The King's Mirror Part 16
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On her also a crisis of feeling had come; she was not her old self, nor I to her what I had been. There was a strained, almost frightened look in her eyes; a low-voiced "Augustin" replacing her bantering "Caesar."
Save for my name she did not speak as I led her to a couch and sat down by her side. She looked slight, girlish, and pathetic in a simple gown of black; timidity renewed her youth. Well might I forget that she was not a maiden of meet age for me, and she herself for an instant cheat time's reckoning. She made of me a man, of herself a girl, and prayed love's advocacy to prove the delusion true.
"I have been with Wetter," said I. "He wants the Emba.s.sy."
I fancy that she knew his desire; her hand pressed mine, but she did not speak.
"But he recommended Max," I went on.
"Max!" For a moment her face was full of terror as she turned to me; then she broke into a smile. Wetter's advice was plain to her also.
"You see how much he wants it for himself," said I. "He knows I would sooner send a gutter-boy than Max. And you know it?"
"Do I?" she murmured.
I rose and stood before her.
"It is yours to give, not mine," said I. "Do you give it to Wetter?"
As she looked up at me her eyes filled with tears, while her lips curved in a timid smile.
"What--what trouble you'll get into!" she said.
"It's not a thousandth part of what I would do for you. Wetter shall have it then--or Max?"
"Not Max," she said; her eyes told me why it should not be Max.
"Then Wetter," and I fell on one knee by her, whispering, "The King gives it to his Queen."
"They'll blame you so; they'll say all sorts of things."
"I shan't hear them; I hear only you."
"They'll be unkind to you."
"They can't hurt me if you're kind to me."
"Perhaps they'll say I--I got it from you."
"I am not ashamed. What is it to me what they say?"
"You don't care?"
"For nothing in the world but you and to be with you."
She sat looking up at me for an instant; then she threw her arm over the end of the sofa and laid her face on the cus.h.i.+on; I heard her sob softly. Her other hand lay in her lap; I took it and raised it to my lips. I did not know the meaning of her tears. I was triumphant. She sobbed, not loudly or violently, but with a pitiful gentleness.
"Why do you cry so, darling?" I whispered.
She turned her face to me; the tears were running down her cheeks. "Why do I cry?" she moaned softly. "Because I'm wicked--I suppose I'm wicked--and so foolish. And--and you are good, and n.o.ble, and--and you'll be great. And"--the sobs choked her voice, and she turned her face half away--"and I'm old, Augustin."
I could not enter into her mood; joy pervaded me; but neither did I scorn her nor grow impatient. I perceived dimly that she struggled with a conflict of emotions beyond my understanding. Words were unsafe, likely to be wrong, to make worse what they sought to cure. I caressed her, but trusted my tongue no further than to murmur endearments. She grew calmer, sat up, and dried her eyes.
"But it's so absurd," she protested. "Augustin, lots of boys are just as absurd as you; but was any woman ever as absurd as I am?"
"Why do you call it absurd?"
"Oh, because, because"--she moved near me suddenly--"because, although I've tried so hard, I can't feel it the least absurd. I do love you."
Here was her prepossession all the while--that the thing would seem absurd, not that there was sin in it. I can see now why her mind fixed on this point; she was, in truth, speaking not to me who was there by her, me as I was, but to the man who should be; she pleaded not only with herself, but with my future self, praying the mature man to think of her with tenderness and not with a laugh, interceding with what should one day be my memory of her. Ah, my dear, that prayer of yours is answered! I do not laugh as I write. At you I could never have laughed; and if I set out to force a laugh even at myself I fall to thinking of what you were, and again I do not laugh. Then what is it that the world outside must have laughed with a very self-conscious wisdom? Its laughter was nothing to us then, and to-day is to me as nothing. Is it not always ready to weep at a farce and laugh at a tragedy?
"But you've n.o.body else," she went on softly. "I shouldn't have dared if you'd had anybody else. Long ago--do you remember?--you had n.o.body, and you liked me to kiss you. I believe I began to love you then; I mean I began to think how much some woman would love you some day. But I didn't think I should be the woman. Oh, don't look at me so hard, or--or you'll see----"
"How much you love me?"
"No, no. You'll see my wrinkles. See, if I do this you can't look at my face." And putting her arms round my neck she hid her face.
I was strangely tongue-tied, or, perhaps, not strangely; for there comes a time when the eyes say all that there is desire or need to say. Her pleadings were in answer to my eyes.
"Oh, I know you think so now!" she murmured. "But you won't go on thinking so--and I shall." She raised her head and looked at me; now a smile of triumph came on her face. "Oh, but you do think so now!" she whispered in a voice still lower, but full of delight. "You do think so now," and again she hid her face from me. But I knew that the triumph had entered into her soul also, and that the shadows could no longer altogether dim its suns.h.i.+ne for her.
The afternoon became full, and waned to dusk as we sat together. We said little; there were no arrangements made; we seemed in a way cut off from the world outside, and from the consideration of it. The life which we must each lead, lives in the main apart from one another, had receded into distance, and went unnoticed; we had nothing to do save to be together; when we were together there was little that we cared to say, no protestations that we had need to make. There was between us so absolute a sympathy, so full an agreement in all that we gave, all that we accepted, all that we abandoned. Doubts and struggles were as though they had never been. There is a temptation to think sometimes that things so perfectly justify themselves that conscience is not discrowned by violence, but signs a willing abdication, herself convinced. For pa.s.sion can simulate right, even as in some natures the love of right becomes a turbulent pa.s.sion in the end, like most of such, destructive of itself.
"Then I am yours, and you are mine? And the Emba.s.sy is Wetter's?"
"The Emba.s.sy is whose you like," she cried, "if the rest is true."
"It is Wetter's. Do you know why? That everybody may know how I am yours."
She did not refuse even the perilous fame I offered.
"I should be proud of it," she said, with head erect.
"No, no; n.o.body shall breathe a letter of your name," I exclaimed in a sudden turn of feeling. "I will swear that you had nothing to do with it, that you hate him, that you never mentioned it."
"Say what you like," she whispered.
"If I did that, I should say to all Forstadt that there's no woman in the world like you."
"You needn't say it to all Forstadt. You haven't even said it to me yet."
We had been sitting together. Again I fell on one knee, prepared to offer her formal homage in a sweet extravagance. On a sudden she raised her hand; her face grew alarmed.
"Hark!" she said. "Hark!"
"To your voice, yours only!"
"No. There is a noise. Somebody is coming. Who can it be?"
The King's Mirror Part 16
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The King's Mirror Part 16 summary
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