Table Talk: Essays on Men and Manners Part 3

The force of _dulness_ could no farther go!

(4) Sir Joshua Reynolds, being asked how long it had taken him to do a certain picture, made answer, 'All my life!.'

ESSAY VI. CHARACTER OF COBBETT

People have about as substantial an idea of Cobbett as they have of Cribb. His blows are as hard, and he himself is as impenetrable. One has no notion of him as making use of a fine pen, but a great mutton-fist; his style stuns his readers, and he 'fillips the ear of the public with a three-man beetle.' He is too much for any single newspaper antagonist; 'lays waste' a city orator or Member of Parliament, and bears hard upon the Government itself. He is a kind of _fourth estate_ in the politics of the country. He is not only unquestionably the most powerful political writer of the present day, but one of the best writers in the language. He speaks and thinks plain, broad, downright English. He might be said to have the clearness of Swift, the naturalness of Defoe, and the picturesque satirical description of Mandeville; if all such comparisons were not impertinent. A really great and original write sense, Sterne was not a wit, nor Shakespear a poet. It is easy to describe second-rate talents, because they fall into a cla.s.s and enlist under a standard; but first-rate powers defy calculation or comparison, and can be defined only by themselves. They are _sui generis_, and make the cla.s.s to which they belong. I have tried half a dozen times to describe Burke's style without ever succeeding,--its severe extravagance; its literal boldness; its matter-of-fact hyperboles; its running away with a subject, and from it at the same time,--but there is no making it out, for there is no example of the same thing anywhere else. We have no common measure to refer to; and his qualities contradict even themselves.

Cobbett is not so difficult. He has been compared to Paine; and so far it is true there are no two writers who come more into juxtaposition from the nature of their subjects, from the internal resources on which they draw, and from the popular effect of their writings and their adaptation (though that is a bad word in the present case) to the capacity of every reader. But still if we turn to a volume of Paine's (his _Common Sense_ or _Rights of Man_) we are struck (not to say somewhat refreshed) by the difference. Paine is a much more sententious writer than Cobbett. You cannot open a page in any of his best and earlier works without meeting with some maxim, some ant.i.thetical and memorable saying, which is a sort of starting-place for the argument, and the goal to which it returns. There is not a single _bon mot_, a single sentence in Cobbett that has ever been quoted again. If anything is ever quoted from him, it is an epithet of abuse or a nickname. He is an excellent hand at invention in that way, and has 'd.a.m.nable iteration'

in him. What could be better than his pestering Erskine year after year with his second t.i.tle of Baron Clackmannan? He is rather too fond of _the Sons and Daughters of Corruption_. Paine affected to reduce things to first principles, to announce self-evident truths. Cobbett troubles himself about little but the details and local circ.u.mstances. The first appeared to have made up his mind beforehand to certain opinions, and to try to find the most compendious and pointed expressions for them: his successor appears to have no clue, no fixed or leading principles, nor ever to have thought on a question till he sits down to write about it; but then there seems no end of his matters of fact and raw materials, which are brought out in all their strength and sharpness from not having been squared or frittered down or vamped up to suit a theory--he goes on with his descriptions and ill.u.s.trations as if he would never come to a stop; they have all the force of novelty with all the familiarity of old acquaintance; his knowledge grows out of the subject, and his style is that of a man who has an absolute intuition of what he is talking about, and never thinks of anything else. He deals in premises and speaks to evidence--the coming to a conclusion and summing up (which was Paine's _forte_) lies in a smaller compa.s.s. The one could not compose an elementary treatise on politics to become a manual for the popular reader, nor could the other in all probability have kept up a weekly journal for the same number of years with the same spirit, interest, and untired perseverance. Paine's writings are a sort of introduction to political arithmetic on a new plan: Cobbett keeps a day-book, and makes an entry at full of all the occurrences and troublesome questions that start up throughout the year. Cobbett, with vast industry, vast information, and the utmost power of making what he says intelligible, never seems to get at the beginning or come to the end of any question: Paine in a few short sentences seems by his peremptory manner 'to clear it from all controversy, past, present, and to come.' Paine takes a bird's-eye view of things. Cobbett sticks close to them, inspects the component parts, and keeps fast hold of the smallest advantages they afford him. Or, if I might here be indulged in a pastoral allusion, Paine tries to enclose his ideas in a fold for security and repose; Cobbett lets _his_ pour out upon the plain like a flock of sheep to feed and batten. Cobbett is a pleasanter writer for those to read who do not agree with him; for he is less dogmatical, goes more into the common grounds of fact and argument to which all appeal, is more desultory and various, and appears less to be driving at a present conclusion than urged on by the force of present conviction.

He is therefore tolerated by all parties, though he has made himself by turns obnoxious to all; and even those he abuses read him. The Reformers read him when he was a Tory, and the Tories read him now that he is a Reformer. He must, I think, however, be _caviare_ to the Whigs.(1)

If he is less metaphysical and poetical than his celebrated prototype, he is more picturesque and dramatic. His episodes, which are numerous as they are pertinent, are striking, interesting, full of life and _naivete_, minute, double measure running over, but never tedious--_nunquam sufflaminandus erat_. He is one of those writers who can never tire us, not even of himself; and the reason is, he is always 'full of matter.' He never runs to lees, never gives us the vapid leavings of himself, is never 'weary, stale, and unprofitable,' but always setting out afresh on his journey, clearing away some old nuisance, and turning up new mould. His egotism is delightful, for there is no affectation in it. He does not talk of himself for lack of something to write about, but because some circ.u.mstance that has happened to himself is the best possible ill.u.s.tration of the subject, and he is not the man to shrink from giving the best possible ill.u.s.tration of the subject from a squeamish delicacy. He likes both himself and his subject too well. He does not put himself before it, and say, 'Admire me first,' but places us in the same situation with himself, and makes us see all that he does. There is no blindman's-buff, no conscious hints, no awkward ventriloquism, no testimonies of applause, no abstract, senseless self-complacency, no smuggled admiration of his own person by proxy: it is all plain and above-board.

He writes himself plain William Cobbett, strips himself quite as naked as anybody would wish--in a word, his egotism is full of individuality, and has room for very little vanity in it. We feel delighted, rub our hands, and draw our chair to the fire, when we come to a pa.s.sage of this sort: we know it will be something new and good, manly and simple, not the same insipid story of self over again. We sit down at table with the writer, but it is to a course of rich viands, flesh, fish, and wild-fowl, and not to a nominal entertainment, like that given by the Barmecide in the _Arabian Nights_, who put off his visitors with calling for a number of exquisite things that never appeared, and with the honour of his company. Mr. Cobbett is not a _make-believe_ writer: his worst enemy cannot say that of him. Still less is he a vulgar one: he must be a puny, common-place critic indeed who thinks him so. How fine were the graphical descriptions he sent us from America: what a Transatlantic flavour, what a native gusto, what a fine _sauce piquante_ of contempt they were seasoned with! If he had sat down to look at himself in the gla.s.s, instead of looking about him like Adam in Paradise, he would not have got up these articles in so capital a style. What a n.o.ble account of his first breakfast after his arrival in America! It might serve for a month. There is no scene on the stage more amusing. How well he paints the gold and scarlet plumage of the American birds, only to lament more pathetically the want of the wild wood-notes of his native land! The groves of the Ohio that had just fallen beneath the axe's stroke 'live in his description,' and the turnips that he transplanted from Botley 'look green' in prose! How well at another time he describes the poor sheep that had got the tick and had bled down in the agonies of death! It is a portrait in the manner of Bewick, with the strength, the simplicity, and feeling of that great naturalist. What havoc be makes, when he pleases, of the curls of Dr. Parr's wig and of the Whig consistency of Mr. (Coleridge?)! His _Grammar_, too, is as entertaining as a story-book. He is too hard upon the style of others, and not enough (sometimes) on his own.

As a political partisan no one can stand against him. With his brandished club, like Giant Despair in the _Pilgrim's Progress_, he knocks out their brains; and not only no individual but no corrupt system could hold out against his powerful and repeated attacks, but with the same weapon, swung round like a flail, that he levels his antagonists, he lays his friends low, and puts his own party _hors de combat_. This is a bad propensity., and a worse principle in political tactics, though a common one. If his blows were straightforward and steadily directed to the same object, no unpopular minister could live before him; instead of which he lays about right and left, impartially and remorselessly, makes a clear stage, has all the ring to himself, and then runs out of it, just when he should stand his ground. He throws his head into his adversary's stomach, and takes away from him all inclination for the fight, hits fair or foul, strikes at everything, and as you come up to his aid or stand ready to pursue his advantage, trips up your heels or lays you sprawling, and pummels you when down as much to his heart's content as ever the Yanguesian carriers belaboured Rosinante with their pack-staves. 'He has the back-trick simply the best of any man in Illyria.' He pays off both scores of old friends.h.i.+p and new-acquired enmity in a breath, in one perpetual volley, one raking fire of 'arrowy sleet' shot from his pen. However his own reputation or the cause may suffer in consequence, he cares not one pin about that, so that he disables all who oppose, or who pretend to help him. In fact, he cannot bear success of any kind, not even of his own views or party; and if any principle were likely to become popular, would turn round against it to show his power in shouldering it on one side. In short, wherever power is, there he is against it: he naturally b.u.t.ts at all obstacles, as unicorns are attracted to oak trees, and feels his own strength only by resistance to the opinions and wishes of the rest of the world. To sail with the stream, to agree with the company, is not his humour. If he could bring about a Reform in Parliament, the odds are that he would instantly fall foul of and try to mar his own handiwork; and he quarrels with his own creatures as soon as he has written them into a little vogue--and a prison. I do not think this is vanity or fickleness so much as a pugnacious disposition, that must have an antagonistic power to contend with, and only finds itself at ease in systematic opposition.

If it were not for this, the high towers and rotten places of the world would fall before the battering-ram of his hard-headed reasoning; but if he once found them tottering, he would apply his strength to prop them up, and disappoint the expectations of his followers. He cannot agree to anything established, nor to set up anything else in its stead. While it is established, he presses hard against it, because it presses upon him, at least in imagination. Let it crumble under his grasp, and the motive to resistance is gone. He then requires some other grievance to set his face against. His principle is repulsion, his nature contradiction: he is made up of mere antipathies, an Ishmaelite indeed without a fellow.

He is always playing at hunt-the-slipper in politics. He turns round upon whoever is next him. The way to wean him from any opinion, and make him conceive an intolerable hatred against it, would be to place somebody near him who was perpetually dinning it in his ears. When he is in England he does nothing but abuse the Boroughmongers and laugh at the whole system; when he is in America he grows impatient of freedom and a republic. If he had stayed there a little longer he would have become a loyal and a loving subject of His Majesty King George IV. He lampooned the French Revolution when it was hailed as the dawn of liberty by millions: by the time it was brought into almost universal ill-odour by some means or other (partly no doubt by himself), he had turned, with one or two or three others, staunch Buonapartist. He is always of the militant, not of the triumphant party: so far he bears a gallant show of magnanimity. But his gallantry is hardly of the right stamp. It wants principle; for though he is not servile or mercenary, he is the victim of self-will. He must pull down and pull in pieces: it is not in his disposition to do otherwise. It is a pity; for with his great talents he might do great things, if he would go right forward to any useful object, make thorough st.i.tch-work of any question, or join hand and heart with any principle. He changes his opinions as he does his friends, and much on the same account. He has no comfort in fixed principles; as soon as anything is settled in his own mind, he quarrels with it. He has no satisfaction but the chase after truth, runs a question down, worries and kills it, then quits it like a vermin, and starts some new game, to lead him a new dance, and give him a fresh breathing through bog and brake, with the rabble yelping at his heels and the leaders perpetually at fault. This he calls sport-royal. He thinks it as good as cudgel-playing or single-stick, or anything else that has life in it. He likes the cut and thrust, the falls, bruises, and dry blows of an argument: as to any good or useful results that may come of the amicable settling of it, any one is welcome to them for him.

The amus.e.m.e.nt is over when the matter is once fairly decided.

There is another point of view in which this may be put. I might say that Mr. Cobbett is a very honest man with a total want of principle, and I might explain this paradox thus:--I mean that he is, I think, in downright earnest in what he says, in the part he takes at the time; but in taking that part, he is led entirely by headstrong obstinacy, caprice, novelty 'pique, or personal motive of some sort, and not by a steadfast regard for truth or habitual anxiety for what is right uppermost in his mind. He is not a fee'd, time-serving, shuffling advocate (no man could write as he does who did not believe himself sincere); but his understanding is the dupe and slave of his momentary, violent, and irritable humours. He does not adopt an opinion 'deliberately or for money,' yet his conscience is at the mercy of the first provocation he receives, of the first whim he takes in his head: he sees things through the medium of heat and pa.s.sion, not with reference to any general principles, and his whole system of thinking is deranged by the first object that strikes his fancy or sours his temper education. He is a self-taught man, and has the faults as well as excellences of that cla.s.s of persons in their most striking and glaring excess. It must be acknowledged that the editor of the _Political Register_ (the _twopenny trash_, as it was called, till a bill pa.s.sed the House to raise the price to sixpence) is not 'the gentleman and scholar,' though he has qualities that, with a little better management, would be worth (to the public) both those t.i.tles. For want of knowing what has been discovered before him, he has not certain general landmarks to refer to, or a general standard of thought to apply to individual cases. He relies on his own acuteness and the immediate evidence, without being acquainted with the comparative anatomy or philosophical structure of opinion. He does not view things on a large scale or at the horizon (dim and airy enough, perhaps)--but as they affect himself, close, palpable, tangible. Whatever he finds out is his own, and he only knows what he finds out. He is in the constant hurry and fever of gestation; his brain teems incessantly with some fresh project. Every new light is the birth of a new system, the dawn of a new world outstripping and overreaching himself. The last opinion is the only true one. He is wiser to-day than he was yesterday. Why should he not be wiser to-morrow than he was to-day?--Men of a learned education are not so sharp-witted as clever men without it; but they know the balance of the human intellect better; if they are more stupid, they are more steady, and are less liable to be led astray by their own sagacity and the overweening petulance of hard-earned and late-acquired wisdom.

They do not fall in love with every meretricious extravagance at first sight, or mistake an old battered hypothesis for a vestal, because they are new to the ways of this old world. They do not seize upon it as a prize, but are safe from gross imposition by being as wise and no wiser than those who went before them.

Paine said on some occasion, 'What I have written, I have written'--as rendering any further declaration of his principles unnecessary. Not so Mr. Cobbett. What he has written is no rule to him what he is to write maintain the opinions of the last six days against friend or foe. I doubt whether this outrageous inconsistency, this headstrong fickleness, this understood want of all rule and method, does not enable him to go on with the spirit, vigour, and variety that he does. He is not pledged to repeat himself. Every new _Register_ is a kind of new Prospectus. He blesses himself from all ties and shackles on his understanding; he has no mortgages on his brain; his notions are free and unenc.u.mbered. If he was put in trammels, he might become a vile hack like so many more. But he gives himself 'ample scope and verge enough.' He takes both sides of a question, and maintains one as st.u.r.dily as the other. If n.o.body else can argue against him, he is a very good match for himself. He writes better in favour of Reform than anybody else; he used to write better against it. Wherever he is, there is the tug of war, the weight of the argument, the strength of abuse. He is not like a man in danger of being _bed-rid_ in his faculties--he tosses and tumbles about his unwieldy bulk, and when he is tired of lying on one side, relieves himself by turning on the other. His s.h.i.+fting his point of view from time to time not merely adds variety and greater compa.s.s to his topics (so that the _Political Register_ is an armoury and magazine for all the materials and weapons of political warfare), but it gives a greater zest and liveliness to his manner of treating them. Mr. Cobbett takes nothing for granted as what he has proved before; he does not write a book of reference. We see his ideas in their first concoction, fermenting and overflowing with the ebullitions of a lively conception. We look on at the actual process, and are put in immediate possession of the grounds and materials on which he forms his sanguine, unsettled conclusions. He does not give us samples of reasoning, but the whole solid ma.s.s, refuse and all.

He pours out all as plain As downright s.h.i.+ppen or as old Montaigne.

This is one cause of the clearness and force of his writings. An argument does not stop to stagnate and muddle in his brain, but pa.s.ses at once to his paper. His ideas are served up, like pancakes, hot and hot. Fresh theories give him fresh courage. He is like a young and l.u.s.ty bridegroom that divorces a favourite speculation every morning, and marries a new one every night. He is not wedded to his notions, not he.

He has not one Mrs. Cobbett among all his opinions. He makes the most of the last thought that has come in his way, seizes fast hold of it, rumbles it about in all directions with rough strong hands, has his wicked will of it, takes a surfeit, and throws it away.--Our author's changing his opinions for new ones is not so wonderful; what is more remarkable is his facility in forgetting his old ones. He does not pretend to consistency (like Mr. Coleridge); he frankly disavows all connection with himself. He feels no personal responsibility in this way, and cuts a friend or principle with the same decided indifference that Antipholis of Ephesus cuts AEgeon of Syracuse. It is a hollow thing. The only time he ever grew romantic was in bringing over the relics of Mr. Thomas Paine with him from America to go a progress with them through the disaffected districts. Scarce had he landed in Liverpool when he left the bones of a great man to s.h.i.+ft for themselves; and no sooner did he arrive in London than he made a speech to disclaim all partic.i.p.ation in the political and theological sentiments of his late idol, and to place the whole stock of his admiration and enthusiasm towards him to the account of his financial speculations, and of his having predicted the fate of paper-money. If he had erected a little gold statue to him, it might have proved the sincerity of this a.s.sertion; but to make a martyr and a patron saint of a man, and to dig up 'his canonised bones' in order to expose them as objects of devotion to the rabble's gaze, asks something that has more life and spirit in it, more mind and vivifying soul, than has to do with any calculation of pounds, s.h.i.+llings, and pence! The fact is, he _ratted_ from his own project. He found the thing not so ripe as he had expected. His heart failed him; his enthusiasm fled, and he made his retractation. His admiration is short-lived; his contempt only is rooted, and his resentment lasting.--The above was only one instance of his building too much on practical _data_. He has an ill habit of prophesying, and goes on, though still decieved. The art of prophesying does not suit Mr.

Cobbett's style. He has a knack of fixing names and times and places.

According to him, the Reformed Parliament was to meet in March 1818--it did not, and we heard no more of the matter. When his predictions fail, he takes no further notice of them, but applies himself to new ones--like the country people who turn to see what weather there is in the almanac for the next week, though it has been out in its reckoning every day of the last.

Mr. Cobbett is great in attack, not in defence; he cannot fight an up-hill battle. He will not bear the least punis.h.i.+ng. If any one turns upon him (which few people like to do) he immediately turns tail. Like an overgrown schoolboy, he is so used to have it all his own way, that he cannot submit to anything like compet.i.tion or a struggle for the mastery; he must lay on all the blows, and take none. He is bullying and cowardly; a Big Ben in politics, who will fall upon others and crush them by his weight, but is not prepared for resistance, and is soon staggered by a few smart blows. Whenever he has been set upon, he has slunk out of the controversy. The _Edinburgh Review_ made (what is called) a dead set at him some years ago, to which he only retorted by an eulogy on the superior neatness of an English kitchen-garden to a Scotch one. I remember going one day into a bookseller's shop in Fleet Street to ask for the _Review_, and on my expressing my opinion to a young Scotchman, who stood behind the counter, that Mr. Cobbett might hit as hard in his reply, the North Briton said with some alarm, 'But you don't think, sir, Mr. Cobbett will be able to injure the Scottish nation?' I said I could not speak to that point, but I thought he was very well able to defend himself. He, however, did not, but has borne a grudge to the _Edinburgh Review_ ever since, which he hates worse than the _Quarterly_. I cannot say I do.(2)

NOTES to ESSAY VI

(1) The late Lord Thurlow used to say that Cobbett was the only writer that deserved the name of a political reasoner.

(2) Mr. Cobbett speaks almost as well as he writes. The only time l ever saw him he seemed to me a very pleasant man--easy of access, affable, clear-headed, simple and mild in his manner, deliberate and unruffled in his speech, though some of his expressions were not very qualified. His figure is tall and portly. He has a good, sensible face--rather full, with little grey eyes, a hard, square forehead, a ruddy complexion, with hair grey or powdered; and had on a scarlet broadcloth waistcoat with the flaps of the pockets hanging down, as was the custom for gentlemen-farmers in the last century, or as we see it in the pictures of Members of Parliament in the reign of George I. I certainly did not think less favourably of him for seeing him.

ESSAY VII. ON PEOPLE WITH ONE IDEA

There are people who have but one idea: at least, if they have more, they keep it a secret, for they never talk but of one subject.

There is Major Cartwright: he has but one idea or subject of discourse, Parliamentary Reform. Now Parliamentary Reform is (as far as I know) a very good subject to talk about; but why should it be the only one? To hear the worthy and gallant Major resume his favourite topic, is like law-business, or a person who has a suit in Chancery going on. Nothing can be attended to, nothing can be talked of but that. Now it is getting on, now again it is standing still; at one time the Master has promised to pa.s.s judgment by a certain day, at another he has put it off again and called for more papers, and both are equally reasons for speaking of it. Like the piece of packthread in the barrister's hands, he turns and twists it all ways, and cannot proceed a step without it. Some schoolboys cannot read but in their own book; and the man of one idea cannot converse out of his own subject. Conversation it is not; but a sort of recital of the preamble of a bill, or a collection of grave arguments for a man's being of opinion with himself. It would be well if there was anything of character, of eccentricity in all this; but that is not the case. It is a political homily personified, a walking common-place we have to encounter and listen to. It is just as if a man was to insist on your hearing him go through the fifth chapter of the Book of Judges every time you meet, or like the story of the Cosmogony in the _Vicar of Wakefield._ It is a tine played on a barrel-organ. It is a common vehicle of discourse into which they get and are set down when they please, without any pain or trouble to themselves. Neither is it professional pedantry or trading quackery: it has no excuse. The man has no more to do with the question which he saddles on all his hearers than you have. This is what makes the matter hopeless. If a farmer talks to you about his pigs or his poultry, or a physician about his patients, or a lawyer about his briefs, or a merchant about stock, or an author about himself, you know how to account for this, it is a common infirmity, you have a laugh at his expense and there is no more to be said. But here is a man who goes out of his way to be absurd, and is troublesome by a romantic effort of generosity. You cannot say to him, 'All this may be interesting to you, but I have no concern in it': you cannot put him off in that way. He retorts the Latin adage upon you-_Nihil humani a me alienum puto._ He has got possession of a subject which is of universal and paramount interest (not 'a fee-grief, due to some single breast'), and on that plea may hold you by the b.u.t.ton as long as he chooses. His delight is to harangue on what nowise regards himself: how then can you refuse to listen to what as little amuses you?

Time and tide wait for no man. The business of the state admits of no delay. The question of Universal Suffrage and Annual Parliaments stands first on the order of the day--takes precedence in its own right of every other question. Any other topic, grave or gay, is looked upon in the light of impertinence, and sent _to Coventry._ Business is an interruption; pleasure a digression from it. It is the question before every company where the Major comes, which immediately resolves itself into a committee of the whole upon it, is carried on by means of a perpetual virtual adjournment, and it is presumed that no other is entertained while this is pending--a determination which gives its persevering advocate a fair prospect of expatiating on it to his dying day. As Cicero says of study, it follows him into the country, it stays with him at home: it sits with him at breakfast, and goes out with him to dinner. It is like a part of his dress, of the costume of his person, without which he would be at a loss what to do. If he meets you in the street, he accosts you with it as a form of salutation: if you see him at his own house, it is supposed you come upon that. If you happen to remark, 'It is a fine day,' or 'The town is full,' it is considered as a temporary compromise of the question; you are suspected of not going the whole length of the principle. As Sancho, when reprimanded for mentioning his homely favourite in the Duke's kitchen, defended himself by saying, 'There I thought of Dapple, and there I spoke of him,' so the true stickler for Reform neglects no opportunity of introducing the subject wherever he is. Place its veteran champion under the frozen north, and he will celebrate sweet smiling Reform; place him under the mid-day Afric suns, and he will talk of nothing but Reform--Reform so sweetly smiling and so sweetly promising for the last forty years--

Dulce ridentem Lalagen, Dulce loquentem!

A topic of this sort of which the person himself may be considered as almost sole proprietor and patentee is an estate for life, free from all enc.u.mbrance of wit, thought, or study, you live upon it as a settled income; and others might as well think to eject you out of a capital freehold house and estate as think to drive you out of it into the wide world of common sense and argument. Every man's house is his castle; and every man's common-place is his stronghold, from which he looks out and smiles at the dust and heat of controversy, raised by a number of frivolous and vexatious questions--'Rings the world with the vain stir!'

A cure for this and every other evil would be a Parliamentary Reform; and so we return in a perpetual circle to the point from which we set out. Is not this a species of sober madness more provoking than the real? Has not the theoretical enthusiast his mind as much warped, as much enslaved by one idea as the acknowledged lunatic, only that the former has no lucid intervals? If you see a visionary of this cla.s.s going along the street, you can tell as well what he is thinking of and will say next as the man that fancies himself a teapot or the Czar of Muscovy. The one is as inaccessible to reason as the other: if the one raves, the other dotes!

There are some who fancy the Corn Bill the root of all evil, and others who trace all the miseries of life to the practice of m.u.f.fling up children in night-clothes when they sleep or travel. They will declaim by the hour together on the first, and argue themselves black in the face on the last. It is in vain that you give up the point. They persist in the debate, and begin again--'But don't you see--?' These sort of partial obliquities, as they are more entertaining and original, are also by their nature intermittent. They hold a man but for a season. He may have one a year or every two years; and though, while he is in the heat of any new discovery, he will let you hear of nothing else, he varies from himself, and is amusing undesignedly. He is not like the chimes at midnight.

People of the character here spoken of, that is, who tease you to death with some one idea, generally differ in their favourite notion from the rest of the world; and indeed it is the love of distinction which is mostly at the bottom of this peculiarity. Thus one person is remarkable for living on a vegetable diet, and never fails to entertain you all dinner-time with an invective against animal food. One of this self-denying cla.s.s, who adds to the primitive simplicity of this sort of food the recommendation of having it in a raw state, lamenting the death of a patient whom he had augured to be in a good way as a convert to his system, at last accounted for his disappointment in a whisper--'But she ate meat privately, depend upon it.' It is not pleasant, though it is what one submits to willingly from some people, to be asked every time you meet, whether you have quite left off drinking wine, and to be complimented or condoled with on your looks according as you answer in the negative or affirmative. Abernethy thinks his pill an infallible cure for all disorders. A person once complaining to his physician that he thought his mode of treatment had not answered, he a.s.sured him it was the best in the world,--'and as a proof of it,' says he, 'I have had one gentleman, a patient with your disorder, under the same regimen for the last sixteen years!'--l have known persons whose minds were entirely taken up at all times and on all occasions with such questions as the Abolition of the Slave Trade, the Restoration of the Jews, or the progress of Unitarianism. I myself at one period took a pretty strong turn to inveighing against the doctrine of Divine Right, and am not yet cured of my prejudice on that subject. How many projectors have gone mad in good earnest from incessantly harping on one idea: the discovery of the philosopher's stone, the finding out the longitude, or paying off the national debt! The disorder at length comes to a fatal crisis; but long before this, and while they were walking about and talking as usual, the derangement of the fancy, the loss of all voluntary power to control or alienate their ideas from the single subject that occupied them, was gradually taking place, and overturning the fabric of the understanding by wrenching it all on one side. Alderman Wood has, I should suppose, talked of nothing but the Queen in all companies for the last six months. Happy Alderman Wood! Some persons have got a definition of the verb, others a system of short-hand, others a cure for typhus fever, others a method for preventing the counterfeiting of bank-notes, which they think the best possible, and indeed the only one. Others in leaving you to add a fourth. A man who has been in Germany will sometimes talk of nothing but what is German: a Scotchman always leads the discourse to his own country. Some descant on the Kantean philosophy. There is a conceited fellow about town who talks always and everywhere on this subject. He wears the Categories round his neck like a pearl-chain: he plays off the names of the primary and transcendental qualities like rings on his fingers. He talks of the Kantean system while he dances; he talks of it while he dines; he talks of it to his children, to his apprentices, to his customers. He called on me to convince me of it, and said I was only prevented from becoming a complete convert by one or two prejudices. He knows no more about it than a pikestaff. Why then does he make so much ridiculous fuss about it? It is not that he has got this one idea in his head, but that he has got no other. A dunce may talk on the subject of the Kantean philosophy with great impunity: if he opened his lips on any other he might be found out. A French lady who had married an Englishman who said little, excused him by saying, 'He is always thinking of Locke and Newton.'

This is one way of pa.s.sing muster by following in the suite of great names!--A friend of mine, whom I met one day in the street, accosted me with more than usual vivacity, and said, 'Well, we're selling, we're selling!' I thought he meant a house. 'No,' he said, 'haven't you seen the advertis.e.m.e.nt in the newspapers? I mean five and twenty copies of the Essay.' This work, a comely, capacious quarto on the most abstruse metaphysics, had occupied his sole thoughts for several years, and he concluded that I must be thinking of what he was. I believe, however, I may say I am nearly the only person that ever read, certainly that ever pretended to understand it. It is an original and most ingenious work, nearly as incomprehensible as it is original, and as quaint as it is ingenious. If the author is taken up with the ideas in his own head and no others, he has a right; for he has ideas there that are to be met with nowhere else, and which occasionally would not disgrace a Berkeley.

A dextrous plagiarist might get himself an immense reputation by putting them in a popular dress. Oh! how little do they know, who have never done anything but repeat after others by rote, the pangs, the labour, the yearnings and misgivings of mind it costs to get at the germ of an original idea--to dig it out of the hidden recesses of thought and nature, and bring it half-ashamed, struggling, and deformed into the day--to give words and intelligible symbols to that which was never imagined or expressed before! It is as if the dumb should speak for the first time, as if things should stammer out their own meaning through the imperfect organs of mere sense. I wish that some of our fluent, plausible declaimers, who have such store of words to cover the want of ideas, could lend their art to this writer. If he, 'poor, unfledged' in this respect, 'who has scarce winged from view o' th' nest,' could find a language for his ideas, truth would find a language for some of her secrets. Mr. Fearn was buried in the woods of Indostan. In his leisure from business and from tiger-shooting, he took it into his head to look into his own mind. A whim or two, an odd fancy, like a film before the eye, now and then crossed it: it struck him as something curious, but the impression at first disappeared like breath upon gla.s.s. He thought no more of it; yet still the same conscious feelings returned, and what at first was chance or instinct became a habit. Several notions had taken possession of his brain relating to mental processes which he had never heard alluded to in conversation, but not being well versed in such matters, he did not know whether they were to be found in learned authors or not. He took a journey to the capital of the Peninsula on purpose, bout Locke, Reid, Stewart, and Berkeley, whom he consulted with eager curiosity when he got home, but did not find what he looked for.

He set to work himself, and in a few weeks sketched out a rough draft of his thoughts and observations on bamboo paper. The eagerness of his new pursuit, together with the diseases of the climate, proved too much for his const.i.tution, and he was forced to return to this country. He put his metaphysics, his bamboo ma.n.u.script, into the boat with him, and as he floated down the Ganges, said to himself, 'If I live, this will live; if I die, it will not be heard of.' What is fame to this feeling? The babbling of an idiot! He brought the work home with him and twice had it stereotyped. The first sketch he allowed was obscure, but the improved copy he thought could not fail to strike. It did not succeed. The world, as Goldsmith said of himself, made a point of taking no notice of it.

Ever since he has had nothing but disappointment and vexation,--the greatest and most heart-breaking of all others--that of not being able to make yourself understood. Mr. Fearn tells me there is a sensible writer in the _Monthly Review_ who sees the thing in its proper light, and says so. But I have heard of no other instance. There are, notwithstanding, ideas in this work, neglected and ill-treated as it has been, that lead to more curious and subtle speculations on some of the most disputed and difficult points of the philosophy of the human mind (such as _relation_, _abstraction_, etc.) than have been thrown out in any work for the last sixty years, I mean since Hume; for since his time there has been no metaphysician in this country worth the name. Yet his _Treatise on Human Nature_, he tells us, 'fell still-born from the press.' So it is that knowledge works its way, and reputation lingers far behind it. But truth is better than opinion, I maintain it; and as to the two stereotyped and unsold editions of the Essay on Consciousness, I say, _Honi soit qui mal y pense!_'(1)--My Uncle Toby had one idea in his head, that of his bowling-green, and another, that of the Widow Wadman. Oh, spare them both! I will only add one more anecdote in ill.u.s.tration of this theory of the mind's being occupied with one idea, which is most frequently of a man's self. A celebrated lyrical writer happened to drop into a small party where they had just got the novel of _Rob Roy,_ by the author of _Waverley_. The motto in the t.i.tle-page was taken from a poem of his. This was a hint sufficient, a word to the wise. He instantly went to the book-shelf in the next room, took down the volume of his own poems, read the whole of that in question aloud with manifest complacency, replaced it on the shelf, and walked away, taking no more notice of Rob Roy than if there had been no such person, nor of the new novel than if it had not been written by its renowned author. There was no reciprocity in this. But the writer in question does not admit of any merit second to his own.(2)

Mr. Owen is a man remarkable for one idea. It is that of himself and the Lanark cotton-mills. He carries this idea backwards and forwards with him from Glasgow to London, without allowing anything for attrition, and expects to find it in the same state of purity and perfection in the latter place as at the former. He acquires a wonderful velocity and impenetrability in his undaunted transit. Resistance to him is vain, while the whirling motion of the mail-coach remains in his head.

Nor Alps nor Apennines can keep him out, Nor fortified redoubt.

He even got possession, in the suddenness of his onset, of the steam-engine of the _Times_ newspaper, and struck off ten thousand woodcuts of the Projected Villages, which afforded an ocular demonstration to all who saw them of the practicability of Mr. Owen's whole scheme. He comes into a room with one of these doc.u.ments in his hand, with the air of a schoolmaster and a quack doctor mixed, asks very kindly how you do, and on hearing you are still in an indifferent state of health owing to bad digestion, instantly turns round and observes that 'All that will be remedied in his plan; that indeed he thinks too much attention has been paid to the mind, and not enough to the body; that in his system, which he has now perfected and which will shortly be generally adopted, he has provided effectually for both; that he has been long of opinion that the mind depends altogether on the physical organisation, and where the latter is neglected or disordered the former must languish and want its due vigour; that exercise is therefore a part of his system, with full liberty to develop every faculty of mind and body; that two Objections had been made to his _New View of Society_, viz. its want of relaxation from labour, and its want of variety; but the first of these, the too great restraint, he trusted he had already answered, for where the powers of mind and body were freely exercised and brought out, surely liberty must be allowed to exist in the highest degree; and as to the second, the monotony which would be produced by a regular and general plan of co-operation, he conceived he had proved in his _New View_ and _Addresses to the Higher Cla.s.ses_, that the co-operation he had recommended was necessarily conducive to the most extensive improvement of the ideas and faculties, and where this was the case there must be the greatest possible variety instead of a want of it.' And having said this, this expert and sweeping orator takes up his hat and walks downstairs after reading his lecture of truisms like a playbill or an apothecary's advertis.e.m.e.nt; and should you stop him at the door to say, by way of putting in a word in common, that Mr. Southey seems somewhat favourable to his plan in his late Letter to Mr. William Smith, he looks at you with a smile of pity at the futility of all opposition and the idleness of all encouragement. People who thus swell out some vapid scheme of their own into undue importance seem to me to labour under water in the head--to exhibit a huge hydrocephalus! They may be very worthy people for all that, but they are bad companions and very indifferent reasoners. Tom Moore says of some one somewhere, 'that he puts his hand in his breeches pocket like a crocodile.' The phrase is hieroglyphical; but Mr. Owen and others might be said to put their foot in the question of social improvement and reform much in the same unaccountable manner.

I hate to be surfeited with anything, however sweet. I do not want to be always tied to the same question, as if there were no other in the world. I like a mind more Catholic.

I love to talk with mariners, That come from a far countree.

I am not for 'a collusion' but 'an exchange' of ideas. It is well to hear what other people have to say on a number of subjects. I do not wish to be always respiring the same confined atmosphere, but to vary the scene, and get a little relief and fresh air out of doors. Do all we can to shake it off, there is always enough pedantry, egotism, and self-conceit left lurking behind; we need not seal ourselves up hermetically in these precious qualities, so as to think of nothing but our own wonderful discoveries, and hear nothing but the sound of our own voice. Scholars, like princes, may learn something by being incognito.

Yet we see those who cannot go into a bookseller's shop, or bear to be five minutes in a stage-coach, without letting you know who they are.

They carry their reputation about with them as the snail does its sh.e.l.l, and sit under its canopy, like the lady in the lobster. I cannot understand this at all. What is the use of a man's always revolving round his own little circle? He must, one should think, be tired of it himself, as well as tire other people. A well-known writer says with much boldness, both in the thought and expression, that 'a Lord is imprisoned in the Bastille of a name, and cannot enlarge himself into man'; and I have known men of genius in the same predicament. Why must a man be for ever mouthing out his own poetry, comparing himself with Milton, pa.s.sage by pa.s.sage, and weighing every line in a balance of posthumous fame which he holds in his own hands? It argues a want of imagination as well as common sense. Has he no ideas but what he has put into verse; or none in common with his hearers? Why should he think it the only scholar-like thing, the only 'virtue extant,' to see the merit of his writings, and that 'men were brutes without them'? Why should he bear a grudge to all art, to all beauty, to all wisdom, that does not spring from his own brain? Or why should he fondly imagine that there is but one fine thing in the world, namely, poetry, and that he is the only poet in it? It will never do. Poetry is a very fine thing; but there are other things besides it. Everything must have its turn. Does a wise man think to enlarge his comprehension by turning his eyes only on himself, or hope to conciliate the admiration of others by scouting, proscribing, and loathing all that they delight in? He must either have a disproportionate idea of himself, or be ignorant of the world in which he lives. It is quite enough to have one cla.s.s of people born to think the universe made for them!--It seems also to argue a want of repose, of confidence, and firm faith in a man's real pretensions, to be always dragging them forward into the foreground, as if the proverb held here--_Out of sight out of mind._ Does he, for instance, conceive that no one would ever think of his poetry unless he forced it upon them by repeating it himself? Does he believe all compet.i.tion, all allowance of another's merit, fatal to him? Must he, like Moody in the _Country Girl_, lock up the faculties of his admirers in ignorance of all other fine things, painting, music, the antique, lest they should play truant to him? Methinks such a proceeding implies no good opinion of his own genius or their taste: it is deficient in dignity and in decorum. Surely if any one is convinced of the reality of an acquisition, he can bear not to have it spoken of every minute. If he knows he has an undoubted superiority in any respect, he will not be uneasy because every one he meets is not in the secret, nor staggered by the report of rival excellence. One of the first mathematicians and cla.s.sical scholars of the day was mentioning it as a compliment to himself that a cousin of his, a girl from school, had said to him, 'You know (Manning) is a very plain good sort of a young man, but he is not anything at all out of the common.' Leigh Hunt once said to me, 'I wonder I never heard you speak upon this subject before, which you seem to have studied a good deal.' I answered, 'Why, we were not reduced to that, that I know of!'--

There are persons who, without being chargeable with the vice here spoken of, yet 'stand accountant for as great a sin'; though not dull and monotonous, they are vivacious mannerists in their conversation, and excessive egotists. Though they run over a thousand subjects in mere gaiety of heart, their delight still flows from one idea, namely, themselves. Open the book in what page you will, there is a frontispiece of themselves staring you in the face. They are a sort of Jacks o' the Green, with a sprig of laurel, a little tinsel, and a little s.m.u.t, but still playing antics and keeping in incessant motion, to attract attention and extort your pittance of approbation. Whether they talk of the town or the country, poetry or politics, it comes to much the same thing. If they talk to you of the town, its diversions, 'its palaces, its ladies, and its streets,' they are the delight, the grace, and ornament of it. If they are describing the charms of the country, they give no account of any individual spot or object or source of pleasure but the circ.u.mstance of their being there. 'With them conversing, we forget all place, all seasons, and their change.' They perhaps pluck a leaf or a flower, patronise it, and hand it you to admire, but select no one feature of beauty or grandeur to dispute the palm of perfection with their own persons. Their rural descriptions are mere landscape backgrounds with their own portraits in an engaging att.i.tude in front.

They are not observing or enjoying the scene, but doing the honours as masters of the ceremonies to nature, and arbiters of elegance to all humanity. If they tell a love-tale of enamoured princesses, it is plain they fancy themselves the hero of the piece. If they discuss poetry, their encomiums still turn on something genial and unsophisticated, meaning their own style. If they enter into politics, it is understood that a hint from them to the potentates of Europe is sufficient. In short, as a lover (talk of what you will) brings in his mistress at every turn, so these persons contrive to divert your attention to the same darling object--they are, in fact, in love with themselves, and, like lovers, should be left to keep their own company.

NOTES to ESSAY VII.

(1) Quarto poetry, as well as quarto metaphysics, does not always sell.

Going one day into a shop in Paternoster Row to see for some lines in Mr. Wordsworth's _Excursion_ to interlard some prose with, I applied to the const.i.tuted authorities, and asked if I could look at a copy of the _Excursion?_ The answer was, 'Into which country, sir?'

(2) These fantastic poets are like a foolish ringer at Plymouth that Northcote tells the story of. He was proud of his ringing, and the boys who made a jest of his foible used to get him in the belfry and ask him, 'Well now, John, how many good ringers are there in Plymouth?' 'Two,' he would say, without any hesitation. 'Ay, indeed! and who are they?' 'Why, first, there's myself, that's one; and-- and--' 'Well, and who's the other?' 'Why, there's-- there's-- Ecod, I can't think of any other but myself.' _Talk we of one Master Launcelot._ The story is of ringers: it will do for any vain, shallow, self-satisfied egotist of them all.