Rossmoyne Part 45

"How silent you are!" she says.

"I thought that was what you wanted,--silence. You have been talking all day. And, besides, if I speak at all, it will be only to condemn."

"Nevertheless speak. Anything is better than this ghastly quiet; and, besides, frankly, I need not mind you, you know."

"You are flirting disgracefully with that Ronayne boy."

"What harm, if he _is_ a boy?"

"He is not such a boy as all that comes to; and, if you don't _mean_ it, you are overkind to him."

"He is my baby," says Olga, with a little laugh; "I often tell him so.

Why should I _not_ be kind to him?"

"Oh, if you are _bent_ on it."

"I am bent on nothing. You do run away so with things!"

"I think you might do better."

"I'm not going to do anything," says the widow. She throws off her hat, and ruffles up all her pretty pale gold hair with impatient fingers.

"Oh! if you can _a.s.sure_ me of that!"

"I don't want to a.s.sure you of anything."

"So I thought. That is why I say you might do better."

"I might do worse, too."

"Perhaps. But still I cannot forget there was Wolverhampton last year. A t.i.tle is not to be despised; and he was devoted to you, and would, I think, have made a good husband."

"I daresay. He was fool enough for anything. And I liked him, rather; but there was something in him--wasn't there, now, Hermia?--something positively enraging at times."

"I suppose, then, your fancy for young Ronayne arises from the fact that there is _nothing_ in him," says Hermia, maliciously: "that's his charm, is it?"

Mrs. Bohun laughs.

"I don't suppose there is very much in him," she says: "that in itself is such a relief. Wolverhampton was so overpowering about those hydraulics. Ulic isn't a savant, certainly, and I don't think he will ever set the Liffey afire, but he is 'pleasant too to think on.' Now, mind you, I don't believe I care a pin about Ulic Ronayne,--he is younger than I am, for one thing,--but still I don't care to hear him abused."

"I am not abusing him," says Hermia. "It was you said he was no savant, and would be unlikely to set the Liffey afire."

"For which we should be devoutly grateful," says Olga, frivolously.

"Consider, if he _could_, what the consequences would be, both to life and property. Poor young man! I really think Government ought to give him a pension because he _can't_."

"And what about all the other young men?" asks Hermia. And then she yawns.

Here Monica--who has been absent with Mr. Ryde for the best part of an hour--comes up to them, and presently Terence, with the Fitzgeralds, and Miss Priscilla and Lord Rossmoyne.

"I heard a story yesterday I want to tell you," says Terence, gayly, singling out Miss Fitzgerald and Olga, and sinking upon the gra.s.s at the former's feet. He is such a handsome merry boy that he is a favorite with all the women. Miss Priscilla stands near him; the others are all conversing together about the coming plays at Aghyohillbeg.

"It is about the curate," says Terence, gleefully. "You know, he is awful spoons on the ugliest French girl, and the other day he wanted to run up to Dublin to get her a ring, or something, but----"

"Now, Terence, dear, surely that is not the way to p.r.o.nounce that word,"

says Miss Priscilla, anxiously; "such a vulgar p.r.o.nounciation--'bu-ut.'

How you drawled it! How ugly it sounds--'bu-ut!' Now put your lips together like mine, so, and say 'but,' _shortly_. Now begin your story again, and tell it nicely."

Terence begins again,--_very_ good humoredly, thinks Olga,--and has almost reached the point, when Miss Priscilla breaks in again:

"Now, not so fast, my dear Terence. I really cannot follow you at all. I don't even understand what you are at. Gently, my dear boy. Now begin it all over again, and be more explicit."

But the fun is all out of Terence by this time, though Olga is so convulsed with laughter that it might have been the best story on record, which somewhat astonishes though it consoles Terence, as when his funny incident is related in a carefully modulated voice, and with a painful precision, it strikes even him as being hopelessly uninteresting. However, Mrs. Bohun certainly enjoys it,--or something else, perhaps: fortunately, it never occurs to Terry to ponder on the "something else."

"Hermia, Olga, come now, my dears. You can't stay here for _ever_, you know," cries Madam O'Connor's loud but cheery voice. "It is nearly seven. Come, I tell you, or the Misses Blake, our good friends here, will think we mean to take up our residence at Moyne for good."

"Oh, now, Gertrude!" says Miss Priscilla, much shocked. But Madam O'Connor only laughs heartily, and gives her a little smart blow on the shoulder with her fan. Olga laughs too, gayly, and Hermia lets her lips part with one of her rare but perfect smiles. If she likes any one besides Olga and her children, it is bluff and blunt old Gertrude O'Connor.

One by one they all walk away, and presently Moyne is lying in the dying suns.h.i.+ne, in all its usual quietude, with never a sound to disturb the calm of coming eve but the light rustling of the rising breeze among the ivy-leaves that are clambering up its ancient walls.

Kit and Terry are indoors, laughing merrily over the day, and congratulating themselves upon the success it has certainly been.

"Yes. I do think, Penelope, they all enjoyed themselves," says Miss Priscilla, in high glee; "and your claret-cup, my dear, was superb."

But Monica has stolen away from them all. The strange restlessness that has lain upon her all day is a.s.serting itself with cruel vigor, and drives her forth into the shadows of the coming night.

All day long she has struggled bravely against it; but, now that the enforced necessity for liveliness is at an end, she grows dreamy, _distraite_, and feels an intense longing for solitude and air.

Again she walks through the now deserted garden, where the flowers, "earth's loveliest," are drooping their sweet heads to seek their happy slumbers. Past them she goes with lowered head and thoughts engrossed, and so over the lawn into the wood beyond.

Here Coole and Moyne are connected by a high green bank, that in early spring is studded and diamonded with primroses and now is gay with ferns. Not until she has reached this boundary does she remember how far she has come.

She climbs the bank, and gazes with an ever-growing longing at the cool shade in the forbidden land, at the tall, stately trees, and the foxgloves nodding drowsily.

It is a perfect evening, and as yet the G.o.d of day--great Sol--is riding the heavens with triumphant mirth, as though reckless of the death that draweth nigh. Shall he not rise again to-morrow morn in all his awful majesty, and so defy grim Mars? It is, indeed, one of those hours when heaven seems nearest earth, "as when warm suns.h.i.+ne thrills wood-glooms to gold," and "righteousness and peace have kissed each other," and Nature, tender mother, smiles, and all the forest deeps are by "a tender whisper pierced."

Conscience forbidding her, she abstains from entering those coveted woods, and, with a sigh, seats herself upon the top of the green bank.

"Monica!" says a voice close to her, yet not close to her,--mysteriously, far up in mid-air, right over her head. She starts!

Is the great wood peopled with satyrs, ouphs, or dryads?

CHAPTER XVII.

The marvellous history of how Monica finds the green-eyed monster in a beech-tree--and how, single-handed, she attacks and overcomes him.

It is not a tender voice. It is not even a gentle or coldly friendly voice. It is, when all is told, a distinctly angry voice, full of possible reproaches and vehement upbraidings.