Rita's long black hair fell around her like a veil, covering her from the glances of the indiscreet and curious.

"There goes," they said, as they saw her pa.s.s, "the wife of the criminal, who by her indiscretion sent him to the scaffold." But the oxen did not hasten their deliberate steps. It seemed as if they also had a mission to fulfil, in prolonging the punishment of reprobation to her who hid provoked it with so much audacity. Maria went like a resigned martyr. Her gentle heart had been made as it were elastic, in order to contain without bursting an immensity of suffering. From time to time Rita shuddered and broke into lamentations, pressing convulsively her mother's knees. The latter said nothing, for even she found no words of consolation for such grief.

They reached the village as night was coming on. The cart stopped before their house, and Rita was lifted out.

She sees a window wide open in her mother-in-law's house; through this window an unusual light is s.h.i.+ning. She breaks away from the arms that sustain her and rushes to the grating. In the middle of the room which she inhabited in happy times, stands a bier. Four wax candles throw their solemn light upon the calm form of Elvira. She is as white as her shroud; her hands are crossed, and through her right arm pa.s.ses a palm branch--emblem consecrated to virginity. Thus in simple grace, and in the att.i.tude of prayer, lies the pious village maiden.

In the front part of that melancholy room were still seen the withered plants which on a happier day had formed the mimic Bethlehem. At the extremity of the room sits Anna, as pale and motionless as the corpse itself. On one side of her is Pedro, and on the other the priest who accompanied Perico to the scaffold.

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Years after the events we have related, the Marquis of ---- went to spend some days at one of the haciendas of Dos-Hermanas. One evening, when he was returning from the estate of a relative, he noticed as he pa.s.sed near an olive-tree that the overseer and the guard who accompanied him uncovered their heads. He glanced upward, and saw nailed to the tree a red cross. "Has there been a murder in this quiet place?" he asked.

"Yes, sir," answered the guard, "here was killed the handsomest and bravest youth that ever trod Dos-Hermanas."

"And the murderer," added the overseer, "was the best and most honorable young man of the place."

"But how was that?" questioned the marquis.

"Through wine and women, sir, the cause of all misfortunes," replied the guard.