The Aran Islands Part 13
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It gave me a thrill of delight to hear their Gaelic blessings, and to see the steamer moving away, leaving me quite alone among them.
The day was fine with a clear sky, and the sea was glittering beyond the limestone. Further off a light haze on the cliffs of the larger island, and on the Connaught hills, gave me the illusion that it was still summer.
A little boy was sent off to tell the old woman that I was coming, and we followed slowly, talking and carrying the baggage.
When I had exhausted my news they told me theirs. A power of strangers--four or five--a French priest among them, had been on the island in the summer; the potatoes were bad, but the rye had begun well, till a dry week came and then it had turned into oats.
'If you didn't know us so well,' said the man who was talking, 'you'd think it was a lie we were telling, but the sorrow a lie is in it. It grew straight and well till it was high as your knee, then it turned into oats. Did ever you see the like of that in County Wicklow?'
In the cottage everything was as usual, but Michael's presence has brought back the old woman's humour and contentment. As I sat down on my stool and lit my pipe with the corner of a sod, I could have cried out with the feeling of festivity that this return procured me.
This year Michael is busy in the daytime, but at present there is a harvest moon, and we spend most of the evening wandering about the island, looking out over the bay where the shadows of the clouds throw strange patterns of gold and black. As we were returning through the village this evening a tumult of revelry broke out from one of the smaller cottages, and Michael said it was the young boys and girls who have sport at this time of the year. I would have liked to join them, but feared to embarra.s.s their amus.e.m.e.nt. When we pa.s.sed on again the groups of scattered cottages on each side of the way reminded me of places I have sometimes pa.s.sed when travelling at night in France or Bavaria, places that seemed so enshrined in the blue silence of night one could not believe they would reawaken.
Afterwards we went up on the Dun, where Michael said he had never been before after nightfall, though he lives within a stone's-throw.
The place gains unexpected grandeur in this light, standing out like a corona of prehistoric stone upon the summit of the island. We walked round the top of the wall for some time looking down on the faint yellow roofs, with the rocks glittering beyond them, and the silence of the bay. Though Michael is sensible of the beauty of the nature round him, he never speaks of it directly, and many of our evening walks are occupied with long Gaelic discourses about the movements of the stars and moon.
These people make no distinction between the natural and the supernatural.
This afternoon--it was Sunday, when there is usually some interesting talk among the islanders--it rained, so I went into the schoolmaster's kitchen, which is a good deal frequented by the more advanced among the people. I know so little of their ways of fis.h.i.+ng and farming that I do not find it easy to keep up our talk without reaching matters where they cannot follow me, and since the novelty of my photographs has pa.s.sed off I have some difficulty in giving them the entertainment they seem to expect from my company. To-day I showed them some simple gymnastic feats and conjurer's tricks, which gave them great amus.e.m.e.nt.
'Tell us now,' said an old woman when I had finished, 'didn't you learn those things from the witches that do be out in the country?'
In one of the tricks I seemed to join a piece of string which was cut by the people, and the illusion was so complete that I saw one man going off with it into a corner and pulling at the apparent joining till he sank red furrows round his hands.
Then he brought it back to me.
'Bedad,' he said, 'this is the greatest wonder ever I seen. The cord is a taste thinner where you joined it but as strong as ever it was.'
A few of the younger men looked doubtful, but the older people, who have watched the rye turning into oats, seemed to accept the magic frankly, and did not show any surprise that 'a duine uasal' (a n.o.ble person) should be able to do like the witches.
My intercourse with these people has made me realise that miracles must abound wherever the new conception of law is not understood. On these islands alone miracles enough happen every year to equip a divine emissary Rye is turned into oats, storms are raised to keep evictors from the sh.o.r.e, cows that are isolated on lonely rocks bring forth calves, and other things of the same kind are common.
The wonder is a rare expected event, like the thunderstorm or the rainbow, except that it is a little rarer and a little more wonderful. Often, when I am walking and get into conversation with some of the people, and tell them that I have received a paper from Dublin, they ask me--'And is there any great wonder in the world at this time?'
When I had finished my feats of dexterity, I was surprised to find that none of the islanders, even the youngest and most agile, could do what I did. As I pulled their limbs about in my effort to teach them, I felt that the ease and beauty of their movements has made me think them lighter than they really are. Seen in their curaghs between these cliffs and the Atlantic, they appear lithe and small, but if they were dressed as we are and seen in an ordinary room, many of them would seem heavily and powerfully made.
One man, however, the champion dancer of the island, got up after a while and displayed the salmon leap--lying flat on his face and then springing up, horizontally, high in the air--and some other feats of extraordinary agility, but he is not young and we could not get him to dance.
In the evening I had to repeat my tricks here in the kitchen, for the fame of them had spread over the island.
No doubt these feats will be remembered here for generations. The people have so few images for description that they seize on anything that is remarkable in their visitors and use it afterwards in their talk.
For the last few years when they are speaking of any one with fine rings they say: 'She had beautiful rings on her fingers like Lady--,' a visitor to the island.
I have been down sitting on the pier till it was quite dark. I am only beginning to understand the nights of Inishmaan and the influence they have had in giving distinction to these men who do most of their work after nightfall.
I could hear nothing but a few curlews and other wild-fowl whistling and shrieking in the seaweed, and the low rustling of the waves. It was one of the dark sultry nights peculiar to September, with no light anywhere except the phosph.o.r.escence of the sea, and an occasional rift in the clouds that showed the stars behind them.
The sense of solitude was immense. I could not see or realise my own body, and I seemed to exist merely in my perception of the waves and of the crying birds, and of the smell of seaweed.
When I tried to come home I lost myself among the sandhills, and the night seemed to grow unutterably cold and dejected, as I groped among slimy ma.s.ses of seaweed and wet crumbling walls.
After a while I heard a movement in the sand, and two grey shadows appeared beside me. They were two men who were going home from fis.h.i.+ng. I spoke to them and knew their voices, and we went home together.
In the autumn season the thres.h.i.+ng of the rye is one of the many tasks that fall to the men and boys. The sheaves are collected on a bare rock, and then each is beaten separately on a couple of stones placed on end one against the other. The land is so poor that a field hardly produces more grain than is needed for seed the following year, so the rye-growing is carried on merely for the straw, which is used for thatching.
The stooks are carried to and from the thres.h.i.+ng fields, piled on donkeys that one meets everywhere at this season, with their black, unbridled heads just visible beneath a pinnacle of golden straw.
While the thres.h.i.+ng is going on sons and daughters keep turning up with one thing and another till there is a little crowd on the rocks, and any one who is pa.s.sing stops for an hour or two to talk on his way to the sea, so that, like the kelp-burning in the summer-time, this work is full of sociability.
When the thres.h.i.+ng is over the straw is taken up to the cottages and piled up in an outhouse, or more often in a corner of the kitchen, where it brings a new liveliness of colour.
A few days ago when I was visiting a cottage where there are the most beautiful children on the island, the eldest daughter, a girl of about fourteen, went and sat down on a heap of straw by the doorway. A ray of sunlight fell on her and on a portion of the rye, giving her figure and red dress with the straw under it a curious relief against the nets and oilskins, and forming a natural picture of exquisite harmony and colour.
In our own cottage the thatching--it is done every year--has just been carried out. The rope-twisting was done partly in the lane, partly in the kitchen when the weather was uncertain. Two men usually sit together at this work, one of them hammering the straw with a heavy block of wood, the other forming the rope, the main body of which is twisted by a boy or girl with a bent stick specially formed for this employment.
In wet weather, when the work must be done indoors, the person who is twisting recedes gradually out of the door, across the lane, and sometimes across a field or two beyond it. A great length is needed to form the close network which is spread over the thatch, as each piece measures about fifty yards. When this work is in progress in half the cottages of the village, the road has a curious look, and one has to pick one's steps through a maze of twisting ropes that pa.s.s from the dark doorways on either side into the fields.
When four or five immense b.a.l.l.s of rope have been completed, a thatching party is arranged, and before dawn some morning they come down to the house, and the work is taken in hand with such energy that it is usually ended within the day.
Like all work that is done in common on the island, the thatching is regarded as a sort of festival. From the moment a roof is taken in hand there is a whirl of laughter and talk till it is ended, and, as the man whose house is being covered is a host instead of an employer, he lays himself out to please the men who work with him.
The day our own house was thatched the large table was taken into the kitchen from my room, and high teas were given every few hours.
Most of the people who came along the road turned down into the kitchen for a few minutes, and the talking was incessant. Once when I went into the window I heard Michael retailing my astronomical lectures from the apex of the gable, but usually their topics have to do with the affairs of the island.
It is likely that much of the intelligence and charm of these people is due to the absence of any division of labour, and to the correspondingly wide development of each individual, whose varied knowledge and skill necessitates a considerable activity of mind.
Each man can speak two languages. He is a skilled fisherman, and can manage a curagh with extraordinary nerve and dexterity He can farm simply, burn kelp, cut out pampooties, mend nets, build and thatch a house, and make a cradle or a coffin. His work changes with the seasons in a way that keeps him free from the dullness that comes to people who have always the same occupation. The danger of his life on the sea gives him the alertness of the primitive hunter, and the long nights he spends fis.h.i.+ng in his curagh bring him some of the emotions that are thought peculiar to men who have lived with the arts.
As Michael is busy in the daytime, I have got a boy to come up and read Irish to me every afternoon. He is about fifteen, and is singularly intelligent, with a real sympathy for the language and the stories we read.
One evening when he had been reading to me for two hours, I asked him if he was tired.
'Tired?' he said, 'sure you wouldn't ever be tired reading!'
A few years ago this predisposition for intellectual things would have made him sit with old people and learn their stories, but now boys like him turn to books and to papers in Irish that are sent them from Dublin.
In most of the stories we read, where the English and Irish are printed side by side, I see him looking across to the English in pa.s.sages that are a little obscure, though he is indignant if I say that he knows English better than Irish. Probably he knows the local Irish better than English, and printed English better than printed Irish, as the latter has frequent dialectic forms he does not know.
A few days ago when he was reading a folk-tale from Douglas Hyde's Beside the Fire, something caught his eye in the translation.
'There's a mistake in the English,' he said, after a moment's hesitation, 'he's put "gold chair" instead of "golden chair."'
I pointed out that we speak of gold watches and gold pins.
'And why wouldn't we?' he said; 'but "golden chair" would be much nicer.'
It is curious to see how his rudimentary culture has given him the beginning of a critical spirit that occupies itself with the form of language as well as with ideas.
One day I alluded to my trick of joining string.
The Aran Islands Part 13
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The Aran Islands Part 13 summary
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