Children's Literature Part 56

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"Well, we are glad to hear you say so," answered the two swindlers.

Then they named all the colors of the invisible cloth upon the looms, and described the peculiar pattern. The old Minister listened intently, so that he could repeat all that was said of it to the Emperor.

The rogues now began to demand more money, more silk, and more gold thread in order to proceed with the weaving. All of this, of course, went into their pockets. Not a single strand was ever put on the empty looms at which they went on working.

The Emperor soon sent another faithful friend to see how soon the new clothes would be ready. But he fared no better than the Minister. He looked and looked and looked, but still saw nothing but the empty looms.

"Isn't that a pretty piece of stuff?" asked both rogues, showing and explaining the handsome pattern which was not there at all.



"I am not stupid!" thought the man. "It must be that I am not worthy of my good position. That is, indeed, strange. But I must not let it be known!"

So he praised the cloth he did not see, and expressed his approval of the color and the design that were not there. To the Emperor he said, "It is charming!"

Soon everybody in town was talking about the wonderful cloth that the two rogues were weaving.

The Emperor began to think now that he himself would like to see the wonderful cloth while it was still on the looms. Accompanied by a number of his friends, among whom were the two faithful officers who had already beheld the imaginary stuff, he went to visit the two men who were weaving, might and main, without any fiber and without any thread.

"Isn't it splendid!" cried the two statesmen who had already been there, and who thought the others would see something upon the empty looms.

"Look, your Majesty! What colors! And what a design!"

"What's this?" thought the Emperor. "I see nothing at all! Am I a dunce?

Am I not fit to be Emperor? That would be the worst thing that could happen to me, if it were true."

"Oh, it is very pretty!" said the Emperor aloud. "It has my highest approval!"

He nodded his head happily, and stared at the empty looms. Never would he say that he could see nothing!

His friends, too, gazed and gazed, but saw no more than had the others.

Yet they all cried out, "It is beautiful!" and advised the Emperor to wear a suit made of this cloth in a great procession that was soon to take place.

"It is magnificent, gorgeous!" was the cry that went from mouth to mouth. The Emperor gave each of the rogues a royal ribbon to wear in his b.u.t.tonhole, and called them the Imperial Court Weavers.

The rogues were up the whole night before the morning of the procession.

They kept more than sixteen candles burning. The people could see them hard at work, completing the new clothes of the Emperor. They took yards of stuff down from the empty looms; they made cuts in the air with big scissors; they sewed with needles without thread; and, at last, they said, "The clothes are ready!"

The Emperor himself, with his grandest courtiers, went to put on his new suit.

"See!" said the rogues, lifting their arms as if holding something.

"Here are the trousers! Here is the coat! Here is the cape!" and so on.

"It is as light as a spider's web. One might think one had nothing on.

But that is just the beauty of it!"

"Very nice," said the courtiers. But they could see nothing; for there _was_ nothing!

"Will your Imperial Majesty be graciously pleased to take off your clothes," asked the rogues, "so that we may put on the new ones before this long mirror?"

The Emperor took off all his own clothes, and the two rogues pretended to put on each new garment as it was ready. They wrapped him about, and they tied and they b.u.t.toned. The Emperor turned round and round before the mirror.

"How well his Majesty looks in his new clothes!" said the people. "How becoming they are! What a pattern! What colors! It is a beautiful dress!"

"They are waiting outside with the canopy which is to be carried over your Majesty in the procession," said the master of ceremonies.

"I am ready," said the Emperor. "Don't the clothes fit well?" he asked, giving a last glance into the mirror as though he were looking at all his new finery.

The men who were to carry the train of the Emperor's cloak stooped down to the floor as if picking up the train, and then held it high in the air. They did not dare let it be known that they could see nothing.

So the Emperor marched along under the bright canopy. Everybody in the streets and at the windows cried out: "How beautiful the Emperor's new clothes are! What a fine train! And they fit to perfection!"

No one would let it be known that he could see nothing, for that would have proved that he was unfit for office or that he was very, very stupid. None of the Emperor's clothes had ever been as successful as these.

"But he has nothing on!" said a little child.

"Just listen to the innocent!" said its father.

But one person whispered to another what the child had said. "He has nothing on! A child says he has nothing on!"

"But he has nothing on!" at last cried all the people.

The Emperor writhed, for he knew that this was true. But he realized that it would never do to stop the procession. So he held himself stiffer than ever, and the chamberlains carried the invisible train.

194

In his story "The Nightingale," Andersen suggests that the so-called upper cla.s.s of society may become so conventionalized as to be unable to appreciate true beauty. Poor fishermen and the little kitchen girl in the story recognize the beauty of the exquisite song of the nightingale, and Andersen shows his regard for royalty by having the emperor appreciate it twice. The last part of the story is especially impressive. When Death approached the emperor and took from him the symbols that had made him rank above his fellows, the emperor saw the realities of life and again perceived the beauty of the nightingale's song.

This contact with real life made Death shrink away. Then the emperor learned Andersen's message to artificial society: If you would behold true beauty, you must have it in your own heart.

THE NIGHTINGALE

HANS CHRISTIAN ANDERSEN

In China, you must know, the Emperor is a Chinaman, and all whom he has about him are Chinamen too. It happened a good many years ago, but that's just why it's worth while to hear the story before it is forgotten. The Emperor's palace was the most splendid in the world; it was made entirely of porcelain, very costly, but so delicate and brittle that one had to take care how one touched it. In the garden were to be seen the most wonderful flowers, and to the costliest of them silver bells were tied, which sounded, so that n.o.body should pa.s.s by without noticing the flowers. Yes, everything in the Emperor's garden was admirably arranged. And it extended so far that the gardener himself did not know where the end was. If a man went on and on, he came into a glorious forest with high trees and deep lakes. The wood extended straight down to the sea, which was blue and deep; great s.h.i.+ps could sail, too, beneath the branches of the trees; and in the trees lived a Nightingale, which sang so splendidly that even the poor fisherman, who had many other things to do, stopped still and listened, when he had gone out at night to throw out his nets, and heard the Nightingale.

"How beautiful that is!" he said; but he was obliged to attend to his property, and thus forgot the bird. But when the next night the bird sang again, and the fisherman heard it, he exclaimed again, "How beautiful that is!"

From all the countries of the world travelers came to the city of the Emperor, and admired it, and the palace and the garden, but when they heard the Nightingale, they said, "That is the best of all!"

And the travelers told of it when they came home; and the learned men wrote many books about the town, the palace, and the garden. But they did not forget the Nightingale; that was placed highest of all; and those who were poets wrote most magnificent poems about the Nightingale in the wood by the deep lake.

The books went through all the world, and a few of them once came to the Emperor. He sat in his golden chair, and read, and read: every moment he nodded his head, for it pleased him to peruse the masterly descriptions of the city, the palace, and the garden. "But the Nightingale is the best of all," it stood written there.

"What's that?" exclaimed the Emperor. "I don't know the Nightingale at all! Is there such a bird in my empire, and even in my garden? I've never heard of that. To think that I should have to learn such a thing for the first time from books!"

And hereupon he called his cavalier. This cavalier was so grand that if anyone lower in rank than himself dared to speak to him, or to ask him any question, he answered nothing but "P!"--and that meant nothing.

"There is said to be a wonderful bird here called a Nightingale," said the Emperor. "They say it is the best thing in all my great empire. Why have I never heard anything about it?"

"I have never heard him named," replied the cavalier. "He has never been introduced at Court."

Children's Literature Part 56

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Children's Literature Part 56 summary

You're reading Children's Literature Part 56. This novel has been translated by Updating. Author: Erle Elsworth Clippinger and Charles Madison Curry already has 527 views.

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