Lights and Shadows of New York Life Part 10

I. THE BATTERY.

The lowest and one of the largest of the pleasure grounds of the city, is the park lying at the extreme end of the island, at the junction of the Hudson and East rivers, and known as the Battery. At the first settlement of the Dutch, the fort, for the protection of the little colony, was built at some distance from the extreme edge of the island, which was then rocky and swampy, but near enough to it to sweep the point with a raking fire. This fort occupied the site of the present Bowling Green. In 1658 Governor Stuyvesant erected a fine mansion, afterwards known as "The Whitehall," in the street now called by that name, but "Capsey Rocks," as the southern point of the island was called, remained unoccupied. In 1693, the Kingdom of Great Britain being at war with France, the Governor ordered the erection of a battery "on the point of rocks under the fort," and after considerable trouble, succeeded in obtaining from the Common Council, who were very reluctant to pay out the public money for any purpose not specified in the charter--a virtue which seems to have died with them--the sum necessary for that purpose. In 1734 a bill was pa.s.sed by the General a.s.sembly of the Province, ordering the erection of a battery on Capsey Rocks, and forbidding the erection of houses which would interfere with the fire of its guns, "on the river, or on parts which overflow with water, between the west part of the Battery, or Capsey Rocks, to Ells Corner on the Hudson River," (the present Marketfield street).

During the years preceding the Revolution, and throughout that struggle, the Battery was used exclusively for military purposes. About the year 1792 measures were taken for filling up, enclosing, and ornamenting the place as a public park, to which use it has since been devoted.

During the first half of the present century the Battery was the favorite park of the New Yorkers, and was indeed the handsomest. The march of trade, however, proved too much for it. The fas.h.i.+on and respectability of the city which had cl.u.s.tered near it were driven up town. Castle Garden, which had been a favorite Opera House, was converted into an emigrant depot, and the Battery was left to the emigrants and to the b.u.mmers. Dirt was carted and dumped here by the load, all sorts of trash was thrown here, and loafers and drunken wretches laid themselves out on the benches and on the gra.s.s to sleep in the sun, when the weather was mild enough. It became a plague spot, retaining as the only vestige of its former beauty, its grand old trees, which were once the pride of the city.

In 1869, however, the spot was redeemed. The sea-wall which the General Government had been building for the protection of the land was finished, and the Battery was extended out to meet it. The old rookeries and street-stands that had cl.u.s.tered about Castle Garden were removed, the rubbish which had acc.u.mulated here was carted away, and the Battery was again transformed into one of the handsomest of the city parks.

It now covers an area of about twelve acres, and is tastefully and regularly laid off. Broad stone paved walks traverse it in various directions, and the shrubbery and flowers are arranged with the best possible effect. A tall flag-staff rises from the centre of the park, and close by is a stand from which the city band give their concerts at stated times in the summer. A ma.s.sive stone wall protects the harbor side from the was.h.i.+ng of the waves, and at certain points granite stairs lead to the water.

The view from the Battery embraces a part of Brooklyn and the East River, Governor's and Staten islands, the Inner Bay, the Jersey sh.o.r.e, North River and Jersey City. The eye ranges clear down to the Narrows, and almost out to sea, and commands a view which cannot be surpa.s.sed in beauty. Here the sea breeze is always pure and fresh, here one may come for a few moments' rest from the turmoil of the great city, and delight himself with the lovely picture spread out before him.

II. THE BOWLING GREEN.

At the lower end of Broadway there is a small circular public square, enclosed with an iron railing, and ornamented with a fountain in the centre. This is known as the Bowling Green, and is the first public park ever laid out in the city.

The first fort built by the Dutch on Manhattan island covered a good part of the site of this square. In 1733 the Common Council pa.s.sed a resolution ordering that "the piece of land lying at the lower end of Broadway fronting the fort, be leased to some of the inhabitants of Broadway, in order to be inclosed to make a Bowling Green, with walks therein, for the beauty and ornament of the said street, as well as for the recreation and delight of the inhabitants of this city, leaving the street on each side fifty feet wide." In October, 1734, the Bowling Green was leased to Frederick Philipse, John Chambers, and John Roosevelt, a trio of public spirited gentlemen, for ten years, for a Bowling Green only, and they agreed to keep it in repair at their own expense. In 1741 a fire swept away the fort, and afforded a chance of improving the park, which was done. A change for the better was brought about in the neighborhood by the establishment of the grounds, and substantial houses began to cl.u.s.ter about it.

A few years before the Revolution, the Colonial a.s.sembly purchased in England a leaden statue of King George the Third, and set it up in the centre of the Bowling Green, in May 1771. The grounds at this time had no fence around them, as we learn from a resolution of the Common Council, and were made the receptacle of filth and dirt, thrown there, doubtless, by the patriots as an insult to the royalists. As the troubles thickened, the people became more hostile to the statue of King George, and heaped many indignities upon it, and after the breaking out of the war, the unlucky monarch was taken down and run into bullets for the guns of the Continental army.

After the close of the Revolution, Chancellor Livingston enclosed the grounds with the iron fence which still surrounds them, and subsequently a fountain was erected on the site of the statue.

III. THE PARK.

"THE PARK" is the t.i.tle given by New Yorkers to the enclosure containing the City Hall and County Buildings. It originally embraced an area of eleven acres, but within the past year and a half the lower end has been ceded to the General Government by the city, and upon this portion the Federal authorities are erecting a magnificent edifice to be used as a City Post Office. This building covers the extreme southern end of the old Park, and the northern portion is occupied by the City Hall, the new County Court-House and the Department of Finance of the city and county.

In the days of the Dutch in New Amsterdam, the site of the Park, which was far outside the village limits, was set apart as a common, and was known as the "Vlachte," or "Flat," and subsequently as the "Second Plains," "Commons," and "Fields." It was the common grazing ground of the Knickerbocker cows, and was by universal consent made public property--the first ever owned by the city. It is believed that previous to this it was the site of the village of the Manhattan Indians, a belief which is strengthened by the frequent finding of Indian relics in digging up the soil on this spot. It was connected with the Dutch village by a road which ran through a beautiful valley now known as Maiden lane.

[Picture: THE CITY HALL PARK]

Every morning the village cowherd, who was a most important personage, would walk the streets of New Amsterdam and sound his horn at each burgher's door. The cows were immediately turned out to him, and when he had collected his herd he would drive them by the pretty valley road to the commons, and there by his vigilance prevent them from straying into the unsettled part beyond. At a later period the mighty Dutch warriors whose prowess the immortal Deiderich Knickerbocker has celebrated, made the commons their training ground, and here was also marshalled the force which wrested the city from the Dutch. Under the English it became a place of popular resort, and was used for public celebrations, the town having reached the lower limit of the commons. Here were celebrated his Majesty's birth-day, the anniversary of the Gunpowder Plot, and other loyal holidays, and here were held the tumultuous a.s.semblies, the meetings of the Liberty Boys, and other demonstrations which preceded the Revolution.

In 1736 the first building, a Poor-House, was erected on the site of the present City Hall. In 1747 a powder-house was erected by the city within the limit of the commons, near the site of the present City Hall. The gallows stood on the site of the new Post-office, and in 1756 was removed to the vicinity of the present Five Points. In 1757 the new jail, more recently known as the Hall of Records, was erected. In the same year, the old French war being in progress, wooden barracks were erected along the Chambers street front of the Park.

In 1757 a part of the site of the City Hall was laid out as a burying ground for the inmates of the Alms-House. In 1764 a whipping-post, stocks, cage, and pillory were erected in front of the new jail. In 1755 a Bridewell was built on that portion lying between the City Hall and Broadway. After the Revolution, in 1785, the Park was first enclosed in its present form, by a post-and-rail fence, and a few years later this was replaced by wooden palings, and Broadway along the Park began to be noted as a fas.h.i.+onable place of residence. In 1816, the wooden fence gave way to an iron railing, which was set with due ceremonies by the city authorities. In 1795 a new Alms-House was built along the Chambers street front, but in 1812, Bellevue Hospital having been finished, the paupers were transferred thither, and the old building was refitted as a Museum. In 1802 the corner-stone of the present City Hall was laid. The building was finished in 1810. Some years later the old buildings were removed or converted into offices for the city and county officials.

In 1870, the southern portion having been ceded to the Federal Government for the erection of a new Post-office thereon, the Park was laid out on a new plan, and handsomely adorned with walks, shrubbery, fountains, etc.

It is now an ornament to the city.

IV. OTHER PARKS.

WAs.h.i.+NGTON SQUARE is located between Fourth and Seventh streets, at the lower end of Fifth avenue. The site was originally a Potter's Field, and it is said that over one hundred thousand persons were buried here in days gone by. The square contains a little over nine acres, and is handsomely laid out, and adorned with a fountain, around which pa.s.ses the main carriage drive, flowers, shrubbery, etc. The trees are among the finest in the city, and are kept with great care. An iron railing formerly surrounded the grounds, but in 1870-71 this was removed, and Fifth avenue was extended through the square to Laurens street. This street was widened and called South Fifth avenue, thus practically extending the avenue to West Broadway at Ca.n.a.l street. The square is surrounded by handsome residences. On the east side are the University of New York and a Lutheran Church.

TOMPKINS SQUARE is one of the largest in the city, and is laid off without ornament, being designed for a drill ground for the police and military. It occupies the area formed by avenues A and B, and Seventh and Tenth streets.

UNION SQUARE, lying between Broadway and Fourth avenue, and Fourteenth and Seventeenth streets, was originally a portion of the estate of Elias Brevoort. In 1762 he sold twenty acres lying west of the "Bowery Road"

to John Smith, whose executors sold it to Henry Spingler for the sum of 950 pounds, or about $4750. The original farm-house is believed to have stood within the limits of the present Union Square. About the year 1807 Broadway was laid off to the vicinity of Twenty-second street, and in 1815 Union Square was made a "public place," and in 1832 it was laid off as it now exists. The square is regular in shape, and the central portion is laid off as a park, and ornamented with shrubbery, flowers, walks, and a fountain. It is one of the prettiest parks in the city, and covers an area of several acres. It is oval in form, and is without an enclosure.

[Picture: THE WAs.h.i.+NGTON STATUE IN UNION SQUARE.]

Near the fountain is a thriving colony of English sparrows, imported and cared for by the city for the purpose of protecting the trees from the ravages of worms, etc. The birds have a regular village of quaint little houses built for them in the trees. They frequent all the parks of the city, but seem to regard this one as their headquarters. Some of the houses are quite extensive and are labelled with curious little signs, such as the following: "Sparrows' Chinese PaG.o.da," "Sparrows' Doctor Shop," "Sparrows' Restaurant," "Sparrows' Station House," etc. At the southeast angle of the square stands Hablot K. Browne's equestrian statue of Was.h.i.+ngton, a fine work in bronze, and at the southwest angle is his statue of Lincoln, of the same metal. The houses surrounding the square are large and handsome. They were once the most elegant residences in New York, but are now, with a few exceptions, used for business. Several hotels, the princ.i.p.al of which are the Everett and Spingler Houses, front on the Square. On the south side, east of Broadway, is the Union Square Theatre, and on the west side, at the corner of Fifteenth street, Tiffany's magnificent iron building. In a few years the square will doubtless be entirely surrounded with similar structures. It is here that the monster ma.s.s meetings are held.

STUYVESANT SQUARE lies to the east of Union Square, and is bisected by the line of the Second avenue. Its upper and lower boundaries are Fifteenth and Seventeenth streets. It consists of two beautiful parks of equal size, surrounded by a handsome iron railing, and filled with choice flowers and shrubbery. In the centre of each is a fountain. These parks are the property of St. George's Church (Episcopal), which stands on the west side of the square at the corner, and were given to the corporation of that church by the late Peter G. Stuyvesant, Esq.

GRAMMERCY PARK lies midway between the Fourth and Third avenues, and separates Lexington avenue on the north from Irving Place, really a part of the same avenue, on the south. Its northern and southern boundaries are Twentieth and Twenty-first streets. It is tastefully laid out, is enclosed with an iron fence, and is kept locked against the public, as it is the private property of the persons living around it. On the east side the entire block is taken up by the Grammercy Park Hotel--a first-cla.s.s boarding house--the other three sides are occupied by the residences of some of the wealthiest capitalists in America. Here dwell Peter Cooper, Moses Taylor, Cyrus W. Field, James Harper (of Harper & Bros.), and others equally well known in the financial world.

MADISON SQUARE comprises about ten acres, and lies at the junction of Broadway and the Fifth avenue. The latter street bounds it on the west, Madison avenue on the east, Twenty-third street on the south, and Twenty-sixth street on the north. It is nearly square in form, and is beautifully laid off. It has no fence, and this adds to the appearance of s.p.a.ce which the neighboring open area gives to it. The Fifth Avenue Hotel, the Hoffman, Albemarle, and Worth Houses face it on the west, the Hotel Brunswick is on the north side, and the Union League Club House and a handsome Presbyterian Church are on the east side along the line of Madison avenue. The land now included in Madison Square was owned by the city from a very early period, and was used as a Potter's Field. In 1806 it was ceded to the United States for the erection of an a.r.s.enal, for which purpose it was occupied for several years. In 1824 the "Society for the Reformation of Juvenile Delinquents" obtained possession of the a.r.s.enal grounds, on which they erected a House of Refuge, which was opened January 1st, 1825. This establishment consisted of two large stone buildings, and the grounds were enclosed with a stone wall seventeen feet high. In 1838 the House of Refuge was destroyed by fire, and a few years later Madison Square was laid out. It is now one of the most fas.h.i.+onable localities in the city, and the favorite promenade of the up-town people, who are drawn here in great numbers by the summer afternoon concerts of the Central Park Band.

RESERVOIR SQUARE occupies the site of the old Crystal Palace, and lies between Sixth avenue and the Croton Reservoir on Fifth avenue, and Fortieth and Forty-second streets. It has recently undergone great changes. It is a very pretty park, and is much frequented by the nurses and children of the adjacent neighborhoods.

X. THE FIFTH AVENUE.

The Fifth avenue, commencing at Was.h.i.+ngton Square, or Seventh street, and extending to the Harlem River, is said by the residents of New York to be the finest street in the world. It is about six miles in length, and is built up continuously from Was.h.i.+ngton Square to the Central Park, a distance of nearly three miles. From Fifty-ninth street to the upper end of the Central Park, One-hundred-and-tenth street, it is laid with the Nicholson or wooden pavement. It is being rapidly built up along its eastern side, the Park bounding the opposite side of the street, and this portion bids fair to be one of the most delightful and desirable neighborhoods in the city. In the vicinity of One-hundred-and-eighteenth street, the line of the avenue is broken by Mount Morris, an abrupt rocky height, which has been laid off as a pleasure ground. Around this the street sweeps in a half circle, and from here to the Harlem River, One-hundred-and-thirty-fifth street, it is lined with pretty villas, and paved with asphaltum.

From Madison Square to its lower end, the avenue is rapidly giving way to business, and its palatial residences are being converted into equally fine stores. Hotels and fas.h.i.+onable boarding-houses are thick in this quarter. Above Madison Square the street is devoted to private residences, and this part is _par excellence_ "The Avenue."

[Picture: FIFTH AVENUE, NEAR TWENTY-FIRST STREET.]

The princ.i.p.al buildings, apart from the residences, are the Brevoort House, at the corner of Clinton Place, an ultra fas.h.i.+onable hostelrie.

On the opposite side of the street, at the northwest corner of Tenth street, is the handsome brown stone Episcopal Church of the Ascension, and on the southwest corner of Eleventh street is the equally handsome First Presbyterian Church, constructed of the same material. At the northeast corner of Fourteenth street is Delmonico's famous restaurant, fronting on both streets; and diagonally opposite, on the southwest corner of Fifteenth street, the magnificent house of the Manhattan Club.

Not far from Delmonico's, and on the same side, is a brick mansion, adorned with a sign bearing a coat of arms, and the announcement that the ground floor is occupied by the eighth wonder of the world, "A Happy Tailor." At the southeast corner of Nineteenth street is the Fifth Avenue Presbyterian Church, in charge of the eloquent Dr. John Hall. Two blocks above, on the southwest corner of Twenty-first street, is the South Dutch Reformed Church, a handsome brown stone edifice, and diagonally opposite is the Glenham House. At the southwest corner of Twenty-second street, is the famous art gallery of Gonpil & Co., and immediately opposite the St. Germains Hotel. At Twenty-third street, Broadway crosses the avenue obliquely from northwest to southeast. On the left hand, going north, is the Fifth Avenue Hotel, and on the left Madison Square. The open s.p.a.ce is very broad here, and is always thronged with a busy, lively crowd. At the northeast corner of Twenty-sixth street is the Hotel Brunswick, and on the southwest corner of Twenty-seventh street the Stevens House, both monster buildings rented in flats to families of wealth. At the northwest corner of Twenty-ninth street, is a handsome church of white granite, belonging to the Dutch Reformed faith, and familiarly known as the "Church of the Holy Rooster,"

from the large gilt c.o.c.k on the spire. At the northwest corner of Thirty-fourth street is the new marble residence of Mr. A. T. Stewart, the most magnificent dwelling house in the land. Immediately opposite is a fine brown stone mansion, occupied at present by Mr. Stewart. On the southeast corner of Thirty-fifth street, is Christ Church (Episcopal), and on the northwest corner of Thirty-seventh street the Brick Church (Presbyterian), of which Dr. Gardiner Spring is the pastor. At Fortieth street, and extending to Forty-second, the west side of the avenue is taken up with the old distributing reservoir, a ma.s.sive structure of stone, and immediately opposite is the Rutgers Female College. At the southeast corner of Forty-third street is the city residence of the notorious Boss Tweed, and at the northeast corner of the same street, the splendid Jewish synagogue known as the Temple E-manu-el. At the southwest corner of Forty-fifth street is the Church of the Divine Paternity (Universalist), of which Dr. Chapin is the pastor, and on the opposite side of the street in the block above, the Church of the Heavenly Rest (Episcopal). At the northwest corner of Forty-eighth street is the ma.s.sive but unfinished structure of the Collegiate Dutch Reformed Church. On the east side of the avenue, and occupying the block between Fiftieth and Fifty-first streets, is the new St. Patrick's Cathedral, unfinished, but destined to be the most elaborate church edifice in America. The block above the Cathedral is occupied by the Male Orphan Asylum of the same church, next door to which is the mansion of Madame Restelle, one of the most noted abortionists of New York. On the northwest corner of Fifty-third street is the new St. Thomas' Church (Episcopal), a fine edifice, and owned by one of the wealthiest congregations in the city. Between Fifty-fourth and Fifty-fifth streets, and on the same side of the street, is St. Luke's Hospital, with its pretty grounds. On the east side, between Fifty-eighth and Fifty-ninth streets, and now in course of erection, will be located the Central Park Hotel, which is to be one of the most imposing structures in New York; and just opposite is the main entrance to the Central Park.

From Seventh to Fifty-ninth streets, the avenue presents a continuous line of magnificent mansions. There are a few marble, yellow stone, and brick buildings, but the prevailing material is brown stone. The general appearance of the street is magnificent, but sombre, owing to the dark color of the stone. Nearly all the houses are built on the same design, which gives to it an air of sameness and tameness that is not pleasing.

But it is a magnificent street, nevertheless, and has not its equal in the great and unbroken extent of its splendor in the world. It is a street of palaces. Madison and Park avenues, and portions of Lexington avenue, are nearly as handsome, as are the cross streets connecting them with the Fifth avenue, and many of the streets leading to the Sixth avenue are similarly built. The great defect of the avenue is the poverty of resource in the designs of the buildings, but this is the only species of poverty present here.

If the houses are palatial without, they are even more so within. Some of them are models of elegance and taste; others are miracles of flashy and reckless adornment. The walls and ceilings are covered with exquisite frescoes. The floors are rich in the finest and thickest of carpets, on whose luxurious pile no footfall ever sounds. The light of the sun comes struggling in through the richest of curtains, and at night the brilliancy of the gas is softened by the warmest tinted porcelain shades, or heightened by the dazzling reflection of crystal chandeliers.

The drawing rooms are filled with the costliest and the richest furniture which is the perfection of comfort, and with works of art worth a fortune in themselves. Back of these, or across the hall, through the half opened doors, you see the sumptuously furnished library, with its long rows of daintily bound books in their rosewood shelves. The library is a "feature" in most houses of the very wealthy, and in the majority of instances is more for ornament than for use. In the rear of all is the conservatory with its wealth of flowers and rare plants, which send their odors through the rooms beyond. The upper and lower stories are furnished on a corresponding scale of magnificence. Everything that money can procure for the comfort or luxury of the inmates is at hand.

Nor are such residences few in number. They may be counted by the hundred, each with its contents worth a large fortune. The style of living is in keeping with the house, and, as a matter of course, only the very wealthy can afford such homes.

As for the occupants, they represent all cla.s.ses--the good and the bad, the cultivated and the illiterate, the refined and the vulgar, the well-born and those who have risen from the gutters. If shoddy finds a home here, genuine merit is his neighbor. Those who have large and a.s.sured incomes can afford such a style of life; but they do not comprise all the dwellers on the Avenue. Many are here who have strained every nerve to "get into the Avenue," and who would sell body and soul to stay there, yet who feel that the crash is coming before which they must give way. Others there are who would give half their possessions to move in the society in which their neighbors live. They reside on the Avenue, but they are ignored by one cla.s.s of its occupants, because of their lack of refinement and cultivation, and by another because of their inferiority in wealth. Great wealth covers a mult.i.tude of defects in the Avenue.