A Daughter of To-Day Part 30
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He would have destroyed the thing himself if she had asked him, but she should have asked him. And even in his engrossing indignation he could experience a kind of spiritual blush as he recognized how safe his concession was behind the improbability of its condition. Finally he wrote a line to Janet, informing her that the portrait had sustained an injury, and postponing her and her father's visit to the studio. He would come, in the morning to tell her about it, he added, and despatched the missive by the boy downstairs, post-haste, in a cab.
It would be to-morrow, he reflected, before he could screw himself up to talking about it, even to Janet. For that day he must be alone with his discomfiture.
In the days of his youth and adversity, long before he and the public were upon speaking terms, Mr. George Jasper had found encouragement of a substantial sort with Messrs. Pittman, Pitt & Sanderson, of Ludgate Hill, which was a well-known explanation of the fact that this brilliant author clung, in the main, to a rather old-fas.h.i.+oned firm of publishers when the dimensions of his reputation gave him a proportionate choice. It explained also the circ.u.mstance that Mr. Jasper's notable critical ac.u.men was very often at the service of his friend Mr. Pitt--Mr. Pittman was dead, as at least one member of a London publis.h.i.+ng firm is apt to be--in cases where ma.n.u.scripts of any curiously distinctive character, from unknown authors, puzzled his perception of the truly expedient thing to do. Mr. Arthur Rattray, of the _Ill.u.s.trated Age_, had personal access to Mr. Pitt, and had succeeded in confusing him very much indeed as to the probable success of a book by an impressionistic young lady friend of his, which he called "An Adventure in Stage-Land," and which Mr. Rattray declared to have every element of unconventional interest. Mr. Pitt distrusted unconventional interest, distrusted impressionistic literature, and especially distrusted books by young lady friends. Rattray, nevertheless showed a suspicious indifference to its being accepted, and an irritating readiness to take it somewhere else, and Mr.
Pitt knew Rattray for a sagacious man. And so it happened that, returning late from a dinner where he had taken refuge from being bored entirely-to extinction in two or three extremely indigestible, dishes, Mr. George Jasper found Elfrida's ma.n.u.script in a neat, thick, oblong paper parcel, waiting for him on his dressing-table. He felt himself particularly wide awake, and he had a consciousness that the evening had made a very small inroad upon his capacity for saying clever things. So he went over "An Adventure in Stage-Land" at once, and in writing his opinion of it to Mr. Pitt, which he did with some elaboration, a couple of hours later, he had all the relief of a revenge upon a well-meaning hostess, without the reproach of having done her the slightest harm. It is probable that if Mr. Jasper had known that the opinion of the firm's "reader" was to find its way to the author, he would have expressed himself in terms of more guarded commonplace, for we cannot believe that he still cherished a sufficiently lively resentment at having his hand publicly kissed by a pretty girl to do otherwise; but Mr. Pitt had not thought it necessary to tell him of this condition, which Rattray, at Elfrida's express desire, had exacted. As it happened, n.o.body can ever know precisely what he wrote, except Mr. Pitt, who has forgotten, and Mr. Arthur Rattray, who tries to forget; for the letter, the morning after it had been received, which was the morning after the portrait met its fate, lay in a little charred heap in the fireplace of Elfrida's room, when Janet Cardiff pushed the screen aside at last and went in.
Kendal had come as he promised, and told her everything.
He had not received quite the measure of indignant sympathy he had expected, and Janet had not laughed at the asterisks.
On the other hand, she had sent him away, with unnatural gravity-of demeanor, rather earlier than he meant to go, and without telling him why. She thought, as she directed the cabman to Ess.e.x Court, Fleet Street, that she would tell him why afterward; and all the way there she thought of the most explicit terms in which to inform Elfrida that her letter had been the product of hardness of heart, that she really felt quite differently, and had come to tell her, purely for honesty's sake, how she did feel.
After a moment of ineffectual calling on the other side of the screen, her voice failed her, and in dumb terror that would not be reasoned away it seemed that she saw the outlines of the long, still, slender figure under the bed draperies, while she still looked helplessly at a flock of wild geese flying over Fugi Yama. Buddha smiled at her from the table with a kind of horrid expectancy, and the litter, of papers round him, in Elfrida's handwriting, mixed their familiarity with his mockery.
She had only to drag her trembling limbs a little further to know that the room was pregnant with the presence of death. Some white tuberoses in a vase seemed to make it palpable with their fragrance. She ran wildly to the window and drew back the curtain; the pale sunlight flooding in gave a little white nimbus to a silver ring upon the floor.
The fact may not be without interest that six months afterward "An Adventure in Stage-Land" was published by Messrs. Lash and Black, and met with a very considerable success. Mr. Arthur Rattray undertook its disposal, with the consent of Mr. and Mrs. Leslie Bell, who insisted, without much difficulty, that he should receive a percentage of the profits for his trouble. Mr. Rattray was also of a.s.sistance to them when, as soon as the expense could be managed, these two middle-aged Americans, whose grief was not less impressive because of its tw.a.n.g, arrived in London to arrange that their daughter's final resting-place should be changed to her native land. Mr. Bell told him in confidence that while he hoped he was entirely devoid of what you may call race prejudice against the English people, it didn't, seem as if he could let anybody belonging to him lie under the British flag for all time, and found it a comfort that Rattray understood. Sparta is divided in its opinion whether the imposing red granite monument they erected in the cemetery, with plenty of s.p.a.ce left for the final earthly record of Leslie and Margaret Bell, is not too expensive considering the Bells'
means, and too conspicuous considering the circ.u.mstances.
It has. .h.i.therto occurred to n.o.body, however, to doubt the appropriateness of the texts inscribed upon it, in connection with three little French words which Elfrida, in the charmingly apologetic letter which she left for her parents, commanded to be put there--"_Pas femme-artiste_." Janet, who once paid a visit to the place, hopes in all seriousness that the sleeper underneath is not aware of the combination.
Miss Kimpsey boards with the Bells now, and her relation to them has become almost daughterly. The three are swayed, to the extent of their several capacities, by what one might call a cult of Elfrida--her death has long ago been explained by the fact that a grandaunt of Mrs. Bell's suffered from melancholia.
Mr. and Mrs, John Kendal's delightful circle of friends say that they live an idyllic life in Devons.h.i.+re. But even in the height of some domestic joy a silence sometimes falls between them still. Then, I fancy, he is thinking of an art that has slipped away from him, and she of a loyalty she could not hold. The only person whose equanimity is entirely undisturbed is Buddha. In his place among the mournful Magdalens of Mrs. Bell's drawing-room in Sparta, Buddha still smiles.
THE END
A Daughter of To-Day Part 30
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A Daughter of To-Day Part 30 summary
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