The Extra Day Part 26

"I'll go down to-night," he explained in a low voice, "when the servants are in bed. I'll take the weights off."

Judy and Tim appreciated the seriousness of the occasion more than ever.

"Into Mrs. Horton's kitchen?" they whispered.

"Into Mrs. Horton's kitchen," he agreed, beneath his breath.

Maria, meanwhile, said nothing. Her eyes kept open very wide, but no audible remark got past her lips. She paid no attention to the singing nor to the whispered conversation; she ate an enormous tea, finis.h.i.+ng up all the cakes that the others neglected in their excitement and preoccupation; but she appeared as calm and unconcerned as the tea-cosy that concealed the heated, stimulating teapot beneath it. She looked more circular and globular than ever. Even the knowledge that this was the eve of her own particular adventure did not rouse her. Her expression seemed to say, "I never _have_ believed in Time; at the centre where _I_ live, clocks and calendars are not recognised"; and later, when Judy blew the candle out and asked as usual, "Are you all right, Maria?" her reply came floating across the darkened room without the smallest alteration in tone or accent: "I'm alright." The stopped alarum-clock was underneath her pillow; Uncle Felix had tucked them up, each in turn; everything was all right. She fell asleep, the others fell asleep, Time also fell asleep.

And above the Old Mill House that warm June night the darkness kept the secret faithfully, yet offered little signs and hints to those who did not sleep too heavily. The feeling that something or somebody was coming hung in the very air; there was a gentle haze beneath the stars; and a breeze that pa.s.sed softly through the lime trees dropped semi-articulate warnings. There were curious, faint echoes flying between the walls and the Wood without a Centre; the daisies heard them and opened half an eyelid; the Night-Wind whispered and sighed as it bore them to and fro. Maria's question entered the dream of the entire garden: "Why not? Why not? Why not?"

An owl in the barn beyond the stables heard the call and took it up, and told it to some swallows fast asleep below the eaves, who woke with sudden chattering and mentioned it to a robin in the laurel shrubberies below. The robin pretended not to be at all surprised, but felt it a duty to inform a coot who lived a quarter of a mile away among the reeds of the lower pond. When it returned from its five-minute flight, the swallows had gone to sleep again, and only the owl went on hooting softly through the summer darkness. "It really needn't go on so long about it," thought the robin, then fell asleep again with its head between exactly the same feathers as before. But the news had been distributed; the garden was aware; the birds, as natural guardians of the dawn, had delivered the message as their duty was. "Why not? Why not?" hummed all night long through the dreams of the Mill House garden. Weeden turned in his sleep and sighed with happiness.

Nothing could now prevent it; a day was coming at last, an extra, unused, unrecorded day. The immemorial expectancy of childhood, the universal antic.i.p.ation, the promise that something or somebody was coming--all this would be fulfilled. This promise is really but the prelude to creation. G.o.d felt it before the world appeared. And children have stolen it from heaven. Conceived of wonder, born of hope, and realised by belief, it is the prerogative of all properly-beating hearts. Everything living feels it, and--everything lives. The Postman; the Figure coming down the road; the Visitor on the pathway; the Knock upon the door; even the Stranger in the teacup--all are embodiments of this exquisite sc.r.a.p of heaven, divine expectancy. It may be Christmas, it may be only To-morrow, but equally it may be the End of the World.

Something is coming--into the heart--something satisfying. It is the eternal beginning. It is the--dawn.

Long after the children had retired to bed Uncle Felix sat up alone in the big house thinking. He made himself cosy in the library, meaning to finish a chapter of the historical novel he had sadly neglected these past days, and he set himself to the work with a will. But, try as he would, the story would not run; he fixed his mind upon the scene in vain; he concentrated hard, visualised the place and characters as his habit was, reconstructed the incidents and conversation exactly as though he had seen them happen and remembered them--but the imagination that should have given them life failed to operate. It became a mere effort of invention. The characters would not talk of their own accord; the incidents did not flow in a stream as when he worked successfully; life was not in them. He began again, wrote and rewrote, but failed to seize the atmosphere of reality that alone could make them interesting.

Interest--he suddenly realised it--had vanished. He felt no interest in the stupid chapter. He tore it up--and knew it was the right thing to do, because he heard the characters laughing.

"I'm not in the mood," he reflected. "It's artificial. William Smith of Peckham would skip this chapter. There's something bigger in me. I wonder...!"

He lit his pipe and sat by the open window, watching the stars and sniffing the scented summer night. He let his thoughts go wandering as they would, and the moment he relaxed attention a sense of pleasant relief stole over him. He discovered how great the effort had been. He also discovered the reason. It offered itself in a flash to his mind that was no longer blocked by the effort and therefore unreceptive.

"A man can't live adventure and write it too," he, realised sharply.

"He writes what he would like to live. I'm living adventure. The desire to live it vicariously by writing it has left me. Of course!"

It was a sweet and rich discovery--that the adventures of the last ten days had been so real and meant so much to him. No man of action, leading a deep, full life of actual experience, felt the need of scribbling, painting, fiddling. "Glorious, by Jove!" he exclaimed between great puffs of smoke. "I've struck a fact!" He had been so busily creating these last days that he had lost the yearning to describe merely what others did. The children had caught him body and soul in their eternal world of wonder and belief. Judy and Tim had taught him this.

Yet, somehow, it was the inactive, calm Maria who loomed up in his thoughts as the princ.i.p.al enchantress. Maria's apparent inactivity was a blind; she did not do very much in the sense of rus.h.i.+ng helter-skelter after desirable things, but she obtained them nevertheless. She got in their way so that they ran into her--then she claimed them. She knew beforehand, as it were, the way they would take.

She was always there when anything worth happening was about. And though she spoke so little--during a general conversation, for instance--she said so much. At the end of all the talk, it was always Maria who had said the important thing. Her "why" and "why not" that very afternoon were all that he remembered of the intricate and long discussion. It left the odd impression on his mind that talk, all the world over, said one thing only; that the millions of talkers on the teeming earth, eagerly chattering in many languages, said one and the same thing only. There _was_ only one thing to be said.

That is--they were all trying to say it. Maria _had_ said it....

A whirring moth flew busily past the open window and vanished into the night. He thought of his own books; for writers, painters, preachers, musicians, these were trying to say it too. "If I could describe that moth exactly," he murmured to himself, "give the sensation of its flight, its unconscious attraction to the light, its plunge back into the darkness, its precise purpose in the universe, its marvellous aim and balance--its life, I could--er--"

The thought broke off with a jagged end. With a leap then it went on again:

"Touch reality," and he heard his own voice saying it. He had uttered it aloud. The sound had an odd effect upon him. He realised the uselessness of words. No words touched reality. To be known, reality had to be lived, experienced. Maria managed this in some extraordinary way. She had reality.... Time did not humbug her. Nor did s.p.a.ce....

Goodness!

The moth whirred into the room, softly banging itself against the ceiling, and through the smoke from his pipe he saw that a dozen more were doing the same thing with tireless energy. They felt or saw the light; all obeyed the one driving desire to get closer into it. He saw millions and millions of people, the whole world over, rus.h.i.+ng about on two legs and behaving similarly. How they did run about and fuss, to be sure! What was it all about? What were they after? People had to earn their living, of course, but it seemed more than that, for all were after something, and the faster they went the better pleased they were.

Apparently they thought speed was of chief importance--as though speed killed Time. They banged themselves into obstacles everywhere; they screamed and disagreed, and accused each other of lying and being blind, but the thing they were after either hid itself remarkably well, or went at incredible speed, for no one ever came up with it or found it. Time invariably blocked them. Only one or two--Maria sort of people--sat still and waited....

He watched them all and wondered. One rushed up to an office in a train, while another built the train he rushed in; one wore black and preached a sermon, another wore blue and guarded a street, a third wore red and killed, a fourth wore very little and danced; all in the end were nothing and--disappeared. Some lived in a room and read hundreds of books; another wrote them; one spent his days examining the stars through a telescope, another hurried off to find the Poles; hundreds were digging into the ground, ferreting in the air or under the water.

A large number fed animals, then killed and cooked them when they had been fed enough. Hens laid eggs and eggs produced hens that laid more eggs. There were always thousands hurrying along the roads, then coming back again. The millions of living beings were everywhere extremely busy after something, yet hardly any two of them agreed exactly what it was they sought. There were sects, societies, religions by the score, each one c.o.c.ksure it knew and had found Reality, yet proving by the continuous busy searching that it had not found it. Yet all, oddly enough, fitted in together fairly well, as in a gigantic Dance, though obviously none knew exactly what the tune was, nor who played it. Would they never know? Would all die before they found it? Were they all after the same thing, or after a lot of different things? And why, in the name of goodness, couldn't they all agree about it? Wasn't it, perhaps, that they looked in different ways--all for the same thing?

Surely the world had existed long enough for _that_ to be settled finally--Reality! Time prevented always....

A moth fell with a soft and disconcerting plop upon the top of his head, cannonaded thence against the window-sill, and shot out into the night again. He came back with a start to _his_ reality: that he had promised the children an Extra Day, that for twenty-four hours, in spite of the paradox, Time should cease its driving hurry--and that, for the moment at any rate, he was very sleepy and must go upstairs to bed.

He rose, shook himself free of the curious reverie with a mighty yawn, and looked at the gold watch from his waistcoat pocket. Out came a number of other timepieces with it! And it was then that the personality of Maria entered the room, and stood beside him, and said distinctly, "This is _my_ particular adventure, please remember."

And he understood that whatever happened, it would happen according to the gospel of Maria. Getting behind Time meant getting a little nearer to Reality, one stage nearer at any rate. It meant entering the region where she dwelt so serenely. It was her doing, and not his. He realised in a flash that in her quiet way she was responsible and had drawn them in, seduced them. All gravitated to her and into her mysterious circle.

Maria claimed them. It was certainly her particular adventure. Only she would share it with them all.

CHAPTER XVI

TIME HALTS

He looked at his watch a second time, and found that it was later than he had supposed--eleven o'clock. In the act of winding it, however, he paused; something he had forgotten came back to him, and a curious smile broke over his face. He stroked his beard, glanced at the ceiling where the moths still banged and buzzed, then strolled over to the open window, and said "Hm!" He put his head and shoulders out into the air.

And then he again said "Hm--m--m"--only longer than the first time. It seemed as if some one answered him. That "Hm" floated off to some one who was listening for it. Perhaps it was an echo that came floating back. Perhaps it wasn't.

But any grown-up person who hesitates in an empty room of a country house at eleven o'clock at night and murmurs "Hm" into the open air is not in an ordinary state of mind. The normal thing is to put the lights out and go up more or less briskly to bed. Uncle Felix was no exception to this rule. His emotions, evidently, were not quite normal.

He listened. The night was very still. The stars, like a shower of golden rain arrested in full flight, paused in a flock and looked at him, but in so deliberate a way that he was conscious of being looked at. It was rather a delightful sensation, he thought; never before had they seemed so intimate, so interested in his life. He was aware that a friendly relations.h.i.+p existed between him and those far, bright, twinkling eyes. "Hm" he murmured softly once again, then heard a sound of wings rush whirring past his face, and next a chattering of birds somewhere overhead among the heavy eaves. "So I'm not the only one awake," he thought, and, for some odd reason, felt rather pleased about it. "Sounds like swallows. I wonder!"

But he saw no movement anywhere; no wind stirred the ivy on the wall, the limes were motionless, the earth asleep. Even the stream beyond the laurel shrubberies ran silently. Dimly he made out the garden lying at attention, the flower-beds like folded hands upon its breast; and further off, the big untidy elms in pools of deeper shadow, their outlines blurred as dreams blur the mind. Yet, though he could detect no slightest movement, he was keenly aware that other things beside the stars were looking at him. The night was full of carefully-screened eyes, all fixed upon him. Framed in the lighted window, he was so easily visible. Night herself, calm and majestic, gazed down upon him through wide-open lids that filled the entire sky. He felt the intentness of her steadfast gaze, and paused. He stopped. It seemed that everything stopped too. So striking, indeed, was the sensation, that he gave expression to it half aloud:

"It's slowing up," he murmured, "stopping!... I do believe! Hm!..."

There was no answer this time, no sign of echo anywhere, but he heard an owl calling its m.u.f.fled note from the Wood without a Centre.

"It's probably seen me too," he thought, and then it also stopped.

He waited a moment, hoping it would begin again, for he loved the atmosphere of childhood that the sound invoked in him. But the flutey call was not repeated. He drew his head in, closed and bolted the window, fastened the shutters carefully and pulled the curtains over; then he extinguished the lamps, lit his candle, and moved out softly into the hall on his way upstairs. And for the first time in his life he felt that in shutting the window he had not shut the beauty out. The beauty of that watching, listening night had not gone away from him by closing down the shutters. It was not lost. It stopped there. This novel realisation was very queer and very exquisite. Regret did not operate.

And he went along the pa.s.sage, murmuring "Hm" over and over to himself, for there seemed nothing more adequate that he could think of. The servants had long since gone to bed; he alone was awake in the whole big house. He moved cautiously down the long corridor towards the green baize doors, fully aware that it was not the proper way upstairs. He pushed them, and they swung behind him with a grunt that repeated itself several times, lessening and shortening until it ended in an abrupt puffing sound--and he found himself in a chilly corridor of stone. It was very dark; the candle threw the shadow of his hand down the gaping length in front of him. He went stealthily a few steps further, then stopped opposite a closed door of white. For a moment he held his breath, examining the panels by the light of the raised candle; then turned the k.n.o.b of bra.s.s, threw it wide open, and found himself--in Mrs. Horton's kitchen.

The room was very warm. There was the curious, familiar smell of brooms and ap.r.o.ns, of soap and soda, flavoured with brown sugar, treacle, and a dash of toast and roasted coffee. The ashes still glowed between the bars of the range like a grinning mouth. He put the candle down and looked about him nervously. There was an awful moment when he thought a great six-foot cook, with red visage and bare arms, would rise and strike him with a ladle or a rolling-pin. In the faint light he made out the white deal table in the centre, the rows of pots and pans gleaming in mid-air, dish-cloths hanging on a string to dry, layers of plates of various sizes on the shelves, and jugs suspended by their handles at an angle ready for pouring out. He saw the dresser with its huge, capacious drawers--the only drawers in the world that opened easily, and were deep enough to be of value.

Also--there was a sound, the sound all kitchens have, steadily tapping, clicking, ticking. He turned; he saw the familiar object whence the sound proceeded. At the end of the great silent room, upright like a sentry placed against the wall, stiff and rigid, he saw a figure with a round and pallid face, staring solemnly at him through the gloom. He stiffened and stood rigid too, listening to the tapping noise that issued from its hollow interior of wood and iron. Watching him with remorseless mien, the kitchen clock asked him for the pa.s.sword. "Why not? Why not?" its ticking said distinctly.

The warmth was comforting. He sat down on the white deal table, knowing himself an intruder, but boldly facing the tall monster that guarded the deserted room and challenged him. "_You_ haven't stopped," he answered in his beard. "Why not?" And as he said it, a new expression stole upon its hardened countenance, the challenge melted, the obdurate stare relaxed. The quaint, grandfatherly aspect of benevolence shone over it like a smile; it looked not only kind, but contrite. He saw it as it used to be, ages and ages ago, when he was a boy, sliding down the banisters towards it, or towards its counterpart in the hall. It winked.

The ticking, too, became less aggressive and relentless, less sure of itself, almost as though it were slowing up. There was a plaintive note behind the metallic sharpness. The great kitchen clock also was aware of a conspiracy hatching against Time....

And as he sat and listened to the machinery tapping away the seconds, he heard a similar tapping in his brain that swung gradually into rhythm with the clock. A pendulum in his mind was swinging, each swing a little shorter than the one before; and he remembered that a dozen pendulums in a room, starting at different lengths, ended by swinging all together. "We're slowing up together--stopping!" murmured the two pendulums. "Why not? Why not? Why not?..."

Presently both would cease, yet ceasing would be the beginning, not the end. A state without end or beginning would supervene. Ticking meant time, and time meant becoming; but beyond becoming lay the bottomless sea of being, which was eternity. Maria floated there--calm, quiet, serene, little globular Maria, circular, the perfect form.

The Kitchen Spell rolled in upon him, smothering mind and senses.

It came at first so gradually he hardly noticed it, but it rose and rose and rose, till at length he sat dipped to the eyes in it, and then finally his eyes went under too. He was immersed, submerged. The parochial vanished; he swam in the universal. He felt drowsy, soothed, and very happy; his heart beat differently. Consciousness ran fluttering along the edge of something hard that hitherto had seemed an unsurpa.s.sable barrier. The barrier melted and let him through.

He rubbed his eyes and started. "That's the clock in Mrs. Horton's kitchen," he tried to say, but the words had an empty and ridiculous sound, as if there was no meaning in them. They flew about him in the air like little b.u.t.terflies trying to settle. They settled on one meaning, only to flit elsewhere the next minute and settle on another meaning. They could mean anything and everything. They did mean everything. They meant _one_ thing. Finally they settled back into his heart. And their meaning caught him by the throat in a most delicious way. The air was full of tiny fluttering wings; he heard pattering feet and little voices; hair tied with coloured ribbons brushed his cheeks; and laughing, mischievous eyes like stars floated loose about the ceiling. The Kitchen Spell grew mighty--irresistible... rising over him out of a timeless Long Ago.