Miss Caprice Part 24
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Every little while there is a short step. Now and then an arch from which hangs a queer lantern, burning dimly. Over a door, here and there, a light marks the residence of some Moor or Arab of note. But for these the pa.s.sage-way would be totally dark, even on the brightest moonlight night.
They meet bearded and turbaned Arabs, who stalk majestically along, proud as Lucifer, even without a piastre in their purses--even women vailed as usual, wearing anklets, and with their nails stained with henna.
The men salute, and Mustapha replies, while the disguised young American merely bows his head, which he has hidden after the manner of one who mourns.
Thus they advance.
Presently they turn sharply to the left, and enter a dark pa.s.sage.
"We will wait here a few minutes."
"But why?" asks the impatient doctor.
"You saw the group above descending, monsieur?"
"Yes."
"I recognized them as rival couriers. If they saw me they would glance sharply at my companion. Perhaps for much duros they have some time taken a Frank through Al Jezira at night. That would not count. If they believed I did the same thing they would spread the news abroad, and I am afraid we would have trouble. Better a little delay than that," and he draws a finger across John's throat to signify the terrible stroke of a vengeful yataghan.
"I think you are right," replies John.
They hear the group go by, laughing and joking, and the pa.s.sage is again clear.
"Again, forward, monsieur," whispers the faithful courier, and leaving their hiding-place they push on.
They are in the heart of the old town, and a most singular sensation comes over John as he looks all around to see the white walls, the solemn figures moving about, and hears sounds that never before greeted his ears.
It is as if he were in another world.
While he thus ponders and speculates, his companion comes to a sudden halt. They are at the door of a house a little more conspicuous than its fellows, and Mustapha hastily gives the rapper a resonant clang.
CHAPTER XIII.
A NIGHT IN ALGIERS.
His manner gives the man from Chicago to understand that he has cause for sudden anxiety.
"What is it, Mustapha?" he whispers.
"Monsieur did not notice. Two Arabs, one a _muezzin_, or priest, just pa.s.sed us. They brushed against you. Perhaps they disturbed the burnoose; at any rate, their heads go together; they appear excited; they stop below; see, you can yourself notice; two more join them; they point this way. Ah! there is trouble, monsieur. Nay, do not draw a weapon; it comes not now, but later. I hear footsteps within, the bolt is withdrawn, the door opens."
What Mustapha says is true; the heavy door, still secured by a stout chain, opens half a foot, and by the dim light a Moorish lad is seen.
To him the guide addresses himself. Whatever he says in the Moorish tongue, it must be direct to the point, for immediately the door is opened wide enough to admit them, after which it is shut and the heavy bolt shoots into its socket.
John follows his conductor. For the time being he loses sight of Mustapha, and must depend upon his own abilities. Trust a young man from Chicago to be equal to any occasion, no matter how extraordinary.
In another minute he is ushered into a large room, which is decorated in an oriental way that John has never seen equaled.
Rich colors blend, soft light falls upon the many articles of a connoisseur's collection, and, taken in all, the scene is dazzling.
He gives it one glance.
Then his attention is riveted upon the figures before him. A couple of servants wait upon the owner of the house, Ben Taleb, the Moorish doctor. He is a venerable man, with white hair and a long snowy beard--his costume is simply black; but beside him sits his daughter, and she presents a spectacle John never saw equaled.
Silks of the loveliest hues, velvets that are beyond description, diamonds that flash and dazzle, strings of milky pearls that cause one's eyes to water. John sees the beautiful dreamy face, and thinks, as he compares it with the rosy-cheeked, laughing eyed English girl's, that these Moors make veritable dolls of their daughters.
Fortunately that Chicago a.s.surance, which has carried him through many singular scenes, does not desert him now.
He has never yet beheld what beauty the miserable yashmak and foutah of the vailed Moorish lady concealed, and is naturally taken aback by the disclosure, but, recovering himself, he advances toward those who seem to await some action on his part.
The miserable burnoose he has discarded in the hall, so that, hat in hand, John now appears under his own colors.
Bowing low, much after the salaam of a native, in deference to beauty's presence, he addresses the Moorish doctor.
An observant traveler, Craig has a way of a.s.similating what he sees, and hence speaks in something of the figurative and flowery style so common among the dark-skinned people of all oriental countries, for an Arabian robber will be as polite as a French dandy, and apologize for being compelled to cut your throat.
Having, therefore, asked pardon for an intrusion at such an hour, he proceeds to business.
The old doctor has up to this time said not a word, only bowed; but now he speaks:
"Where do you come from?" he asks.
"America--Chicago," with the full belief that the _taleb_ must have heard of the bustling city upon Lake Michigan.
And he is right, too, for the old Moor frowns.
"Chicago is accursed. I hate it, because it shelters an enemy to one I revere, one who saved my only child from death, when she lay with the fever at Alexandria. Your name, monsieur, and then your ailment, for I take it your case is urgent to bring you here under such risk."
"My name I have never been ashamed of. It is John Alexander Craig. My disease is one of the heart, and I believe--"
The appearance of the old Moor is such that John comes to a sudden stop--Ben Taleb's eyes are dilated--he stares at the young man in a fierce way, and his whole body appears to swell with rising emotions.
"Stop!" he thunders, and claps his hands in an excited way.
John, remembering his former experience, draws himself up in readiness for defense, nor is he surprised to see several slaves enter the room at the bidding of their master.
"This is the height of infamy, you who bear that hated name dare invade the home of Ben Taleb! I read your secret; you are not sick."
"No, no; I--"
"You come with another motive; you seek one who has long been lost, one who has suffered for years, unjustly, because of a Craig. May Allah's curses blight your footsteps."
"You mistake--"
Miss Caprice Part 24
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Miss Caprice Part 24 summary
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