The Dramatic Works of G. E. Lessing Part 64

PRINCE (_violently_).

Marinelli!--(_checking his warmth_)--But you shall not rouse my anger.

Be it so. It is so. You mean to imply that the Count's death is fortunate for me;--the best thing which could have happened--the only circ.u.mstance which could bring my pa.s.sion to a happy issue--and, therefore, no matter how it happened. A Count more or less in the world is of little consequence. Am I right?--I am not alarmed at a little crime; but it must be a secret little crime, a serviceable little crime. But ours has not been either secret or serviceable. It has opened a pa.s.sage only to close it again. Every one will lay it to our door. And, after all, we have not perpetrated it at all. This can only be the result of your wise and wonderful management.

MARINELLI.

If your Highness have it so----

 

PRINCE.

Why not?--I want an explanation----

MARINELLI.

I am accused of more than I deserve.

PRINCE.

I want an explanation.

MARINELLI.

Well then, what error in my plans has attached such obvious suspicion to the Prince? The fault lies in the master-stroke which your Highness so graciously put to my plans----

PRINCE.

I?

MARINELLI.

Allow me to say that the step which you took at church this morning--with whatever circ.u.mspection it was done, or however inevitable it might be--was not part of my programme.

PRINCE.

How did that injure it?

MARINELLI.

Not indeed the whole plan, but its opportuneness.

PRINCE.

Do I understand you?

MARINELLI.

To speak more intelligibly. When I undertook the business, Emilia knew nothing of the Prince's attachment. Her mother just as little. How if I formed my foundation upon this circ.u.mstance, and in the meantime the Prince was undermining my edifice?

PRINCE (_striking his forehead_).

d.a.m.nation!

MARINELLI.

How, if he himself betrayed his intentions?

PRINCE.

Cursed interposition!

MARINELLI.

For had he not so behaved himself I should like to know what part of my plan could have raised the least suspicion in the mind of the mother or the daughter?

PRINCE.

You are right.

MARINELLI.

And therein I certainly am very wrong.--Pardon me.

Scene II.

Battista, The Prince, Marinelli.

_Enter_ BATTISTA (_hastily_).

The Countess is arrived.

PRINCE.

The Countess? What Countess?

BATTISTA.

Orsina!

PRINCE.

Orsina? Marinelli!

MARINELLI.

I am as much astonished as yourself.

PRINCE (_to_ Battista).