Children's Literature Part 35

"'Tis I, Drakestail. I wish to speak to the king."

"Speak to the king! That's easily said. The king is dining, and will not be disturbed."

"Tell him that it is I, and I have come he well knows why."

The porter shuts his wicket and goes up to say it to the king, who was just sitting down to dinner with a napkin round his neck, and all his ministers.

"Good, good!" said the king, laughing. "I know what it is! Make him come in, and put him with the turkeys and chickens."

The porter descends.

"Have the goodness to enter."

"Good!" says Drakestail to himself, "I shall now see how they eat at court."

"This way, this way," says the porter. "One step further. There, there you are."

"How? what? in the poultry-yard?"

Fancy how vexed Drakestail was!

"Ah! so that's it," says he. "Wait! I will compel you to receive me.

Quack, quack, quack, when shall I get my money back?" But turkeys and chickens are creatures who don't like people that are not as themselves.

When they saw the new-comer and how he was made, and when they heard him crying too, they began to look black at him.

"What is it? What does he want?"

Finally they rushed at him all together, to overwhelm him with pecks.

"I am lost!" said Drakestail to himself, when by good luck he remembers his comrade friend Fox, and he cries:

"Reynard, Reynard, come out of your earth, Or Drakestail's life is of little worth."

Then friend Fox, who was only waiting for these words, hastens out, throws himself on the wicked fowls, and quick! quack! he tears them to pieces; so much so that at the end of five minutes there was not one left alive. And Drakestail, quite content, began to sing again, "Quack, quack, quack, when shall I get my money back?"

When the king, who was still at table, heard this refrain, and the poultry-woman came to tell him what had been going on in the yard, he was terribly annoyed.

He ordered them to throw this tail of a drake into the well, to make an end of him.

And it was done as he commanded. Drakestail was in despair of getting himself out of such a deep hole, when he remembered his lady friend Ladder.

"Ladder, Ladder, come out of thy hold, Or Drakestail's days will soon be told."

My friend Ladder, who was only waiting for these words, hastens out, leans her two arms on the edge of the well; then Drakestail climbs nimbly on her back, and hop! he is in the yard, where he begins to sing louder than ever.

When the king, who was still at table and laughing at the good trick he had played his creditor, heard him again reclaiming his money, he became livid with rage.

He commanded that the furnace should be heated, and this tail of a drake thrown into it, because he must be a sorcerer.

The furnace was soon hot, but this time Drakestail was not so afraid; he counted on his sweetheart, my friend River.

"River, River, outward flow, Or to death Drakestail must go."

My friend River hastens out, and errouf! throws herself into the furnace, which she floods, with all the people who had lighted it; after which she flowed growling into the hall of the palace to the height of more than four feet.

And Drakestail, quite content, begins to swim, singing deafeningly, "Quack, quack, quack, when shall I get my money back?"

The king was still at table, and thought himself quite sure of his game; but when he heard Drakestail singing again, and when they told him all that had pa.s.sed, he became furious and got up from the table brandis.h.i.+ng his fists.

"Bring him here, and I'll cut his throat! Bring him here quick!" cried he.

And quickly two footmen ran to fetch Drakestail.

"At last," said the poor chap, going up the great stairs, "they have decided to receive me."

Imagine his terror when on entering he sees the king as red as a turkey c.o.c.k, and all his ministers attending him standing sword in hand. He thought this time it was all up with him. Happily he remembered that there was still one remaining friend, and he cried with dying accents:

"Wasp's nest, Wasp's nest, make a sally, Or Drakestail nevermore may rally."

Hereupon the scene changes.

"Bs, bs, bayonet them!" The brave Wasp's-nest rushes out with all his wasps. They threw themselves on the infuriated king and his ministers, and stung them so fiercely in the face that they lost their heads, and not knowing where to hide themselves they all jumped pell-mell from the window and broke their necks on the pavement.

Behold Drakestail much astonished, all alone in the big saloon and master of the field. He could not get over it.

Nevertheless, he remembered shortly what he had come for to the palace, and improving the occasion, he set to work to hunt for his dear money.

But in vain he rummaged in all the drawers; he found nothing; all had been spent.

And ferreting thus from room to room he came at last to the one with the throne in it, and feeling fatigued, he sat himself down on it to think over his adventure. In the meanwhile the people had found their king and his ministers with their feet in the air on the pavement, and they had gone into the palace to know how it had occurred. On entering the throne-room, when the crowd saw that there was already someone on the royal seat, they broke out in cries of surprise and joy:

"The King is dead, long live the King!

Heaven has sent us down this thing."

Drakestail, who was no longer surprised at anything, received the acclamations of the people as if he had never done anything else all his life.

A few of them certainly murmured that a Drakestail would make a fine king; those who knew him replied that a knowing Drakestail was a more worthy king than a spendthrift like him who was lying on the pavement.

In short, they ran and took the crown off the head of the deceased, and placed it on that of Drakestail, whom it fitted like wax.

Thus he became king.

"And now," said he after the ceremony, "ladies and gentlemen, let's go to supper. I am so hungry!"

167

The story of "Beauty and the Beast," while very old in its ruder forms, is known to us in a fine version which comes from the middle of the eighteenth century. Madame de Villeneuve, a French writer of some note and a follower of Perrault in the field of the fairy tale, published in 1740 a collection of stories (_Contes Marins_) supposed to be told by an old woman during a voyage to St. Domingo. Among these was "Beauty and the Beast" in a long-winded style extending to more than 250 pages. In 1757, a greatly abridged form of this version was published by Madame de Beaumont, who was then living in England and who wrote many spirited tales designed for children. Her stories are full of the didactic element, and "Beauty and the Beast" is no exception to the rule. These "edifying commonplaces," however, are so sound and fit into the story so naturally that the reader does not suffer from their presence. The artificial character of the story is easily felt in contrast to the natural qualities of a folk version. The plot has all the perfection of a finished piece of literary art, and for this quality especially Madame de Beaumont's abridgement has always been heartily and rightly admired.