A Vindication of the Press Part 3

First Year (1946-1947)

1. Richard Blackmore's _Essay upon Wit_ (1716), and Addison's _Freeholder_ No. 45 (1716).

2. Samuel Cobb's _Of Poetry_ and _Discourse on Criticism_ (1707).

3. _Letter to A.H. Esq.; concerning the Stage_ (1698), and Richard Willis' _Occasional Paper No. IX_ (1698). (OUT OF PRINT)

4. _Essay on Wit_ (1748), together with Characters by Flecknoe, and Joseph Warton's _Adventurer_ Nos. 127 and 133. (OUT OF PRINT)

 

5. Samuel Wesley's _Epistle to a Friend Concerning Poetry_ (1700) and _Essay on Heroic Poetry_ (1693).

6. _Representation of the Impiety and Immorality of the Stage_ (1704) and _Some Thoughts Concerning the Stage_ (1704).

Second Year (1947-1948)

7. John Gay's _The Present State of Wit_ (1711); and a section on Wit from _The English Theophrastus_ (1702).

8. Rapin's _De Carmine Pastorali_, translated by Creech (1684).

9. T. Hanmer's (?) _Some Remarks on the Tragedy of Hamlet_ (1736).

10. Corbyn Morris' _Essay towards Fixing the True Standards of Wit, etc._ (1744).

11. Thomas Purney's _Discourse on the Pastoral_ (1717).

12. Essays on the Stage, selected, with an Introduction by Joseph Wood Krutch.

Third Year (1948-1949)

13. Sir John Falstaff (pseud.), _The Theatre_ (1720).

14. Edward Moore's _The Gamester_ (1753).

15. John Oldmixon's _Reflections on Dr. Swift's Letter to Barley_ (1712); and Arthur Mainwaring's _The British Academy_ (1712).

16. Nevil Payne's _Fatal Jealousy_ (1673).

17. Nicholas Rowe's _Some Account of the Life of Mr. William Shakespear_ (1709).

18. Aaron Hilt's Preface to _The Creation_; and Thomas Brereton's Preface to _Esther_.

Fourth Year (1949-1950)

19. Susanna Centlivre's _The Busie Body_ (1709).

20. Lewis Theobald's _Preface to The Works of Shakespeare_ (1734).

21. _Critical Remarks on Sir Charles Gradison, Clarissa, and Pamela_ (1754).

22. Samuel Johnson's _The Vanity of Human Wishes_ (1749) and Two _Rambler_ papers (1750).

23. John Dryden's _His Majesties Declaration Defended_ (1681).

24. Pierre Nicole's _An Essay on True and Apparent Beauty in Which from Settled Principles is Rendered the Grounds for Choosing and Rejecting Epigrams_, translated by J.V. Cunningham.