The Mating of Lydia Part 57
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The Whitebeck gate was but a short distance from the house, and as she turned a corner, the Tower rose suddenly before her. She held her breath; it looked so big, so darkly magnificent. She thought of all the tales that had been told her, the rooms full of silver and gold--the _arazzi_--the _stucchi_--the cabinets and sculpture. She had grown up in an atmosphere of perpetual bric-a-brac; she had seen the big Florentine shops; she could imagine what it was like.
There were lights in two of the windows; and the smoke from several chimneys rose wind-beaten against the woods behind. The moon stood immediately over the roof, and the shadow of the house stretched beyond the forecourt almost to her feet.
She lingered a few minutes, fascinated, gazing at this huge place where her father lived--her father whom she had never seen since she was a baby. The moon lit up her tiny figure, and her small white face, as she stood in the open, alone in the wintry silence.
Then, swiftly, and instead of going up to the front door, she turned to the right along a narrow flagged path that skirted the forecourt and led to the back of the house.
She knew exactly what to do. She had planned it all with Hesketh, Hesketh, who was the daughter of a farmer on the Duddon estate, fifty years old, a born gossip, and acquainted with every man, woman and child in the neighbourhood. Did not Hesketh go to the same chapel with Thomas Dixon and his wife? And had she not a romantic soul, far above furbelows--a soul which had flung itself into the cause of the "heiress,"
to the point of keeping the child's secret, even from her ladys.h.i.+p?
Hesketh indeed had suffered sharply from qualms of conscience in this respect. But Felicia had spared her as much as possible, by keeping the precise moment of her escapade to herself.
She groped her way round, till she came to a side path leading to an entrance. The path indeed was that by which Faversham had been originally carried into the Tower, across the foot-bridge. Peering over a low wall that bounded the path, she looked startled into an abyss of leafless trees, with a bright gleam of moonlit water far below. In front of her was a door and steps, and some rays of light penetrating through the shuttered windows beside the door, showed that there was life within.
Felicia mounted the steps and knocked. No one came. At last she found a bell and rang it--cautiously. Steps approached. The door was opened, and a gray-haired woman stood on the threshold.
"Well, what's your business?" she said sharply. It was evident that she was short-sighted, and did not clearly see the person outside.
"Please, I want to speak to Mr. Melrose."
The clear, low voice arrested the old woman.
"Eh?" she said testily. "And who may you be? You cawn't see Mr. Melrose, anyways."
"I want to see him particularly. Are you Mrs. Dixon?"
"Aye--a'am Mrs. Dixon. But aa've no time to goa chatterin' at doors wi'
yoong women; soa if yo'll juist gie me yor business, I'll tell Muster Faversham, when he's got time to see to 't."
"It's not Mr. Faversham I want to see--it's Mr. Melrose. Mrs. Dixon, don't you remember me?"
Mrs. Dixon stepped back in puzzled annoyance, so as to let a light from the pa.s.sage s.h.i.+ne upon the stranger's face. She stood motionless.
Felicia stepped within.
"I am Miss Melrose," she said, with composure, "Felicia Melrose. You knew me when I was a child. And I wish to see my father."
Mrs. Dixon's face seemed to have fallen into chaos under the shock. She stood staring at the visitor, her mouth working.
"Muster Melrose's daater!" she said, at last. "T' baby--as was! Aye--yo'
feature him! An' yo're stayin' ower ta Duddon--wi' her ladys.h.i.+p. I know.
Dixon towd me. Bit yo' shouldna' coom here, Missie! Yo' canno' see your feyther."
"Why not?" said Felicia imperiously. "I mean to see him. Here I am in the house. Take me to him at once!"
And suddenly closing the entrance door behind her, she moved on toward an inner pa.s.sage dimly lit, of which she had caught sight.
Mrs. Dixon clung to her arm.
"Noa, noa! Coom in here, Missie--coom in _here_! Dixon!--where are yo'?
Dixon!"
She raised her voice. A chair was pushed back in the kitchen, on the other side of the pa.s.sage. An old man who, to judge from his aspect, had been roused by his wife's call from a nap after his tea, appeared in a doorway.
Mrs. Dixon drew Felicia toward him, and into the kitchen, as he retreated thither. Then she shut and bolted the door.
"This is t' yoong lady!" she said in a breathless whisper to her husband.
"Muster-Melrose's daater! She's coom fra Duddon. An' she's fer seein' her feyther."
Old Dixon had grown very pale. But otherwise he showed no surprise. He looked frowning at Felicia.
"Yo' canno' do that, Miss Melrose. Yo'r feyther wunna see yo'. He's an owd man noo, and we darena disturb him."
Felicia argued with the pair, first quietly, then with a heaving breast, and some angry tears. Dixon soon dropped the struggle, so far as words went. He left that to his wife. But he stood firmly against the door, looking on.
"You shan't keep me here!" said Felicia at last with a stamp. "I'll call some one! I'll make a noise!"
A queer, humorous look twinkled over Dixon's face. Then--suddenly--he moved from the door. His expression had grown hesitating--soft.
"Varra well, then. Yo' shall goa--if you mun goa."
His wife protested. He turned upon her.
"She shall goa!" he repeated, striking the dresser beside him. "Her feyther's an old man--an' sick. Mebbe he'll be meetin' his Maaker face to face, before the year's oot; yo' canno' tell. He's weakenin' fa.s.st. An'
he's ben a hard mon to his awn flesh and blood. There'll be a reckonin'!
An' the Lord's sent him this yan chance o' repentance. I'll not stan' i'
the Lord's way--whativer. Coom along, Missie!"
And entirely regardless of his wife's entreaties, the old Methodist resolutely opened the kitchen door, and beckoned to Felicia. He was lame now and walked with a stick, his shoulders bent. But he neither paused, nor spoke to her again. Murmuring to himself, he led her along the inner pa.s.sage, and opened the door into the great gallery.
A blaze of light and colour, a rush of heated air. Felicia was dazzled by the splendour of the great show within--the tapestries, the pictures, the gleaming reflections on lacquer and intarsia, on ebony or Sevres. But the atmosphere was stifling. Melrose now could only live in the temperature of a hothouse.
Dixon threw open a door, and without a word beckoned to Felicia to enter.
He hesitated a moment, evidently as to whether he should announce her; and then, stepping forward, he cleared his throat.
"Muster Melrose, theer's soom one as wants to speak to you!"
"What do you mean, you old fool!" said a deep, angry voice on the other side of a great lacquer screen; "didn't I tell you I wasn't to be disturbed?"
Felicia walked round the screen. Dixon, with an excited look at her, retired through the door which he closed behind him.
"Father!" said Felicia, in a low, trembling voice.
An old man who was writing at a large inlaid table, in the midst of a confusion of objects which the girl's eyes had no time to take in, turned sharply at the sound.
The two stared at each other. Melrose slowly revolved on his chair, pen in hand. Felicia stood, with eyes downcast, her cheeks burning, her hands lightly clasped.
Melrose spoke first.
The Mating of Lydia Part 57
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The Mating of Lydia Part 57 summary
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