A Girl of the Commune Part 2

His life was chiefly pa.s.sed among artists, and like them as a cla.s.s, he affected loose and easy attire. He wore turn-down collars with a carelessly-knotted necktie, and a velvet jacket. He was one of those men whom his intimates declared to be capable of doing anything he chose, and who chose to do nothing. He had never distinguished himself in any way at Harrow. He had maintained a fair place in his forms as he moved up in the school, but had done so rather from natural ability than from study. He had never been in the eleven, although it was the general opinion he would have certainly had a place in it had he chosen to play regularly. As he sauntered through Harrow so he sauntered through Cambridge; keeping just enough chapels and lectures to avoid getting into trouble, pa.s.sing the examinations without actual discredit, rowing a little, playing cricket when the fit seized him, but preferring to take life easily and to avoid toil, either mental or bodily.

Nevertheless he read a great deal, and on general subjects was one of the best informed men of his college.

He spent a good deal of his time in sketching and painting, art being his one pa.s.sion. His sketches were the admiration of his friends, but although he had had the best lessons he could obtain at the University he lacked the application and industry to convert the sketches into finished paintings. His vacations were spent chiefly on the Continent, for his life at home bored him immensely, and to him a week among the Swiss lakes, or in the galleries of Munich or Dresden, was worth more than all the pleasures that country life could give him.

He went home for a short time after leaving the University, but his stay there was productive of pleasure to neither his father nor himself. They had not a single taste in common, and though Cuthbert made an effort to take an interest in field sports and farming, it was not long before his father himself told him that as it was evident the life was altogether distasteful to him, and his tastes lay in another direction, he was perfectly ready to make him an allowance that would enable him either to travel or to live in chambers in London.

"I am sorry, of course, lad," he said, "that you could not make yourself happy with me here, but I don't blame you, for it is after all a matter of natural disposition. Of course you will come down here sometimes, and at any rate I shall be happier in knowing that you are living your own life and enjoying yourself in your own way, than I should be in seeing you trying in vain to take to pursuits from which you would derive no pleasure whatever."

"I am awfully sorry, father," Cuthbert had said. "I heartily wish it had been otherwise, but I own that I would rather live in London on an almost starvation income than settle down here. I have really tried hard to get to like things that you do. I feel it would have been better if I had always stayed here and had a tutor; then, no doubt, I should have taken to field sports and so on. However, it is no use regretting that now, and I am very thankful for your offer."

Accordingly he had gone up to London, taken chambers in Gray's Inn, where two or three of his college friends were established, and joined a Bohemian Club, where he made the acquaintance of several artists, and soon became a member of their set. He had talked vaguely of taking up art as a profession, but nothing ever came of it. There was an easel or two in his rooms and any number of unfinished paintings; but he was fastidious over his own work and unable from want of knowledge of technique to carry out his ideas, and the canvases were one after another thrown aside in disgust. His friends upbraided him bitterly with his want of application, not altogether without effect; he took their remonstrances in perfect good temper, but without making the slightest effort to improve. He generally accompanied some of them on their sketching expeditions to Normandy, Brittany, Spain, or Algiers, and his portfolios were the subject of mingled admiration and anger among his artist friends in St. John's Wood; admiration at the vigor and talent that his sketches displayed, anger that he should be content to do nothing greater.

His days were largely spent in their studios where, seated in the most comfortable chair he could find, he would smoke lazily and watch them at work and criticise freely. Men grumbled and laughed at his presumption, but were ready to acknowledge the justice of his criticism. He had an excellent eye for color and effect and for the contrast of light and shade, and those whose pictures were hung, were often ready enough to admit that the canvas owed much of its charm to some happy suggestion on Cuthbert's often ready part.

Every two or three months he went home for a fortnight. He was greatly attached to his father, and it was the one drawback to the contentment of his life that he had been unable to carry out the Squire's wishes, and to settle down with him at Fairclose. He would occasionally bemoan himself over this to his friends.

"I am as bad as the prodigal son," he would say, "except that I don't get what I deserve, and have neither to feed on husks nor to tend swine; but though the fatted calf would be ready for me if I were to return I can't bring myself to do so."

"I don't know about being a prodigal," Wilson, one of the oldest of his set would grumble in reply, "but I do know you are a lazy young beggar, and are wasting your time and opportunities; it is a thousand pities you were born with a silver spoon in your mouth. Your father ought to have turned you adrift with an allowance just sufficient to have kept you on bread and b.u.t.ter, and have left you to provide everything else for yourself; then you would have been an artist, sir, and would have made a big name for yourself. You would have had no occasion to waste your time in painting pot-boilers, but could have devoted yourself to good, honest, serious work, which is more than most of us can do. We are obliged to consider what will sell and to please the public by turning out what they call pretty pictures--children playing with dogs, and trumpery things of that sort. Bah, it is sickening to see a young fellow wasting his life so."

But Cuthbert only laughed good-temperedly, he was accustomed to such tirades, and was indeed of a singularly sweet and easy temper.

It was the end of the first week in May, the great artistic event of the year was over, the Academy was opened, the pictures had been seen and criticised, there was the usual indignation at pictures being hung generally voted to be daubs, while others that had been considered among the studios as certain of acceptance, had been rejected. Two or three of Cuthbert's friends were starting at once for Cornwall to enjoy a rest after three months' steady work and to lay in a stock of fresh sketches for pictures for the following year.

"I will go with you," Cuthbert said when they informed him of their intention, "it is early yet, but it is warm enough even for loafing on the rocks, and I hate London when it's full. I will go for a fortnight anyhow," and so with Wilson and two younger men, he started for Newquay, on the north of Cornwall. Once established there the party met only at meals.

"We don't want to be doing the same bits," Wilson said, "and we shall see plenty of each other of an evening." Cuthbert was delighted with the place, and with his usual enthusiasm speedily fixed upon a subject, and setting up his easel and camp-stool began work on the morning after his arrival. He had been engaged but a few hours when two young ladies came along. They stopped close to him, and Cuthbert, who hated being overlooked when at work, was on the point of growling an anathema under his fair drooping mustache, when one of the girls came close and said quietly--

"How are you, Mr. Hartington? Who would have thought of meeting you here?"

He did not recognize her for a moment and then exclaimed--

"Why, it is Mary Brander. I beg your pardon," he went on, taking off his soft, broad-brimmed hat, "I ought to have said Miss Brander, but having known you so long as Mary Brander, the name slipped out. It must have been three years since we met, and you have shot up from a girl into a full-grown young lady. Are your father and mother here?"

"No, I came down last week to stay with my friend, Miss Treadwyn, who was at Girton with me. Anna, this is Mr. Cuthbert Hartington. Mr.

Hartington's place is near Abchester, and he is one of my father's clients."

Miss Treadwyn bowed and Cuthbert took off his hat.

"We have known each other ever since we were children," Mary went on, "that is to say ever since I was a child, for he was a big boy then; he often used to come into our house, while Mr. Hartington was going into business matters with my father, and generally amused himself by teasing me. He used to treat me as if I was a small sort of monkey, and generally ended by putting me in a pa.s.sion; of course that was in the early days."

"Before you came to years of discretion, Miss Brander. You were growing a very discreet damsel when I last saw you, and I felt rather afraid of you. I know that you were good enough to express much disapproval of me and my ways."

"Very likely I did, though I don't remember it. I think I was very outspoken in those days."

"I do not think you have changed much in that respect, Mary," Miss Treadwyn said.

"Why should one say what one does not think," Mary said, st.u.r.dily, "it would be much better if we all did so. Do you not agree with me, Mr.

Hartington?"

"It depends upon what 'better' means; it would be awful to think of the consequences if we all did so. Society would dissolve itself into its component parts and every man's hand would be against his neighbor. I do not say that people should say what they do not think, but I am sure that the world would not be so pleasant as it is by a long way if every one was to say exactly what he did think. Just imagine what the sensation of authors or artists would be if critics were to state their opinions with absolute candor!"

"I think it were better if they did so, Mr. Hartington; in that case there would be fewer idiotic books written and fewer men wasting their lives in trying vainly to produce good paintings."

"That is true enough," Cuthbert laughed, "but you must remember that critics do not buy either books or paintings, and that there are plenty of people who buy the idiotic books and are perfectly content with pictures without a particle of artistic merit."

"I suppose so," she admitted, reluctantly, "but so much the worse, for it causes mediocrity!"

"But we are most of us mediocre--authors like d.i.c.kens, Thackeray, and George Eliot are the exception--and so are artists like Millais and Landseer, but when books and paintings give pleasure they fulfil their purpose, don't they?"

"If their purpose is to afford a livelihood to those that make them, I suppose they do, Mr. Hartington; but they do not fulfil what ought to be their purpose--which should, of course, be to elevate the mind or to improve the taste."

He shook his head.

"That is too lofty an ideal altogether for me," he said. "I doubt whether men are much happier for their minds being improved or their tastes elevated, unless they are fortunate enough to have sufficient means to gratify those tastes. If a man is happy and contented with the street he lives in, the house he inhabits, the pictures on his walls, and the books he gets from a library, is he better off when you teach him that the street is mean and ugly, the house an outrage on architectural taste, the wall-papers revolting, the pictures daubs, and the books trash? Upon my word I don't think so. I am afraid I am a Philistine."

"But you are an artist, are you not, Mr. Hartington," Miss Treadwyn said, looking at the sketch which had already made considerable progress.

"Unfortunately, no; I have a taste for art, but that is all. I should be better off if I had not, for then I should be contented with doing things like this; as it is I am in a perpetual state of grumble because I can do no better."

"You know the Latin proverb _meliora video_, and so on, Mr. Hartington, does it apply?"

"That is the first time I have had Latin quoted against me by a young lady," Cuthbert said, smilingly, but with a slight flush that showed the shaft had gone home. "I will not deny that the quotation exactly hits my case. I can only plead that nature, which gave me the love for art, did not give me the amount of energy and the capacity for hard work that are requisite to its successful cultivation, and has not even given me the stimulus of necessity, which is, I fancy, the greatest human motor."

"I should be quite content to paint as well as you do, Mr. Hartington,"

Anna Treadwyn said. "It must add immensely to the pleasure of travelling to be able to carry home such remembrances of places one has seen."

"Yes, it does so, Miss Treadwyn. I have done a good deal of wandering about in a small way, and have quite a pile of portfolios by whose aid I can travel over the ground again and recall not only the scenery but almost every incident, however slight, that occurred in connection therewith."

"Well, Anna, I think we had better be continuing our walk."

"I suppose we had. May I ask, Mr. Hartington, where you are staying? I am sure my mother will be very pleased if you will call upon us at Porthalloc. There is a glorious view from the garden. I suppose you will be at work all day, but you are sure to find us in of an evening."

"Yes, I fancy I shall live in the open air as long as there is light enough to sketch by, Miss Treadwyn, but if your mother will be good enough to allow me to waive ceremony, I will come up some evening after dinner; in the meantime may I say that I shall always be found somewhere along the sh.o.r.e, and will be glad to receive with due humility any chidings that my old playmate, if she will allow me to call her so, may choose to bestow upon me."

Anna Treadwyn nodded. "I expect we shall be here every day; the sea is new to Mary, and at present she is wild about it."

"How could you go on so, Mary," she went on, as they continued their walk.

"How could I?" the girl replied. "Have we not agreed that one of the chief objects of women's lives should not only be to raise their own s.e.x to the level of man, but generally to urge men to higher aims, and yet because I have very mildly shown my disapproval of Cuthbert Hartington's laziness and waste of his talents, you ask me how I can do it!"

"Well, you see, Mary, it is one thing for us to form all sorts of resolutions when we were sitting eight or ten of us together in your rooms at Girton; but when it comes to putting them into execution one sees things in rather a different light. I quite agree with our theories and I hope to live up to them, as far as I can, but it seems to me much easier to put the theories into practice in a general way than in individual cases. A clergyman can denounce faults from the pulpit without giving offence to anyone, but if he were to take one of his congregation aside and rebuke him, I don't think the experiment would be successful."

"Nathan said unto David, thou art the man."

"Yes, my dear, but you will excuse my saying that at present you have scarcely attained the position of Nathan."

Mary Brander laughed.