This Freedom Part 11

's.h.i.+ps that pa.s.s in the night and speak each other in pa.s.sing; Only a signal shown and a distant voice in the darkness.'

Just remember that in a few years. You'll hail again perhaps.

'O Keggo!' Or I--it is more likely--wilt hail 'O Rosalie!' Just remember it then." Her hand came down to Rosalie and Rosalie took it. It was so cold; and on her face a strained and beaten look as though hand and face belonged to one that stood most chilled and storm-beat upon the bridge, peering through the storm. Her fingers made no motion responsive to Rosalie's warm touch. She said strangely, as though it was to herself she spoke, "Does it mean anything to you, Rosalie, a vision like that? Can you see a black and violent night and a s.h.i.+p going by full speed, and one labouring, and through the wind and the blackness a hail.--and gone, and the wreck left foundering?"

Ah, that most generous and quickly moved and loving-Rosalie--then!

How she twisted to her knees and stretched her arms about that poor Keggo, sitting there--so drooped! How readily into her eyes her young and warm and ardent sympathies pressed the tears, their flowers! How warm her words? How warmly spoken! "O Keggo! Keggo, dear! Keggo, why do you talk like that? How can you? After all the kindness you've shown me, accusing me that I'll forget and not mind. Keggo, you shan't. You mustn't."

Then Keggo responded, catching her arms about Rosalie and straining Rosalie to her as though here was some cable to hold against the driving sea. "O Rosalie!"

And after a little Rosalie said, "You won't again say I ever shall forget, or hail and pa.s.s by. Oh, that was cruel, Keggo!"

Keggo was gently crying. "Natural. Natural."

"Unnatural. Horrible. And you? Why do you say such things about yourself? You didn't mean it? It's nothing? How can you ever be a wreck, foundering?"

Keggo dried her eyes and by her voice seemed to put those things right away. "No, nothing. Of course not. Darling girl, only this--you're young--young and so of course you are going by full sail as young things do. Full sail! O happy s.h.i.+p! Rosalie, go on telling. Go on asking. I love it, Rosalie."

She was always "Keggo" after that; and the things that Rosalie told and asked!

Such things! It is to be seen that now there were bursting into blossom out of bud within that Rosalie those seeds planted in her by the extraordinary ideas of her childhood. About men. First and always predominating, about men as compared with women--their wonder, their power, their importance, their infinite superiority; then about men in their relations with women--their rather grand and noisy ways that made Rosalie blink; their interfering presence that spoilt lessons and spoilt walks; those sinister attributes of theirs, arising somehow out of their freedom to do as they liked in the world, that somehow left the world very hard for women.

Grotesque ideas, but masterful ideas, masterfully shaping the child mind wherein they germinated; burrowing in clutchy roots; pressing up in strong young saplings. Agreed the child is father of the man, but much more the girl is mother of the woman. It is the man's part to sow and ride away; conception is the woman's office and that which she receives she tends to cherish and incorporate within her. Of her body that function is her glory; of her mind it is her millstone. Man always rides away, a tent dweller and an Arab, with a horse and with the plains about him; woman is a dweller in a city with a wall, a house dweller, storing her possessions about her in her house, abiding with them, not to be sundered from them.

So with that Rosalie. Those childhood ideas of hers were grotesque ideas but she had received them into her house and they remained with her, shorn of their grotesqueness, as garish furniture may be upholstered in a new pattern, but tincturing her life as the appointments of a room will influence the mood of one that sits therein. Father owned the world--all males had proprietors.h.i.+p in the world under father--all men were wors.h.i.+pful and giants and genii.

That was the established perception and those its earliest images. The perception remained, deepening, changing only in hue, as a viscid liquid solidifies and darkens in a vessel over the fire. It remained, persisted. Time but steadied the focus as the wise oculist, seeking for his patient the perfect image, drops lenses in the frame through which the vision chart is viewed. In a little the perfect image is found. There was that Rosalie, come to maidenhood, come to the dizzy edge of leaving school, with the perfect image of her persistent obsession; with the belief no longer that men were magicians having the world for their washpot and women for their footstool, but unquestionably that they "had a better time" than women and that they secured this "better time" by virtue of their independence.

"And, Keggo," (she is explaining it) "I'm going to be like that.

I'm going to be what a man can be. Why shouldn't I? Why shouldn't a woman?" She paused and then went on. "Why, that's the thing that's been with me all my life, ever since I can remember. I've always known that men were the creatures. Always. Since I was so high. Oh, I used to have the most ridiculous ideas about them. You'd scream, Keggo. And I've always had the same att.i.tude towards them--towards them as contrasted with women, I mean. First awe, then envy, then, since I've been growing up here, just as having a desirable position in life, as having the desirable position in life, independence, a career, work, freedom, a goal--yes, and a goal that's always and always a little bit in front of you, always something better.

That's the thing. That's the thing, Keggo. Just look at the other side. Take a case in point. Take my painful cousin, Laet.i.tia, sweet but in lots of ways very painful. What's her goal? A good match!

A good match! Did you ever hear anything so futile and sickening?

Sickening in itself, but I'll tell you what's really sickening about it--why, that she'll get it--get her goal and then it's done, over, finished, won. Settle down then and get fat. Oh, I don't want a goal I can win. I want a goal I can't win. One that's always just in front."

She suddenly realised the intensity of her voice and laughed and shook her head sideways and back. She had just recently put her hair up and it still felt funny and tight and the laugh and the shake eased away the tightness of voice and of hair. She said thoughtfully, "You know, I believe I'm rather like a man in many ways, in points of view. It's through always thinking them better, I daresay. The ideas I've had about them!" and she laughed again. She said slowly, "Though mind you, Keggo, they are better in many ways. They can get away from things. They don't stick about on one thing. And they're violent, not fussing. When they're angry they bawl and hit and it's over and they forget it. They don't just nag on and on. Oh, yes, they're better."

She extended her palms to the oil flame, and watching the X-ray-like effects of the light and shadow upon her fingers, she added indifferently, as one idly letting drop a remark requiring no comment, negligently with the voice of one saying "Tomorrow is Tuesday," or "It's mutton today,"--"Of course they're beasts," she added.

"Of course they're beasts." It was the adjusted image to which she had brought that other perception of men which, running parallel with the perception of their superior position, had permeated her childhood years.

CHAPTER IV

She's left the school! She's living in the splendid house in Pilchester Square looking for a post!

She's found a post! She's private secretary to Mr. Simc.o.x!

She's left the splendid house in Pilchester Square! She's living an independent life! She's going to Mr. Simc.o.x's office, her office, every day, just like a man! She's living on her own salary in a boarding house in Bayswater!

What jumps! One clutches, as at flying papers in a whirlwind, at a stable moment in which to pin her down and describe her as she jumps. One can't. The thing's too breathless. It's a maelstrom.

It's an earthquake. It's a deluge. It's a boiling pot. It's youth.

What it must be to live it! One thing pouring on to another so that it's impossible anywhere to pick hold of a bit that isn't changing into something else even as it is examined. That's youth all over.

Always and all the time all change. What it must be to live it!

What it must be! Why, when youth comes bursting out of tutelage there's not a stable thing beneath its feet nor above its head a sky that stays the same for two hours together! Every stride's a stepping-stone that tilts and throws you; every dawn a sudden midnight even while it breaks, and every night a blinding brilliance when it's darkest. New faces, new places, new dresses, new dishes; new foes, new friends; new tasks, new triumphs; never a pause, never a platform; every day a year and every year a day--not life on a firm round world but life in the heart of a whirling avalanche.

How youth can live it! And all the time, all the time while poor, dear youth is hurtling through it, there's age, instead of streaming sympathy like oil upon those boiling waters, standing in slippered safety, in b.u.t.toned dignity, in obese repose, bawling at tumbling youth, "Why can't you settle down! Why can't you settle down! Why do you behave like that? Why can't you do as I do? Why can't you be like your wise and sober Uncle Forty? Or like your good and earnest Auntie Fifty? Why can't you behave like your pious grandmother?

Why can't you imitate your n.o.ble grandfather? Oh, grrrr-r, why can't you, you impious, unnatural, ill-mannered, irresponsive, irresponsible exasperating young nuisance, you!" Is it any wonder poor youth bawls back, or feels and behaves like bawling back, "How to goodness can I behave like my infernal uncle or my maddening aunt when I'm whirling along head over heels in the middle of a roaring avalanche?"

Oh, poor youth, that all have lived but none remembers!

One clings, faut au mieux, to the intention to tell of her life only the things in her life that contributed to her record, as records are judged. There shall be enormous omissions. They shall be excused by vital insertions.

She shall be glimpsed, first, in the splendid house in Pilchester Square, in the desperate business that getting a place for a woman in a business house was when women were in business houses far more rare than are silk hats in the City in 1922. It was desperate.

Uncle Pyke and Uncle Pyke's friends were the only channel of opportunity; and Uncle Pyke and Uncle Pyke's friends refused to be a channel of opportunity. They had never heard of such a thing and they desired to bathe in their soup and smack over their wine and not be troubled with such a thing.

Aunt Belle rallied them and baited them and told them they were "great big grumpy things"; and Aunt Belle, in her crowded drawing-room, loved talking about the search for work and did talk about it. "Has to earn her own living," Aunt Belle would chatter, "and is going into business! Oh, yes, ever so many girls who have to earn their own living are going into business now. She'll wear a nice tailormade coat and skirt and carry a little satchel and flick about on the tops of buses, in the City at nine and out again at six and a nice plain wholesome lunch with a gla.s.s of milk in a tea shop. Oh, it's wonderful what girls who have to earn their own living do nowadays.

Quite right, you know. Quite right, (for them). Come over here, Rosalie. Come over here, dear child, and tell Mrs. Roodle-Hoops what you are going to do. The dear child!"

But nothing done.

Just that glimpse and then comes Mr. Simc.o.x.

Mr. Simc.o.x was first met by Rosalie while walking with Aunt Belle and beautiful cousin Laet.i.tia in the Cromwell Road. He came along carrying a letter in his hand with the obvious air of one who will forget to post it if he puts it in his pocket and probably will forget to do so in any case. He was as obviously "a man of about fifty-six" that curiously precise figure, neither a ten nor a five, always used for men who look as Mr. Simc.o.x looked and always continued to look while Rosalie knew him, and probably always had looked. Men of "about fifty-six"--one never says "about thirty-six"

or "about sixty-six"; it would be "about thirty-five" or "about seventy"--men of "about fifty-six" are almost certainly born at that age and with that appearance and they seem to continue in it to their graves.

Mr. Simc.o.x was like that, and was short and had two little bunchy grey whiskers, and wore always a pepper and salt jacket suit, unb.u.t.toned, the pockets of which always bulged and the skirts of which, containing the pockets, always swayed and flapped. When he talked he was always talking--if that is understood--and when he was busy he was always frantically busy and looking at the clock or at his watch as if it were going to explode at a certain rapidly approaching hour and he must at all costs be through with what he was doing before it did explode. He talked in very rapid jerks, always seeming to be about to come to rest and then instantaneously bounding off again, rather like a man bounding along stepping-stones, red-hot stepping-stones that each time burnt his feet and set him flying off again.

He had been in the Bombay house of a firm of indigo merchants and there had known Aunt Belle and Uncle Pyke. He had retired and settled in London and he now came very briskly up to Aunt Belle, to Rosalie and to beautiful Laet.i.tia, greeting them and bursting into full stream of chatter while he was yet some distance away; and, having been introduced to Rosalie and s.n.a.t.c.hed at her hand precisely as if doing so while shooting in midair between one red-hot stepping-stone and the next, whizzed presently to "I really came out to post a letter" and flapped the letter in the air as if it were a bothersome thing stuck to his fingers and refusing absolutely to be stuffed into a post-box.

"Why, there's a pillar-box just there; you've just pa.s.sed it,"

cried Rosalie.

"Why, so there is!" exclaimed Mr. Simc.o.x, jumping round to stare at the pillar-box as if it had stretched out an arm and given him a sudden punch in the back, and then spinning towards Rosalie and staring at her rather as if he suspected her of having put the pillar-box there while he was not looking; and while Mr. Simc.o.x was so exclaiming and so doing Rosalie had said, "Do let me just post it for you. Do let me," and had snapped the obstinate letter from his fingers, and posted it and was back again smiling at Mr.

Simc.o.x, whom she rather liked and who reminded her very much of a jack-in-the-box.

Indeed with his quick ways, his shortness, his bushy little grey whiskers and his pepper and salt suit with its flapping pockets, Mr. Simc.o.x was very like one of those funny little jack-in-the-boxes they used to sell. He said to her, regarding her with very apparent pleasure and esteem, "Well, that's very nice of you. That really is very nice of you. And it's most wonderful. It is indeed. Do you know, I must have walked more than a mile looking for a letter-box and I daresay I should have walked another mile and then forgotten it and taken the letter home again." He addressed Aunt Belle: "It's a most astonis.h.i.+ng thing, Mrs. Pyke Pounce, but I cannot post a letter. I positively cannot post a single letter. When I say single, I do not mean I can post no letter at all. No, no. Far from it.

I mean I can post no letter singly, by itself, solus. My daily correspondence, my office batch, I take out in a bundle, perhaps in a table basket. That is simple. But a single letter--as you see, a clever young lady like this has to find a box for me or I might carry the thing for days together. Astonis.h.i.+ng that, you know. Astonis.h.i.+ng, annoying, and mind you, sometimes serious and embarra.s.sing."

"Why, you busy, busy person, you!" cried Aunt Belle with her customary air towards a man of shaking her finger at him. "You very busy person! Fancy a basket full of correspondence! Why what a heap you must have!"

Mr. Simc.o.x said he had indeed a heap. "Sometimes I think more than I can manage."

"Indeed," agreed Aunt Belle, "you don't seem to have much time to spare. Why, I haven't seen you in my drawing-room for quite a month ("You busy little creature, you," expressed without being stated).