The Plastic Age Part 4
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"Thank you, sir." Hugh spoke so softly that the waiting cla.s.s did not hear him, but the instructor smiled at the intensity of his thanks. As he left the room, he knew that every one was looking at him; his legs felt as if they were made of wood. It wasn't until he had closed the door that his knee-joints worked naturally. But the worst was still ahead of him. He had to go to his English cla.s.s in Sanders 6. He ran across the campus, his heart beating wildly, his hands desperately clenched. When he reached Sanders 6, he found three other freshmen grouped before the door.
"Is this English One, Section Seven?" one asked tremulously.
"I think so," whispered the second. "Do you know?" he asked, turning to Hugh.
"Yes; I am almost sure."
They stood there looking at each other, no one quite daring to enter Sanders 6, no one quite daring to leave. Suddenly the front door of the building slammed. A bareheaded youth rushed up the stairs. He was a repeater; that is, a man who had failed the course the preceding year and was taking it over again. He brushed by the scared freshmen, opened the door, and strode into Sanders 6, closing the door behind him.
The freshmen looked at each other, and then the one nearest the door opened it. The four of them filed in silently.
The cla.s.s looked up. "Sit in the back of the room," said the instructor.
And that was all there was to that. In his senior year Hugh remembered the incident and wondered at his terror. He tried to remember why he had been so badly frightened. He couldn't; there didn't seem to be any reason at all.
CHAPTER VI
About a week after the opening of college, Hugh returned to Surrey Hall one night feeling unusually virtuous and happy. He had worked religiously at the library until it had closed at ten, and he had been in the mood to study. His lessons for the next day were all prepared, and prepared well. He had strolled across the moon-lit campus, buoyant and happy. Some one was playing the organ in the dark chapel; he paused to listen. Two students pa.s.sed him, humming softly,
"Sanford, Sanford, mother of men, Love us, guard us, hold us true...."
The dormitories were dim ma.s.ses broken by rectangles of soft yellow light. Somewhere a banjo tw.a.n.ged. Another student pa.s.sed.
"h.e.l.lo, Carver," he said pleasantly. "Nice night."
"Oh, h.e.l.lo, Jones. It sure is."
The simple greeting completed his happiness. He felt that he belonged, that Sanford, the "mother of men," had taken him to her heart. The music in the chapel swelled, lyric, pa.s.sionate--up! up! almost a cry. The moonlight was golden between the heavy shadows of the elms. Tears came into the boy's eyes; he was melancholy with joy.
He climbed the stairs of Surrey slowly, reluctant to reach his room and Carl's flippancy. He pa.s.sed an open door and glanced at the men inside the room.
"Hi, Hugh. Come in and bull a while."
"Not to-night, thanks." He moved on down the hall, feeling a vague resentment; his mood had been broken, shattered.
The door opposite his own room was slightly open. A freshman lived there, Herbert Morse, a queer chap with whom Carl and Hugh had succeeded in sc.r.a.ping up only the slightest acquaintance. He was a big fellow, fully six feet, husky and quick. The football coach said that he had the makings of a great half-back, but he had already been fired off the squad because of his irregularity in reporting for practice. Except for what the boys called his stand-offishness--some of them said that he was too d.a.m.ned high-hat--he was extremely attractive. He had red, almost copper-colored, hair, and an exquisite skin, as delicate as a child's.
His features were well carved, his nose slightly aquiline--a magnificent looking fellow, almost imperious; or as Hugh once said to Carl, "Morse looks kinda n.o.ble."
As Hugh placed his hand on the door-k.n.o.b of No 19, he heard something that sounded suspiciously like a sob from across the hall. He paused and listened. He was sure that he could hear some one crying.
"Wonder what's wrong," he thought, instantly disturbed and sympathetic.
He crossed the hall and tapped lightly on Morse's door. There was no answer; nor was there any when he tapped a second time. For a moment he was abashed, and then he pushed open the door and entered Morse's room.
In the far corner Morse was sitting at his, desk, his head buried in his arms, his shoulders shaking. He was crying fiercely, terribly; at times his whole body jerked in the violence of his sobbing.
Hugh stood by the door embarra.s.sed and rather frightened. Morse's grief brought a lump to his throat. He had never seen any one cry like that before. Something had to be done. But what could he do? He had no right to intrude on Morse, but he couldn't let the poor fellow go on suffering like that. As he stood there hesitant, shaken, Morse buried his head deeper in his arms, moaned convulsively, twisting and trembling after a series of sobs that seemed to tear themselves from him. That was too much for Hugh. He couldn't stand it. Some force outside of him sent him across the room to Morse. He put his hand on a quivering shoulder and said gently:
"What is it, Morse? What's the matter?"
Morse ran his hand despairingly through his red hair, shook his head, and made no answer.
"Come on, old man; buck up." Hugh's voice trembled; it was husky with sympathy. "Tell me about it. Maybe I can help."
Then Morse looked up, his face stained with tears, his eyes inflamed, almost desperate. He stared at Hugh wonderingly. For an instant he was angry at the intrusion, but his anger pa.s.sed at once. He could not miss the tenderness and sympathy in Hugh's face; and the boy's hand was still pressing with friendly insistence on his shoulder. There was something so boyishly frank, so clean and honest about Hugh that his irritation melted into confidence; and he craved a confidant pa.s.sionately.
"Shut the door," he said dully, and reached into his trousers pocket for his handkerchief. He mopped his face and eyes vigorously while Hugh was closing the door, and then blew his nose as if he hated it. But the tears continued to come, and all during his talk with Hugh he had to pause occasionally to dry his eyes.
Hugh stood awkwardly in the middle of the rug, not knowing whether to sit down or not. Morse was clutching his handkerchief in his hand and staring at the floor. Finally he spoke up.
"Sit down," he said in a dead voice, "there."
Hugh sank into the chair Morse indicated and then gripped his hands together. He felt weak and frightened, and absolutely unable to say anything. But Morse saved him the trouble.
"I suppose you think I am an awful baby," he began, his voice thick with tears, "but I just can't help it. I--I just can't help it. I don't want to cry, but I do." And then he added defiantly, "Go ahead and think I'm a baby if you want to."
"I don't think you're a baby," Hugh said softly; "I'm just sorry; that's all.... I hope I can help." He smiled shyly, hopefully.
His smile conquered Morse. "You're a good kid, Carver," he cried impulsively. "A darn good kid. I like you, and I'm going to tell you all about it. And I--I--I won't care if you laugh."
"I won't laugh," Hugh promised, relieved to think that there was a possibility of laughing. The trouble couldn't be so awfully bad.
Morse blew his nose, stuck his handkerchief into his pocket, pulled it out again and dabbed his eyes, returned it to his pocket, and suddenly stood up.
"I'm homesick!" he blurred out. "I'm--I'm homesick, d.a.m.ned homesick.
I've been homesick ever since I arrived. I--I just can't stand it."
For an instant Hugh did have a wild desire to laugh. Part of the desire was caused by nervous relief, but part of it was caused by what seemed to him the absurdity of the situation: a big fellow like Morse blubbering, bawling for home and mother!
"You can't know," Morse went on, "how awful it is--awful! I want to cry all the time. I can't listen in cla.s.ses. A prof asked me a question to-day, and I didn't know what he had been talking about. He asked me what he had said. I had to say I didn't know. The whole cla.s.s laughed, and the prof asked me why I had come to college. G.o.d! I nearly died."
Hugh's sympathy was all captured again. He knew that he _would_ die if he ever made a fool of himself in the cla.s.s-room.
"Gos.h.!.+" he exclaimed. "What did you say?"
"Nothing. I couldn't think of anything. For a minute I thought that my head was going to bust. He quit razzing me and I tried to pay attention, but I couldn't; all I could do was think of home. Lord! I wish I was there!" He mopped at his eyes and paced up and down the room nervously.
"Oh, you'll get over that," Hugh said comfortingly. "Pretty soon you'll get to know lots of fellows, and then you won't mind about home."
"That's what I keep telling myself, but it don't work. I can't eat or sleep. I can't study. I can't do anything. I tell you I've got to go home. I've _got_ to!" This last with desperate emphasis.
Hugh smiled. "You're all wrong," he a.s.serted positively. "You're just lonely; that's all. I bet that you'll be crazy about college in a month--same as the rest of us. When you feel blue, come in and see Peters and me. We'll make you grin; Peters will, anyway. You can't be blue around him."
The Plastic Age Part 4
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The Plastic Age Part 4 summary
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