With Those Who Wait Part 15

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"Ah, go on! Didn't Mr. Dumont who used to teach the third grade, draw it all out for us on the blackboard the last time he was home on leave?

What do you take us for? Why he's even got the _Croix de Guerre_ and the 'Bananna.'" [1]

Nor is the _communique_ ignored by these budding heroes. On the contrary, it is read and commented upon with fervour.

In a little side street leading to the Seine, I encountered a ten year old lad, das.h.i.+ng forward, brandis.h.i.+ng the evening paper in his hand.

"Come on, kids, it's time for the _communique_," he called to a couple of smaller boys who were playing on the opposite curb. The children addressed (one may have been five, the other seven, or thereabouts) immediately abandoned their marbles, and hastened to join their companion, who breathlessly unfolded the sheet.

"Artillery combats in Flanders----" he commenced.

The little fellows opened their big candid eyes, their faces were drawn and grave, in an intense effort of attention. Their mouths gaped unconsciously. One felt their desire to understand, to grasp things that were completely out of reach.

"During the night a spirited attack with hand grenades in the region of the Four de Paris," continued the reader. "We progressed slightly to the East of Mort Homme, and took an element of trenches. We captured two machine guns, and made several prisoners."

"My papa's in Alsace," piped one listener.

"And mine's in the Somme."

"That's all right," inferred the elder. "Isn't mine at Verdun?" and then proudly, "And machine gunner at that!"

Then folding his paper and preparing to move on:

"The news is good--we should worry."

Yes, that's what the little ones understood best of all, "the news is good," and a wonderful, broad, angelic smile spread out over their fresh baby faces; a smile so bewitching that I couldn't resist embracing them--much to their surprise.

[Ill.u.s.tration: A COURTYARD IN MONTMARTRE]

"I just must kiss you," I explained, "because the news is good!"

From one end to the other of the entire social scale the children have this self same spirit.

Seated at the dining-room table, a big spot of violet ink on one cheek, I found little Jules Gauthier carefully copying something in a note book.

"What are you doing there, Jules?"

"Writing in my book, Madame."

"What are you writing?"

"About the war, everything I can remember."

At that particular moment he was inscribing an anecdote which he had just heard some one telling in his mother's drawing room.

"The President of the Republic once asked General de Castelnau, 'Well, General, what shall you do after the war is over?'

"'Weep for my sons, Mr. President.'"

"But, Jules, why do you write such things?" I queried.

"Because it's splendid, and I put down everything I know or hear that's beautiful or splendid."

And true enough, pele mele with portraits he had cut out and pasted, plans for aeroplanes that he had drawn, were copies of extraordinary citations for bravery, memorable dates and descriptions of battles.

In the Summer of 1915, my friend Jeanne took her small baby and her daughter Annette, aged five, to their little country home on the seash.o.r.e in Brittany. The father, over military age, remained in town to look after some patriotic work.

Help was hard to get, and Jeanne not over strong was torn between household duties and her infant son, so that Annette, clad in a bathing suit and sweater, spent most of her time on the beach in company with other small people of her own years.

Astonished at seeing the little one so much alone, certain kind-hearted mothers invited her to partake of their bread, chocolate and other dainties provided for the gouter of their own offspring, and as the child gladly and continually accepted, her apparent abandon became a subject of conversation, and they decided to question Annette.

"Where is your mother, dear?"

"She's home, very ill."

"Oh, really. I'm so sorry, what's the trouble--nothing serious, I hope?"

"I think it must be--you see she has had her three brothers killed and now grandpa has enlisted."

"Dear me, how terrible! And your papa?"

"Oh, he's in town working for the government. One of his brothers was killed and the other is blind. Poor old grandma died of the shock."

Moved by the lamentable plight of so young a mother, the good ladies sought to penetrate her seclusion, offer their condolences, and help lift the cloud of gloom.

Imagine then their surprise at being received by my smiling, blond-haired friend, who failed to comprehend their mournful but astonished looks.

At length Annette's story was brought to light, and Jeanne could but thank them for their trouble, at the same time explaining that neither she nor her husband had ever had brothers, and that their parents had been dead these many years.

"You naughty, wicked girl!" scolded Jeanne, as her tearful progeny was led forward. "You wicked, wicked girl--what made you tell such lies?"

The culprit twisted her hands; her whole body fairly convulsed with restrained sobs.

"Answer me at once! Do you hear me?"

Annette hesitated, and then throwing herself in her mother's arms, blurted out, "Oh, mamma, I just couldn't help it! All the others were so proud of their _poilus_, and I haven't any one at the front; not even a G.o.d-son!"

It seems highly probable that children who have received such an education will ultimately form a special generation. Poor little things who never knew what "play" meant, at a time when life should have been all suns.h.i.+ne and smiles; tender, sensitive creatures brought up in an atmosphere of privation and tears.

Those who were between ten and fifteen years of age at the outbreak of the war have had a particularly hard time.

In the smaller trades and industries, as well as on the farms, with a father or an elder brother absent, these youngsters have been obliged to leave school or college, and hasten to the counter or the plough.

And not only have they been called upon to furnish the helping hand, but in times of moral stress they have often had to give proof of a mature judgment, a courage, a will power, and a forebearance far beyond their years.

After a ten months' absence, when I opened up my Parisian home, I found it necessary to change or replace certain electric lighting arrangements. As usual I called up the Maison Bincteux.

"_Bien, Madame_, I shall send some one to look after it."

With Those Who Wait Part 15

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With Those Who Wait Part 15 summary

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