Three Soldiers Part 16
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Dan Cohan paused to light a cigarette.
"Well, one o' the M. P.'s follows after me and starts shootin'. An'
don't you believe I ran. Gee, I was scared! But I was in luck 'cause a Frenchman had just started his camion an' I jumped in and said the gendarmes were after me. He was white, that frog was. He shot the juice into her an' went off like a bat out of h.e.l.l an' there was a h.e.l.l of a lot of traffic on the road because there was some d.a.m.n-fool attack or other goin' on. So I got up to Paris.... An' then it'ld all have been fine if I hadn't met up with a Jane I knew. I still had five hundred francs on me, an' so we raised h.e.l.l until one day we was havin' dinner in the cafe de Paris, both of us sort of jagged up, an' we didn't have enough money to pay the bill an' Janey made a run for it, but an M. P.
got me an' then there was h.e.l.l to pay.... Compree? They put me in the Bastille, great place.... Then they s.h.i.+pped me off to some d.a.m.n camp or other an' gave me a gun an' made me drill for a week an' then they packed a whole gang of us, all A. W. O. L's, into a train for the front.
That was nearly the end of little Daniel again. But when we was in Vitry-le-Francois, I chucked my rifle out of one window and jumped out of the other an' got on a train back to Paris an' went an' reported to headquarters how I'd smashed the car an' been in the Bastille an' all, an' they were sore as h.e.l.l at the M. P.'s an' sent me out to a section an' all went fine until I got ordered back an' had to alley down to this G.o.ddam camp. Ah' now I don't know what they're goin' to do to me."
"Gee whiz!"
"It's a great war, I tell you, Sarge. It's a great war. I wouldn't have missed it."
Across the room someone was singing.
"Let's drown 'em out," said the top sergeant boisterously.
"O Mademerselle from Armenteers, Parley voo?"
"Well, I've got to get the h.e.l.l out of here," said wild Dan Cohan, after a minute. "I've got a Jane waitin' for me. I'm all fixed up,...
Compree?"
He swaggered out singing:
"Bon soir, ma cherie, Comment alley vous?
Si vous voulez Couche avec moi...."
The door slammed behind him, leaving the cafe quiet.
Many men had left. Madame had taken up her knitting and Marie of the plump white arms sat beside her, leaning her head back among the bottles that rose in tiers behind the bars.
Fuselli was staring at a door on one side of the bar. Men kept opening it and looking in and closing it again with a peculiar expression on their faces. Now and then someone would open it with a smile and go into the next room, shuffling his feet and closing the door carefully behind him.
"Say, I wonder what they've got there," said the top sergeant, who had been staring at the door. "Mush be looked into, mush be looked into," he added, laughing drunkenly.
"I dunno," said Fuselli. The champagne was humming in his head like a fly against a window pane. He felt very bold and important.
The top sergeant got to his feet unsteadily.
"Corporal, take charge of the colors," he said, and walked to the door.
He opened it a little, peeked in; winked elaborately to his friends and skipped into the other room, closing the door carefully behind him.
The corporal went over next. He said, "Well, I'll be d.a.m.ned," and walked straight in, leaving the door ajar. In a moment it was closed from the inside.
"Come on, Bill, let's see what the h.e.l.l they got in there," said Fuselli.
"All right, old kid," said Bill Grey. They went together over to the door. Fuselli opened it and looked in. He let out a breath through his teeth with a faint whistling sound.
"Gee, come in, Bill," he said, giggling.
The room was small, nearly filled up by a dining table with a red cloth.
On the mantel above the empty fireplace were candlesticks with dangling crystals that glittered red and yellow and purple in the lamplight, in front of a cracked mirror that seemed a window into another dingier room. The paper was peeling off the damp walls, giving a mortuary smell of mildewed plaster that not even the reek of beer and tobacco had done away with.
"Look at her, Bill, ain't she got style?" whispered Fuselli.
Bill Grey grunted.
"Say, d'ye think the Jane that feller was tellin' us he raised h.e.l.l with in Paris was like that?"
At the end of the table, leaning on her elbows, was a woman with black frizzy hair cut short, that stuck out from her head in all directions.
Her eyes were dark and her lips red with a faint swollen look. She looked with a certain defiance at the men who stood about the walls and sat at the table.
The men stared at her silently. A big man with red hair and a heavy jaw who sat next her kept edging up nearer. Someone knocked against the table making the bottles and liqueur gla.s.ses cl.u.s.tered in the center jingle.
"She ain't clean; she's got bobbed hair," said the man next Fuselli.
The woman said something in French.
Only one man understood it. His laugh rang hollowly in the silent room and stopped suddenly.
The woman looked attentively at the faces round her for a moment, shrugged her shoulders, and began straightening the ribbon on the hat she held on her lap.
"How the h.e.l.l did she get here? I thought the M. P.'s ran them out of town the minute they got here," said one man.
The woman continued plucking at her hat.
"You venay Paris?" said a boy with a soft voice who sat near her. He had blue eyes and a milky complexion, faintly tanned, that went strangely with the rough red and brown faces in the room.
"Oui; de Paris," she said after a pause, glancing suddenly in the boy's face.
"She's a liar, I can tell you that," said the red-haired man, who by this time had moved his chair very close to the woman's.
"You told him you came from Ma.r.s.eilles, and him you came from Lyon,"
said the boy with the milky complexion, smiling genially. "Vraiment de ou venay vous?"
"I come from everywhere," she said, and tossed the hair back from her face.
"Travelled a lot?" asked the boy again.
"A feller told me," said Fuselli to Bill Grey, "that he'd talked to a girl like that who'd been to Turkey an' Egypt I bet that girl's seen some life."
The woman jumped to her feet suddenly screaming with rage. The man with the red hair moved away sheepishly. Then he lifted his large dirty hands in the air.
"Kamarad," he said.
n.o.body laughed. The room was silent except for feet sc.r.a.ping occasionally on the floor.
She put her hat on and took a little box from the chain bag in her lap and began powdering her face, making faces into the mirror she held in the palm of her hand.
The men stared at her.
Three Soldiers Part 16
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Three Soldiers Part 16 summary
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