The Secret of the Night Part 40

"Yes, yes. Tell me, Alexis Hutch, you are sure you are not mistaken? You don't think you might be mistaken? Think carefully before you answer. It is a question of life or death."

"For whom?"

"For me."

"For you, good little friend! You want to make your old Pere lexis laugh-or weep!"

"Answer me."

"No, I couldn't be mistaken. The thing is as certain as that we two are here-a.r.s.enate of soda in the stains on the two napkins and traces of a.r.s.enate of soda in two of the four gla.s.ses; none in the carafe, none in the little bottle, none in the two gla.s.ses. I say it before you and before G.o.d."

"So it is really true. Thank you, Alexis Hutch. Koupriane has not tried to deceive me. There has been nothing of that sort. Well, do you know, Alexis Hutch, who has poured the poison? It is she or I. And as it is not I, it is she. And since it is she, well, I am going to die!"

"You love her, then?" inquired Pere Alexis.

"No," replied Rouletabille, with a self-mocking smile. "No, I don't love her. But if it is she who poured the poison, then it was not Michael Nikolaievitch, and it is I who had Michael Nikolaievitch killed. You can see now that therefore I must die. Show me your finest images.

"Ah, my little one, if you will permit your old Alexis to make you a gift, I would offer you these two poor ikons that are certainly from the convent of Troitza at its best period. See how beautiful they are, and old. Have you ever seen so beautiful a Mother of G.o.d? And this St. Luke, would you believe that the hand had been mended, eh? Two little masterpieces, little friend! If the old masters of Salonika returned to the world they would be satisfied with their pupils at Troitza. But you mustn't kill yourself at your age!"

"Come, bat ouclzka (little father), I accept your gift, and, if I meet the old Salonican masters on the road I am going to travel, I shan't fail to tell them there is no person here below who appreciates them like a certain pere of Aptiekarski-Pereoulok, Alexis Hutch."

So saying Rouletabille wrapped up the two little ikons and put them in his pocket. The Saint Luke would be sure to appeal to his friend Sainclair. As to the Mother of G.o.d, that would be his dying gift to the Dame en noir.

"Ah, you are sad, little son; and your voice, as it sounds now, hurts me."

Rouletabille turned his head at the sound of two moujiks who entered, carrying a long basket.

"What do you want?" demanded Pere Alexis in Russian, "and what is that you are bringing in? Do you intend to fill that huge basket with my goods? In that case you are very welcome and I am your humble servant."

But the two chuckled.

"Yes, yes, we have come to rid your shop of a wretched piece of goods that litters it."

"What is this you say?" inquired the old man, anxiously, and drawing near Rouletabille. "Little friend, watch these men; I don't recognize their faces and I can't understand why they have come here."

Rouletabille looked at the new-comers, who drew near the counter, after depositing their long basket close to the door. There was a sarcastic and malicious mocking way about them that struck him from the first. But while they kept up their jabbering with Pere Alexis he filled his pipe and proceeded to light it. Just then the door was pushed open again and three men entered, simply dressed, like respectable small merchants. They also acted curiously and looked all around the shop. Pere Alexis grew more and more alarmed and the others pulled rudely at his beard.

"I believe these men here have come to rob me," he cried in French. "What do you say, my son?-Shall I call the police?"

"Hold on," replied Rouletabille impa.s.sively. "They are all armed; they have revolvers in their pockets."

Pere Alexis's teeth commenced to chatter. As he tried to get near the door he was roughly pushed back and a final personage entered, apparently a gentleman, and dressed as such, save that he wore a visored leather cap.

"Ah," said he at once in French, "why, it is the young French journalist of the Grand-Morskaia Hotel. Salutations and your good health! I see with pleasure that you also appreciate the counsels of our dear Pere Alexis."

"Don't listen to him, little friend; I don't know him," cried Alexis Hutch.

But the gentleman of the Neva went on:

"He is a man close to the first principles of science, and therefore not far from divine; he is a holy man, whom it is good to consult at moments when the future appears difficult. He knows how to read as no one else can-Father John of Cronstadt excepted, to be strictly accurate-on the sheets of bull-hide where the dark angels have traced mysterious signs of destiny."

Here the gentleman picked up an old pair of boots, which he threw on the counter in the midst of the ikons.

"Pere Alexis, perhaps these are not bull-hide, but good enough cow-hide. Don't you want to read on this cow-hide the future of this young man?"

But here Rouletabille advanced to the gentleman, and blew an enormous cloud of smoke full in his face.

"It is useless, monsieur," said Rouletabille, "to waste your time and your breath. I have been waiting for you."

XVI. BEFORE THE REVOLUTIONARY TRIBUNAL

Only, Rouletabille refused to be put into the basket. He would not let them disarm him until they promised to call a carriage. The Vehicle rolled into the court, and while Pere Alexis was kept back in his shop at the point of a revolver, Rouletabille quietly got in, smoking his pipe. The man who appeared to be the chief of the band (the gentleman of the Neva) got in too and sat down beside him. The carriage windows were shuttered, preventing all communication with the outside, and only a tiny lantern lighted the interior. They started. The carriage was driven by two men in brown coats trimmed with false astrakhan. The dvornicks saluted, believing it a police affair. The concierge made the sign of the cross.

The journey lasted several hours without other incidents than those brought about by the tremendous jolts, which threw the two pa.s.sengers inside one on top of the other. This might have made an opening for conversation; and the "gentleman of the Neva" tried it; but in vain. Rouletabille would not respond. At one moment, indeed, the gentleman, who was growing bored, became so pressing that the reporter finally said in the curt tone he always used when he was irritated:

"I pray you, monsieur, let me smoke my pipe in peace."

Upon which the gentleman prudently occupied himself in lowering one of the windows, for it grew stifling.

Finally, after much jolting, there was a stop while the horses were changed and the gentleman asked Rouletabille to let himself be blindfolded. "The moment has come; they are going to hang me without any form of trial," thought the reporter, and when, blinded with the bandage, he felt himself lifted under the arms, there was revolt of his whole being, that being which, now that it was on the point of dying, did not wish to cease. Rouletabille would have believed himself stronger, more courageous, more stoical at least. But blind instinct swept all of this away, that instinct of conservation which had no concern with the minor bravadoes of the reporter, no concern with the fine heroic manner, of the determined pose to die finely, because the instinct of conservation, which is, as its rigid name indicates, essentially materialistic, demands only, thinks of nothing but, to live. And it was that instinct which made Rouletabille's last pipe die out unpuffed.

The young man was furious with himself, and he grew pale with the fear that he might not succeed in mastering this emotion, he took fierce hold of himself and his members, which had stiffened at the contact of seizure by rough hands, relaxed, and he allowed himself to be led. Truly, he was disgusted with his faintness and weakness. He had seen men die who knew they were going to die. His task as reporter had led him more than once to the foot of the guillotine. And the wretches he had seen there had died bravely. Extraordinarily enough, the most criminal had ordinarily met death most bravely. Of course, they had had leisure to prepare themselves, thinking a long time in advance of that supreme moment. But they affronted death, came to it almost negligently, found strength even to say ba.n.a.l or taunting things to those around them. He recalled above all a boy of eighteen years old who had cowardly murdered an old woman and two children in a back-country farm, and had walked to his death without a tremor, talking rea.s.suringly to the priest and the police official, who walked almost sick with horror on either side of him. Could he, then, not be as brave as that child?

They made him mount some steps and he felt that he had entered the stuffy atmosphere of a closed room. Then someone removed the bandage. He was in a room of sinister aspect and in the midst of a rather large company.

Within these naked, neglected walls there were about thirty young men, some of them apparently quite as young as Rouletabille, with candid blue eyes and pale complexions. The others, older men, were of the physical type of Christs, not the animated Christs of Occidental painters, but those that are seen on the panels of the Byzantine school or fastened on the ikons, sculptures of silver or gold. Their long hair, deeply parted in the middle, fell upon their shoulders in curl-tipped golden ma.s.ses. Some leant against the wall, erect, and motionless. Others were seated on the floor, their legs crossed. Most of them were in winter coats, bought in the bazaars. But there were also men from the country, with their skins of beasts, their sayons, their touloupes. One of them had his legs laced about with cords and was shod with twined willow twigs. The contrast afforded by various ones of these grave and attentive figures showed that representatives from the entire revolutionary party were present. At the back of the room, behind a table, three young men were seated, and the oldest of them was not more than twenty-five and had the benign beauty of Jesus on feast-days, canopied by consecrated palms.

In the center of the room a small table stood, quite bare and without any apparent purpose.

On the right was another table with paper, pens and ink-stands. It was there that Rouletabille was conducted and asked to be seated. Then he saw that another man was at his side, who was required to keep standing. His face was pale and desperate, very drawn. His eyes burned somberly, in spite of the panic that deformed his features Rouletabille recognized one of the unintroduced friends whom Gounsovski had brought with him to the supper at Krestowsky. Evidently since then the always-threatening misfortune had fallen upon him. They were proceeding with his trial. The one who seemed to preside over these strange sessions p.r.o.nounced a name:

"Annouchka!"

A door opened, and Annouchka appeared.

Rouletabille hardly recognized her, she was so strangely dressed, like the Russian poor, with her under-jacket of red-flannel and the handkerchief which, knotted under her chin, covered all her beautiful hair.

She immediately testified in Russian against the man, who protested until they compelled him to be silent. She drew from her pocket papers which were read aloud, and which appeared to crush the accused. He fell back onto his seat. He s.h.i.+vered. He hid his head in his hands, and Rouletabille saw the hands tremble. The man kept that position while the other witnesses were heard, their testimony arousing murmurs of indignation that were quickly checked. Annouchka had gone to take her place with the others against the wall, in the shadows which more and more invaded the room, at this ending of a lugubrious day. Two windows reaching to the floor let a wan light creep with difficulty through their dirty panes, making a vague twilight in the room. Soon nothing could be seen of the motionless figures against the wall, much as the faces fade in the frescoes from which the centuries have effaced the colors in the depths of orthodox convents.

Now someone from the depths of the shadow and the appalling silence read something; the verdict, doubtless.

The voice ceased.

Then some of the figures detached themselves from the wall and advanced.