Tender Buttons Part 5
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Looseness, why is there a shadow in a kitchen, there is a shadow in a kitchen because every little thing is bigger.
The time when there are four choices and there are four choices in a difference, the time when there are four choices there is a kind and there is a kind. There is a kind. There is a kind. Supposing there is a bone, there is a bone. Supposing there are bones. There are bones. When there are bones there is no supposing there are bones. There are bones and there is that consuming. The kindly way to feel separating is to have a s.p.a.ce between. This shows a likeness.
Hope in gates, hope in spoons, hope in doors, hope in tables, no hope in daintiness and determination. Hope in dates.
Tin is not a can and a stove is hardly. Tin is not necessary and neither is a stretcher. Tin is never narrow and thick.
Color is in coal. Coal is outlasting roasting and a spoonful, a whole spoon that is full is not spilling. Coal any coal is copper.
Claiming nothing, not claiming anything, not a claim in everything, collecting claiming, all this makes a harmony, it even makes a succession.
Sincerely gracious one morning, sincerely graciously trembling, sincere in gracious eloping, all this makes a furnace and a blanket. All this shows quant.i.ty.
Like an eye, not so much more, not any searching, no compliments.
Please be the beef, please beef, pleasure is not wailing. Please beef, please be carved clear, please be a case of consideration.
Search a neglect. A sale, any greatness is a stall and there is no memory, there is no clear collection.
A satin sight, what is a trick, no trick is mountainous and the color, all the rush is in the blood.
Bargaining for a little, bargain for a touch, a liberty, an estrangement, a characteristic turkey.
Please spice, please no name, place a whole weight, sink into a standard rising, raise a circle, choose a right around, make the resonance accounted and gather green any collar.
To bury a slender chicken, to raise an old feather, to surround a garland and to bake a pole splinter, to suggest a repose and to settle simply, to surrender one another, to succeed saving simpler, to satisfy a singularity and not to be blinder, to sugar nothing darker and to read redder, to have the color better, to sort out dinner, to remain together, to surprise no sinner, to curve nothing sweeter, to continue thinner, to increase in resting recreation to design string not dimmer.
Cloudiness what is cloudiness, is it a lining, is it a roll, is it melting.
The sooner there is jerking, the sooner freshness is tender, the sooner the round it is not round the sooner it is withdrawn in cutting, the sooner the measure means service, the sooner there is c.h.i.n.king, the sooner there is sadder than salad, the sooner there is none do her, the sooner there is no choice, the sooner there is a gloom freer, the same sooner and more sooner, this is no error in hurry and in pressure and in opposition to consideration.
A recital, what is a recital, it is an organ and use does not strengthen valor, it soothes medicine.
A transfer, a large transfer, a little transfer, some transfer, clouds and tracks do transfer, a transfer is not neglected.
Pride, when is there perfect pretence, there is no more than yesterday and ordinary.
A sentence of a vagueness that is violence is authority and a mission and stumbling and also certainly also a prison. Calmness, calm is beside the plate and in way in. There is no turn in terror. There is no volume in sound.
There is coagulation in cold and there is none in prudence. Something is preserved and the evening is long and the colder spring has sudden shadows in a sun. All the stain is tender and lilacs really lilacs are disturbed. Why is the perfect reestablishment practiced and prized, why is it composed. The result the pure result is juice and size and baking and exhibition and nonchalance and sacrifice and volume and a section in division and the surrounding recognition and horticulture and no murmur.
This is a result. There is no superposition and circ.u.mstance, there is hardness and a reason and the rest and remainder. There is no delight and no mathematics.
MUTTON.
A letter which can wither, a learning which can suffer and an outrage which is simultaneous is princ.i.p.al.
Student, students are merciful and recognised they chew something.
Hate rests that is solid and spa.r.s.e and all in a shape and largely very largely. Interleaved and successive and a sample of smell all this makes a certainty a shade.
Light curls very light curls have no more curliness than soup. This is not a subject.
Change a single stream of denting and change it hurriedly, what does it express, it expresses nausea. Like a very strange likeness and pink, like that and not more like that than the same resemblance and not more like that than no middle s.p.a.ce in cutting.
An eye gla.s.s, what is an eye gla.s.s, it is water. A splendid specimen, what is it when it is little and tender so that there are parts. A centre can place and four are no more and two and two are not middle.
Melting and not minding, safety and powder, a particular recollection and a sincere solitude all this makes a shunning so thorough and so unrepeated and surely if there is anything left it is a bone. It is not solitary.
Any s.p.a.ce is not quiet it is so likely to be s.h.i.+ny. Darkness very dark darkness is sectional. There is a way to see in onion and surely very surely rhubarb and a tomato, surely very surely there is that seeding. A little thing in is a little thing.
Mud and water were not present and not any more of either. Silk and stockings were not present and not any more of either. A receptacle and a symbol and no monster were present and no more. This made a piece show and was it a kindness, it can be asked was it a kindness to have it warmer, was it a kindness and does gliding mean more. Does it.
Does it dirty a ceiling. It does not. Is it dainty, it is if prices are sweet. Is it lamentable, it is not if there is no undertaker. Is it curious, it is not when there is youth. All this makes a line, it even makes makes no more. All this makes cherries. The reason that there is a suggestion in vanity is due to this that there is a burst of mixed music.
A temptation any temptation is an exclamation if there are misdeeds and little bones. It is not astonis.h.i.+ng that bones mingle as they vary not at all and in any case why is a bone outstanding, it is so because the circ.u.mstance that does not make a cake and character is so easily churned and cherished.
Mouse and mountain and a quiver, a quaint statue and pain in an exterior and silence more silence louder shows salmon a mischief intender. A cake, a real salve made of mutton and liquor, a specially retained rinsing and an established cork and blazing, this which resignation influences and restrains, restrains more altogether. A sign is the specimen spoken.
A meal in mutton, mutton, why is lamb cheaper, it is cheaper because so little is more. Lecture, lecture and repeat instruction.
BREAKFAST.
A change, a final change includes potatoes. This is no authority for the abuse of cheese. What language can instruct any fellow.
A s.h.i.+ning breakfast, a breakfast s.h.i.+ning, no dispute, no practice, nothing, nothing at all.
A sudden slice changes the whole plate, it does so suddenly.
An imitation, more imitation, imitation succeed imitations.
Anything that is decent, anything that is present, a calm and a cook and more singularly still a shelter, all these show the need of clamor. What is the custom, the custom is in the centre.
What is a loving tongue and pepper and more fish than there is when tears many tears are necessary. The tongue and the salmon, there is not salmon when brown is a color, there is salmon when there is no meaning to an early morning being pleasanter. There is no salmon, there are no tea-cups, there are the same kind of mushes as are used as stomachers by the eating hopes that makes eggs delicious. Drink is likely to stir a certain respect for an egg cup and more water melon than was ever eaten yesterday. Beer is neglected and cocoanut is famous. Coffee all coffee and a sample of soup all soup these are the choice of a baker. A white cup means a wedding. A wet cup means a vacation. A strong cup means an especial regulation. A single cup means a capital arrangement between the drawer and the place that is open.
Price a price is not in language, it is not in custom, it is not in praise.
A colored loss, why is there no leisure. If the persecution is so outrageous that nothing is solemn is there any occasion for persuasion.
A grey turn to a top and bottom, a silent pocketful of much heating, all the pliable succession of surrendering makes an ingenious joy.
A breeze in a jar and even then silence, a special antic.i.p.ation in a rack, a gurgle a whole gurgle and more cheese than almost anything, is this an astonishment, does this incline more than the original division between a tray and a talking arrangement and even then a calling into another room gently with some chicken in any way.
A bent way that is a way to declare that the best is all together, a bent way shows no result, it shows a slight restraint, it shows a necessity for retraction.
Suspect a single b.u.t.tered flower, suspect it certainly, suspect it and then glide, does that not alter a counting.
Tender Buttons Part 5
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Tender Buttons Part 5 summary
You're reading Tender Buttons Part 5. This novel has been translated by Updating. Author: Gertrude Stein already has 618 views.
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