Robert Falconer Part 16

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One gusty afternoon, like the first, but late in the spring, Robert repaired as usual to this his secret haunt. He had played for some time, and now, from a sudden pause of impulse, had ceased, and begun to look around him. The only light came from two long pale cracks in the rain-clouds of the west. The wind was blowing through the broken windows, which stretched away on either hand. A dreary, windy gloom, therefore, pervaded the desolate place; and in the dusk, and their settled order, the machines looked mult.i.tudinous. An eerie sense of discomfort came over him as he gazed, and he lifted his violin to dispel the strange unpleasant feeling that grew upon him. But at the first long stroke across the strings, an awful sound arose in the further room; a sound that made him all but drop the bow, and cling to his violin. It went on. It was the old, all but forgotten whirr of bobbins, mingled with the gentle groans of the revolving horizontal wheel, but magnified in the silence of the place, and the echoing imagination of the boy, into something preternaturally awful. Yielding for a moment to the growth of goose-skin, and the insurrection of hair, he recovered himself by a violent effort, and walked to the door that connected the two compartments. Was it more or less fearful that the jenny was not going of itself? that the figure of an old woman sat solemnly turning and turning the hand-wheel? Not without calling in the jury of his senses, however, would he yield to the special plea of his imagination, but went nearer, half expecting to find that the mutch, with its big flapping borders, glimmering white in the gloom across many a machine, surrounded the face of a skull. But he was soon satisfied that it was only a blind woman everybody knew--so old that she had become childish. She had heard the reports of the factory being haunted, and groping about with her half-withered brain full of them, had found the garden and the back door open, and had climbed to the first-floor by a farther stair, well known to her when she used to work that very machine. She had seated herself instinctively, according to ancient wont, and had set it in motion once more.

Yielding to an impulse of experiment, Robert began to play again.

Thereupon her disordered ideas broke out in words. And Robert soon began to feel that it could hardly be more ghastly to look upon a ghost than to be taken for one.

'Ay, ay, sir,' said the old woman, in a tone of commiseration, 'it maun be sair to bide. I dinna wonner 'at ye canna lie still. But what gars ye gang daunerin' aboot this place? It's no yours ony langer. Ye ken whan fowk's deid, they tyne the grip (loose hold). Ye suld gang hame to yer wife. She micht say a word to quaiet yer auld banes, for she's a douce an' a wice woman--the mistress.'

Then followed a pause. There was a horror about the old woman's voice, already half dissolved by death, in the desolate place, that almost took from Robert the power of motion. But his violin sent forth an accidental tw.a.n.g, and that set her going again.

'Ye was aye a douce honest gentleman yersel', an' I dinna wonner ye canna bide it. But I wad hae thoucht glory micht hae hauden ye in. But yer ain son! Eh ay! And a braw lad and a bonnie! It's a sod thing he bude to gang the wrang gait; and it's no wonner, as I say, that ye lea'

the worms to come an' luik efter him. I doobt--I doobt it winna be to you he'll gang at the lang last. There winna be room for him aside ye in Awbrahawm's boasom. And syne to behave sae ill to that winsome wife o'

his! I dinna wonner 'at ye maun be up! Eh na! But, sir, sin ye are up, I wish ye wad speyk to John Thamson no to tak aff the day 'at I was awa'

last ook, for 'deed I was verra unweel, and bude to keep my bed.'

Robert was beginning to feel uneasy as to how he should get rid of her, when she rose, and saying, 'Ay, ay, I ken it's sax o'clock,' went out as she had come in. Robert followed, and saw her safe out of the garden, but did not return to the factory.

So his father had behaved ill to his mother too!

'But what for hearken to the havers o' a dottled auld wife?' he said to himself, pondering as he walked home.

Old Janet told a strange story of how she had seen the ghost, and had had a long talk with him, and of what he said, and of how he groaned and played the fiddle between. And finding that the report had reached his grandmother's ears, Robert thought it prudent, much to his discontent, to intermit his visits to the factory. Mrs. Falconer, of course, received the rumour with indignant scorn, and peremptorily refused to allow any examination of the premises.

But how have the violin by him and not hear her speak? One evening the longing after her voice grow upon him till he could resist it no longer.

He shut the door of his garret-room, and, with Shargar by him, took her out and began to play softly, gently--oh so softly, so gently! Shargar was enraptured. Robert went on playing.

Suddenly the door opened, and his grannie stood awfully revealed before them. Betty had heard the violin, and had flown to the parlour in the belief that, unable to get any one to heed him at the factory, the ghost had taken Janet's advice, and come home. But his wife smiled a smile of contempt, went with Betty to the kitchen--over which Robert's room lay--heard the sounds, put off her creaking shoes, stole up-stairs on her soft white lambswool stockings, and caught the pair. The violin was seized, put in its case, and carried off; and Mrs. Falconer rejoiced to think she had broken a gin set by Satan for the unwary feet of her poor Robert. Little she knew the wonder of that violin--how it had kept the soul of her husband alive! Little she knew how dangerous it is to shut an open door, with ever so narrow a peep into the eternal, in the face of a son of Adam! And little she knew how determinedly and restlessly a nature like Robert's would search for another, to open one possibly which she might consider ten times more dangerous than that which she had closed.

When Alexander heard of the affair, he was at first overwhelmed with the misfortune; but gathering a little heart at last, he set to 'working,'

as he said himself, 'like a verra deevil'; and as he was the best shoemaker in the town, and for the time abstained utterly from whisky, and all sorts of drink but well-water, he soon managed to save the money necessary, and redeem the old fiddle. But whether it was from fancy, or habit, or what, even Robert's inexperienced ear could not accommodate itself, save under protest, to the instrument which once his teacher had considered all but perfect; and it needed the master's finest touch to make its tone other than painful to the sense of the neophyte.

No one can estimate too highly the value of such a resource to a man like the shoemaker, or a boy like Robert. Whatever it be that keeps the finer faculties of the mind awake, wonder alive, and the interest above mere eating and drinking, money-making and money-saving; whatever it be that gives gladness, or sorrow, or hope--this, be it violin, pencil, pen, or, highest of all, the love of woman, is simply a divine gift of holy influence for the salvation of that being to whom it comes, for the lifting of him out of the mire and up on the rock. For it keeps a way open for the entrance of deeper, holier, grander influences, emanating from the same riches of the G.o.dhead. And though many have genius that have no grace, they will only be so much the worse, so much the nearer to the brute, if you take from them that which corresponds to Dooble Sanny's fiddle.

CHAPTER XII. ROBERT'S PLAN OF SALVATION.

For some time after the loss of his friend, Robert went loitering and mooning about, quite neglecting the lessons to which he had not, it must be confessed, paid much attention for many weeks. Even when seated at his grannie's table, he could do no more than fix his eyes on his book: to learn was impossible; it was even disgusting to him. But his was a nature which, foiled in one direction, must, absolutely helpless against its own vitality, straightway send out its searching roots in another.

Of all forces, that of growth is the one irresistible, for it is the creating power of G.o.d, the law of life and of being. Therefore no acc.u.mulation of refusals, and checks, and turnings, and forbiddings, from all the good old grannies in the world, could have prevented Robert from striking root downward, and bearing fruit upward, though, as in all higher natures, the fruit was a long way off yet. But his soul was only sad and hungry. He was not unhappy, for he had been guilty of nothing that weighed on his conscience. He had been doing many things of late, it is true, without asking leave of his grandmother, but wherever prayer is felt to be of no avail, there cannot be the sense of obligation save on compulsion. Even direct disobedience in such case will generally leave little soreness, except the thing forbidden should be in its own nature wrong, and then, indeed, 'Don Worm, the conscience,' may begin to bite. But Robert felt nothing immoral in playing upon his grandfather's violin, nor even in taking liberties with a piece of lumber for which n.o.body cared but possibly the dead; therefore he was not unhappy, only much disappointed, very empty, and somewhat gloomy. There was nothing to look forward to now, no secret full of riches and endless in hope--in short, no violin.

To feel the full force of his loss, my reader must remember that around the childhood of Robert, which he was fast leaving behind him, there had gathered no tenderness--none at least by him recognizable as such. All the women he came in contact with were his grandmother and Betty. He had no recollection of having ever been kissed. From the darkness and negation of such an embryo-existence, his nature had been unconsciously striving to escape--struggling to get from below ground into the sunlit air--sighing after a freedom he could not have defined, the freedom that comes, not of independence, but of love--not of lawlessness, but of the perfection of law. Of this beauty of life, with its wonder and its deepness, this unknown glory, his fiddle had been the type. It had been the ark that held, if not the tables of the covenant, yet the golden pot of angel's food, and the rod that budded in death. And now that it was gone, the gloomier aspect of things began to lay hold upon him; his soul turned itself away from the sun, and entered into the shadow of the under-world. Like the white-horsed twins of lake Regillus, like Phoebe, the queen of skyey plain and earthly forest, every boy and girl, every man and woman, that lives at all, has to divide many a year between Tartarus and Olympus.

For now arose within him, not without ultimate good, the evil phantasms of a theology which would explain all G.o.d's doings by low conceptions, low I mean for humanity even, of right, and law, and justice, then only taking refuge in the fact of the incapacity of the human understanding when its own inventions are impugned as undivine. In such a system, h.e.l.l is invariably the deepest truth, and the love of G.o.d is not so deep as h.e.l.l. Hence, as foundations must be laid in the deepest, the system is founded in h.e.l.l, and the first article in the creed that Robert Falconer learned was, 'I believe in h.e.l.l.' Practically, I mean, it was so; else how should it be that as often as a thought of religious duty arose in his mind, it appeared in the form of escaping h.e.l.l, of fleeing from the wrath to come? For his very nature was h.e.l.l, being not born in sin and brought forth in iniquity, but born sin and brought forth iniquity. And yet G.o.d made him. He must believe that. And he must believe, too, that G.o.d was just, awfully just, punis.h.i.+ng with fearful pains those who did not go through a certain process of mind which it was utterly impossible they should go through without a help which he would give to some, and withhold from others, the reason of the difference not being such, to say the least of it, as to come within the reach of the persons concerned. And this G.o.d they said was love. It was logically absurd, of course, yet, thank G.o.d, they did say that G.o.d was love; and many of them succeeded in believing it, too, and in ordering their ways as if the first article of their creed had been 'I believe in G.o.d'; whence, in truth, we are bound to say it was the first in power and reality, if not in order; for what are we to say a man believes, if not what he acts upon? Still the former article was the one they brought chiefly to bear upon their children. This mortar, probably they thought, threw the sh.e.l.l straighter than any of the other field-pieces of the church-militant.

Hence it was even in justification of G.o.d himself that a party arose to say that a man could believe without the help of G.o.d at all, and after believing only began to receive G.o.d's help--a heresy all but as dreary and barren as the former. No one dreamed of saying--at least such a glad word of prophecy never reached Rothieden--that, while n.o.body can do without the help of the Father any more than a new-born babe could of itself live and grow to a man, yet that in the giving of that help the very fatherhood of the Father finds its one gladsome labour; that for that the Lord came; for that the world was made; for that we were born into it; for that G.o.d lives and loves like the most loving man or woman on earth, only infinitely more, and in other ways and kinds besides, which we cannot understand; and that therefore to be a man is the soul of eternal jubilation.

Robert consequently began to take fits of soul-saving, a most rational exercise, worldly wise and prudent--right too on the principles he had received, but not in the least Christian in its nature, or even G.o.d-fearing. His imagination began to busy itself in representing the dire consequences of not entering into the one refuge of faith. He made many frantic efforts to believe that he believed; took to keeping the Sabbath very carefully--that is, by going to church three times, and to Sunday-school as well; by never walking a step save to or from church; by never saying a word upon any subject unconnected with religion, chiefly theoretical; by never reading any but religious books; by never whistling; by never thinking of his lost fiddle, and so on--all the time feeling that G.o.d was ready to pounce upon him if he failed once; till again and again the intensity of his efforts utterly defeated their object by destroying for the time the desire to prosecute them with the power to will them. But through the horrible vapours of these vain endeavours, which denied G.o.d altogether as the maker of the world, and the former of his soul and heart and brain, and sought to wors.h.i.+p him as a capricious demon, there broke a little light, a little soothing, soft twilight, from the dim windows of such literature as came in his way.

Besides The Pilgrim's Progress there were several books which shone moon-like on his darkness, and lifted something of the weight of that Egyptian gloom off his spirit. One of these, strange to say, was Defoe's Religious Courts.h.i.+p, and one, Young's Night Thoughts. But there was another which deserves particular notice, inasmuch as it did far more than merely interest or amuse him, raising a deep question in his mind, and one worthy to be asked. This book was the translation of Klopstock's Messiah, to which I have already referred. It was not one of his grandmother's books, but had probably belonged to his father: he had found it in his little garret-room. But as often as she saw him reading it, she seemed rather pleased, he thought. As to the book itself, its florid expatiation could neither offend nor injure a boy like Robert, while its representation of our Lord was to him a wonderful relief from that given in the pulpit, and in all the religious books he knew. But the point for the sake of which I refer to it in particular is this: Amongst the rebel angels who are of the actors in the story, one of the princ.i.p.al is a cherub who repents of making his choice with Satan, mourns over his apostasy, haunts unseen the steps of our Saviour, wheels lamenting about the cross, and would gladly return to his lost duties in heaven, if only he might--a doubt which I believe is left unsolved in the volume, and naturally enough remained unsolved in Robert's mind:--Would poor Abaddon be forgiven and taken home again? For although naturally, that is, to judge by his own instincts, there could be no question of his forgiveness, according to what he had been taught there could be no question of his perdition. Having no one to talk to, he divided himself and went to buffets on the subject, siding, of course, with the better half of himself which supported the merciful view of the matter; for all his efforts at keeping the Sabbath, had in his own honest judgment failed so entirely, that he had no ground for believing himself one of the elect. Had he succeeded in persuading himself that he was, there is no saying to what lengths of indifference about others the chosen prig might have advanced by this time.

He made one attempt to open the subject with Shargar.

'Shargar, what think ye?' he said suddenly, one day. 'Gin a de'il war to repent, wad G.o.d forgie him?'

'There's no sayin' what fowk wad du till ance they're tried,' returned Shargar, cautiously.

Robert did not care to resume the question with one who so circ.u.mspectly refused to take a metaphysical or a priori view of the matter.

He made an attempt with his grandmother.

One Sunday, his thoughts, after trying for a time to revolve in due orbit around the mind of the Rev. Hugh Maccleary, as projected in a sermon which he had botched up out of a commentary, failed at last and flew off into what the said gentleman would have p.r.o.nounced 'very dangerous speculation, seeing no man is to go beyond what is written in the Bible, which contains not only the truth, but the whole truth, and nothing but the truth, for this time and for all future time--both here and in the world to come.' Some such sentence, at least, was in his sermon that day, and the preacher no doubt supposed St. Matthew, not St.

Matthew Henry, accountable for its origination. In the Limbo into which Robert's then spirit flew, it had been sorely exercised about the subst.i.tution of the sufferings of Christ for those which humanity must else have endured while ages rolled on--mere ripples on the ocean of eternity.

'Noo, be douce,' said Mrs. Falconer, solemnly, as Robert, a trifle lighter at heart from the result of his cogitations than usual, sat down to dinner: he had happened to smile across the table to Shargar. And he was douce, and smiled no more.

They ate their broth, or, more properly, supped it, with horn spoons, in absolute silence; after which Mrs. Falconer put a large piece of meat on the plate of each, with the same formula:

'Hae. Ye s' get nae mair.'

The allowance was ample in the extreme, bearing a relation to her words similar to that which her practice bore to her theology. A piece of cheese, because it was the Sabbath, followed, and dinner was over.

When the table had been cleared by Betty, they drew their chairs to the fire, and Robert had to read to his grandmother, while Shargar sat listening. He had not read long, however, before he looked up from his Bible and began the following conversation:--

'Wasna it an ill trick o' Joseph, gran'mither, to put that cup, an' a siller ane tu, into the mou' o' Benjamin's seck?'

'What for that, laddie? He wanted to gar them come back again, ye ken.'

'But he needna hae gane aboot it in sic a playactor-like gait. He needna hae latten them awa' ohn tellt (without telling) them that he was their brither.'

'They had behaved verra ill till him.'

'He used to clype (tell tales) upo' them, though.'

'Laddie, tak ye care what ye say aboot Joseph, for he was a teep o'

Christ.'

'Hoo was that, gran'mither?'

'They sellt him to the Ishmeleets for siller, as Judas did him.'

'Did he beir the sins o' them 'at sellt him?'

'Ye may say, in a mainner, 'at he did; for he was sair afflickit afore he wan up to be the King's richt han'; an' syne he keepit a hantle o'

ill aff o' 's brithren.'

'Sae, gran'mither, ither fowk nor Christ micht suffer for the sins o'

their neebors?'

'Ay, laddie, mony a ane has to do that. But no to mak atonement, ye ken.

Naething but the sufferin' o' the spotless cud du that. The Lord wadna be saitisfeet wi' less nor that. It maun be the innocent to suffer for the guilty.'

Robert Falconer Part 16

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Robert Falconer Part 16 summary

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