Legacy of the Dead Part 19

"I should hope it might be," Oliver retorted through clenched teeth. "That's the intention of the police, to prove her guilt."

"It's no' the place of a policeman to worry his head about innocence," Hamish said. "Nor the church either!"

"You may show it to her," Armstrong answered after letting Oliver stew for several minutes as he looked at the brooch with concentrated attention. "But I will not allow you to badger her. Do you understand?"

Oliver got to his feet and retrieved the key from behind his desk. "You'd better come as well, Rutledge. She might have something to say about the dead woman."

They walked back to the cell and Oliver unlocked the door. As it swung open, Fiona rose from her chair to face them. She looked at the three men, then her eyes swung back to Rutledge's.

He could read the silent message she had sent him: What What has happened? has happened?

Armstrong went up to her and took her hand with unctuous courtesy, rubbing his thumb across her knuckles. "There's nothing to fear, my girl. The police want to ask if this object belongs to you. Please answer that question and that question only."

He opened his palm, and the dim light in the cell caught the brightness of the gold but left the smoky stone dark.

Fiona stared at it. "It's my mother's brooch."

"Not yours, then?"

"No, I-"

Armstrong cut her short. "There you are, Inspector. It does not belong to the accused."

But Oliver could read faces too. He could see clearly that while the brooch had belonged to Fiona's mother, at some time it had been in her possession.

"Is your mother alive?" he asked, already knowing the answer to that.

"She died when I was very young."

"Do you remember her?"

"No. A shadowy figure. Someone with a sweet voice and soft hands. I think I remember that."

"Then you were too young to be given the brooch?"

She glanced at Armstrong. "I was too young, yes."

"Who took charge of it at her death?"

"My grandfather must have done. There was no one else."

"Is your grandfather still living?"

"He died in 1915."

"And you were the only daughter of the house?"

"I was."

"Your mother's brooch would by right pa.s.s to you, not to your brothers."

Fiona nodded.

Hamish said, "The conclusion is plain! The brooch must have come into her possession in 1915. A year before the body was left up the glen. They've d.a.m.ned her now!"

But Armstrong had nothing to say in her defense.

There was a gleam of triumph in Oliver's eye. "I'll have that brooch now, Mr. Armstrong, if you please!"

Armstrong pa.s.sed it over to him, then rubbed his palms together as if to rid them of the feel of it.

Fiona opened her mouth, was on the verge of speaking, and caught instead the swift but barely perceptible shake of Rutledge's head. She closed her mouth and looked down at her hands clenched together now at her waist.

As if he'd heard the unvoiced question, Oliver answered it. "This is evidence now. Thank you, Miss MacDonald!"

Oliver turned on his heel and went out of the cell, followed by Armstrong. Fiona looked quickly at Rutledge, but he said nothing, turning his back with the other men and leaving her alone. But before the door closed finally, she saw him look over his shoulder and smile rea.s.suringly.

It was a rea.s.surance he did not feel.

AFTER ARMSTRONG HAD taken his leave, Oliver waited until he had heard the outer door close behind the lawyer and then said to Rutledge, "Sit down." taken his leave, Oliver waited until he had heard the outer door close behind the lawyer and then said to Rutledge, "Sit down."

Rutledge went back to the chair he had vacated to shake hands with the departing Armstrong. He knew what was coming.

Oliver was saying, "Look, in my view, we have all we need to proceed to trial. This brooch is the connection we didn't have before-it provides a link between the woman MacDougal had found up the glen last year and the accused. And it will see her hang. There's no reason I can think of for going back to Glencoe with her. I think you'll agree to that."

The thought of facing the ghosts of Glencoe again, even with Fiona, turned Rutledge's blood cold. But he said neutrally, "We can't be sure we've identified the corpse. There's no proof yet that she ever bore a child."

"But there's proof that the accused never bore one. If the accused didn't conceal the body there, who did? Why was her brooch found so close to the makes.h.i.+ft grave? Not a stranger's brooch, mind you, but one with her family's name on it!"

Rutledge said with infinite care, "Still, it's circ.u.mstantial-Armstrong could make the point that she had lived hard by the glen."

Hamish said, "But he won't. He doesna' care enough."

In the silence Oliver stood up and went to the single window. Its gla.s.s was dingy-no one had washed it in years. But he stood there with his back to Rutledge, apparently looking out on the street, and went on. "What you do to satisfy Lady Maude is your business."

"Fiona MacDonald is the only person who can tell me if the woman she's accused of killing is Eleanor Gray."

"I doubt she ever will. She's likely to go to her grave with that secret!"

It was the one point they saw eye to eye on.

"I'd like to talk to her. Now that she's seen the brooch."

Feeling expansively generous, Oliver said, "Go ahead. I'll give you as long as you need."

He turned from the window, picked the key ring up from his desk, and pa.s.sed it to Rutledge. And he repeated, "As long as you need." But there was a final ring to it now.

"Thanks." Rutledge took the ring and walked down the hall again.

Hamish said, "Oliver willna' find it so easy to dismiss Lady Maude. The Yard willna' either!"

Rutledge answered, "But Lady Maude doesn't want to hear the truth about her daughter. She never has."

As far as he could tell, Fiona MacDonald had not moved from where she had been standing when the three men had walked out of her cell a quarter of an hour earlier.

He closed the wooden door and stood with his back to it. She said almost at once, "Why did they take my mother's brooch?"

"You're sure it belonged to your mother?"

"Yes, of course I'm sure! My grandfather let me wear it on her birthday. To remember her. All day I could wear it, pinned to my dress. And I was always very careful, very proud. I felt close to her."

He could see the small child, dressed in her best clothes, gingerly moving about the house so as not to tear her skirts or soil her sleeves. And the grandfather still mourning his dead daughter in his own fas.h.i.+on, instilling into Fiona the feeling that her mother was near-if only for this one day each year.

It was, in its way, a very sad picture.

"Where did you keep it? After you moved to Duncarrick."

"It's in a small sandalwood box with the bracelet Hamish gave me and the onyx studs that belonged to my father. Or it was-why did they go through my things and take my mother's pin pin?" There was anguish in her face.

"Did you have the brooch with you in Brae?"

"Yes, of course I had it in Brae! You can ask Mrs. Davison."

"And it came to Duncarrick with you?"

"Yes, I told you, it is-was-kept in the tall chest in my room at The Reivers. In the second drawer. I didn't wear it often. I was afraid I might lose it working in the bar."

Rutledge said, "Can you think of anyone in Duncarrick who might have seen you wear the brooch within the past year? Constable McKinstry, for one?"

She considered his question, then took a deep breath. "I remember now the last time I wore it. On my mother's birthday in June of this year. Yes, and again in early July, when I attended church. Will that do?" She read the answer in his face. "But it was there there. I swear it was there when I was arrested!"

"But you can't be sure?"

"I-no, I had no reason to look for it. I wouldn't have brought it here!"

"No." He considered how much to tell her about how and where the brooch was found, then said instead, "How could you be so certain it was your mother's brooch?"

"It has to be-my father had it made up as his wedding gift to her. There couldn't be another like it."

"You didn't need to read the inscription on the back?"

"What inscription?"

"There's a name. 'MacDonald.' Just under the pin."

She frowned. "Are you trying to trick me?"

"Why should I?"

"Because there's no inscription on the brooch. There never was."

"There are six people who could tell you the name is engraved there. I'm one of them."

Frightened, Fiona said, "Will you take me to the inn? Please? Will you let me go there and see for myself? It has to It has to be there-! be there-! " "

"Oliver won't let you go. But I'll look. You're sure that it's kept in the sandalwood box?"

Her face answered him.

"Then I'll bring the box to you," he told her. "Unopened."

He turned and went out the door, locking it behind him and then pocketing the key.

Oliver looked up as Rutledge came down the pa.s.sage. He said, "Finished?"

"No. I need to fetch my notes. I'd like to read Mrs. Atwood's statement to Miss MacDonald."

"Suit yourself."

Rutledge went out the station door and walked briskly in the direction of the hotel. d.a.m.n d.a.m.n-he had forgotten that his motorcar was not there.

He reached The Reivers out of breath from the brisk pace he'd set himself. Please G.o.d Drummond is at home-! Please G.o.d Drummond is at home-! He has the other key He has the other key.

Rutledge knocked at the door of Drummond's house, and to his relief saw that his quarry was there.

"Come outside. I need to speak to you."

"What about?" Drummond demanded, not moving from the doorway.

"Come outside, I tell you! Unless you're willing to shout to the world what this is about." A clear reference to his sister. Reluctantly, Drummond obeyed.

"Look, I need to go to the inn and search again. I want a witness there when I do. And I don't want that witness to be a policeman. Or someone who is unfriendly to Miss MacDonald. Will you help me? Will you unlock the door and come with me?"

"I won't."

"Don't be a b.l.o.o.d.y fool! I need to get into that inn- time's short!"

"Ask Inspector Oliver to lend you his key." Drummond read the answer in Rutledge's face, and it seemed to persuade him. "All right, then. If it's a trick, I'll kill you with my bare hands!"

"It's not a trick." They walked quickly to the inn, and Drummond took out his key. Unlocking the door, he blocked the way.

"Tell me where."

"Upstairs in the wing the family used. Fiona's room."

Drummond grunted and led the way. Clarence came to greet them, stretching and yawning broadly. Drummond ignored the cat and stopped on the threshold of Fiona's bedroom.

"I'm waiting."