Evelyn Innes Part 45

"Only that she thinks it wrong; we've been discussing it all the afternoon. It has made me quite ill;" and he dropped into a chair.

Harding knew perfectly well of whom they were speaking, and Owen knew that he knew, but it seemed more decorous to refrain from mentioning names, and Evelyn's soul was discussed as if it were an abstract quant.i.ty, and all indication of the individual incarnation was avoided.

Owen admitted that, notwithstanding many seeming contradictory appearances, Evelyn had always thought it wrong to live with him, and yet, notwithstanding her being very fond of him, she had never shown any eagerness to be married. "Of course it is very wrong," she would say in her own enchanting way, "but a lover is very exciting, and a husband always seems dull. I don't think you'd be half as nice as a husband as you are as a lover." The recital of the Florence episode interested Harding, but it was the opposition of the priest and the musician that made the story from his point of view one of the most fascinating he had ever heard in his life.

They dined together in an old-fas.h.i.+oned club, in a room lighted by wax candles in silver candlesticks. Tall mirrors in gold frames reflected the black mahogany furniture. In answer to Owen, who lamented that Evelyn was sacrificing everything for an idea, Harding spoke, and with his usual conscious exaltation, of the Christian martyrs, the Spanish Inquisition, and then Robespierre seemed to him the most striking example of what men will do for an idea. He mentioned a portrait by Greuze in which Robespierre appears as a beautiful young man. "Such a face," he said, "as we might imagine for a lover or a poet, a sort of Lucien de Rubempre, but in his brain there was a cell containing the pedantic idea, and for this idea he cut off a thousand heads, and would have cut off a million. The world must conform to his idea, or it was a lost world."

Towards the end of dinner, the head waiter interrupted their conversation. He lingered about the table, anxious to hear something of Lord Ascott's two-year-olds; but, in the smoking-room over their coffee, they returned to the more vital question--the sentimental affections.

They were agreed that the pleasure of love is in loving, not in being loved, and their reasons were incontrovertible.

"It is the letters," said Harding, "that we write at three in the morning to tell her how enchanting she was; it is the flowers we send, the words of love that we speak in her ear, that are our undoing. So long as we are indifferent, they love us."

"Quite true. At first I did not care for her as much as she did for me, and I noticed that as soon as I began to fall in love--"

"To aspire, to suffer. Maybe there is no deep pleasure in contentment.

In casting you out she has given you a more intense life."

Owen did not seem to understand. His eye wandered, then returning to Harding, he said--

"We cannot wors.h.i.+p and be wors.h.i.+pped; is that what you mean? If so, I agree with you. But I'd sooner lose her as I have done than not have told her that I loved her.... There never was anyone like her. Sympathy, understanding, appreciation and enthusiasm! it was like living in a dream. Good G.o.d! to think that that priest should have got her; that, after all my teaching, she should think it wrong to have a lover! I don't know if you know of whom we are speaking. If you suspect, I can't help it, but don't ask me. I shouldn't speak of her at all; it is wrong to speak of her, even though I don't mention her name, but it is impossible to help it. If you are proud of a woman you must speak of her--and I was so proud of her. It is very easy to be discreet when you are ashamed of them," he added, with a laugh. "When I had nothing to do, I used to sit down and think of her, and I used to say to myself that if I were the king of the whole world I could not get anything better. But it is all over now."

"Well, you've had six years, the very prime of her life."

"That's true; you're very sympathetic, Harding. Have another cigarette.

I was faithful to her for six years--you can't understand that, but it is quite true, and I had plenty of chances, but, when I came to think of it, it always seemed that I liked her the best."

At the same moment Evelyn stood on her balcony, watching the evening.

The park was breathless, and the sky rose high and pale, and calm as marble. But the houses seemed to speak unutterable things, and she closed the window and stood looking across the room. Then walking towards the sofa as if she were going to sit down, she flung herself upon it and buried her face among the cus.h.i.+ons. She lay there weeping, and when she raised her face she dashed the tears from her streaming cheeks, but this pause was only the prelude to another pa.s.sionate outbreak, and she wept again, finding in tears fatigue, and in fatigue relief. She sobbed until she could sob no more, and so tired was she that she no longer cared what happened; very tired, and her head heavy, she went upstairs, eager for sleep. And closing her eyes she felt a delicious numbing of sense, a dissolution of her being into darkness....

But in her waking there was a consciousness, a foreboding of a nameless dread, of a heavy weight upon her, and when the foreboding in her ears grew louder, she seemed to know that an irreparable calamity had happened, and trying to fathom it, she saw the wall-paper, and it told her she was in her own room. She seemed to be trying to read something on it, but what she was trying to read and understand seemed to move away, and her brain laboured in anxious pursuit. Her eyes opened, and she remembered her interview with Owen. She had sent him away, she understood it all now, she had sent Owen away! She had told him that Ulick was her lover, so even if he were to come back it never could be the same as it was. Why had she told him about Ulick? It was bad enough to send him away, but she had degraded his memory of her, and the thought that she had not deceived him, but had told him what he otherwise might never have known, did not console her just then. She lay quite still, face to face with, seeing as it were into the eyes of the Irreparable. Never again would a man hold her in his arms, saying, "Darling, I am very fond of you!" Take love out of her life, and what barrenness, what weariness! After all, she was only seven-and-twenty, and the thought came upon her that she might have waited until she was a little older. The word "never" rang in her ears, and she realised as she had not done before all that a lover meant to her--romance, adventure, the brilliancy and sparkle of life. What was life without the delightful excitement of the chase, the delicious doubts regarding the hidden significance of every look and word, then the rapture of the final abandonment? She tried to think that the life she proposed to relinquish had not brought her happiness, but she could not put back memory of the enchanting days she had spent with her lovers. Oh, the intense hours of antic.i.p.ation! and the wonderful recollections! rich and red as the heart of a flower! Such rapture seemed to her to be worth the remorse that came after, and the peace of mind that a chaste life would secure, a poor recompense for dreary days and months. She realised the length and the colour of the time--grey week after grey week, blank month after blank month, void year after void year! And she always getting a little older, getting older in a drab, lifeless time, in a lifeless life, a weary life filled with intolerable craving! She had endured it once, a feeling as if she wanted to go mad.... She picked up her letters.

Among the letters she received that morning was one from Ulick. He was still in Paris, and would not be back for another week or ten days. He had been lonely, he had missed her, and looked forward to their meeting.

He told her about the opera, the people he had met, and what they had said about his music. But the tender affection of his letter was not to her mind. Why did he not say that he longed to take her in his arms and kiss her on the lips? Knitting her brows, she tried to think that if he had written more pa.s.sionately she would have taken the train and gone to him. She had sent Owen away on account of scruples of conscience, and a life of chast.i.ty extended indefinitely before her. But who was this woman to whom Ulick had shown his music, and who had said that if anything happened to prevent Evelyn Innes from singing the part, she hoped that Ulick would give it to her? Why should she have thought that something would happen to prevent Evelyn Innes from creating Grania? Had Ulick suggested it to her? But how could Ulick know? She tried to think if she had ever told him she was tired of the stage. Perhaps he had consulted the stars and had divined her future. This woman seemed to know that something might happen, and something was happening, there could be no doubt about that.

There was no doubt that she was tired of the stage, but perhaps that was on account of hard work, perhaps she required a rest; in two or three months she might return eagerly to the study of Grania; for the sake of Ulick, she might remain on the stage till she had established the success of his opera. This might be if she and Ulick were not lovers.

She had promised Owen that she would not keep him for her lover, but that did not mean that she would not sing his opera. If she didn't, another woman would, some wretched singer who did not understand the music, and it would be a failure. Ulick would hate her; he would believe that her refusal to sing his opera was a vile plan to do him an injury.

He did not know what conscience meant--he only understood the legends and the G.o.ds! She laughed, and a moment afterwards was submerged in difficulties. Her conduct would seem more incomprehensible to him than it did to Owen; she did not wish him to hate her, but he would hate her, and to avoid seeing her he would not go to Dowlands, and so she would rob her father of his friend--the friend who had kept him company when she deserted him. There was another alternative. If she liked him well enough to be his mistress, she should like him well enough to be his wife. But knowing that she would not marry him, she took up her other letters and began reading them.

Lady Duckle liked Homburg; everyone was there, and she hoped Evelyn would not be detained in London much longer. The Duke of Berwick had proposed to Miss Beale, and Lady Mersey was always about with young Mr.

So-and-So. Evelyn didn't read it all. She lay back thinking, for this letter, about things that interested her no longer, had led her thoughts back to self, and she inquired why in the midst of all her enjoyments she had felt that her real life was elsewhere, why she had always known that sooner or later the hour would come when she would leave the things which she enjoyed so intensely. The idea of departure had never quite died down in her, and she had always known that she would be one day quite a different woman. She had often had glimpses of her future self and of her future life, but the moment she tried to distinguish what was there, the vision faded. Even now she knew that she would not marry Ulick, and this not because she would refuse her father anything, but merely because it was not to be. Her eyes went to the piano, but on the way there she stopped to ask herself a question. Why was she in London at this time of year? She knew why she did not care to go to Homburg--because she was tired of society. But why did she not go to some quiet seaside place where she could enjoy the summer weather? She would like to sit on the beach and hear the sea. Her soul threatened to give back a direct answer, and she dismissed the question.

She paced the empty alley facing the Bayswater Road. No one was there except a nursemaid and a small child, and she and they shared the solitude. She could see the omnibuses pa.s.sing, and hear the clank of the heavy harness, and seated on one of the seats she drew diagrams on the gravel with her parasol. Owen said there was no meaning in life, that it was no more than an unfortunate accident between two eternal sleeps. But she had never been able to believe that this was so; and if she had sought to disbelieve in G.o.d, it was as Monsignor had said, because she wished to lead a sinful life. And if she could not believe in annihilation, there could be no annihilation for her, that was Ulick's theory. The name of her lover brought up the faded Bloomsbury Square, the litter of ma.n.u.script and the books on magic! She had tried to believe in readings of the stars. But such vague beliefs had not helped her. In spite of all her efforts, the world was slipping behind her; Owen and Ulick and her stage career seemed very little compared with the certainty within her that she was leading a sinful life, and she was only really certain of that. The omnibuses in the road outside, the railways beyond the town, the s.h.i.+ps upon the sea, what were these things to her--or yet the singing of operas? The only thing that really mattered was her conscience.

Then, almost without thinking at all, in a sort of stupor, she walked over the hill and descended the slope, and leaning over the bal.u.s.trade she looked at the fountains. But the splas.h.i.+ng water explained nothing, and she turned to resume her walk; and she reflected that to send away her lovers would avail her nothing, unless she subsequently confessed her sins and obtained the priest's absolution. Monsignor would tell her that to send away her lovers was not sufficient, and he would refuse his absolution unless she promised him not to see them any more. That promise she could not give, for she had promised Ulick that she would sing Grania, and she had promised Owen to see him in three months. It seemed to her both weak and shameful to break either of these promises.

The spire of Kensington Church showed sharp as a needle on a calm sky, and it was in a sudden anguish of mind that she determined that her repentance must be postponed. She had considered the question from every point of view, and could not at once reverse her life; the change must come gradually. She had sent Owen away; that was enough for the present.

The numerous pea-fowls had gathered in a bare roosting tree on an opposite hillside, and the immense tails of the c.o.c.k-birds swept the evening sky. Owen would have certainly compared it to a picture by Honderhoker. The ducks clambered out of the water, keeping their cunning black eyes fixed on the loitering children whom the nursemaid was urging to return home. In Kensington Gardens, the glades were green and gold, and for some little while Evelyn watched the delicate spectacle of the fading light, and insensibly she began to feel that a life of spiritual endeavour was the only life possible to her, and that, however much it might cost her, she must make the effort to attain it. Even to feel that she was capable of desiring this ideal life was a delicious happiness, and her thoughts flowed on for a long while, unmindful of practical difficulties. Suddenly it came upon her like a sudden illumination, that sooner or later she would have to make all the sacrifices that this ideal demanded, that she would not have any peace of mind until she had made them. But even at the same moment the insuperable difficulties of the task before her appeared, and she despaired. The last obstacle was money. As she crossed the road dividing Kensington Gardens from Hyde Park, she understood that the simple fact of owing a few thousand pounds rendered her immediate retirement from the stage impossible. She had insisted that the money she required to live in Paris and study with Madame Savelli should be considered as a debt, which she would repay out of her first earnings. But Owen had laughed at her. He had refused to accept it, and he would never tell her the rent of the house in the Rue Balzac; he had urged that as he had made use of the house he could not allow her to pay for it. In the rough, she supposed that a thousand pounds would settle her debt for the year they had spent in Paris.

Since then she had, however, insisted on keeping herself, but now that she came to think it out, it did not seem that she had done much more than pay her dressmaker's bills. She grew alarmed at the amount of her debt, which seemed in her excited imagination so large that all her savings, amounting to about six or seven thousand pounds, would not suffice to pay it off. Most of her jewellery had been given to her by Owen; there was the furniture, the pictures and the china in Park Lane!

She would have to return all these, and the horses, too, if she wished to pay everything, and the net result would be that she would mortally offend the man who had done everything for her. She knew he would not forgive her if she sent back the presents he had made her, nor could she blame him, and she decided that such complete rest.i.tution was impossible. But, for all she knew, Monsignor might insist upon it. If he did? She felt that she would go mad if she did not put aside these scruples, which she knew to be in a measure fict.i.tious, but which she was nevertheless unable to shake off. And she could not help thinking, though she knew that such thoughts were both foolish and unjust, that Owen had purposely contrived this thraldom. Then there was only one thing for her to do, to go to Paris after Ulick.... A moment after there came a sinking feeling. She knew that she could not. But what was she to do? All this uncertainty was loosening her brain.... She might go to Monsignor and lay the whole matter before him and take his advice. But she knew if she went to him she must confess. Better that, she thought, than that the intolerable present should endure.

Mental depression and sleepless nights had produced nervous pains in her neck and arms. She could hardly drag herself along for very weariness.

The very substance of her being seemed to waste away; that amount of unconsciousness without which life is an agony had been abstracted, leaving nothing but a fierce mentality.

She slept a little after dinner, and awakening about eleven, she foresaw another night of insomnia. The chatter of her conscience continued, tireless as a cricket, and she had lost hope of being able to silence it. The hysterical tears of last night had brought her four hours of sleep, but there was no chance of any repet.i.tion of them. It would be useless to go upstairs. She sang through the greater part of "Lohengrin," and then took up the "Meistersinger," and read it till it fell from her hands. ... It was three o'clock; and feeling very tired, she thought that she might be able to sleep. But all night long she saw her life from end to end. Her miserable pa.s.sage through this life, the weakness of her character and the vileness of her sins were shown to her in a hideous magnification. She was exhibited to herself like an insect in a crystal, and she perceived the remotest antennae of her being.

CHAPTER THIRTY

One night it occurred to her that she might ring for Merat and send her to the chemist's for a sleeping draught. But it was four o'clock in the morning, and she did not like to impose such a task on her maid.

Moreover, she might get to sleep a little later on, so she wrote on a piece of paper that Merat was not to come to her room until she rang for her, and she lay down and folded her arms, and once more began to count the sheep through the gate. But that night sleep seemed further than ever from her eyes, and at eight she was obliged to ring. "Merat, I have not closed my eyes all night."

"Mademoiselle ought to have a sleeping draught."

"Yes, I'll take one to-night Get me some tea. Another night like this will drive me mad."

Late in the afternoon she slept for an hour in an armchair, and, a little rested, went to walk in the park. She was not feeling so dazed; her brain was not so light, and the sense of whiteness was gone; the pains in the neck and arms too had died down; they were now like a dim suggestion, a memory. But the greatest relief of all was that she was not thinking, conscience was quiescent and in the calm of the evening and the gentleness of the light, life seemed easier to bear. If she could only get a night's sleep! Now she did not know which was the worst--the reality, the memory, or the antic.i.p.ation of a sleepless night. She had wandered round the park by the Marble Arch, and had continued her walk through Kensington Gardens, and sitting on the hillside by the Long Water, with the bridge on her left hand and the fountains under her eyes, she looked towards Kensington. There an iridescent sky floated like a bubble among the autumn-tinted trees. She was then thinking of her music and her friends; she hardly knew of what she was thinking, when a thought so clear that it sounded like a bell spoke within her, and it said that the things of which she was thinking were as nothing, and that Life was but a little moment compared with Eternity, and she seemed to see into the final time which lay beyond the grave. "There and not here are the true realities," said the voice, and she got up and walked hurriedly down the hillside, fearing lest the fierce conflict of conscience should begin again in her. She walked as fast as she was able, hoping to extinguish in action the conscience that she dreaded, but she was weak and almost helpless, and had to pause to rest. She stood, one hand on the bal.u.s.trade, not daring to turn her head lest she should see the spire of the Kensington Church.

She walked across the gardens, through the great groves, and sat down.

The gra.s.s was worn away about the roots of the trees and through the gnarled trunks she could see the keeper's cottage covered with reddened creeper. Perhaps it was the calm and seclusion that called her thoughts to the convent garden, and she reflected that if she had not accepted the nuns' invitation to tea, her life might have continued without deviation. She was impressed with the slightness of the thread on which our destiny hangs, and then by the inevitableness of our lives. We perceive the governing rule only when we look back. The present always seems chaos, but when we look back, we distinguish the reason of every action, and we recognise the perfect fulfilment of what must be. Her visit to the convent--how little it was when looked at from one side, when looked at from another how extraordinary! If she had known that Monsignor was going to ask her to go there, she would have invented a plausible excuse, but she had had no time to think; his kind eyes were fixed upon her, and he seemed so ready to believe all she said, that her courage sank within her, and she could not lie to him. Perhaps all this was by intention, by the very grace of G.o.d! The Virgin might have interceded on her behalf, for is it not said that whoever wears the scapular of Our Lady of Mount Carmel cannot lose his soul? But for the last two years, for more than two years, she has not worn her scapular.

The strings had broken, and they had not been mended. She had intended to buy another, but had not been able to bring herself to do so, so hypocritical did it seem.

It might be that these dreadful nights of insomnia had been sent so that she might have an opportunity of realising the wickedness of her life, and the risk she incurred of losing her immortal soul. She dare not have recourse to the sleeping draught, and must endure perhaps another sleepless night. If they had been sent, as she thought they were, for a purpose, she must not dare to hush, by artificial means, the sense G.o.d had awakened in her; to do so would be like flying in the face of Providence. She had never suffered from sleeplessness before, and could not think that this insomnia was accidental. No, she dare not have recourse to sleeping draughts, at least not till she had been to confession. If afterwards she did not get to sleep, it would be different. The fear arose in her of taking too much, of dying in her sleep. If she were to awake in h.e.l.l! And that evening, when Merat reminded her of the draught, she said it was to be left on the table, and that she would take it if she required it.

The darkness could not hide the slim bottle corked with a slim blond cork, and so clear was the vision that she could read the label through the darkness. It was only partially gummed on the bottom, and she could read the pale writing. "To be taken before bedtime." The temptation struck through the darkness, sweet and dreamily seductive it entered her brain. She was tempted as by a dark, dreamless river; hushed in an unconscious darkness she would be upon that river, floating through a long, winding night towards a dim, very distant day. If she were to drink, darkness would sink upon her, and all this visible world, the continual sight of which she felt must end in lunacy, would pa.s.s from her. So great was the temptation that she did not dare to get out of bed and put the bottle away--if she did she must drink it, so she lay quite still, her face turned against the wall, trying to find courage in the thought that G.o.d had imposed the torture of these sleepless nights upon her in order that she might be saved from the eternal sleeplessness of h.e.l.l.

Mistakes are made in the preparation of medicines, but if no mistake had been made, a change in her health might unfit her for so large a dose, and if through either of these chances she were to die in her sleep, there was no question that she must awake in h.e.l.l. She did not dare to go to the draught, but lay quite still, her head close against the wall, praying for darkness, crying for relief from this too fierce mentality; it seemed to be eating up the very substance of her brain.

On the following evening she sat in her armchair watching the clock. It had struck eleven--that was the time for her going to bed, but the hour had become a redoubtable one. Bedtime filled her with fear, and the thought of another sleepless night deprived her of all courage. She did not dare to go upstairs. She sat in her armchair as if in terror of a mortal enemy. She had hidden the bottle, but her maid had ordered another. There were now two, sufficient to procure death, said her conscience, and since dinner the temptation to commit suicide had been growing in her brain; like a vulture perched upon a jag of mountain rock, she could see the temptation watching her. She tried not to see, but the thought grew blacker and larger--its beak was in her brain, and she was drawn, as if by talons, tremblingly from her chair. She was so weak that she could hardly cross the room; but the thought of death seemed to give her courage, and without it she thought she never would have had the strength to get upstairs. The attraction was extraordinary, and her powerlessness to resist it was part of the fascination, and she looked round the room like a victim looking for the knife. She could not see the bottle on her dressing-table, and accepting this as a favourable omen, she undressed and lay down.

After all, she might sleep without having recourse to death; but, lying on the pillow, she could think of nothing but the slim bottle and the slim blond cork, and a thick white liquid, and the dark river into which she would sink, the winding darkness on which she would float, and she had not strength to think whither it led. Her only thought was not to see this world any more; her only desire not to think of Ulick or Owen, and to be tortured no longer by doubt of what was right and what was wrong. She was aware that she was losing possession of her self-control, and would be soon drawn into the dreaded but much-desired abyss; and in this delirium, produced by long insomnia, she began to conceive her suicide as an act of defiance against G.o.d, and she rejoiced in her hatred of G.o.d, who had afflicted her so cruelly--for it was hatred that had come to her aid, and would enable her to secure a long, long sleep. "Out of the sight of this world"--she muttered the words as she sought the chloral--"I'll sleep, I'll sleep, I must sleep. Sleep or death, one or the other, so long as I am out of the sight of this world." But in her frenzy of desire for sleep she overlooked the slim bottle with the slim blond cork. Yet it stood on the toilet-table amid other bottles, right under her eyes, but over and over again she pa.s.sed it by, until, frightened at not finding it, she opened drawer after drawer, and rushed to her wardrobe thinking it might be there. She sought for it, throwing her things about, and, not finding it anywhere, a cold sweat broke over her forehead. Another sleepless night and she must go mad. If she did not find it, she must find another way out of this agony, and the thought of cutting her throat, or throwing herself out of the window, flashed across her mind. "Sleep I must have--sleep, sleep, sleep!" she muttered, as with fearing fingers she emptied out the contents of her little workbox, where odds and ends collected. It was her scapular that came up under her hand, and at the sight of it, all her mad revolt was hushed, and a calm settled upon her. "A miracle, a miracle," she murmured, "the Virgin has done this; she interceded for me;" and at the same moment, catching sight of the chloral right under her very eyes, she could no longer doubt the miraculous interposition of the Virgin. For how otherwise could that bottle have escaped her notice?

She had looked at the very place where it stood many times, and had not seen it; she had moved the other bottles and she had not seen it. The Virgin had taken it away--she was sure it was not there five minutes ago--or else the Virgin had blinded her eyes to it. A miracle had happened; and in a quivering peace of mind and an intense joy of the heart, she mended the strings of her broken scapular. Then she hung it round her neck, and kneeling by the bedside, she said the prayers that it enjoined; and when she got into bed she saw a light s.h.i.+ning in one corner of the room, and, sure that it was the Virgin who had come in person to visit her, she continued her prayers till she fell asleep.

CHAPTER THIRTY-ONE

A knock came at her door, and Merat was glad to hear that Mademoiselle had slept. She noticed that the sleeping-draught had not been taken, and picking up the various things that Evelyn had scattered in her search, she wondered at the disorder of the room, making Evelyn feel uncomfortable by her remarks. Evelyn knew it would be impossible for Merat to guess the cause of it all. But when she hesitated about what dress she would wear, declaring against this one and that one, her choice all the time being fixed on a black crepon, Merat glanced suspiciously at her mistress; and when Evelyn put aside her rings, selecting in preference two which she did not usually wear, the maid was convinced that some disaster had happened, and was ready to conclude that Ulick Dean was the cause of these sleepless nights.

Evelyn had chosen this dress because she was going to St. Joseph's or because she supposed she was going there. It did not seem to her that she could confess to anyone but Monsignor. But why he? one priest would do as well as another. She was too tired to think.

Her brain was like one of those autumn days when clouds hang low, and a dimness broods between sky and earth. True that there were the events of last night--her search for the chloral, the finding of her scapular, her belief in a special interposition of Providence, and then her resolution to go to confession. It was all there; she knew it all, but did not want to think about it. She had been thinking for a week, and this was the first respite she had had from thought, and she wished this stupor of brain to continue till four o'clock. That was the time she would have to be at St. Joseph's. He was generally there at that time.

She had lain down on the sofa after breakfast, hoping to sleep a little; if she didn't, the time would be very long; but as she dozed, she began to see the thin, worn face and the piercing eyes, and the intonation of his voice began to ring in her ears. As she thought or as she dreamed, the striking of the clock reminded her of the number of hours that separated them. Only four hours and she would be kneeling at his feet!

Then she felt that she had advanced a stage, and was appreciably nearer the inevitable end, and lay staring at the sequence of events. She saw the hours stretching out reaching to him, and she, all the while, was moving through the hours automatically. All kind of similes presented themselves to her mind. She asked herself how it was that Monsignor had come into her life. She had not sought him; she had not wanted him in her life, but he had come! She remembered the first time she saw him--that Sunday morning when she went to St. Joseph's to meet her father's choir--and could recall the exact appearance of the church as he walked across the aisle to the pulpit. It was illuminated by a sudden ray of sunlight falling through one of the eastern windows, and she remembered how it had lighted up the thin, narrow face, bringing a glow of colour to the dark skin till it seemed like one of the carved saints she had seen in Romanesque churches on the Rhine. She remembered the shape of the small head, carried well back, and how she had been impressed by the slow stride with which he crossed the sanctuary. Then her thoughts pa.s.sed to the moment when, standing in the pulpit, he had looked out on the congregation, seeming to divine the presence of some great sinner there. She had felt that he was aware of her existence, for in that moment the thin grey eyes seemed to see her, even to think her, and they had frightened her, they were so clear, so set on some purpose--G.o.d's or the Church's. She had met him that evening at a concert, and how well she remembered her father introducing him! He had spoken to her several minutes; everyone in the room was looking at them, and she recalled the scene--all the girls, their dresses, and the expression of their eyes. But she could not recall what Monsignor had said, only her impressions; the same strange fascination and fear which she had experienced when Owen came to the concerts long ago--that loud winter's night, harsh and hard as iron. Owen had stood talking to her too, and she had been fascinated.... He had admired her singing, and Monsignor had admired her singing; but she was determined not to sing until Monsignor had asked her to sing, and when he has asked her to go to the convent she had gone. It was very strange; she could not account for it. It was all beyond herself, outside of her, far away like the stars, and she felt now as she did whenever she looked at the stars. Was her character essentially weak, and was she liable to all these influences, these facile a.s.similations? Was there nothing within her, no abiding principle, nothing that she could call her own? She walked up the room, and tried to understand herself--what was she, bad or good, weak or strong? If she only knew what she was, then she would know how to act.