Leaves of Grass Part 15

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These I singing in spring collect for lovers, (For who but I should understand lovers and all their sorrow and joy?

And who but I should be the poet of comrades?) Collecting I traverse the garden the world, but soon I pa.s.s the gates, Now along the pond-side, now wading in a little, fearing not the wet, Now by the post-and-rail fences where the old stones thrown there, pick'd from the fields, have acc.u.mulated, (Wild-flowers and vines and weeds come up through the stones and partly cover them, beyond these I pa.s.s,) Far, far in the forest, or sauntering later in summer, before I think where I go, Solitary, smelling the earthy smell, stopping now and then in the silence, Alone I had thought, yet soon a troop gathers around me, Some walk by my side and some behind, and some embrace my arms or neck, They the spirits of dear friends dead or alive, thicker they come, a great crowd, and I in the middle, Collecting, dispensing, singing, there I wander with them, Plucking something for tokens, tossing toward whoever is near me, Here, lilac, with a branch of pine, Here, out of my pocket, some moss which I pull'd off a live-oak in Florida as it hung trailing down, Here, some pinks and laurel leaves, and a handful of sage, And here what I now draw from the water, wading in the pondside, (O here I last saw him that tenderly loves me, and returns again never to separate from me, And this, O this shall henceforth be the token of comrades, this calamus-root shall, Interchange it youths with each other! let none render it back!) And twigs of maple and a bunch of wild orange and chestnut, And stems of currants and plum-blows, and the aromatic cedar, These I compa.s.s'd around by a thick cloud of spirits, Wandering, point to or touch as I pa.s.s, or throw them loosely from me, Indicating to each one what he shall have, giving something to each; But what I drew from the water by the pond-side, that I reserve, I will give of it, but only to them that love as I myself am capable of loving.

Not Heaving from My Ribb'd Breast Only

Not heaving from my ribb'd breast only, Not in sighs at night in rage dissatisfied with myself, Not in those long-drawn, ill-supprest sighs, Not in many an oath and promise broken, Not in my wilful and savage soul's volition, Not in the subtle nourishment of the air, Not in this beating and pounding at my temples and wrists, Not in the curious systole and diastole within which will one day cease, Not in many a hungry wish told to the skies only, Not in cries, laughter, defiancies, thrown from me when alone far in the wilds, Not in husky pantings through clinch'd teeth, Not in sounded and resounded words, chattering words, echoes, dead words, Not in the murmurs of my dreams while I sleep, Nor the other murmurs of these incredible dreams of every day, Nor in the limbs and senses of my body that take you and dismiss you continually-not there, Not in any or all of them O adhesiveness! O pulse of my life!

Need I that you exist and show yourself any more than in these songs.



Of the Terrible Doubt of Appearances

Of the terrible doubt of appearances, Of the uncertainty after all, that we may be deluded, That may-be reliance and hope are but speculations after all, That may-be ident.i.ty beyond the grave is a beautiful fable only, May-be the things I perceive, the animals, plants, men, hills, s.h.i.+ning and flowing waters, The skies of day and night, colors, densities, forms, may-be these are (as doubtless they are) only apparitions, and the real something has yet to be known, (How often they dart out of themselves as if to confound me and mock me!

How often I think neither I know, nor any man knows, aught of them,) May-be seeming to me what they are (as doubtless they indeed but seem) as from my present point of view, and might prove (as of course they would) nought of what they appear, or nought anyhow, from entirely changed points of view; To me these and the like of these are curiously answer'd by my lovers, my dear friends, When he whom I love travels with me or sits a long while holding me by the hand, When the subtle air, the impalpable, the sense that words and reason hold not, surround us and pervade us, Then I am charged with untold and untellable wisdom, I am silent, I require nothing further, I cannot answer the question of appearances or that of ident.i.ty beyond the grave, But I walk or sit indifferent, I am satisfied, He ahold of my hand has completely satisfied me.

The Base of All Metaphysics

And now gentlemen, A word I give to remain in your memories and minds, As base and finale too for all metaphysics.

(So to the students the old professor, At the close of his crowded course.)

Having studied the new and antique, the Greek and Germanic systems, Kant having studied and stated, Fichte and Sch.e.l.ling and Hegel, Stated the lore of Plato, and Socrates greater than Plato, And greater than Socrates sought and stated, Christ divine having studied long, I see reminiscent to-day those Greek and Germanic systems, See the philosophies all, Christian churches and tenets see, Yet underneath Socrates clearly see, and underneath Christ the divine I see, The dear love of man for his comrade, the attraction of friend to friend, Of the well-married husband and wife, of children and parents, Of city for city and land for land.

Recorders Ages Hence

Recorders ages hence, Come, I will take you down underneath this impa.s.sive exterior, I will tell you what to say of me, Publish my name and hang up my picture as that of the tenderest lover, The friend the lover's portrait, of whom his friend his lover was fondest, Who was not proud of his songs, but of the measureless ocean of love within him, and freely pour'd it forth, Who often walk'd lonesome walks thinking of his dear friends, his lovers, Who pensive away from one he lov'd often lay sleepless and dissatisfied at night, Who knew too well the sick, sick dread lest the one he lov'd might secretly be indifferent to him, Whose happiest days were far away through fields, in woods, on hills, he and another wandering hand in hand, they twain apart from other men, Who oft as he saunter'd the streets curv'd with his arm the shoulder of his friend, while the arm of his friend rested upon him also.

When I Heard at the Close of the Day

When I heard at the close of the day how my name had been receiv'd with plaudits in the capitol, still it was not a happy night for me that follow'd, And else when I carous'd, or when my plans were accomplish'd, still I was not happy, But the day when I rose at dawn from the bed of perfect health, refresh'd, singing, inhaling the ripe breath of autumn, When I saw the full moon in the west grow pale and disappear in the morning light, When I wander'd alone over the beach, and undressing bathed, laughing with the cool waters, and saw the sun rise, And when I thought how my dear friend my lover was on his way coming, O then I was happy, O then each breath tasted sweeter, and all that day my food nourish'd me more, and the beautiful day pa.s.s'd well, And the next came with equal joy, and with the next at evening came my friend, And that night while all was still I heard the waters roll slowly continually up the sh.o.r.es, I heard the hissing rustle of the liquid and sands as directed to me whispering to congratulate me, For the one I love most lay sleeping by me under the same cover in the cool night, In the stillness in the autumn moonbeams his face was inclined toward me, And his arm lay lightly around my breast-and that night I was happy.

Are You the New Person Drawn Toward Me?

Are you the new person drawn toward me?

To begin with take warning, I am surely far different from what you suppose; Do you suppose you will find in me your ideal?

Do you think it so easy to have me become your lover?

Do you think the friends.h.i.+p of me would be unalloy'd satisfaction?

Do you think I am trusty and faithful?

Do you see no further than this facade, this smooth and tolerant manner of me?

Do you suppose yourself advancing on real ground toward a real heroic man?

Have you no thought O dreamer that it may be all maya, illusion?

Roots and Leaves Themselves Alone

Roots and leaves themselves alone are these, Scents brought to men and women from the wild woods and pond-side, Breast-sorrel and pinks of love, fingers that wind around tighter than vines, Gushes from the throats of birds hid in the foliage of trees as the sun is risen, Breezes of land and love set from living sh.o.r.es to you on the living sea, to you O sailors!

Frost-mellow'd berries and Third-month twigs offer'd fresh to young persons wandering out in the fields when the winter breaks up, Love-buds put before you and within you whoever you are, Buds to be unfolded on the old terms, If you bring the warmth of the sun to them they will open and bring form, color, perfume, to you, If you become the aliment and the wet they will become flowers, fruits, tall branches and trees.

Not Heat Flames Up and Consumes

Not heat flames up and consumes, Not sea-waves hurry in and out, Not the air delicious and dry, the air of ripe summer, bears lightly along white down-b.a.l.l.s of myriads of seeds, Waited, sailing gracefully, to drop where they may; Not these, O none of these more than the flames of me, consuming, burning for his love whom I love, O none more than I hurrying in and out; Does the tide hurry, seeking something, and never give up? O I the same, O nor down-b.a.l.l.s nor perfumes, nor the high rain-emitting clouds, are borne through the open air, Any more than my soul is borne through the open air, Wafted in all directions O love, for friends.h.i.+p, for you.

Trickle Drops

Trickle drops! my blue veins leaving!

O drops of me! trickle, slow drops, Candid from me falling, drip, bleeding drops, From wounds made to free you whence you were prison'd, From my face, from my forehead and lips, From my breast, from within where I was conceal'd, press forth red drops, confession drops, Stain every page, stain every song I sing, every word I say, b.l.o.o.d.y drops, Let them know your scarlet heat, let them glisten, Saturate them with yourself all ashamed and wet, Glow upon all I have written or shall write, bleeding drops, Let it all be seen in your light, blus.h.i.+ng drops.

City of Orgies

City of orgies, walks and joys, City whom that I have lived and sung in your midst will one day make Not the pageants of you, not your s.h.i.+fting tableaus, your spectacles, repay me, Not the interminable rows of your houses, nor the s.h.i.+ps at the wharves, Nor the processions in the streets, nor the bright windows with goods in them, Nor to converse with learn'd persons, or bear my share in the soiree or feast; Not those, but as I pa.s.s O Manhattan, your frequent and swift flash of eyes offering me love, Offering response to my own-these repay me, Lovers, continual lovers, only repay me.

Behold This Swarthy Face

Behold this swarthy face, these gray eyes, This beard, the white wool unclipt upon my neck, My brown hands and the silent manner of me without charm; Yet comes one a Manhattanese and ever at parting kisses me lightly on the lips with robust love, And I on the crossing of the street or on the s.h.i.+p's deck give a kiss in return, We observe that salute of American comrades land and sea, We are those two natural and nonchalant persons.

I Saw in Louisiana a Live-Oak Growing

Leaves of Grass Part 15

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Leaves of Grass Part 15 summary

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