Crome Yellow Part 13

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"Any damage done?" he called out.

"Is that you, Denis? I've hurt my ankle so--and my knee, and my hand.

I'm all in pieces."

"My poor Anne," he said. "But then," he couldn't help adding, "it was silly to start running downhill in the dark."

"a.s.s!" she retorted in a tone of tearful irritation; "of course it was."

He sat down beside on the gra.s.s, and found himself breathing the faint, delicious atmosphere of perfume that she carried always with her.

"Light a match," she commanded. "I want to look at my wounds."

He felt in his pockets for the match-box. The light spurted and then grew steady. Magically, a little universe had been created, a world of colours and forms--Anne's face, the s.h.i.+mmering orange of her dress, her white, bare arms, a patch of green turf--and round about a darkness that had become solid and utterly blind. Anne held out her hands; both were green and earthy with her fall, and the left exhibited two or three red abrasions.

"Not so bad," she said. But Denis was terribly distressed, and his emotion was intensified when, looking up at her face, he saw that the trace of tears, involuntary tears of pain, lingered on her eyelashes.

He pulled out his handkerchief and began to wipe away the dirt from the wounded hand. The match went out; it was not worth while to light another. Anne allowed herself to be attended to, meekly and gratefully.

"Thank you," she said, when he had finished cleaning and bandaging her hand; and there was something in her tone that made him feel that she had lost her superiority over him, that she was younger than he, had become, suddenly, almost a child. He felt tremendously large and protective. The feeling was so strong that instinctively he put his arm about her. She drew closer, leaned against him, and so they sat in silence. Then, from below, soft but wonderfully clear through the still darkness, they heard the sound of Ivor's singing. He was going on with his half-finished song:

"Le lendemain Phillis plus tendre, Ne voulant deplaire au berger, Fut trop heureuse de lui rendre Trente moutons pour un baiser."

There was a rather prolonged pause. It was as though time were being allowed for the giving and receiving of a few of those thirty kisses.

Then the voice sang on:

"Le lendemain Phillis peu sage Aurait donne moutons et chien Pour un baiser que le volage A Lisette donnait pour rien."

The last note died away into an uninterrupted silence.

"Are you better?" Denis whispered. "Are you comfortable like this?"

She nodded a Yes to both questions.

"Trente moutons pour un baiser." The sheep, the woolly mutton--baa, baa, baa...? Or the shepherd? Yes, decidedly, he felt himself to be the shepherd now. He was the master, the protector. A wave of courage swelled through him, warm as wine. He turned his head, and began to kiss her face, at first rather randomly, then, with more precision, on the mouth.

Anne averted her head; he kissed the ear, the smooth nape that this movement presented him. "No," she protested; "no, Denis."

"Why not?"

"It spoils our friends.h.i.+p, and that was so jolly."

"Bos.h.!.+" said Denis.

She tried to explain. "Can't you see," she said, "it isn't...it isn't our stunt at all." It was true. Somehow she had never thought of Denis in the light of a man who might make love; she had never so much as conceived the possibilities of an amorous relations.h.i.+p with him. He was so absurdly young, so...so...she couldn't find the adjective, but she knew what she meant.

"Why isn't it our stunt?" asked Denis. "And, by the way, that's a horrible and inappropriate expression."

"Because it isn't."

"But if I say it is?"

"It makes no difference. I say it isn't."

"I shall make you say it is."

"All right, Denis. But you must do it another time. I must go in and get my ankle into hot water. It's beginning to swell."

Reasons of health could not be gainsaid. Denis got up reluctantly, and helped his companion to her feet. She took a cautious step. "Ooh!" She halted and leaned heavily on his arm.

"I'll carry you," Denis offered. He had never tried to carry a woman, but on the cinema it always looked an easy piece of heroism.

"You couldn't," said Anne.

"Of course I can." He felt larger and more protective than ever. "Put your arms round my neck," he ordered. She did so and, stooping, he picked her up under the knees and lifted her from the ground. Good heavens, what a weight! He took five staggering steps up the slope, then almost lost his equilibrium, and had to deposit his burden suddenly, with something of a b.u.mp.

Anne was shaking with laughter. "I said You couldn't, my poor Denis."

"I can," said Denis, without conviction. "I'll try again."

"It's perfectly sweet of you to offer, but I'd rather walk, thanks." She laid her hand on his shoulder and, thus supported, began to limp slowly up the hill.

"My poor Denis!" she repeated, and laughed again. Humiliated, he was silent. It seemed incredible that, only two minutes ago, he should have been holding her in his embrace, kissing her. Incredible. She was helpless then, a child. Now she had regained all her superiority; she was once more the far-off being, desired and una.s.sailable. Why had he been such a fool as to suggest that carrying stunt? He reached the house in a state of the profoundest depression.

He helped Anne upstairs, left her in the hands of a maid, and came down again to the drawing-room. He was surprised to find them all sitting just where he had left them. He had expected that, somehow, everything would be quite different--it seemed such a prodigious time since he went away. All silent and all d.a.m.ned, he reflected, as he looked at them. Mr.

Scogan's pipe still wheezed; that was the only sound. Henry Wimbush was still deep in his account books; he had just made the discovery that Sir Ferdinando was in the habit of eating oysters the whole summer through, regardless of the absence of the justifying R. Gombauld, in horn-rimmed spectacles, was reading. Jenny was mysteriously scribbling in her red notebook. And, seated in her favourite arm-chair at the corner of the hearth, Priscilla was looking through a pile of drawings. One by one she held them out at arm's length and, throwing back her mountainous orange head, looked long and attentively through half-closed eyelids. She wore a pale sea-green dress; on the slope of her mauve-powdered decolletage diamonds twinkled. An immensely long cigarette-holder projected at an angle from her face. Diamonds were embedded in her high-piled coiffure; they glittered every time she moved. It was a batch of Ivor's drawings--sketches of Spirit Life, made in the course of tranced tours through the other world. On the back of each sheet descriptive t.i.tles were written: "Portrait of an Angel, 15th March '20;" "Astral Beings at Play, 3rd December '19;" "A Party of Souls on their Way to a Higher Sphere, 21st May '21." Before examining the drawing on the obverse of each sheet, she turned it over to read the t.i.tle. Try as she could--and she tried hard--Priscilla had never seen a vision or succeeded in establis.h.i.+ng any communication with the Spirit World. She had to be content with the reported experiences of others.

"What have you done with the rest of your party?" she asked, looking up as Denis entered the room.

He explained. Anne had gone to bed, Ivor and Mary were still in the garden. He selected a book and a comfortable chair, and tried, as far as the disturbed state of his mind would permit him, to compose himself for an evening's reading. The lamplight was utterly serene; there was no movement save the stir of Priscilla among her papers. All silent and all d.a.m.ned, Denis repeated to himself, all silent and all d.a.m.ned...

It was nearly an hour later when Ivor and Mary made their appearance.

"We waited to see the moon rise," said Ivor.

"It was gibbous, you know," Mary explained, very technical and scientific.

"It was so beautiful down in the garden! The trees, the scent of the flowers, the stars..." Ivor waved his arms. "And when the moon came up, it was really too much. It made me burst into tears." He sat down at the piano and opened the lid.

"There were a great many meteorites," said Mary to anyone who would listen. "The earth must just be coming into the summer shower of them.

In July and August..."

But Ivor had already begun to strike the keys. He played the garden, the stars, the scent of flowers, the rising moon. He even put in a nightingale that was not there. Mary looked on and listened with parted lips. The others pursued their occupations, without appearing to be seriously disturbed. On this very July day, exactly three hundred and fifty years ago, Sir Ferdinando had eaten seven dozen oysters. The discovery of this fact gave Henry Wimbush a peculiar pleasure. He had a natural piety which made him delight in the celebration of memorial feasts. The three hundred and fiftieth anniversary of the seven dozen oysters...He wished he had known before dinner; he would have ordered champagne.

On her way to bed Mary paid a call. The light was out in Anne's room, but she was not yet asleep.

"Why didn't you come down to the garden with us?" Mary asked.

"I fell down and twisted my ankle. Denis helped me home."

Mary was full of sympathy. Inwardly, too, she was relieved to find Anne's non-appearance so simply accounted for. She had been vaguely suspicious, down there in the garden--suspicious of what, she hardly knew; but there had seemed to be something a little louche in the way she had suddenly found herself alone with Ivor. Not that she minded, of course; far from it. But she didn't like the idea that perhaps she was the victim of a put-up job.

Crome Yellow Part 13

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Crome Yellow Part 13 summary

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