Tales of St. Austin's Part 8

'Help!' shouted the voice. 'Help!'

The voice was Bradshaw's.

Mellish was talking to M. Gerard, the French master, at the moment. He had evidently been telling him of Bradshaw's non-appearance, for at the sound of his voice they both spun round, and stood looking at the staircase like a couple of pointers.

'Help,' cried the voice again.

Mellish and Gerard bounded up the stairs. I had never seen a French master run before. It was a pleasant sight. I followed. As we reached the door of the Museum, which was shut, renewed shouts filtered through it. Mellish gave tongue.

'Bradshaw!'

'Yes, sir,' from within.

'Are you there?' This I thought, and still think, quite a superfluous question.

'Yes, sir,' said Bradshaw.

'What are you doing in there, Bradshaw? Why were you not in school this afternoon? Come out at once.' This in deep and thrilling tones.

'Please, sir,' said Bradshaw complainingly, 'I can't open the door.'

Now, the immediate effect of telling a person that you are unable to open a door is to make him try his hand at it. Someone observes that there are three things which everyone thinks he can do better than anyone else, namely poking a fire, writing a novel, and opening a door.

Gerard was no exception to the rule.

'Can't open the door?' he said. 'Nonsense, nonsense.' And, swooping at the handle, he grasped it firmly, and turned it.

At this point he made an attempt, a very spirited attempt, to lower the world's record for the standing high jump. I have spoken above of the pleasure it gave me to see a French master run. But for good, square enjoyment, warranted free from all injurious chemicals, give me a French master jumping.

'My dear Gerard,' said the amazed Mellish.

'I have received a shock. Dear me, I have received a most terrible shock.'

So had I, only of another kind. I really thought I should have expired in my tracks with the effort of keeping my enjoyment strictly to myself. I saw what had happened. The Museum is lit by electric light.

To turn it on one has to shoot the bolt of the door, which, like the handle, is made of metal. It is on the killing two birds with one stone principle. You lock yourself in and light yourself up with one movement. It was plain that the current had gone wrong somehow, run amock, as it were. Mellish meanwhile, instead of being warned by Gerard's fate, had followed his example, and tried to turn the handle.

His jump, though quite a creditable effort, fell short of Gerard's by some six inches. I began to feel as if some sort of round game were going on. I hoped that they would not want me to take a hand. I also hoped that the thing would continue for a good while longer. The success of the piece certainly warranted the prolongation of its run.

But here I was disappointed. The disturbance had attracted another spectator, Blaize, the science and chemistry master. The matter was hastily explained to him in all its bearings. There was Bradshaw entombed within the Museum, with every prospect of death by starvation, unless he could support life for the next few years on the two stuffed rats and the case of b.u.t.terflies. The authorities did not see their way to adding a human specimen (youth's size) to the treasures in the Museum, _so_--how was he to be got out?

The scientific mind is equal to every emergency.

'Bradshaw,' shouted Blaize through the keyhole.

'Sir?'

'Are you there?'

I should imagine that Bradshaw was growing tired of this question by this time. Besides, it cast aspersions on the veracity of Gerard and Mellish. Bradshaw, with perfect politeness, hastened to inform the gentleman that he was there.

'Have you a piece of paper?'

'Will an envelope do, sir?'

'Bless the boy, anything will do so long as it is paper.'

Dear me, I thought, is it as bad as all that? Is Blaize, in despair of ever rescuing the unfortunate prisoner, going to ask him to draw up a 'last dying words' doc.u.ment, to be pushed under the door and despatched to his sorrowing guardian?

'Put it over your hand, and then shoot back the bolt.'

'But, sir, the electricity.'

'Pooh, boy!'

The scientific mind is always intolerant of lay ignorance.

'Pooh, boy, paper is a non-conductor. You won't get hurt.'

Bradshaw apparently acted on his instructions. From the other side of the door came the sharp sound of the bolt as it was shot back, and at the same time the light ceased to s.h.i.+ne through the keyhole. A moment later the handle turned, and Bradshaw stepped forth--free!

'Dear me,' said Mellish. 'Now I never knew that before, Blaize.

Remarkable. But this ought to be seen to. In the meantime, I had better ask the Headmaster to give out that the Museum is closed until further notice, I think.'

And closed the Museum has been ever since. That further notice has never been given. And yet n.o.body seems to feel as if an essential part of their life had ceased to be, so to speak. Curious. Bradshaw, after a short explanation, was allowed to go away without a stain--that is to say, without any additional stain--on his character. We left the authorities discussing the matter, and went downstairs.

'Sixpence isn't enough,' I said, 'take this penny. It's all I've got.

You shall have the sixpence on Sat.u.r.day.'

'Thanks,' said Bradshaw.' Was the Thucydides paper pretty warm?'

'Warmish. But, I say, didn't you get a beastly shock when you locked the door?'

'I did the week before last, the first time I ever went to the place.

This time I was more or less prepared for it. Blaize seems to think that paper dodge a special invention of his own. He'll be taking out a patent for it one of these days. Why, every kid knows that paper doesn't conduct electricity.'

'I didn't,' I said honestly.

'You don't know much,' said Bradshaw, with equal honesty.

'I don't,' I replied. 'Bradshaw, you're a great man, but you missed the best part of it all.'

'What, the Thucydides paper?' asked he with a grin.

'No, you missed seeing Gerard jump quite six feet.'

Bradshaw's face expressed keen disappointment.

'No, did he really? Oh, I say, I wish I'd seen it.'

The moral of which is that the wicked do not always prosper. If Bradshaw had not been in the Museum, he might have seen Gerard jump six feet, which would have made him happy for weeks. On second thoughts, though, that does not work out quite right, for if Bradshaw had not been in the Museum, Gerard would not have jumped at all. No, better put it this way. I was virtuous, and I had the pleasure of witnessing the sight I have referred to. But then there was the Thucydides paper, which Bradshaw missed but which I did not. No. On consideration, the moral of this story shall be withdrawn and submitted to a committee of experts. Perhaps they will be able to say what it is.