Incidents of Travel in Yucatan Volume I Part 17

The lintels of the doorways were of wood; these are all fallen, and of all the ornaments which decorated them not one now remains. No doubt they corresponded in beauty of sculpture with the rest of the facade.

The whole now lies a ma.s.s of rubbish and ruin at the foot of the wall.

On the top is a structure which, at a distance, as seen indistinctly through the trees, had the appearance of a second story, and, as we approached, it reminded us of the towering structures on the top of some of the ruined buildings at Palenque.

The access to this structure was by no means easy. There was no staircase or other visible means of communication, either within or without the building, but in the rear the wall and roof had fallen, and made in some places high mounds reaching nearly to the top. Climbing up these tottering fabrics was not free from danger. Parts which appeared substantial had not the security of buildings constructed according to true principles of art; at times it was impossible to discover the supporting power, and the disorderly ma.s.ses seemed held up by an invisible hand. While we were clearing off the trees upon the roof, a shower came up suddenly, and, as we were hurrying to descend and take refuge in one of the apartments below, a stone on the edge of the cornice gave way and carried me down with it. By great good fortune, underneath was a mound of ruins which reached nearly to the roof and saved me from a fall that would have been most serious, if not fatal, in its consequences. The expression on the face of an Indian attendant as he saw me going was probably a faint reflection of my own.

The structure on the top of this building is about fifteen feet high and four feet thick, and extends over the back wall of the front range of apartments, the whole length of the edifice. In many places it has fallen, but we were now more struck than when at a distance with its general resemblance to the ruined structures on the top of some of the buildings at Palenque. The latter were stuccoed; this was of cut stone, and more chaste and simple. It could not have been intended for any use as part of the edifice; the only purpose we could ascribe to it was that of _ornament_, as it improved the appearance of the building seen from a distance, and set it off with great effect on near approach.

[Engraving 40: Interior of an Apartment]

I have said that we were somewhat excited by the first view of the facade of this building. Ascending the steps and standing in the doorway of the centre apartment, we broke out into an exclamation of surprise and admiration. At Uxmal there was no variety; the interiors of all the apartments were the same. Here we were presented with a scene entirely new. The plate opposite represents the interior of this apartment. It consists of two parallel chambers, the one in front being twenty-seven feet long and ten feet six inches wide, and the other of the same length, but a few inches narrower, communicating by a door in the centre. The inner room is raised two feet eight inches higher than the front, and the ascent is by two stone steps carved out of a single block of stone, the lower one being in the form of a scroll. The sides of the steps are ornamented with sculpture, as is also the wall under the doorway. The whole design is graceful and pretty, and, as a mere matter of taste, the effect is extremely good. Here, on the first day of our arrival, we spread out our provisions, and ate to the memory of the former tenant. His own domains could not furnish us with water, and we were supplied from the wells of Nohcacab.

In the engraving but one doorway appears on each side of the centre, the front wall at the two ends having fallen. On both sides of this centre doorway were two other doorways opening into apartments. Each apartment contains two chambers, with the back one raised, but there are no steps, and the only ornament is a row of small pilasters about two feet high under the door, and running the whole length of the room.

Such is a brief description of the facade and front apartments, and these formed not more than one third of the building. At the rear and under the same roof were two ranges of apartments of the same dimensions with those just described, and having a rectangular area in front. The whole edifice formed nearly a square, and though having less front, with a great solid ma.s.s nearly as thick as one of the corridors, for the centre wall, it covered nearly as many square feet as the Casa del Gobernador, and probably, from its lavishness of ornament, contained more sculptured stone. The rest of the building, however, was in a much more ruinous condition than that presented. At both ends the wall had fallen, and the whole of the other front, with the roof, and the ruins filled up the apartments so that it was extremely difficult to make out the plan.

The whole of the terrace on this latter side is overgrown with trees, some of which have taken root among the fragments, and are growing out of the interior of the chambers.

[Engraving 41: Rankness of Tropical Vegetation]

The sketch opposite will give some idea of the manner in which the rankness of tropical vegetation is hurrying to destruction these interesting remains. The tree is called the alamo, or elm, the leaves of which, with those of the ramon, form in that country the princ.i.p.al fodder for horses. Springing up beside the front wall, its fibres crept into cracks and crevices, and became shoots and branches, which, as the trunk rose, in struggling to rise with it, unsettled and overturned the wall, and still grew, carrying up large stones fast locked in their embraces, which they now hold aloft in the air. At the same time, its roots have girded the foundation wall, and form the only support of what is left. The great branches overshadowing the whole cannot be exhibited in the plate, and no sketch can convey a true idea of the ruthless gripe in which these gnarled and twisted roots encircle sculptured stones.

Such is a brief description of the first building at Kabah. To many of these structures the Indians have given names stupid, senseless, and unmeaning, having no reference to history or tradition. This one they call Xcocp.o.o.p, which means in Spanish petato doblade, or a straw hat doubled up; the name having reference to the crushed and flattened condition of the facade and the prostration of the rear wall of the building.

Descending the corner of the back terrace, at the distance of a few paces rises a broken and overgrown mound, on which stands a ruined building, called by the Indians the cocina, or kitchen, because, as they said, it had chimneys to let out smoke. According to their accounts, it must have contained something curious; and it was peculiarly unfortunate that we had not reached it one year sooner, for then it stood entire. During the last rainy season some muleteers from Merida, scouring the country in search of maize, were overtaken by the after noon's rain, and took shelter under its roof, turning their mules out to graze among the ruins. During the night the building fell, but, fortunately, the muleteers escaped unhurt, and, leaving their mules behind them, in the darkness and rain made the best of their way to Nohcacab, reporting that El Demonio was among the ruins of Kabah.

[Engraving 42: Building (Casa No. 2)]

On the left of this mound is a staircase leading down to the area of Casa No. 2, and on the right is a grand and majestic pile of buildings, having no name a.s.signed to it, and which, perhaps, when entire, was the most imposing structure at Kabah. It measured at the base one hundred and forty-seven feet on one side and one hundred and six on the other, and consisted of three distinct stories or ranges, one on the roof of the other, the second smaller than the first, and the third smaller than the second, having on each side a broad platform in front. Along the base on all four of the sides was a continuous range of apartments, with the doorways supported by pillars, and on the side fronting the rear of Casa No. 1 was another new and interesting feature.

This was a gigantic stone staircase, rising to the roof, on which stood the second range of apartments. This staircase was not a solid ma.s.s, resting against the wall of the mound, but was supported by the half of a triangular arch springing from the ground, and resting against the wall so as to leave a pa.s.sage under the staircase. This staircase was interesting not only for its own grandeur and the novelty of its construction, but as explaining what had before been unintelligible in regard to the princ.i.p.al staircase in the House of the Dwarf at Uxmal.

The steps of this staircase are nearly all fallen, and the ascent is as on an inclined plane. The buildings on the top are ruined, and many of the doorways so enc.u.mbered that there was barely room to crawl into them. On one occasion, while clearing around this so as to make a plan, rain came on, and I was obliged to crawl into one with all the Indians, and remain in the dark, breathing a damp and unwholesome atmosphere, pent up and almost stifled, for more than an hour.

The doorways of the ranges on the north side of this mound opened upon the area of Casa No 2. The platform of this area is one hundred and seventy feet long, one hundred and ten broad, and is elevated ten feet from the ground. It had been planted with corn, and required little clearing. The plate opposite presents the front of this building, and the picote, or great stone found thrown down in all the courtyards and areas, is exhibited on one side in the engraving. The edifice stands upon an upper terrace; forming a breastwork for which, and running the whole length, one hundred and sixty-four feet, is a range of apartments, with their doors opening upon the area. The front wall and the roof of this range have nearly all fallen.

A ruined staircase rises from the centre of the platform to the roof of this range, which forms the platform in front of the princ.i.p.al building.

This staircase, like that last mentioned, is supported by the half of a triangular arch, precisely like the other already mentioned. The whole front was ornamented with sculpture, and the ornaments best preserved are over the doorway of the centre apartment, which, being underneath the staircase, cannot be exhibited in the engraving.

The princ.i.p.al building, it will be seen, has pillars in two of its doorways. At this place, for the first time, we met with pillars used legitimately, according to the rules of known architecture, as a support, and they added greatly to the interest which the other novelties here disclosed to us presented. These pillars, however, were but six feet high, rude and unpolished, with square blocks of stone for capitals and pedestals. They wanted the architectural majesty and grandeur which in other styles is always connected with the presence of pillars, but they were not out of proportion, and, in fact, were adapted to the lowness of the building. The lintels over the doors are of stone.

[Engraving 43: Building (Casa no. 3)]

Leaving this building, and crossing an overgrown and wooded plain, at the distance of about three hundred and fifty yards we reach the terrace of Casa No. 3. The platform of this terrace, too, had been planted with corn, and was easily cleared. The plate opposite represents the front of the edifice, which, when we first came upon it, was so beautifully shrouded by trees that it was painful to be obliged to disturb them, and we spared every branch that did not obstruct the view. While Mr. Catherwood was making his drawing, rain came on, and, as he might not be able to get his camera lucida in position again, he continued his work, with the protection of an India-rubber cloak and an Indian holding an umbrella over the stand. The rain was of that sudden and violent character often met with in tropical climates, and in a few minutes flooded the whole ground. The was.h.i.+ng of the water from the upper terrace appears in the engraving.

This building is called by the Indians la Casa de la Justicia. It is one hundred and thirteen feet long. There are five apartments, each twenty feet long and nine wide, and all perfectly plain. The front is plain, except the pillars in the wall between the doorways indicated in the engraving; and above, in front, at the end, and on the back are rows of small pillars, forming a simple and not inelegant ornament.

[Engraving 44: Triumphal Arch]

Besides these, there are on this side of the camino real the remains of other buildings, but all in a ruinous condition, and there is one monument, perhaps more curious and interesting than any that has been presented. It is a lonely arch, of the same form with all the rest, having a span of fourteen feet. It stands on a ruined mound, disconnected from every other structure, in solitary grandeur. Darkness rests upon its history, but in that desolation and solitude, among the ruins around, it stood like the proud memorial of a Roman triumph.

Perhaps, like the arch of t.i.tus, which at this day spans the Sacred Way at Rome, it was erected to commemorate a victory over enemies.

These were all the princ.i.p.al remains on this side of the camino real; they were all to which our Indian guides conducted us, and, excepting two mentioned hereafter, they were all of which, up to that time, any knowledge existed; but on the other side of the camino real, shrouded by trees, were the trembling and tottering skeletons of buildings which had once been grander than these.

From the top of the great teocalis we had out first glimpses of these edifices. Following the camino real to a point about in a range with the triumphal arch, there is a narrow path which leads to two buildings enclosed by a fence for a milpa. They are small, and but little ornamented. They stand at right angles to each other, and in front of them is a patio, in which is a large broken orifice, like the mouth of a cave, with a tree growing near the edge of it. My first visit to this place was marked by a brilliant exploit on the part of my horse. On dismounting, Mr. Catherwood found shade for his horse, Doctor Cabot got his into one of the buildings, and I tied mine to this tree, giving him fifteen or twenty feet of halter as a range for pasture. Here we left them, but on our return in the evening my horse was missing, and, as we supposed, stolen; but before we reached the tree I saw the baiter still attached to it, and knew that an Indian would be much more likely to steal the halter and leave the horse than vice versa. The halter was drawn down into the mouth of the cave, and looking over the edge, I saw the horse hanging at the other end, with just rope enough, by stretching his head and neck, to keep a foothold at one side of the cave. One of his sides was scratched and grimed with dirt, and it seemed as if every bone in his body must be broken, but on getting him out we found that, except some scarifications of the skin, he was not at all hurt; in fact, he was quite the reverse, and never moved better than on our return to the village.

Beyond these buildings, none of the Indians knew of any ruins. Striking directly from them in a westerly direction through a thick piece of woods, without being able to see anything, but from observation taken from the top of the teocalis, and pa.s.sing a small ruined building with a staircase leading to the roof, we reached a great terrace, perhaps eight hundred feet long and one hundred feet wide. This terrace, besides being overgrown with trees, was covered with thorn-bushes, and the maguey plant, or Agave Americana, with points as sharp as needles, which made it impossible to move without cutting the way at every step.

Two buildings stood upon this overgrown terrace. The first was two hundred and seventeen feet long, having seven doorways in front, all opening to single apartments except the centre one, which had two apartments, each thirty feet long. In the rear were other apartments, with doorways opening upon a courtyard, and from the centre a range of buildings ran at right angles, terminating in a large ruined mound. The wall of the whole of this great pile had been more ornamented than either of the buildings before presented except the first, but, unfortunately, it was more dilapidated. The doorways had wooden lintels, most of which have fallen.

To the north of this building is another, one hundred and forty-two feet in front and thirty-one feet deep, with double corridors communicating, and a gigantic staircase in the centre leading to the roof, on which are the ruins of another building. The doors of two centre apartments open under the arch of this great staircase. In that on the right we again found the prints of the red hand; not a single print, or two, or three, as in other places, but the whole wall was covered with them, bright and distinct as if but newly made.

All the lintels over the doorways are of wood, and all are still in their places, mostly sound and solid. The doorways were enc.u.mbered with rubbish and ruins. That nearest the staircase was filled up to within three feet of the lintel; and, in crawling under on his back, to measure the apartment, Mr. Catherwood's eye was arrested by a sculptured lintel, which, on examination, he considered the most interesting memorial we had found in Yucatan. On my return that day from a visit to three more ruined cities entirely unknown before, he claimed this lintel as equal in interest and value to all of them together. The next day I saw them, and determined immediately, at any trouble or cost, to carry them home with me; but this was no easy matter. Our operations created much discussion in the village. The general belief was that we were searching for gold. No one could believe that we were expending money in such a business without being sure of getting it back again; and remembering the fate of my castings at Palenque, I was afraid to have it known that there was anything worth carrying away.

To get them out by our own efforts, however, was impossible; and, after conferring with the padrecito, we procured a good set of men, and went down with crowbars for the purpose of working them out of the wall.

Doctor Cabot, who had been confined to the village for several days by illness, turned out on this great occasion.

The lintel consisted of two beams, and the outer one was split in two lengthwise. They lapped over the doorway about a foot at each end, and were as firmly secured as any stones in the building, having been built in when the wall was constructed. Fortunately, we had two crowbars, and the doorway being filled up with earth both inside and out, the men were enabled to stand above the beam, and use the crowbars to advantage. They began inside, and in about two hours cleared the lintel directly over the doorway, but the ends were still firmly secured. The beams were about ten feet long, and to keep the whole wall from falling and crus.h.i.+ng them, it was necessary to knock away the stones over the centre, and make an arch in proportion to the base. The wall was four feet thick over the doorway, increasing in thickness with the receding of the inner arch, and the whole was a solid ma.s.s, the mortar being nearly as hard as the stone. As the breach was enlarged it became dangerous to stand near it; the crowbar had to be thrown aside, and the men cut down small trees, which they used as a sort of battering-ram, striking at the mortar and small stones used for filling up, on loosening which the larger stones fell. To save the beams, we constructed an inclined plane two or three feet above them, resting against the inner wall, which caught the stones and carried them off.

As the breach increased it became really dangerous to work under it, and one of the men refused to do so any longer. The beams were almost within my grasp, but if the ragged ma.s.s above should fall, it would certainly bury the beams and the men too, either of which would be disagreeable. Fortunately, we had the best set of a.s.sistants that ever came out to us from Nohcacab, and their pride was enlisted in the cause. At length, almost against hope, having broken a rude arch almost to the roof, the inner beam was got out uninjured. Still the others were not safe, but, with great labour, anxiety, and good fortune, the whole three at length lay before us, with their sculptured faces uppermost. We did no more work that day; we had hardly changed our positions, but, from the excitement and anxiety, it was one of the most trying times we had in the country.

The next day, knowing the difficulty and risk that must attend their transportation, we had the beams set up for Mr. Catherwood to draw.

[Engraving 45: Carved Wooden Beam]

The plate opposite represents this lintel, indicated in the engraving as three pieces of wood, but originally consisting of only two, that on which the figure is carved being split through the middle by some unequal pressure of the great superinc.u.mbent wall. The top of the outer part was worm-eaten and decayed, probably from the trickling of water, which, following some channel in the ornaments, touched only this part; all the rest was sound and solid.

The subject is a human figure standing upon a serpent. The face was scratched, worn, and obliterated, the headdress was a plume of feathers, and the general character of the figure and ornaments was the same with that of the figures found on the walls at Palenque. It was the first subject we had discovered bearing such a striking resemblance in details, and connecting so closely together the builders of these distant cities.

But the great interest of this lintel was the carving. The beam covered with hieroglyphics at Uxmal was faded and worn. This was still in excellent preservation; the lines were clear and distinct; and the cutting, under any test, and without any reference to the people by whom it was executed, would be considered as indicating great skill and proficiency in the art of carving on wood. The consciousness that the only way to give a true idea of the character of this carving was the production of the beams themselves, determined me to spare neither labour nor expense to have them transported to this city; and when we had finished our whole exploration, we were satisfied that these were the most interesting specimens the country afforded. I had the sculptured sides packed in dry gra.s.s and covered with hemp bagging, and intended to pa.s.s them through the village without stopping, but the Indians engaged for that purpose left them two days on the ground exposed to heavy rain, and I was obliged to have them brought to the convent, where the gra.s.s was taken out and dried. The first morning one or two hundred Indians at work at the noria came up in a body to look at them. It was several days before I could get them away, but, to my great relief, they at length left the village on the shoulders of Indians, and I brought them with me safely to this city. The reader antic.i.p.ates my conclusion, and if he have but a shade of sympathy with the writer, he mourns over the melancholy fate that overtook them but a short time after their arrival.

The accidental discovery of these sculptured beams and in a position where we had no reason to look for such things, induced us to be more careful than ever in our examination of every part of the building. The lintel over the corresponding doorway on the other side of the staircase was still in its place, and in good condition, but perfectly plain, and there was no other sculptured lintel among all the ruins of Kabah. Why this particular doorway was so distinguished it is impossible to say. The character of this sculpture added to the interest and wonder of all that was connected with the exploration of these American ruins. There is no account of the existence of iron or steel among the aborigines on this continent. The general and well-grounded belief is, that the inhabitants had no knowledge whatever of these metals. How, then, could they carve wood, and that of the hardest kind? In that large canoe which first made known to Columbus the existence of this great continent, among other fabrics of the country from which they came, the Spaniards remarked hatchets of copper, as it is expressed, for "hewing wood." Bernal Dias, in his account of the first voyage of the Spaniards along the coast of Guacaulco, in the Empire of Mexico, says, "It was a Custom of the Indians of this Province _invariably_ to carry small Hatchets of Copper, very bright, and the wooden Handles of which were highly painted, as intended both for Defence and Ornament. These were supposed by us to be Gold, and were, of Course, eagerly purchased, _insomuch that within three days we had amongst us procured above six hundred_, and were, while under the Mistake, as well pleased with our Bargain as the Indians with their green Beads." And in that collection of interesting relics from Peru before referred to, in the possession of Mr. Blake of Boston--the existence of which, by-the-way, from the un.o.btrusive character of its owner, is hardly known to his neighbours in his own city--in that collection are several copper knives, one of which is alloyed with a small portion of tin, and sufficiently hard to cut wood. In other cemeteries in the same district, Mr. Blake found several other instruments resembling modern chisels, which, it is not improbable, were designed for carving wood. In my opinion, the carving of these beams was done with the copper instruments known to have existed among the aboriginal inhabitants, and it is not necessary to suppose, without and even against all evidence, that at some remote period of time the use of iron and steel was known on this continent, and that the knowledge had become lost among the later inhabitants.

From the great terrace a large structure is seen at a distance indistinctly through the trees, and, pointing it out to an Indian, I set out with him to examine it. Descending among the trees, we soon lost sight of it entirely, but, pursuing the direction, the Indian cutting a way with his machete, we came upon a building, which, however, I discovered, was not the one we were in search of. It was about ninety feet in front, the walls were cracked, and all along the base the ground was strewed with sculptured stones, the carving of which was equal to any we had seen. Before reaching the door I crawled through a fissure in the wall into an apartment, at one end of which, in the arch, I saw an enormous hornet's nest; and in turning to take a hasty leave, saw at the opposite end a large ornament in stucco, having also a hornet's nest attached to it, painted, the colours being still bright and vivid, and surprising me as much as the sculptured beams. A great part had fallen and it had the appearance of having been wantonly destroyed. The engraving below represents this fragment. The ornament, when entire, appears to have been intended to represent two large eagles facing each other; on each side are seen drooping plumes of feathers. The opposite end of the arch, where hung the hornet's nest, had marks of stucco in the same form, and probably once contained a corresponding ornament.

[Engraving 46: Stucco Ornament]

Beyond this was the great building which we had set out to find. The front was still standing, in some places, particularly on the corner, richly ornamented; but the back part was a heap of ruins. In the centre was a gigantic staircase leading to the top, on which there was another building with two ranges of apartments, the outer one fallen, the inner one entire.

In descending on the other side over a ma.s.s of ruins, I found at one corner a deep hole, which apparently led into a cave, but, crawling down, I found that it conducted to the buried door of a chamber on a new and curious plan. It had a raised platform about four feet high, and in each of the inner corners was a rounded vacant place, about large enough for a man to stand in; part of the back wall was covered with prints of the red hand. They seemed so fresh, and the seams and creases were so distinct, that I made several attempts with the machete to get one print off entire, but the plaster was so hard that every effort failed.

Beyond this was another building, so unpretending in its appearance compared with the first, that, but for the uncertainty in regard to what might be found in every part of these ruins, I should hardly have noticed it. This building had but one doorway, which was nearly choked up; but on pa.s.sing into it I noticed sculptured on the jambs, nearly buried, a protruding corner of a plume of feathers. This I immediately supposed to be a headdress, and that below was a sculptured human figure. This, again, was entirely new. The jambs of all the doors we had hitherto seen were plain. By closer inspection I found on the opposite jamb a corresponding stone, but entirely buried. The top stone of both was missing, but I found them near by, and determined immediately to excavate the parts that were buried, and carry the whole away; but it was a more difficult business than that of getting out the beams. A solid mound of earth descended from the outside to the back wall of the apartment choking the doorway to within a few feet of the top. To clear the whole doorway was out of the question, for the Indians had only their hands with which to scoop out the acc.u.mulated ma.s.s. The only way was to dig down beside each stone, then separate it from the wall with the crowbar, and pry it out I was engaged in this work two entire days, and on the second the Indians wanted to abandon it. They had dug down nearly to the bottom, and one man in the hole refused to work any longer. To keep them together and not lose another day, I was obliged to labour myself; and late in the afternoon we got out the stones, with poles for levers, lifted them over the mound, and set them up against the back wall.

[Engraving 47: Sculptured Stone Jamb]

[Engraving 48: Sculptured Stone Jamb]

The plates opposite represent these two jambs as they stood facing each other in the doorway. Each consists of two separate stones, as indicated in the engravings. In each the upper stone is one foot five inches high, and the lower one four feet six inches, and both are two feet three inch wide. The subject consists of two figures, one standing, and the other kneeling before him. Both have unnatural and grotesque faces, probably containing some symbolical meaning. The headdress is a lofty plume of feathers, falling to the heels of the standing figure; and under his feet is a row of hieroglyphics.