Matilda. Part 2

He fished a bit of paper from his pocket and studied it. "Listen boy," he said, addressing the son and ignoring Matilda, "seeing as you'll be going into this business with me one day, you've got to know how to add up the profits you make at the end of each day. Go and get yourself a pad and a pencil and let's see how clever you are."

The son obediently left the room and returned with the writing materials.

"Write down these figures," the father said, reading from his bit of paper. "Car number one was bought by me for two hundred and seventy-eight pounds and sold for one thousand four hundred and twenty-five. Got that?"

The ten-year-old boy wrote the two separate amounts down slowly and carefully.

"Car number two", the father went on, "cost me one hundred and eighteen pounds and sold for seven hundred and sixty. Got it?"

"Yes, dad," the son said. "I've got that."

[image]''Car number three cost one hundred and eleven pounds and sold for nine hundred and ninety-nine pounds and fifty pence."

"Say that again," the son said. "How much did it sell for?"

"Nine hundred and ninety-nine pounds and fifty pence," the father said. "And that, by the way, is another of my nifty little tricks to diddle the customer. Never ask for a big round figure. Always go just below it. Never say one thousand pounds. Always say nine hundred and ninety-nine fifty. It sounds much less but it isn't. Clever, isn't it?"

"Very," the son said. "You're brilliant, dad."

"Car number four cost eighty-six pounds - a real wreck that was - and sold for six hundred and ninety-nine pounds fifty."

"Not too fast," the son said, writing the numbers down. "Right. I've got it."

"Car number five cost six hundred and thirty-seven pounds and sold for sixteen hundred and forty-nine fifty. You got all those figures written down, son?"

"Yes, daddy," the boy said, crouching over his pad and carefully writing.

"Very well," the father said. "Now work out the profit I made on each of the five cars and add up the total. Then you'll be able to tell me how much money your rather brilliant father made altogether today."

"That's a lot of sums," the boy said.

"Of course it's a lot of sums," the father answered. "But when you're in big business like I am, you've got to be hot stuff at arithmetic. I've practically got a computer inside my head. It took me less than ten minutes to work the whole thing out."

"You mean you did it in your head, dad?" the son asked, goggling.

"Well, not exactly," the father said. "n.o.body could do that. But it didn't take me long. When you're finished, tell me what you think my profit was for the day. I've got the final total written down here and I'll tell you if you're right."

Matilda said quietly, "Dad, you made exactly four thousand three hundred and three pounds and fifty pence altogether."

"Don't b.u.t.t in," the father said. "Your brother and I are busy with high finance."

"But dad . . ."

"Shut up," the father said. "Stop guessing and trying to be clever."

"Look at your answer, dad," Matilda said gently. "If you've done it right it ought to be four thousand three hundred and three pounds and fifty pence. Is that what you've got, dad?"

The father glanced down at the paper in his hand. He seemed to stiffen. He became very quiet. There was a silence. Then he said, "Say that again."

"Four thousand three hundred and three pounds fifty," Matilda said.

There was another silence. The father's face was beginning to go dark red.

"I'm sure it's right," Matilda said.

"You . . . you little cheat!" the father suddenly shouted, pointing at her with his finger. "You looked at my bit of paper! You read it off from what I've got written here!"

"Daddy, I'm the other side of the room," Matilda said. "How could I possibly see it?"

"Don't give me that rubbis.h.!.+" the father shouted. "Of course you looked! You must have looked! No one in the world could give the right answer just like that, especially a girl! You're a little cheat, madam, that's what you are! A cheat and a liar!"

At that point, the mother came in carrying a large tray on which were the four suppers. This time it was fish and chips which Mrs Wormwood had picked up in the fish and chip shop on her way home from bingo. It seemed that bingo afternoons left her so exhausted both physically and emotionally that she never had enough energy left to cook an evening meal. So if it wasn't TV dinners it had to be fish and chips. "What are you looking so red in the face about, Harry?" she said as she put the tray down on the coffee-table.

"Your daughter's a cheat and a liar," the father said, taking his plate of fish and placing it on his knees. "Turn the telly on and let's not have any more talk."

The Platinum-Blond Man

There was no doubt in Matilda's mind that this latest display of foulness by her father deserved severe punishment, and as she sat eating her awful fried fish and fried chips and ignoring the television, her brain went to work on various possibilities. By the time she went up to bed her mind was made up.

The next morning she got up early and went into the bathroom and locked the door. As we already know, Mrs Wormwood's hair was dyed a brilliant platinum blonde, very much the same glistening silvery colour as a female tightrope-walker's tights in a circus. The big dyeing job was done twice a year at the hairdresser's, but every month or so in between, Mrs Wormwood used to freshen it up by giving it a rinse in the washbasin with something called platinum blonde hair-dye extra strong. This also served to dye the nasty brown hairs that kept growing from the roots underneath. The bottle of PLATINUM BLONDE HAIR-DYE EXTRA STRONG was kept in the cupboard in the bathroom, and underneath the t.i.tle on the label were written the words Caution, this is peroxide. Keep away from children. Caution, this is peroxide. Keep away from children. Matilda had read it many times with fascination. Matilda's father had a fine crop of black hair which he parted in the middle and of which he was exceedingly proud. "Good strong hair," he was fond of saying, "means there's a good strong brain underneath." Matilda had read it many times with fascination. Matilda's father had a fine crop of black hair which he parted in the middle and of which he was exceedingly proud. "Good strong hair," he was fond of saying, "means there's a good strong brain underneath."

"Like Shakespeare," Matilda had once said to him.

"Like who?"

"Shakespeare, daddy."

"Was he brainy?"

"Very, daddy."

"He had ma.s.ses of hair, did he?"

"He was bald, daddy."

To which the father had snapped, "If you can't talk sense then shut up."

Anyway, Mr Wormwood kept his hair looking bright and strong, or so he thought, by rubbing into it every morning large quant.i.ties of a lotion called oil of violets hair tonic. A bottle of this smelly purple mixture always stood on the shelf above the sink in the bathroom alongside all the toothbrushes, and a very vigorous scalp ma.s.sage with oil of violets took place daily after shaving was completed. This hair and scalp ma.s.sage was always, accompanied by loud masculine grunts and heavy breathing and gasps of "Ahhh, that's better! That's the stuff! Rub it right into the roots!" which could be clearly heard by Matilda in her bedroom across the corridor.

Now, in the early morning privacy of the bathroom, Matilda unscrewed the cap of her father's oil of violets and tipped three-quarters of the contents down the drain. Then she filled the bottle up with her mother's platinum blonde hair-dye extra strong. She carefully left enough of her father's original hair tonic in the bottle so that when she gave it a good shake the whole thing still looked reasonably purple. She then replaced the bottle on the shelf above the sink, taking care to put her mother's bottle back in the cupboard. So far so good.

At breakfast time Matilda sat quietly at the dining-room table eating her cornflakes. Her brother sat opposite her with his back to the door devouring hunks of bread smothered with a mixture of peanut-b.u.t.ter and strawberry jam. The mother was just out of sight around the corner in the kitchen making Mr Wormwood's breakfast which always had to be two fried eggs on fried bread with three pork sausages and three strips of bacon and some fried tomatoes.

At this point Mr Wormwood came noisily into the room. He was incapable of entering any room quietly, especially at breakfast time. He always had to make his appearance felt immediately by creating a lot of noise and clatter. One could almost hear him saying, "It's me! Here I come, the great man himself, the master of the house, the wage-earner, the one who makes it possible for all the rest of you to live so well! Notice me and pay your respects!"

On this occasion he strode in and slapped his son on the back and shouted, "Well my boy, your father feels he's in for another great money-making day today at the garage! I've got a few little beauties I'm going to flog to the idiots this morning. Where's my breakfast?"

"It's coming, treasure," Mrs Wormwood called from the kitchen.

Matilda kept her face bent low over her cornflakes. She didn't dare look up. In the first place she wasn't at all sure what she was going to see. And secondly, if she did see what she thought she was going to see, she wouldn't trust herself to keep a straight face. The son was looking directly ahead out of the window stuffing himself with bread and peanut-b.u.t.ter and strawberry jam.

The father was just moving round to sit at the head of the table when the mother came sweeping out from the kitchen carrying a huge plate piled high with eggs and sausages and bacon and tomatoes. She looked up. She caught sight of her husband. She stopped dead. Then she let out a scream that seemed to lift her right up into the air and she dropped the plate with a crash and a splash on to the floor. Everyone jumped, including Mr Wormwood.

"What the heck's the matter with you, woman?" he shouted. "Look at the mess you've made on the carpet!"

"Your hair hair!" the mother was shrieking, pointing a quivering finger at her husband. "Look at your hair hair! What've you done to your hair hair?"

"What's wrong with my hair for heaven's sake?" he said.

"Oh my gawd dad, what've you done to your hair?" the son shouted.

A splendid noisy scene was building up nicely in the breakfast room.

Matilda said nothing. She simply sat there admiring the wonderful effect of her own handiwork. Mr Wormwood's fine crop of black hair was now a dirty silver, the colour this time of a tightrope-walker's tights that had not been washed for the entire circus season.

"You've . . . you've . . . you've dyed dyed it!" shrieked the mother. "Why did you do it, you fool! It looks absolutely frightful! It looks horrendous! You look like a freak!" it!" shrieked the mother. "Why did you do it, you fool! It looks absolutely frightful! It looks horrendous! You look like a freak!"

"What the blazes are you all talking about?" the father yelled, putting both hands to his hair. "I most certainly have not dyed it! What d'you mean I've dyed it? What's happened to it? Or is this some sort of a stupid joke?" His face was turning pale green, the colour of sour apples.

"You must must have dyed it, dad," the son said. "It's the same colour as mum's only much dirtier looking." have dyed it, dad," the son said. "It's the same colour as mum's only much dirtier looking."

"Of course he's dyed it!" the mother cried. "It can't change colour all by itself! What on earth were you trying to do, make yourself look handsome or something? You look like someone's grandmother gone wrong!"

"Get me a mirror!" the father yelled. "Don't just stand there shrieking at me! Get me a mirror!"

The mother's handbag lay on a chair at the other end of the table. She opened the bag and got out a powder compact that had a small round mirror on the inside of the lid. She opened the compact and handed it to her husband. He grabbed it and held it before his face and in doing so spilled most of the powder all over the front of his fancy tweed jacket.

"Be careful careful!" shrieked the mother. "Now look what you've done! That's my best Elizabeth Arden face powder!"

"Oh my gawd!" yelled the father, staring into the little mirror. "What's happened to me! I look terrible! I look just like you you gone wrong! I can't go down to the garage and sell cars like this! How did it happen?" He stared round the room, first at the mother, then at the son, then at Matilda. "How gone wrong! I can't go down to the garage and sell cars like this! How did it happen?" He stared round the room, first at the mother, then at the son, then at Matilda. "How could could it have happened?" he yelled. it have happened?" he yelled.

"I imagine, daddy," Matilda said quietly, "that you weren't looking very hard and you simply took mummy's bottle of hair stuff off the shelf instead of your own."

"Of course that's what happened!" the mother cried. "Well really Harry, how stupid can you get? Why didn't you read the label before you started splas.h.i.+ng the stuff all over you! Mine's that's what happened!" the mother cried. "Well really Harry, how stupid can you get? Why didn't you read the label before you started splas.h.i.+ng the stuff all over you! Mine's terribly terribly strong. I'm only meant to use one tablespoon of it in a whole basin of water and you've gone and put it all over your head neat! It'll probably take all your hair off in the end! Is your scalp beginning to burn, dear?" strong. I'm only meant to use one tablespoon of it in a whole basin of water and you've gone and put it all over your head neat! It'll probably take all your hair off in the end! Is your scalp beginning to burn, dear?"

"You mean I'm going to lose all my hair?" the husband yelled.

"I think you will," the mother said. "Peroxide is a very powerful chemical. It's what they put down the lavatory to disinfect the pan only they give it another name."

"What are you saying!" the husband cried. "I'm not a lavatory pan! I don't want to be disinfected!"

"Even diluted like I use it," the mother told him, "it makes a good deal of my my hair fall out, so goodness knows what's going to happen to you. I'm surprised it didn't take the whole of the top of your head off!" hair fall out, so goodness knows what's going to happen to you. I'm surprised it didn't take the whole of the top of your head off!"

"What shall I do?" wailed the father. "Tell me quick what to do before it starts falling out!"

Matilda said, "I'd give it a good wash, dad, if I were you, with soap and water. But you'll have to hurry."

"Will that change the colour back?" the father asked anxiously.

"Of course it won't, you twit," the mother said.

"Then what do I do? I can't go around looking like this for ever?"

"You'll have to have it dyed black," the mother said. "But wash it first or there won't be any there to dye."

"Right!" the father shouted, springing into action. "Get me an appointment with your hairdresser this instant for a hair-dyeing job! Tell them it's an emergency! They've got to boot someone else off their list! I'm going upstairs to wash it now!" With that the man dashed out of the room and Mrs Wormwood, sighing deeply, went to the telephone to call the beauty parlour.

"He does do some pretty silly things now and again, doesn't he, mummy?" Matilda said.

The mother, dialling the number on the phone, said, "I'm afraid men are not always quite as clever as they think they are. You will learn that when you get a bit older, my girl."

Miss Honey

Matilda was a little late in starting school. Most children begin Primary School at five or even just before, but Matilda's parents, who weren't very concerned one way or the other about their daughter's education, had forgotten to make the proper arrangements in advance. She was five and a half when she entered school for the first time.

The village school for younger children was a bleak brick building called Crunchem Hall Primary School. It had about two hundred and fifty pupils aged from five to just under twelve years old. The head teacher, the boss, the supreme commander of this establishment was a formidable middle-aged lady whose name was Miss Trunchbull.

Naturally Matilda was put in the bottom cla.s.s, where there were eighteen other small boys and girls about the same age as her. Their teacher was called Miss Honey, and she could not have been more than twenty-three or twenty-four. She had a lovely pale oval madonna face with blue eyes and her hair was light-brown. Her body was so slim and fragile one got the feeling that if she fell over she would smash into a thousand pieces, like a porcelain figure.

Miss Jennifer Honey was a mild and quiet person who never raised her voice and was seldom seen to smile, but there is no doubt she possessed that rare gift for being adored by every small child under her care. She seemed to understand totally the bewilderment and fear that so often overwhelms young children who for the first time in their lives are herded into a cla.s.sroom and told to obey orders. Some curious warmth that was almost tangible shone out of Miss Honey's face when she spoke to a confused and homesick newcomer to the cla.s.s.

Miss Trunchbull, the Headmistress, was something else altogether. She was a gigantic holy terror, a fierce tyrannical monster who frightened the life out of the pupils and teachers alike. There was an aura of menace about her even at a distance, and when she came up close you could almost feel the dangerous heat radiating from her as from a red-hot rod of metal. When she marched - Miss Trunchbull never walked, she always marched like a storm-trooper with long strides and arms aswinging - when she marched along a corridor you could actually hear her snorting as she went, and if a group of children happened to be in her path, she ploughed right on through them like a tank, with small people bouncing off her to left and right. Thank goodness we don't meet many people like her in this world, although they do exist and all of us are likely to come across at least one of them in a lifetime. If you ever do, you should behave as you would if you met an enraged rhinoceros out in the bush - climb up the nearest tree and stay there until it has gone away. This woman, in all her eccentricities and in her appearance, is almost im- possible to describe, but I shall make some attempt to do so a little later on. Let us leave her for the moment and go back to Matilda and her first day in Miss Honey's cla.s.s.

After the usual business of going through all the names of the children, Miss Honey handed out a brand-new exercise-book to each pupil.

"You have all brought your own pencils, I hope," she said.

"Yes, Miss Honey," they chanted.

"Good. Now this is the very first day of school for each one of you. It is the beginning of at least eleven long years of schooling that all of you are going to have to go through. And six of those years will be spent right here at Crunchem Hall where, as you know, your Headmistress is Miss Trunchbull. Let me for your own good tell you something about Miss Trunchbull. She insists upon strict discipline throughout the school, and if you take my advice you will do your very best to behave yourselves in her presence. Never argue with her. Never answer her back. Always do as she says. If you get on the wrong side of Miss Trunchbull she can liquidise you like a carrot in a kitchen blender. It's nothing to laugh about, Lavender. Take that grin off your face. All of you will be wise to remember that Miss Trunchbull deals very very severely with anyone who gets out of line in this school. Have you got the message?"

"Yes, Miss Honey," chirruped eighteen eager little voices.

"I myself", Miss Honey went on, "want to help you to learn as much as possible while you are in this cla.s.s. That is because I know it will make things easier for you later on. For example, by the end of this week I shall expect every one of you to know the two-times table by heart. And in a year's time I hope you will know all the multiplication tables up to twelve. It will help you enormously if you do. Now then, do any of you happen to have learnt the two-times table already?"

Matilda put up her hand. She was the only one.

Miss Honey looked carefully at the tiny girl with dark hair and a round serious face sitting in the second row. "Wonderful," she said. "Please stand up and recite as much of it as you can."

Matilda stood up and began to say the two-times table. When she got to twice twelve is twenty-four she didn't stop. She went right on with twice thirteen is twenty-six, twice fourteen is twenty-eight, twice fifteen is thirty, twice sixteen is . . ."