The Man Upstairs and Other Stories Part 4
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He was fumbling in his pocket.
'May I read you a letter?' he said.
'A letter?'
'Quite a short one. It is from Epstein, the picture-dealer. This is what he says. "Sir," meaning me, not "Dear Bill," mind you--just "Sir."
"I am glad to be able to inform you that I have this morning received an offer of ten guineas for your picture, 'Child and Cat'. Kindly let me know if I am to dispose of it at this price."'
'Well?' said Annette, in a small voice.
'I have just been to Epstein's. It seems that the purchaser is a Miss Brown. She gave an address in Bayswater. I called at the address. No Miss Brown lives there, but one of your pupils does. I asked her if she was expecting a parcel for Miss Brown, and she said that she had had your letter and quite understood and would take it in when it arrived.'
Annette was hiding her face in her hands.
'Go away!' she said, faintly.
Mr Bates moved a step nearer.
'Do you remember that story of the people on the island who eked out a precarious livelihood by taking in one another's was.h.i.+ng?' he asked, casually.
'Go away!' cried Annette.
'I've always thought,' he said, 'that it must have drawn them very close together--made them feel rather attached to each other. Don't you?'
'Go away!'
'I don't want to go away. I want to stay and hear you say you'll marry me.'
'_Please_ go away! I want to think.'
She heard him moving towards the door. He stopped, then went on again.
The door closed quietly. Presently from the room above came the sound of footsteps--footsteps pacing monotonously to and fro like those of an animal in a cage.
Annette sat listening. There was no break in the footsteps.
Suddenly she got up. In one corner of the room was a long pole used for raising and lowering the window-sash. She took it, and for a moment stood irresolute. Then with a quick movement, she lifted it and stabbed three times at the ceiling.
SOMETHING TO WORRY ABOUT
A girl stood on the s.h.i.+ngle that fringes Millbourne Bay, gazing at the red roofs of the little village across the water. She was a pretty girl, small and trim. Just now some secret sorrow seemed to be troubling her, for on her forehead were wrinkles and in her eyes a look of wistfulness. She had, in fact, all the distinguis.h.i.+ng marks of one who is thinking of her sailor lover.
But she was not. She had no sailor lover. What she was thinking of was that at about this time they would be lighting up the shop-windows in London, and that of all the deadly, depressing spots she had ever visited this village of Millbourne was the deadliest.
The evening shadows deepened. The incoming tide glistened oilily as it rolled over the mud flats. She rose and s.h.i.+vered.
'Goo! What a hole!' she said, eyeing the unconscious village morosely.
'_What_ a hole!'
This was Sally Preston's first evening in Millbourne. She had arrived by the afternoon train from London--not of her own free will. Left to herself, she would not have come within sixty miles of the place.
London supplied all that she demanded from life. She had been born in London; she had lived there ever since--she hoped to die there. She liked fogs, motor-buses, noise, policemen, paper-boys, shops, taxi-cabs, artificial light, stone pavements, houses in long, grey rows, mud, banana-skins, and moving-picture exhibitions. Especially moving-picture exhibitions. It was, indeed, her taste for these that had caused her banishment to Millbourne.
The great public is not yet unanimous on the subject of moving-picture exhibitions. Sally, as I have said, approved of them. Her father, on the other hand, did not. An austere ex-butler, who let lodgings in Ebury Street and preached on Sundays in Hyde Park, he looked askance at the 'movies'. It was his boast that he had never been inside a theatre in his life, and he cla.s.sed cinema palaces with theatres as wiles of the devil. Sally, suddenly unmasked as an habitual frequenter of these abandoned places, sprang with one bound into prominence as the Bad Girl of the Family. Instant removal from the range of temptation being the only possible plan, it seemed to Mr Preston that a trip to the country was indicated.
He selected Millbourne because he had been butler at the Hall there, and because his sister Jane, who had been a parlour-maid at the Rectory, was now married and living in the village.
Certainly he could not have chosen a more promising reformatory for Sally. Here, if anywhere, might she forget the heady joys of the cinema. Tucked away in the corner of its little bay, which an accommodating island converts into a still lagoon, Millbourne lies dozing. In all sleepy Hamps.h.i.+re there is no sleepier spot. It is a place of calm-eyed men and drowsy dogs. Things crumble away and are not replaced. Tradesmen book orders, and then lose interest and forget to deliver the goods. Only centenarians die, and n.o.body worries about anything--or did not until Sally came and gave them something to worry about.
Next door to Sally's Aunt Jane, in a cosy little cottage with a wonderful little garden, lived Thomas Kitchener, a large, grave, self-sufficing young man, who, by sheer application to work, had become already, though only twenty-five, second gardener at the Hall.
Gardening absorbed him. When he was not working at the Hall he was working at home. On the morning following Sally's arrival, it being a Thursday and his day off, he was crouching in a constrained att.i.tude in his garden, every fibre of his being concentrated on the interment of a plump young bulb. Consequently, when a chunk of mud came sailing over the fence, he did not notice it.
A second, however, compelled attention by bursting like a sh.e.l.l on the back of his neck. He looked up, startled. n.o.body was in sight. He was puzzled. It could hardly be raining mud. Yet the alternative theory, that someone in the next garden was throwing it, was hardly less bizarre. The nature of his friends.h.i.+p with Sally's Aunt Jane and old Mr Williams, her husband, was comfortable rather than rollicking. It was inconceivable that they should be flinging clods at him.
As he stood wondering whether he should go to the fence and look over, or simply accept the phenomenon as one of those things which no fellow can understand, there popped up before him the head and shoulders of a girl. Poised in her right hand was a third clod, which, seeing that there was now no need for its services, she allowed to fall to the ground.
'Halloa!' she said. 'Good morning.'
She was a pretty girl, small and trim. Tom was by way of being the strong, silent man with a career to think of and no time for bothering about girls, but he saw that. There was, moreover, a certain alertness in her expression rarely found in the feminine population of Millbourne, who were apt to be slightly bovine.
'What do you think _you're_ messing about at?' she said, affably.
Tom was a slow-minded young man, who liked to have his thoughts well under control before he spoke. He was not one of your gay rattlers.
Besides, there was something about this girl which confused him to an extraordinary extent. He was conscious of new and strange emotions. He stood staring silently.
'What's your name, anyway?'
He could answer that. He did so.
'Oh! Mine's Sally Preston. Mrs Williams is my aunt. I've come from London.'
Tom had no remarks to make about London.
'Have you lived here all your life?'
'Yes,' said Tom.
'My goodness! Don't you ever feel fed up? Don't you want a change?'
Tom considered the point.
'No,' he said.
The Man Upstairs and Other Stories Part 4
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The Man Upstairs and Other Stories Part 4 summary
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