In Mr. Knox's Country Part 24
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The cigarettes were consolatory, and the two basket-chairs by the fire in the back-hall were sufficiently comfortable; but the prospect of home burned like a beacon before me. The clock struck eleven.
"They're only beginning now!" said Miss Bennett, interpreting without resentment my glance at it. "Last night it was near one o'clock in the morning when they had high tea, and then they took to singing songs, and playing 'Are you there, Mike?' and c.o.c.k-fighting."
I rose hastily, and began to search for my overcoat and cap, prepared to plunge into the frosty night, when Miss Bennett offered to show me a short way through the house to the stableyard, where I had left the car.
"I slipped out that way after dinner," she said, picking up a fur-lined cloak and wrapping it about her. "I wanted to make sure the mare had a second rug on her this cold night."
I followed Miss Bennett through a wheezy swing-door; a flagged pa.s.sage stretched like a tunnel before us, lighted by a solitary candle planted in its own grease in a window. A long battle-line of bicycles occupied one side of the pa.s.sage; there were doors, padlocked and cobwebbed, on the other. A ragged baize door at the end of the tunnel opened into darkness that smelt of rat-holes, and was patched by a square or two of moonlight.
"This is a sort of a lobby," said Miss Bennett. "Mind! There's a mangle there--and there are oars on the floor somewhere----"
As she spoke I was aware of a distant humming noise, like bees in a chimney.
"That sounds uncommonly like a motor," I said.
"That's only the boiler," replied Miss Bennett; "we're at the back of the kitchen here."
She advanced with confidence, and flung open a door. A most startling vista was revealed, of a lighted room with several beds in it.
Children's faces, swelled and scarlet, loomed at us from the pillows, and an old woman, with bare feet and a shawl over her head, stood transfixed, with a kettle in one hand and a tumbler in the other.
Miss Bennett swiftly closed the door upon the vision.
"My gracious heavens!" she whispered, "what on earth children are those? I'm sure it's mumps they have, whoever they are. And how secret the McRorys kept it!--and did you see it was punch the old woman was giving them?"
"We might have asked her the way to the yard," I said, inwardly resolving to tell Philippa it was scarlatina; "and she might have given us a light."
"It was this door I should have tried," said my guide, opening another with considerable circ.u.mspection.
Sounds of hilarity immediately travelled to us along a pa.s.sage; I followed Miss Bennett, feeling much as if I were being led by a detective into Chinatown, San Francisco. A square of light in the wall indicated one of those inner windows that are supposed to give light mutually to room and pa.s.sage, and are, as a matter of fact, an architect's confession of defeat. Farther on a door was open, and screams of laughter and singing proceeded from it. I admit, without hesitation, that we looked in at the window, and thus obtained a full and sufficient view of the _vie intime_ of the Temple Braney kitchen.
A fat female, obviously the cook, was seated in the midst of a remarkably lively crowd of fellow-retainers and camp-followers, thumping with ma.s.sive knuckles on a frying-pan, as though it were a banjo, and squalling to it something in an unknown tongue.
"She's taking off Miss c.o.o.ney O'Rattigan!" hissed Miss Bennett, in ecstasy. "She's singing Italian, by way of! And look at those two brats of boys, Vincent and Harold, that should have been in their beds two hours ago!"
Masters Vincent and Harold McRory were having the time of their lives.
One of them, seated on the table, was shovelling tipsy-cake into his ample mouth with a kitchen spoon; the other was smoking a cigarette, and capering to the squalls of the cook.
As noiselessly as two bats Miss Bennett and I flitted past the open door, but a silence fell with a unanimity that would have done credit to any orchestra.
"They saw us," said Miss Bennett, scudding on, "but we'll not tell on them--the creatures!"
An icy draught apprised us of an open door, and through it we escaped at length from the nightmare purlieus of the house into the yard, an immense quadrangle, where moonlight and black shadows opposed one another in a silence that was as severe as they. Temple Braney House and its yard dated from what may be called the Stone Age in Ireland, about the middle of the eighteenth century, when money was plenty and labour cheap, and the Barons of Temple Braney, now existent only in guidebooks, built, as they lived, on the generous scale.
We crossed the yard to the coach-house in which I had left my motor: its tall arched doorway was like the mouth of a cave, and I struck a match. It illuminated a mowing-machine, a motor-bicycle, and a flying cat. But not my car. The first moment of bewilderment was closed by the burning of my fingers by the match.
"Are you sure it was here you left it?" said Miss Bennett, with a fatuity of which I had not believed her capable.
The presence of a lady was no doubt a salutary restraint, but as I went forth into the yard again, I felt as though the things I had to leave unsaid would break out all over me like p.r.i.c.kly heat.
"It's the medical student one," said Miss Bennett with certainty, "the one that owns the motor-bike."
The yard and the moonlight did not receive this statement with a more profound silence than I.
"I'm sure he won't do it any harm," she went on, making the elementary mistake of applying superficial salves to a wound whose depths she was incapable of estimating. "He's very good about machinery--maybe it's only round to the front door he took it."
As Miss Bennett offered these consolations I saw two small figures creep from the shadows of the house. Their white collars shone in the moonlight, and, recognising them as the youngest members of the inveterate clan of McRory, I hailed them in a roar that revealed very effectively the extent of my indignation. It did not surprise me that the pair, in response to this, darted out of the yard gate with the speed of a pair of minnows in a stream.
I pursued, not with any hope of overtaking them, but because they were the only clue available, and in my wake, over the frosty ground, in her satin shoes, followed that sound sportswoman, Miss Bennett.
The route from the stable-yard to the front of Temple Braney House is a long and circuitous one, that skirts a plantation of evergreens. At the first bend the moonlight displayed the track of a tyre in the gra.s.s; at the next bend, where the edge was higher, a similar economy of curve had been effected, and that the incident had been of a fairly momentous nature was suggested by the circ.u.mstance that the tail lamp was lying in the middle of the drive. It was as I picked it up that I heard a familiar humming in the vicinity of the hall door.
"He didn't go so far, after all," said Miss Bennett, somewhat blown, but holding her own, in spite of the satin shoes.
I turned the last corner at a high rate of speed, and saw the dignified Georgian facade of the house, pale and placid in the moonlight; through the open hall door a shaft of yellow light fell on the ground. The car was nowhere to be seen, yet somewhere, close at hand, the engine throbbed and drummed to me,--a _cri de coeur_, as I felt it, calling to me through the accursed jingle of the piano that proceeded from the open door.
"Where the devil----?" I began.
Even as I spoke I descried the car. It was engaged, apparently, in forcing its way into the shrubbery that screened one end of the house.
The bonnet was buried in a holly bush, the engine was working, slowly but industriously. The lamps were not lighted, and there was no one in it.
"Those two imps made good use of their legs, never fear them!" puffed Miss Bennett; "the 'cuteness of them--cutting away to warn the brother!"
"What's this confounded thing?" I said fiercely, s.n.a.t.c.hing at something that was caught in the handle of the brake.
Miss Bennett s.n.a.t.c.hed it in her turn, and held it up in the moonlight, while I stilled the fever of the engine.
"Dublin for ever!" she exclaimed. "What is it but the streamers of Miss c.o.o.ney's mandoline! There's the spoils of war for you! And it's all the spoils you'll get--the whole pack of them's hid in the house by now!"
From an unlighted window over the hall door a voice added itself to the conversation.
"G.o.d help the house that holds them!" it said, addressing the universe.
The window was closed.
"That's old McRory!" said Miss Bennett in a horrified whisper.
Again I thought of Chinatown, sleepless, incalculable, with its infinite capacity for sheltering the criminal.
"--But, darling," said Philippa, some quarter of an hour later, as we proceeded down the avenue in the vaulted darkness of the beech-trees (and I at once realised that she had undertaken the case for the defence), "you've no reason to suppose that they took the car any farther than the hall door."
"It is the last time that it will be taken to _that_ hall door," I replied, going dead slow, with my head over the side of the car, listening to unfamiliar sounds in its interior--sounds that did not suggest health. "I should like to know how many of your young friends went on the trip----"
"My dear boy," said Philippa pityingly, "I ask you if it is likely that there would have been more than two, when one of them was the lady with the mandoline! And," she proceeded with cat-like sweetness, "I did not perceive that you took a party with you when you retired to the hall with your old friend Miss Bennett, and left me to cope single-handed with the mob for about an hour!"
"Whether there were two or twenty-two of them in the car," I said, treating this red herring with suitable contempt, "I've done with your McRorys."
I was, very appropriately, in the act of pa.s.sing through the Temple Braney entrance gates as I made this p.r.o.nouncement, and it was the climax of many outrages that the steering-gear, shaken by heaven knows what impacts and brutalities, should suddenly have played me false.
The car swerved in her course--fortunately a slow one--and laid her bonnet impulsively against the Temple Braney gate pillar, as against a loved one's shoulder.
In Mr. Knox's Country Part 24
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In Mr. Knox's Country Part 24 summary
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