Lucretia Borgia Part 20

After resting a day in Imola the cavalcade set out January 28th for Bologna. When they reached the borders of the territory belonging to the city they were met by Bentivoglio's sons and his consort Ginevra, with a brilliant retinue, and two miles from the city gate Giovanni himself was waiting to greet them.

The tyrant of Bologna, who owed his escape from Caesar wholly to the protection of the French, spared nothing to honor his enemy's sister.

Accompanied by several hundred riders, he led her in triumph through the city, where the arms of the Borgias, of Caesar, the Pope, and Lucretia, and those of France, and of the Este met her eye on every side. The proud matron Ginevra, surrounded by a large number of n.o.ble ladies, received Lucretia at the portals of her magnificent palace. How this famous woman, the aunt of Giovanni Sforza of Pesaro, must in her soul have hated this Borgia! However, it was neither Alexander nor Caesar, but Giuliano della Rovere, subsequently Julius II, who was destined, only four years later, to drive her and all her race from Bologna forever.

January 30th was devoted to gorgeous festivities, and in the evening the Bentivoglio gave a ball and a banquet.

The following day they accompanied Lucretia for a part of the way, as it was her purpose to continue her journey to Ferrara, which now was not far distant, by boat on the ca.n.a.l, which at that time ran from Bologna to the Po.

The same day--January 31st--towards evening, Lucretia reached Castle Bentivoglio, which was but twenty miles from Ferrara. She had no sooner arrived at that place than her consort Alfonso suddenly appeared. She was greatly overcome, but promptly recovered herself and received him "with many professions of esteem and most graciously," to all of which he responded with great gallantry.[152] Hitherto the hereditary Prince of Ferrara had sullenly held aloof from the wife that had been forced upon him. Men of that age had not a trace of the tenderness or sentimentality of those of to-day, but, even admitting this, it is certainly strange that there is no evidence of any correspondence between Lucretia and Alfonso during the time the marriage was being arranged, although a great many letters then pa.s.sed between the d.u.c.h.ess and Ercole. Either owing to a desire to please his father or to his own curiosity or cunning, the rough and reticent Alfonso now threw off his reserve. He came in disguise, remained two hours, and then suddenly left for Ferrara.

During this short interview he was greatly impressed by his wife.

Lucretia in those two hours had certainly brought Alfonso under the spell of her personality, even if she had not completely disarmed him.

Not wholly without reason had the gallant burghers of Foligno awarded the apple of Paris to Lucretia. Speaking of this meeting, one of the chroniclers of Ferrara says, "The entire people rejoiced greatly, as did also the bride and her own followers, because his Majesty had shown a desire to see her and had received her so well--an indication that she would be accepted and treated still better."[153]

Probably no one was more pleased than the Pope. His daughter immediately informed him of her reception, for she sent him daily letters giving an account of her journey; and he also received numerous despatches from other persons in her train. Up to this time he had felt some misgivings as to her reception by the Este, but now he was relieved. After she had left Rome he frequently asked Cardinal Ferrari to warn the duke to treat his daughter-in-law kindly, remarking, at the same time, that he had done a great deal for her, and would do still more. He declared that the remission of Ferrara's tribute would, if paid for in money, require not less than two hundred thousand ducats, and that the officials of the chancellery had demanded between five and six thousand ducats merely for preparing the bulls. The kings of France and Spain had been compelled to pay the Duke of Romagna a yearly tribute of twenty thousand ducats for the remission of the taxes of Naples, which consisted only in the payment of a single white horse. Ferrara, on the other hand, had been granted everything.[154]

The duke replied to the cardinal January 22d, a.s.suring him that his daughter-in-law would meet with a most affectionate reception.[155]

FOOTNOTES:

[146] Lucretia's colors were yellow and dark brown (morrelo aperto), while Alexander's were yellow and black.

[147] Spogli di Giambattista Almerici. i, 284. Ms. in the Oliveriana in Pesaro.

[148] Si per attendere a lava.r.s.e il capo, como anche per essere a.s.sai solitaria et remota di soa natura. Despatch from Rimini, January 22, 1502.

[149] Ferrante to Ercole, Rimini, January 23, 1502.

[150] The expression is lavarsi il capo.

[151] Ferrante to Ercole, Imola, January 27, 1502.

[152] Gianluca to Ercole, January 31, 1502.

[153] Bernardino Zambotto. See Monsignor Giuseppe Antonelli's work, Lucrezia Borgia in Ferrara, sposa a Don Alfonso d'Este, Memorie storiche.... Ferrara, 1867.

[154] The amba.s.sador Beltrando Costabili to Duke Ercole, Rome, January 7, 1502.

[155] The duke to his amba.s.sador in Rome, Ferrara, January 22, 1502, in the Minute Ducali a Costabili Beltrando Oratore a Roma.

CHAPTER II

FORMAL ENTRY INTO FERRARA

February 1st Lucretia continued her journey to Ferrara by the ca.n.a.l.

Near Malalbergo she found Isabella Gonzaga waiting to meet her. At the urgent request of her father, the marchioness, much against her will, had come to do the honors during the festivities in his palace. "In violent anger," so she wrote her husband, who remained at home, she greeted and embraced her sister-in-law. She accompanied her by boat to Torre della Fossa, where the ca.n.a.l empties into a branch of the Po. This river, a majestic stream, flows four miles from Ferrara, and only a branch--Po di Ferrara--now known as the Ca.n.a.le di Cento, reaches the city, where it divides into two arms, the Volano and Primaro, both of which empty into the Adriatic. They are very small ca.n.a.ls, and, therefore, it could have been no pleasure to travel on them, nor was it an imposing spectacle.

The duke, with Don Alfonso and his court, awaited Lucretia at Torre della Fossa. When she left the boat the duke saluted her on the cheek, she having first respectfully kissed his hand. Thereupon, all mounted a magnificently decorated float, to which the foreign amba.s.sadors and numerous cavaliers came to kiss the bride's hand. To the strains of music and the thunder of cannon the cavalcade proceeded to the Borgo S.

Luca, where they all descended. Lucretia took up her residence in the palace of Alberto d'Este, Ercole's illegitimate brother. Here she was received by Lucretia Bentivigolio, natural daughter of Ercole, and numerous ladies of her court. The duke's seneschal brought to her Madonna Teodora and twelve young women who were to serve her as ladies-in-waiting. Five beautiful carriages, each drawn by four horses, a present from her father-in-law, were placed at her disposal. In this villa, which is no longer in existence, Lucretia spent the night. The suburb of S. Luca is still there, but the entire locality is so changed that it would be impossible to recognize it.

The seat of the Este was thronged with thousands of sightseers, some of whom had been invited by the duke and others drawn thither by curiosity.

All the va.s.sals of the State, but not the reigning princes, were present. The lords of Urbino and Mantua were represented by the ladies of their families, and the house of Bentivoglio by Annibale. Rome, Venice, Florence, Lucca, Siena, and the King of France had sent amba.s.sadors, who were lodged in the palaces of the n.o.bles. The Duke of Romagna had remained in Rome and sent a representative. It had been Alexander's wish that Caesar's wife, Charlotte d'Albret, should come from France to attend the wedding festivities in Ferrara and remain a month, but she did not appear.

With royal extravagance Ercole had prepared for the festivities; the magazines of the court and the warehouses of the city had been filled with supplies for weeks past. Whatever the Renaissance had to offer, that she provided in Ferrara; for the city was the seat of a cultivated court and the home of a hospitable bourgeoisie, and also a town where science, art, and industry thrived.

Lucretia's entrance, February 2d, was, therefore, one of the most brilliant spectacles of the age, and, as far as she herself was concerned, it was the greatest moment of her life; for she was entering into the enjoyment of the highest and best of which her nature was capable.

At two o'clock in the afternoon, the duke and all the amba.s.sadors betook themselves to Alberto's villa to fetch his daughter-in-law to the city.

The cavalcade set out over the bridge, crossing the branch of the Po, to pa.s.s through the gate of Castle Tedaldo, a fortress no longer in existence.

At its head were seventy-five mounted archers in the livery of the house of Este--white and red--who were accompanied by eighty trumpeters and a number of fifes. Then came the n.o.bility of Ferrara without regard to rank, followed by the members of the courts of the Marchioness of Mantua, who remained behind in the palace, and of the d.u.c.h.ess of Urbino.

Behind them rode Alfonso, with his brother-in-law, Annibale Bentivoglio, at his side, and accompanied by eight pages. He was dressed in red velvet in the French fas.h.i.+on, and on his head he wore a black velvet biretta, upon which was an ornament of wrought gold. He wore small red boots and French gaiters of black velvet. His bay horse was caparisoned in crimson and gold.

On the way to Ferrara, Don Alfonso did not ride by the side of his consort as this would have been contrary to the etiquette of the day.

The bridegroom led the procession, near the middle of which was the bride, while the father-in-law came last. This arrangement was intended to indicate that Lucretia was the chief personage in the parade. Just behind Alfonso came her escort, pages, and court officials, among whom were several Spanish cavaliers; then five bishops, followed by the amba.s.sadors according to rank; the four deputies of Rome, mounted upon beautiful horses and wearing long brocade cloaks and black birettas coming next. These were followed by six tambourines and two of Lucretia's favorite clowns.

Then came the bride herself, radiantly beautiful and happy, mounted upon a white jennet with scarlet trappings, and followed by her master of horse. Lucretia was dressed in a loose-sleeved camorra of black velvet with a narrow gold border, and a cape of gold brocade trimmed with ermine. On her head she wore a sort of net glittering with diamonds and gold--a present from her father-in-law. She did not wear a diadem. About her neck she had a chain of pearls and rubies which had once belonged to the d.u.c.h.ess of Ferrara--as Isabella noticed with tears in her eyes. Her beautiful hair fell down unconfined on her shoulders. She rode beneath a purple baldachin, which the doctors of Ferrara--that is, the members of the faculties of law, medicine, and mathematics--supported in turn.

For the purpose of honoring the King of France, the protector of Ferrara and of the Borgias, Lucretia had summoned the French amba.s.sador, Philipp della Rocca Berti, to ride at her left, near her, but not under the baldachin. This was intended to show that it was owing to this powerful monarch that the bride was entering the palace of the Este.

Behind Lucretia came the duke, in black velvet, on a dark horse with trappings of the same material. On his right was the d.u.c.h.ess of Urbino clad in a dark velvet gown.[156]

Then followed n.o.bles, pages, and other personages of the house of Este, each of whom was accompanied by one of Lucretia's ladies. The only important member of the family not present was Cardinal Ippolito, who had remained in Rome, and who, from that city, wrote Lucretia, January 16th, saying he had called on her son Rodrigo and found him asleep.

February 9th he wrote that the Pope had invited Caesar and himself together with Cardinal Borgia and the Signora Principessa--this was Sancia--to supper.[157] Of the women who accompanied Lucretia, only three were mounted--Girolama Borgia, wife of Fabio Orsini; another Orsini, who is not described more explicitly; and Madonna Adriana, "a widowed n.o.blewoman, a kinswoman of the Pope."[158]

Behind them came fourteen floats upon which were seated a number of the n.o.ble women of Ferrara, beautifully dressed, including the twelve young ladies who had been allotted to Lucretia as maids of honor. Then followed two white mules and two white horses decked with velvet and silk and costly gold trappings. Eighty-six mules accompanied the train bearing the bride's trousseau and jewels. When the good people of Ferrara saw them slowly wending their way through the streets, they must have thought that Alfonso had chosen a rich bride. It never occurred to them that these chests, boxes, and bales which were being carried through the streets with such ostentation were filled with the plunder of various cities of Christendom.

At the gate near Castle Tedaldo, Lucretia's horse was frightened by the discharge of a cannon, and the chief actor was thrown. The bride rose without a.s.sistance, and the duke placed her upon another horse, whereupon the cortege started again. In honor of Lucretia there were triumphal arches, tribunes, orations, and mythological scenes. Among the last was a procession of nymphs, with their queen at their head, riding upon a bull, with satyrs disporting themselves about her. Sannazzaro may have thought that the epigram in which he had referred to Giulia Farnese as Europa on the bull suggested this representation of the Borgia arms.

When the cavalcade reached the Piazza before the church, two rope-walkers descended from the towers and addressed compliments to the bride; thus was the ludicrous introduced into public festivities at that time.

It was now night, and the procession had reached the palace of the duke, and at the moment it did so all prisoners were given their liberty. At this point all the trumpeters and fifes were ma.s.sed.

It is impossible to tell exactly where the palace was situated to which Lucretia was conducted. The Este had built a number of residences in the city, which they occupied in turn. Among them were Schifanoja, Diamanti, Paradiso, Belvedere, Belfiore, and Castle Vecchio. A local chronicler in the year 1494 mentions, in enumerating the palaces of the lords of the house of Este, the Palazzo del Cortile and Castle Vecchio as belonging to the duke; Castle Vecchio to Alfonso and the palace of the Certosa to Cardinal Ippolito.[159] Ercole, therefore, in the year 1502, was residing in one of the two palaces mentioned above, which were connected with each other by a row of structures extending from the old castle to the Piazza before the church, which ended in the Palazzo della Ragione.

They are still connected, although the locality has greatly changed.

The duke's palace was opposite the church. It had a large court with a marble stairway, and was therefore called the Palazzo del Cortile. This court is doubtless the one now known as the Cortile Ducale. It was entered from the Piazza through a high archway, at the sides of which were columns which formerly supported statues of Niccol III and Borso.

The writers who describe Lucretia's entrance into the city say that she dismounted from her horse at the steps of the marble court (a le scale del Cortile di Marmo).

Here she was received by the Marchioness Gonzaga and numerous other prominent ladies. Alfonso's young wife must have smiled--if in the excitement of the moment she noticed it--when she found that the n.o.ble house of Este had selected such a large number of their b.a.s.t.a.r.d daughters to welcome her. She was greeted at the stairway by Lucretia, Ercole's natural daughter, wife of Annibale Bentivoglio, and three illegitimate daughters of Sigismondo d'Este--Lucretia, Countess of Carrara; the beautiful Diana, Countess of Uguzoni; and Bianca Sanseverino.[160]

It was night, and lights and torches illuminated the palace. To the sound of music the young couple was conducted to the reception hall, where they took their places on a throne. Here followed the formal introduction of the court officials, and an orator delivered a speech apparently based upon the information which the duke had instructed his amba.s.sadors to secure regarding the house of Borgia. It is not known who was the fortunate orator, but we are familiar with the names of some of the poets who addressed epithalamia to the beautiful princess. Nicolaus Marius Paniciatus composed a number of spirituelle Latin poems and epigrams in honor of Lucretia, Alfonso, and Ercole, which were collected under the t.i.tle of "Borgias." Among them are some ardent wishes for the prosperity of the young couple. Lucretia's beauty is described as excelling that of Helen because it was accompanied by incomparable modesty.[161]

Apparently this youthful poet did not have his stanzas printed, for they exist only in a ma.n.u.script in the library of Ferrara. Before Lucretia's entry the printer Laurentius published an epithalamium by a young Latinist, the celebrated Celio Calcagnini, who subsequently became famous as a mathematician. He was a favorite of Cardinal Ippolito, and a friend of the great Erasmus. The subject matter of the poem is very simple. Venus leaves Rome and accompanies Lucretia. Mnemosyne admonishes her daughters, the Muses, to celebrate the n.o.ble princess, which they accordingly do. The princes of the house are not forgotten, for Euterpe sings the praises of Ercole, Terpsicore lauds Alfonso, and Caliope recites Caesar's victories in the Romagna.[162]