The Valley of the Moon Part 60

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"'Aw, shucks,' I says, indifferent as h.e.l.l. 'Gimme something real hard.'

"He smiles an' understands.

"'You done that well,' he says. 'An' I'm particular about who handles my horses. The road ain't no place for you. You must be a good man gone wrong. Just the same you can plow with my horses, startin' in to-morrow mornin'.'

"Which shows how wise he wasn't. I hadn't showed I could plow."

When Saxon had served the beans, and Billy the coffee, she stood still a moment and surveyed the spread meal on the blankets--the canister of sugar, the condensed milk tin, the sliced corned beef, the lettuce salad and sliced tomatoes, the slices of fresh French bread, and the steaming plates of beans and mugs of coffee.

"What a difference from last night!" Saxon exclaimed, clapping her hands. "It's like an adventure out of a book. Oh, that boy I went fis.h.i.+ng with! Think of that beautiful table and that beautiful house last night, and then look at this. Why, we could have lived a thousand years on end in Oakland and never met a woman like Mrs. Mortimer nor dreamed a house like hers existed. And, Billy, just to think, we've only just started."

Billy worked for three days, and while insisting that he was doing very well, he freely admitted that there was more in plowing than he had thought. Saxon experienced quiet satisfaction when she learned he was enjoying it.

"I never thought I'd like plowin'--much," he observed. "But it's fine.

It's good for the leg-muscles, too. They don't get exercise enough in teamin'. If ever I trained for another fight, you bet I'd take a whack at plowin'. An', you know, the ground has a regular good smell to it, a-turnin' over an' turnin' over. Gosh, it's good enough to eat, that smell. An' it just goes on, turnin' up an' over, fresh an' thick an'

good, all day long. An' the horses are Joe-dandies. They know their business as well as a man. That's one thing, Benson ain't got a scrub horse on the place."

The last day Billy worked, the sky clouded over, the air grew damp, a strong wind began to blow from the southeast, and all the signs were present of the first winter rain. Billy came back in the evening with a small roll of old canvas he had borrowed, which he proceeded to arrange over their bed on a framework so as to shed rain. Several times he complained about the little finger of his left hand. It had been bothering him all day he told Saxon, for several days slightly, in fact, and it was as tender as a boil--most likely a splinter, but he had been unable to locate it.

He went ahead with storm preparations, elevating the bed on old boards which he lugged from a disused barn falling to decay on the opposite bank of the creek. Upon the boards he heaped dry leaves for a mattress.

He concluded by reinforcing the canvas with additional guys of odd pieces of rope and bailing-wire.

When the first splashes of rain arrived Saxon was delighted. Billy betrayed little interest. His finger was hurting too much, he said.

Neither he nor Saxon could make anything of it, and both scoffed at the idea of a felon.

"It might be a run-around," Saxon hazarded.

"What's that?"

"I don't know. I remember Mrs. Cady had one once, but I was too small.

It was the little finger, too. She poulticed it, I think. And I remember she dressed it with some kind of salve. It got awful bad, and finished by her losing the nail. After that it got well quick, and a new nail grew out. Suppose I make a hot bread poultice for yours."

Billy declined, being of the opinion that it would be better in the morning. Saxon was troubled, and as she dozed off she knew that he was lying restlessly wide awake. A few minutes afterward, roused by a heavy blast of wind and rain on the canvas, she heard Billy softly groaning.

She raised herself on her elbow and with her free hand, in the way she knew, manipulating his forehead and the surfaces around his eyes, soothed him off to sleep.

Again she slept. And again she was aroused, this time not by the storm, but by Billy. She could not see, but by feeling she ascertained his strange position. He was outside the blankets and on his knees, his forehead resting on the boards, his shoulders writhing with suppressed anguish.

"She's pulsin' to beat the band," he said, when she spoke. "It's worsen a thousand toothaches. But it ain't nothin'... if only the canvas don't blow down. Think what our folks had to stand," he gritted out between groans. "Why, my father was out in the mountains, an' the man with 'm got mauled by a grizzly--clean clawed to the bones all over. An' they was outa grub an' had to travel. Two times outa three, when my father put 'm on the horse, he'd faint away. Had to be tied on. An' that lasted five weeks, an' HE pulled through. Then there was Jack Quigley. He blowed off his whole right hand with the burstin' of his shotgun, an'

the huntin' dog pup he had with 'm ate up three of the fingers. An' he was all alone in the marsh, an'--"

But Saxon heard no more of the adventures of Jack Quigley. A terrific blast of wind parted several of the guys, collapsed the framework, and for a moment buried them under the canvas. The next moment canvas, framework, and trailing guys were whisked away into the darkness, and Saxon and Billy were deluged with rain.

"Only one thing to do," he yelled in her ear. "--Gather up the things an' get into that old barn."

They accomplished this in the drenching darkness, making two trips across the stepping stones of the shallow creek and soaking themselves to the knees. The old barn leaked like a sieve, but they managed to find a dry s.p.a.ce on which to spread their anything but dry bedding. Billy's pain was heart-rending to Saxon. An hour was required to subdue him to a doze, and only by continuously stroking his forehead could she keep him asleep. s.h.i.+vering and miserable, she accepted a night of wakefulness gladly with the knowledge that she kept him from knowing the worst of his pain.

At the time when she had decided it must be past midnight, there was an interruption. From the open doorway came a flash of electric light, like a tiny searchlight, which quested about the barn and came to rest on her and Billy. From the source of light a harsh voice said:

"Ah! ha! I've got you! Come out of that!"

Billy sat up, his eyes dazzled by the light. The voice behind the light was approaching and reiterating its demand that they come out of that.

"What's up?" Billy asked.

"Me," was the answer; "an' wide awake, you bet."

The voice was now beside them, scarcely a yard away, yet they could see nothing on account of the light, which was intermittent, frequently going out for an instant as the operator's thumb tired on the switch.

"Come on, get a move on," the voice went on. "Roll up your blankets an'

trot along. I want you."

"Who in h.e.l.l are you?" Billy demanded.

"I'm the constable. Come on."

"Well, what do you want?"

"You, of course, the pair of you."

"What for?"

"Vagrancy. Now hustle. I ain't goin' to loaf here all night."

"Aw, chase yourself," Billy advised. "I ain't a vag. I'm a workingman."

"Maybe you are an' maybe you ain't," said the constable; "but you can tell all that to Judge Neusbaumer in the mornin'."

"Why you... you stinkin', dirty cur, you think you're goin' to pull me,"

Billy began. "Turn the light on yourself. I want to see what kind of an ugly mug you got. Pull me, eh? Pull me? For two cents I'd get up there an' beat you to a jelly, you--"

"No, no, Billy," Saxon pleaded. "Don't make trouble. It would mean jail."

"That's right," the constable approved, "listen to your woman."

"She's my wife, an' see you speak of her as such," Billy warned. "Now get out, if you know what's good for yourself."

"I've seen your kind before," the constable retorted. "An' I've got my little persuader with me. Take a squint."

The shaft of light s.h.i.+fted, and out of the darkness, illuminated with ghastly brilliance, they saw thrust a hand holding a revolver. This hand seemed a thing apart, self-existent, with no corporeal attachment, and it appeared and disappeared like an apparition as the thumb-pressure wavered on the switch. One moment they were staring at the hand and revolver, the next moment at impenetrable darkness, and the next moment again at the hand and revolver.

"Now, I guess you'll come," the constable gloated.

"You got another guess comin'," Billy began.

But at that moment the light went out. They heard a quick movement on the officer's part and the thud of the light-stick on the ground. Both Billy and the constable fumbled for it, but Billy found it and flashed it on the other. They saw a gray-bearded man clad in streaming oilskins.

He was an old man, and reminded Saxon of the sort she had been used to see in Grand Army processions on Decoration Day.

"Give me that stick," he bullied.

The Valley of the Moon Part 60

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The Valley of the Moon Part 60 summary

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