Complete Plays of John Galsworthy Part 254
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HORNBLOWER. [Crossing to the door] Lie ye down, and get a sleep.
I'll tell them not to disturb ye; and I hope ye'll be all right to-morrow. Good-night, Chloe.
CHLOE. Good-night. [He goes out.]
[After a feverish turn or two, CHLOE returns to the open window and waits there, half screened by the curtains. The door is opened inch by inch, and ANNA'S head peers round. Seeing where CHLOE is, she slips in and pa.s.ses behind the screen, Left.
Suddenly CHLOE backs in from the window.]
CHLOE. [In a low voice] Come in.
[She darts to the door and locks it.]
[DAWKER has come in through the window and stands regarding her with a half smile.]
DAWKER. Well, young woman, what do you want of me?
[In the presence of this man of her own cla.s.s, there comes a distinct change in CHLOE'S voice and manner; a sort of frank commonness, adapted to the man she is dealing with, but she keeps her voice low.]
CHLOE. You're making a mistake, you know.
DAWKER. [With a broad grin] No. I've got a memory for faces.
CHLOE. I say you are.
DAWKER. [Turning to go] If that's all, you needn't have troubled me to come.
CHLOE. No. Don't go! [With a faint smile] You are playing a game with me. Aren't you ashamed? What harm have I done you? Do you call this cricket?
DAWKER. No, my girl--business.
CHLOE. [Bitterly] What have I to do with this quarrel? I couldn't help their falling out.
DAWKER. That's your misfortune.
CHLOE. [Clasping her hands] You're a cruel fellow if you can spoil a woman's life who never did you an ounce of harm.
DAWKER. So they don't know about you. That's all right. Now, look here, I serve my employer. But I'm flesh and blood, too, and I always give as good as I get. I hate this family of yours. There's no name too bad for 'em to call me this last month, and no looks too black to give me. I tell you frankly, I hate.
CHLOE. There's good in them same as in you.
DAWKER. [With a grin] There's no good Hornblower but a dead Hornblower.
CHLOE. But--but Im not one.
DAWKER. You'll be the mother of some, I shouldn't wonder.
CHLOE. [Stretching out her hand-pathetically] Oh! leave me alone, do! I'm happy here. Be a sport! Be a sport!
DAWKER. [Disconcerted for a second] You can't get at me, so don't try it on.
CHLOE. I had such a bad time in old days.
[DAWKER shakes his head; his grin has disappeared and his face is like wood.]
CHLOE. [Panting] Ah! do! You might! You've been fond of some woman, I suppose. Think of her!
DAWKER. [Decisively] It won't do, Mrs. Chloe. You're a p.a.w.n in the game, and I'm going to use you.
CHLOE. [Despairingly] What is it to you? [With a sudden touch of the tigress] Look here! Don't you make an enemy, of me. I haven't dragged through h.e.l.l for nothing. Women like me can bite, I tell you.
DAWKER. That's better. I'd rather have a woman threaten than whine, any day. Threaten away! You'll let 'em know that you met me in the Promenade one night. Of course you'll let 'em know that, won't you?--or that----
CHLOE. Be quiet! Oh! Be quiet! [Taking from her bosom the notes and the pearls] Look! There's my savings--there's all I've got!
The pearls'll fetch nearly a thousand. [Holding it out to him]
Take it, and drop me out--won't you? Won't you?
DAWKER. [Pa.s.sing his tongue over his lips with a hard little laugh]
You mistake your man, missis. I'm a plain dog, if you like, but I'm faithful, and I hold fast. Don't try those games on me.
CHLOE. [Losing control] You're a beast!--a beast! a cruel, cowardly beast! And how dare you bribe that woman here to spy on me? Oh! yes, you do; you know you do. If you drove me mad, you wouldn't care. You beast!
DAWKER. Now, don't carry on! That won't help you.
CHLOE. What d'you call it--to dog a woman down like this, just because you happen to have a quarrel with a man?
DAWKER. Who made the quarrel? Not me, missis. You ought to know that in a row it's the weak and helpless--we won't say the innocent --that get it in the neck. That can't be helped.
CHLOE. [Regarding him intently] I hope your mother or your sister, if you've got any, may go through what I'm going through ever since you got on my track. I hope they'll know what fear means. I hope they'll love and find out that it's hanging on a thread, and--and-- Oh! you coward, you persecuting coward! Call yourself a man!
DAWKER. [With his grin] Ah! You look quite pretty like that. By George! you're a handsome woman when you're roused.
[CHLOE'S pa.s.sion fades out as quickly as it blazed up. She sinks down on the sofa, shudders, looks here and there, and then for a moment up at him.]
CHLOE. Is there anything you'll take, not to spoil my life?
[Clasping her hands on her breast; under her breath] Me?
DAWKER. [Wiping his brow] By G.o.d! That's an offer. [He recoils towards the window] You--you touched me there. Look here! I've got to use you and I'm going to use you, but I'll do my best to let you down as easy as I can. No, I don't want anything you can give me--that is--[He wipes his brow again] I'd like it--but I won't take it.
[CHLOE buries her face in her hands.]
There! Keep your p.e.c.k.e.r up; don't cry. Good-night! [He goes through the window.]
CHLOE. [Springing up] Ugh! Rat in a trap! Rat----!
[She stands listening; flies to the door, unlocks it, and, going back to the sofa, lies down and doses her eyes. CHARLES comes in very quietly and stands over her, looking to see if she is asleep. She opens her eyes.]
CHARLES. Well, Clo! Had a sleep, old girl?
CHLOE. Ye-es.
Complete Plays of John Galsworthy Part 254
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Complete Plays of John Galsworthy Part 254 summary
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