Fighting France Part 4

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These last are conducive to the quickest end of the war; they are, if you consider matters carefully, the most humane methods.... Prisoners may be killed in case of necessity if there is no other means of guarding them properly.... The presence of women, children, old men, the sick and the wounded in a beseiged city can hasten the place's fall; in consequence it would be very foolish of the beseiger to renounce this advantage.... They will force the inhabitants to furnish information concerning their army, military resources and secrets of their country. The majority of writers in all nations condemn this usage. _It will be used none the less_--very regretfully--for military reasons.

Finally, on the volume's last page, is found this extraordinary maxim:

"Any wrong that the war demands, however great it may be, is allowed."

Therefore the horrors which the Germans performed from the war's very beginning, which provoked an expression of great indignation from all the civilized world, were not perpetrated in a moment of orgy or madness. They have been perpetrated coldly, deliberately, intentionally.

Besides, not only the officers and the common soldiers have been taught to make war in this barbarous fas.h.i.+on. It has been taught to the entire German people. This precept proves the case. It emanates not from a soldier but from a poet, who is not addressing the military cla.s.s but the civilians, the women, the children, and all Germany. It is the "Hymn of Hate" by the poet Heinrich Vierordt, which, before the war, was recited in even the German kindergartens:

Hate, Germany! Slit the throats of your millions of enemies.

Raise a monument of their smoking corpses that will rise to the heavens!

Germany, arm yourself with brazen armor and pierce with your bayonet the heart of every enemy. Take no prisoners! Strike them dumb. Transform into deserts the lands that lie near you!

Hate, Germany! Victory will come from your anger. Shatter their skulls with blows from your ax and the b.u.t.t of your musket. These brigands are timid beasts.... They are not men.... May your fist perform the judgment of G.o.d!

It is useless to say what this spirit has brought about. Germany has carried on the war with vigor, has armed herself with brazen armor!

She has transformed neighboring lands into deserts! She has slit throats, laid waste fields, shattered skulls, she has destroyed all that lay in her path! She has tried to impress the terror she holds salutary upon the souls of inoffensive old men and women and children!

This is the first of all the reasons why it is necessary now to fight, and to fight to the death; because these men will understand the abominable nature of "frightfulness" only when they see that "frightfulness" does not pay; only when they see the uselessness of unchaining horror and of beginning another war. Let an a.s.sa.s.sin go at liberty and he will commence his killing all over again; send him to the electric chair and he will regret his crime.

Just as France and Paris were not long in understanding what war meant in Germany's mind, France and Paris were not long in accounting for the danger they had pa.s.sed through on account of the German spy system, on account of the formidable web of espionage the German agents had woven around all France.

People felt that this German spy system was there, speculated about it and talked about it for years and years, but it was only in the first days of the war that they really appreciated how diabolical it was and how far it had penetrated into the heart of France.

What happened at Amiens at the beginning of September, 1914, is especially characteristic of this.

Amiens was occupied twice by the enemy. To use the expression of a military historian, it seemed as if "the French and the Germans were playing hide-and-seek around the town." As soon as the blue caps of the French appeared over the horizon, the yellow pointed helmets of the Germans disappeared, rapidly. German occupation meant the same thing it did everywhere else--exactions, brutalities, rape.

Immediately after he had entered the Prefecture, the German governor levied a war contribution of one million francs. He also demanded that the citizens furnish his troops with wine, cigars, and tobacco; drew up a list of hostages; and arrested all the men between the ages of seventeen and twenty years. Within twenty-four hours they were led away under guard.

Nothing of all this surprised the brave Picard city. Proudly she submitted to her fate. But one thing moved her, or rather angered her, and that was the surety and speed with which the German authorities went directly to all the places they should occupy. They did not hesitate an instant about the street to follow or the door at which to knock. The arrest of the fifteen hundred young hostages occurred with an unheard-of rapidity. It seemed as if an invisible but exceedingly clever hand guided each step, regulated each movement of the invaders.

Who could it be who directed, advised and commanded the Germans from behind a veil?

Doubtless the mystery would never have been solved if, during the second occupation, the citizens had not been warned that the next day they would have to keep their shades down and close all shutters because His Imperial Highness, Prince Eitel Friedrich, the Kaiser's son, would then make a formal entry into the capital of Picardy. The shutters were closed; automatically the streets were emptied.

Into a deserted city, to the sound of trumpet and drum, preceded by a staff gleaming with gold braid and mounted on spirited steeds, the German army entered in state. All the shades were drawn in the city.

However, behind some of them drawn faces peered forth in sorrow or in anger. In a house on the princ.i.p.al street was a lady whose husband was at the front. Her father, an aged general who had fought bravely in the war of 1870, was with her. Through the drawn shades of her home she was watching the hated scene. And her glorious old father, however indignant he felt, was watching by her side.

When the parade was pa.s.sing by, he made a sudden gesture and said:

"Look at that man on the horse, there, now!"

The man in question seemed to have a horse that pranced a little more than the others. He rolled around in his saddle a little more than the others. And the two onlookers had no trouble in recognizing this aide-de-camp of Prince Eitel's as one of the former directors of a language school that had had a branch at Amiens!

There is a sequel to the story ... for on the afternoon of that unhappy day Madame X and ten other society ladies of Amiens at different times heard a ring at their doors and saw that same individual, in full regalia, booted and spurred, enter their drawing rooms. He came to call on them, to pay his respects, as if it were the most natural thing in the world that he should be there in that costume. They all had to restrain the feeling of disgust and anger this spy aroused in their b.r.e.a.s.t.s. It was for the sake of the safety of their homes, for the lives that were dear to them, that they did this. And he, entirely unconscious in his vileness, was suave and polite, played the man about town, recalled one thing or another, mentioned dances and parties....

So we once more find justification for the famous definition of German contained in Schopenhauer's famous phrase: "The German is remarkable for the absolute lack of that feeling which the Latins call 'verecundia'--sense of shame."

The essence of this feeling which is found among the most savage peoples is entirely lacking in the Teutonic race. And once more we find an abominable ambush placed for French culture, good faith and generosity.

This is not an isolated incident. When the whole truth is known, there will be even more surprised indignation felt than there is at present.

Inquiries will have to be made. It will be necessary to know why the enemy, in certain places, has rushed in as if he came out of a trap door. It will be necessary to know why, in certain ravaged districts, some houses have been entirely destroyed and others carefully spared.

It will be necessary to know why tennis courts have been put in certain places and why certain ma.s.ses of rhododendrons have been planted in certain parks....

For we know that the tennis courts have helped the Germans carry out their schemes, and that the flower beds have had a place in the machinery of war they were developing, which they kept alive until they were at our gates. A tennis match seems a mere nothing--something very innocent in the way of pleasure, far from being war-like. And then, one fine day the discovery is made that the tennis court has a foundation of reinforced concrete twenty centimeters thick, fit to support a house six stories high and, consequently, a heavy gun!

A clump of rhododendrons is very lovely, something very gracious, charming, most poetic. And one day the discovery is made that the clump conceals a platform set in concrete on which an entire battery can be aligned.

All that will have to be investigated. All that will have to be stopped.... And it makes another reason why it is necessary to fight today, to fight to the death. For these Germans will understand the inanity of their Machiavellian scheming and of their spy system only when they shall see these methods fall to pieces, when they shall see their system fail absolutely.

In conclusion we may say that France fights for two reasons. The first reason is because on the third of August at a quarter before seven o'clock war was declared on her; she was forced to fight; her territory was invaded, her cities burned to the ground; her fields ravaged; her citizens ma.s.sacred. The second reason is because she does not want to have to fight in the future; she does not wish this horror to be reproduced a second time; she wishes, in the immortal words of Was.h.i.+ngton, "that plague of mankind, war, banished off the earth."

To accomplish this the engine that makes war must be destroyed. The engine that makes war is "made in Germany." War is the national industry of the Germans, it has been developed and made perfect in Germany, it is dear to all German hearts. They are proud of it and have faith in its power. The machine must not only be stopped; it must be broken and destroyed, thrown out as sc.r.a.p iron to prevent the pieces from being rea.s.sembled, readjusted and put in running order once again.

That is why France is fighting, why the whole world ought to fight to the end, to death or until victory crowns its efforts.

II

HOW FRANCE IS FIGHTING

Two words, courage and tenacity, will serve the future historian in his description of how France fought, when the time shall have come for telling the entire story of the world war.

No one has ever doubted French courage throughout all the centuries of her tormented history; but skeptical remarks have been made in times past of the tenacity of the French people.

Ten epigrams do not describe this war; nor do three. But one alone serves this purpose--know how to endure. No more thoughtful words have ever been spoken than those of the j.a.panese, Marshall Nogi: "Victory is won by the nation that can suffer a quarter of an hour longer than its opponent."

During the four years of war, France has proven that she knew how to suffer and was able to suffer a quarter of an hour longer than her enemies.

They knew how to suffer, those soldiers of General Maunoury's army in the Battle of the Marne. And they turned the tide of battle in favor of French arms. They marched, fought and died for five days and five nights, in the pa.s.sing of which some battalions marched forty-two kilometers and did not sleep for more than two hours at a time. The mobility of the fighting units was such that the commissary department was absolutely unable to supply them with rations. For three days many of them had no bread, no meat, nothing at all! They subsisted on crusts they had with them, or on the food they were able, by the fortunes of battle, to pick up in the villages where they happened to be. In spite of all this, whenever the order was given to charge, they charged the enemy with a sort of inspired madness.

"The fight has been a hard one," Marshall Joffre wrote in an order of the day that will be famous throughout eternity. "The casualties, the number of men worn out by the exhaustion due to lack of sleep--and sometimes of food--pa.s.sed all imagining.... Comrades, the commander in chief has asked you to do more than your duty, and you have responded to this request by accomplis.h.i.+ng the impossible." That is the finest word of praise that has been given fighting men since the world began.

They knew how to suffer, those other soldiers of the Battle of the Marne who were a part of General Foch's army at Fere-Champenoise. Five times they attacked the Chateau de Mondement, and five times they were driven back. Their officers were consulting as to the best thing to do; and the men surrounded the officers, begging them with tears in their eyes to lead them to the a.s.sault for the sixth time. For the sixth time the attack was sounded, and at the sixth a.s.sault Chateau de Mondement fell.

That officer at Verdun knew how to suffer. He will remain a figure for the legends of the future for, running to transmit an order, he received a bullet in the eyes which shattered his optic nerve. He was completely blinded. Nevertheless, he continued to advance, trying to grope his way through the night that had fallen upon him. He encountered something lying on the ground--a something that was a man just as badly wounded. The blind man besought him for help.

"How can I help you," said the wounded man, "a sh.e.l.l has broken both my legs."

"What difference does that make," shouted the blinded man, "I am going to carry you on my back. My legs will be yours, and your eyes will be mine."

And, one supporting the other, the blinded man and the lamed man carried on!

Fighting France Part 4

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Fighting France Part 4 summary

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