Miss Caprice Part 2

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Fortunately there are some people of action present.

Aunt Gwen clutches her _infant_ by the shoulder, and drags him along in the direction of the nearest house.

"Run, Philander, or you're a goner! It's worse than snake poison, the bite of a mad dog is. Haven't I seen a bitten man so furious that it required six to hold him down? Faster, professor! on your life!"

With that iron grip on his shoulder poor Philander's feet barely touch the ground as he is whirled through s.p.a.ce, and the dog, mad or not, that overtakes Aunt Gwen and her infant must be a rapid traveler, indeed.

Thus they reach a house, and in another minute reappear upon a balcony, to witness a scene they will never forget.



Lady Ruth, though naturally quivering with excitement, has plenty of cavaliers to hurry her to a place of safety. Besides, after that one first shock, she shows more grit than might have been expected of her.

She allows herself to be hurried along. A strong hand grasps each arm; and if every one in the path of the mad brute were as well attended, there would be little cause for anxiety or alarm.

Now they have reached a house, and safety is a.s.sured, for the hospitable door stands open to welcome them.

Already a number have preceded them, for they seem to be the last in the vicinity.

Just as they arrive, the colonel, who appears intensely excited, is saying, hoa.r.s.ely:

"Enter quickly, I beg, Lady Ruth."

She turns her head in curiosity for one last look, impelled by an unknown power--turns, and is at once petrified by what she sees.

They notice the look of horror on her lovely face, and instinctively guessing, also cast a glance in the direction where last the savage brute was seen.

He has continued to advance in the interim, and is now quite close, though not moving out of the straight line in the center of the street--a repulsive looking object truly, and enough to horrify the bravest.

Colonel Lionel gives a gasp. He is trembling all over, for it chances that this brave soldier, who has led forlorn hopes in the Zulu war, and performed prodigies of valor on Egyptian battle-fields, has a peculiar dread of dogs, inherited from one of his parents.

It is not the animal that has fixed Lady Ruth's attention. Just in front and directly in the line of the dog's advance is a small native child that has been playing in the street.

He cannot be over three years of age, and with his curly black head and half-naked body presents a picture of robust health.

Apparently engrossed in his play, he sees and hears nothing of the clamor around until, chancing to look up, he sees the dog, and fearlessly extends his chubby arms toward it.

The picture is one never to be forgotten.

It thrills every one who looks on.

No one seems to have a gun or weapon of any kind. A peculiar paralysis affects them, a feeling of dumb horror.

A shriek sounds; from a window is seen the form of a native woman, who wrings her hands in terrible anguish.

The child's mother! G.o.d pity her! to be an eye-witness of her darling's fate!

Lady Ruth turns to the colonel, to the man who so recently proudly declared that no English woman ever asked a favor that a British officer would not grant, no matter what the risk.

"Save the darling!" her pallid lips utter.

He trembles all over, groans, takes a couple of tottering steps forward, and then leans against the wall for support.

"I cannot," he gasps.

Other Britons there are who would be equal to the emergency. Mortal man has never done aught in this world that Englishmen dare not imitate, and indeed they generally lead. It is unfortunate for England that an antipathy for dogs runs in the Blunt family.

This time Lady Ruth does not say "coward," but her face expresses the fine contempt she feels. With that mother's shrieks in her ears, what can she think of a man who will hesitate to save a sweet child, even at the risk of meeting the most terrible death known to the world?

She turns to face the man who a short time before positively refused to risk his life because Miss Caprice desired it.

What can she hope from him?

As she thus turns she discovers that John Craig is no longer there, though three seconds before his hand was on her arm.

A shout comes from the street, where, when last she looked, not a living thing could be seen but the advancing mad dog and the kneeling child. A shout that proceeds from a strong pair of lungs, and is intended to turn the attention of the brute toward the person emitting it. A shout that causes hope to thrill in many hearts, to inspire a confidence that the innocent may be saved.

The young doctor from Chicago is seen bounding to meet the maddened brute, now so terribly close to the child.

None knows better than John Craig what the result of a bite may be.

He has seen more than one hydrophobia patient meet death in the most dreadful manner known to the profession.

Yet he faces this fate now, the man who was thought too cowardly to crawl out along that bleak rock and secure a white flower for a girl's whim.

He goes not because it will be a great thing to do, or on account of the admiration which success will bring him. That mother's shriek of agony rings in his ears, and if he even knew that he was going to his death, yet would he still a.s.sume the risk.

It was on account of a mother--his own--he refused to risk his life before, and the same sacred affection inspires his action now, for he could never look into her dear eyes again, except in a shame-faced way, if he allowed this child to meet death while he stood an inactive spectator of the tragedy.

As he advances, John draws his right arm from his coat-sleeve. It is not the act of thoughtlessness, but has been done with a motive.

When the coat is free, with a quick motion he whirls it around, so that it rolls about his left arm.

Those who see the act comprehend his purpose, and realize that he means to force the brute to seize him there.

All this has occurred in a very brief time. Perhaps a quarter of a minute has elapsed since Lady Ruth turned to Colonel Lionel, and besought his aid.

John Craig has at least accomplished one purpose. Just as the mad dog is about to snap at the child, the young medical student s.n.a.t.c.hes the boy away, and throws him to the rear. The child rolls over and over, and then, sitting up, begins to cry, more from surprise at the rough treatment than because he is hurt.

There is no time for John to turn and fly, and pick up the child on the way.

The dog is upon him.

John has only a chance to drop on his knee, and thrust his left arm forward.

Those who are watching, and they are many, hold their breath in dread suspense.

"Heaven preserve him!" says Lady Ruth, wringing her clasped hands in an agony of fear.

They see the youth, he is hardly more, offer his bound arm to the beast, and those glittering fangs at once close upon it.

Then, quick as a flash, having filled the dog's jaws, John Craig throws himself forward, his whole effort being to crush the animal to the ground by his weight.

Miss Caprice Part 2

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Miss Caprice Part 2 summary

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