Stories from the Italian Poets: with Lives of the Writers Volume I Part 9

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THE JOURNEY THROUGH PURGATORY.

Argument.

Purgatory, in the system of Dante, is a mountain at the Antipodes, on the top of which is the Terrestrial Paradise, once the seat of Adam and Eve. It forms the princ.i.p.al part of an island in a sea, and possesses a pure air. Its lowest region, with one or two exceptions of redeemed Pagans, is occupied by Excommunicated Penitents and by Delayers of Penitence, all of whom are compelled to lose time before their atonement commences. The other and greater portion of the ascent is divided into circles or plains, in which are expiated the Seven Deadly Sins. The Poet ascends from circle to circle with Virgil and Statius, and is met in a forest on the top by the spirit of Beatrice, who transports him to Heaven.

THE JOURNEY THROUGH PURGATORY.

When the pilgrims emerged from the opening through which they beheld the stars, they found themselves in a scene which enchanted them with hope and joy. It was dawn: a sweet pure air came on their faces; and they beheld a sky of the loveliest oriental sapphire, whose colour seemed to pervade the whole serene hollow from earth to heaven. The beautiful planet which encourages loving thoughts made all the orient laugh, obscuring by its very radiance the stars in its train; and among those which were still lingering and sparkling in the southern horizon, Dante saw four in the shape of a cross, never beheld by man since they gladdened the eyes of our first parents. Heaven seemed to rejoice in their possession. O widowed northern pole! bereaved art thou, indeed, since thou canst not gaze upon them![1]

The poet turned to look at the north where he had been accustomed to see stars that no longer appeared, and beheld, at his side, an old man, who struck his beholder with a veneration like that of a son for his father.

He had grey hairs, and a long beard which parted in two down his bosom; and the four southern stars beamed on his face with such l.u.s.tre, that his aspect was as radiant as if he had stood in the sun.

"Who are ye?" said the old man, "that have escaped from the dreadful prison-house? Can the laws of the abyss be violated? Or has Heaven changed its mind, that thus ye are allowed to come from the regions of condemnation into mine?"

It was the spirit of Cato of Utica, the warder of the ascent of purgatory.

The Roman poet explained to his countryman who they were, and how Dante was under heavenly protection; and then he prayed leave of pa.s.sage of him by the love he bore to the chaste eyes of his Marcia, who sent him a message from the Pagan circle, hoping that he would still own her.

Cato replied, that although he was so fond of Marcia while on earth that he could deny her nothing, he had ceased, in obedience to new laws, to have any affection for her, now that she dwelt beyond the evil river; but as the pilgrim, his companion, was under heavenly protection, he would of course do what he desired.[2] He then desired him to gird his companion with one of the simplest and completest rushes he would see by the water's side, and to wash the stain of the lower world out of his face, and so take their journey up the mountain before them, by a path which the rising sun would disclose. And with these words he disappeared.[3]

The pilgrims pa.s.sed on, with the eagerness of one who thinks every step in vain till he finds the path he has lost. The full dawn by this time had arisen, and they saw the trembling of the sea in the distance.[4]

Virgil then dipped his hands into a spot of dewy gra.s.s, where the sun had least affected it, and with the moisture bathed the face of Dante, who held it out to him, suffused with tears;[5] and then they went on till they came to a solitary sh.o.r.e, whence no voyager had ever returned, and there the loins of the Florentine were girt with the rush.

On this sh.o.r.e they were standing in doubt how to proceed,--moving onward, as it were, in mind, while yet their feet were staying,--when they be held a light over the water at a distance, rayless at first as the planet Mars when he looks redly out of the horizon through a fog, but speedily growing brighter and brighter with amazing swiftness. Dante had but turned for an instant to ask his guide what it was, when, on looking again, it had grown far brighter. Two splendid phenomena, he knew not what, then developed themselves from it on either side; and, by degrees, another below it. The two splendours quickly turned out to be wings; and Virgil, who had hitherto watched its coming in silence, cried out, "Down, down,--on thy knees! It is G.o.d's angel. Clasp thine hands.

Now thou shalt behold operancy indeed. Lo, how he needs neither sail nor oar, coming all this way with nothing but his wings! Lo, how he holds them aloft, using the air with them at his will, and knowing they can never be weary."

The "divine bird" grew brighter and brighter as he came, so that the eye at last could not sustain the l.u.s.tre; and Dante turned his to the ground. A boat then rushed to sh.o.r.e which the angel had brought with him, so light that it drew not a drop of water. The celestial pilot stood at the helm, with bliss written in his face; and a hundred spirits were seen within the boat, who, lifting up their voices, sang the psalm beginning "When Israel came out of Egypt." At the close of the psalm, the angel blessed them with the sign of the cross, and they all leaped to sh.o.r.e; upon which he turned round, and departed as swiftly as he came.

The new-comers, after gazing about them for a while, in the manner of those who are astonished to see new sights, inquired of Virgil and his companion the best way to the mountain. Virgil explained who they were; and the spirits, pale with astonishment at beholding in Dante a living and breathing man, crowded about him, in spite of their anxiety to shorten the period of their trials. One of them came darting out of the press to embrace him, in a manner so affectionate as to move the poet to return his warmth; but his arms again and again found themselves crossed on his own bosom, having encircled nothing. The shadow, smiling at the astonishment in the other's face, drew back; and Dante hastened as much forward to shew his zeal in the greeting, when the spirit in a sweet voice recommended him to desist. The Florentine then knew who it was,--Casella, a musician, to whom he had been much attached. After mutual explanations as to their meeting, Dante requested his friend, if no ordinance opposed it, to refresh his spirit awhile with one of the tender airs that used to charm away all his troubles on earth. Casella immediately began one of his friend's own productions, commencing with the words,

"Love, that delights to talk unto my soul Of all the wonders of my lady's nature."

And he sang it so beautifully, that the sweetness rang within the poet's heart while recording the circ.u.mstance. The other spirits listened with such attention, that they seemed to have forgotten the very purpose of their coming; when suddenly the voice of Cato was heard, sternly rebuking their delay; and the whole party speeded in trepidation towards the mountain.[6]

The two pilgrims, who had at first hastened with the others, in a little while slackened their steps; and Dante found that his body projected a shadow, while the form of Virgil had none. When arrived at the foot of the mountain, they were joined by a second party of spirits, of whom Virgil inquired the way up it. One of the spirits, of a n.o.ble aspect, but with a gaping wound in his forehead, stepped forth, and asked Dante if he remembered him. The poet humbly answering in the negative, the stranger disclosed a second wound, that was in his bosom; and then, with a smile, announced himself as Manfredi, king of Naples, who was slain in battle against Charles of Anjou, and died excommunicated. Manfredi gave Dante a message to his daughter Costanza, queen of Arragon, begging her to shorten the consequences of the excommunication by her prayers; since he, like the rest of the party with him, though repenting of his contumacy against the church, would have to wander on the outskirts of Purgatory three times as long as the presumption had lasted, unless relieved by such pet.i.tions from the living.[7]

Dante went on, with his thoughts so full of this request, that he did not perceive he had arrived at the path which Virgil asked for, till the wandering spirits called out to them to say so. The pilgrims then, with great difficulty, began to ascend through an extremely narrow pa.s.sage; and Virgil, after explaining to Dante how it was that in this antipodal region his eastward face beheld the sun in the north instead of the south, was encouraging him to proceed manfully in the hope of finding the path easier by degrees, and of reposing at the end of it, when they heard a voice observing, that they would most likely find it expedient to repose a little sooner. The pilgrims looked about them, and observed close at hand a crag of a rock, in the shade of which some spirits were standing, as men stand idly at noon. Another was sitting down, as if tired out, with his arms about his knees, and his face bent down between them.[8]

"Dearest master!" exclaimed Dante to his guide, "what thinkest thou of a croucher like this, for manful journeying? Verily he seems to have been twin-born with Idleness herself."

The croucher, lifting up his eyes at these words, looked hard at Dante, and said, "Since thou art so stout, push on."

Dante then saw it was Belacqua, a pleasant acquaintance of his, famous for his indolence.

"That was a good lesson," said Belacqua, "that was given thee just now in astronomy."

The poet could not help smiling at the manner in which his acquaintance uttered these words, it was so like his ways of old. Belacqua pretended, even in another world, that it was of no use to make haste, since the angel had prohibited his going higher up the mountain. He and his companions had to walk round the foot of it as many years as they had delayed repenting; unless, as in the case of Manfredi, their time was shortened by the prayers of good people.

A little further on, the pilgrims encountered the spirits of such Delayers of Penitence as, having died violent deaths, repented at the last moment. One of them, Buonconte da Montefeltro, who died in battle, and whose body could not be found, described how the devil, having been hindered from seizing him by the shedding of a single tear, had raised in his fury a tremendous tempest, which sent the body down the river Arno, and buried it in the mud.[9]

Another spirit, a female, said to Dante, "Ah! when thou returnest to earth, and shalt have rested from thy long journey, remember me,--Pia.

Sienna gave me life; the Marshes took it from me. This he knows, who put on my finger the wedding-ring."[10]

The majority of this party were so importunate with the Florentine to procure them the prayers of their friends, that he had as much difficulty to get away, as a winner at dice has to free himself from the mercenary congratulations of the by-standers. On resuming their way, Dante quoted to Virgil a pa.s.sage in the aeneid, decrying the utility of prayer, and begged him to explain how it was to be reconciled with what they had just heard. Virgil advised him to wait for the explanation till he saw Beatrice, whom, he now said, he should meet at the top of the mountain. Dante, at this information, expressed a desire to hasten their progress; and Virgil, seeing a spirit looking towards them as they advanced, requested him to acquaint them with the shortest road.

The spirit, maintaining a lofty and reserved aspect, was as silent as if he had not heard the request; intimating by his manner that they might as well proceed without repeating it, and eyeing them like a lion on the watch. Virgil, however, went up to him, and gently urged it; but the only reply was a question as to who they were and of what country. The Latin poet beginning to answer him, had scarcely mentioned the word "Mantua," when the stranger went as eagerly up to his interrogator as the latter had done to him, and said, "Mantua! My own country! My name is Sordello." And the compatriots embraced.

O degenerate Italy! exclaims Dante; land without affections, without principle, without faith in any one good thing! here was a man who could not hear the sweet sound of a fellow-citizen's voice without feeling his heart gush towards him, and there are no people now in any one of thy towns that do not hate and torment one another.

Sordello, in another tone, now exclaimed, "But who are ye?"

Virgil disclosed himself, and Sordello fell at his feet.[11]

Sordello now undertook to accompany the great Roman poet and his friend to a certain distance on their ascent towards the penal quarters of the mountain; but as evening was drawing nigh, and the ascent could not be made properly in the dark, he proposed that they should await the dawning of the next day in a recess that overlooked a flowery hollow.

The hollow was a lovely spot of ground, enamelled with flowers that surpa.s.sed the exquisitest dyes, and green with a gra.s.s brighter than emeralds newly broken.[12] There rose from it also a fragrance of a thousand different kinds of sweetness, all mingled into one that was new and indescribable; and with the fragrance there ascended the chant of the prayer beginning "Hail, Queen of Heaven,"[13] which was sung by a mult.i.tude of souls that appeared sitting on the flowery sward.

Virgil pointed them out. They were penitent delayers of penitence, of sovereign rank. Among them, however, were spirits who sat mute; one of whom was the Emperor Rodolph, who ought to have attended better to Italy, the garden of the empire; and another, Ottocar, king of Bohemia, his enemy, who now comforted him; and another, with a small nose,[14]

Philip the Third of France, who died a fugitive, shedding the leaves of the lily; he sat beating his breast; and with him was Henry the Third of Navarre, sighing with his cheek on his hand. One was the father, and one the father-in-law of Philip the Handsome, the bane of France; and it was on account of his unworthiness they grieved.

But among the singers Virgil pointed out the strong-limbed King of Arragon, Pedro; and Charles, king of Naples, with his masculine nose (these two were singing together); and Henry the Third of England, the king of the simple life, sitting by himself;[15] and below these, but with his eyes in heaven, Guglielmo marquis of Montferrat.

It was now the hour when men at sea think longingly of home, and feel their hearts melt within them to remember the day on which they bade adieu to beloved friends; and now, too, was the hour when the pilgrim, new to his journey, is thrilled with the like tenderness, when he hears the vesper-bell in the distance, which seems to mourn for the expiring day.[16] At this hour of the coming darkness, Dante beheld one of the spirits in the flowery hollow arise, and after giving a signal to the others to do as he did, stretch forth both hands, palm to palm, towards the East, and with softest emotion commence the hymn beginning,

"Thee before the closing light."[17]

Upon which all the rest devoutly and softly followed him, keeping their eyes fixed on the heavens. At the end of it they remained, with pale countenances, in an att.i.tude of humble expectation; and Dante saw the angels issue from the quarter to which they looked, and descend towards them with flaming swords in their hands, broken short of the point.

Their wings were as green as the leaves in spring; and they wore garments equally green, which the fanning of the wings kept in a state of streaming fluctuation behind them as they came. One of them took his stand on a part of the hill just over where the pilgrims stood, and the other on a hill opposite, so that the party in the valley were between them. Dante could discern their heads of hair, notwithstanding its brightness; but their faces were so dazzling as to be undistinguishable.

"They come from Mary's bosom," whispered Sordello, "to protect the valley from the designs of our enemy yonder,--the Serpent."

Dante looked in trepidation towards the only undefended side of the valley, and beheld the Serpent of Eve coming softly among the gra.s.s and flowers, occasionally turning its head, and licking its polished back.

Before he could take off his eyes from the evil thing, the two angels had come down like falcons, and at the whirring of their pinions the serpent fled. The angels returned as swiftly to their stations.

Aurora was now looking palely over the eastern cliff on the other side of the globe, and the stars of midnight s.h.i.+ning over the heads of Dante and his friends, when they seated themselves for rest on the mountain's side. The Florentine, being still in the flesh, lay down for weariness, and was overcome with sleep. In his sleep he dreamt that a golden eagle flashed down like lightning upon him, and bore him up to the region of fire, where the heat was so intense that it woke him, staring and looking round about with a pale face. His dream was a shadowing of the truth. He had actually come to another place,--to the entrance of Purgatory itself. Sordello had been left behind, Virgil alone remained, looking him cheerfully in the face. Saint Lucy had come from heaven, and shortened the fatigue of his journey by carrying him upwards as he slept, the heathen poet following them. On arriving where they stood, the fair saint intimated the entrance of Purgatory to Virgil by a glance thither of her beautiful eyes, and then vanished as Dante woke.[18]

The portal by which Purgatory was entered was embedded in a cliff. It had three steps, each of a different colour; and on the highest of these there sat, mute and watching, an angel in ash-coloured garments, holding a naked sword, which glanced with such intolerable brightness on Dante, whenever he attempted to look, that he gave up the endeavour. The angel demanded who they were, and receiving the right answer, gently bade them advance.

Dante now saw, that the lowest step was of marble, so white and clear that he beheld his face in it. The colour of the next was a deadly black, and it was all rough, scorched, and full of cracks. The third was of flaming porphyry, red as a man's blood when it leaps forth under the lancet.[19] The angel, whose feet were on the porphyry, sat on a threshold which appeared to be rock-diamond. Dante, ascending the steps, with the encouragement of Virgil, fell at the angel's feet, and, after thrice beating himself on the breast, humbly asked admittance. The angel, with the point of his sword, inscribed the first letter of the word _peccatum_ (sin) seven times on the pet.i.tioner's forehead; then, bidding him pray with tears for their eras.e.m.e.nt, and be cautious how he looked back, opened the portal with a silver and a golden key.[20]

The hinges roared, as they turned, like thunder; and the pilgrims, on entering, thought they heard, mingling with the sound, a chorus of voices singing, "We praise thee, O G.o.d!"[21] It was like the chant that mingles with a cathedral organ, when the words that the choristers utter are at one moment to be distinguished, and at another fade away.

The companions continued ascending till they reached a plain. It stretched as far as the eye could see, and was as lonely as roads across deserts.

This was the first flat, or table-land, of the ascending gradations of Purgatory, and the place of trial for the souls of the Proud. It was bordered with a mound, or natural wall, of white marble, sculptured all over with stories of humility. Dante beheld among them the Annunciation, represented with so much life, that the sweet action of the angel seemed to be uttering the very word, "Hail!" and the submissive spirit of the Virgin to be no less impressed, like very wax, in her demeanour. The next story was that of David dancing and harping before the ark,--an action in which he seemed both less and greater than a king. Michal was looking out upon him from a window, like a lady full of scorn and sorrow. Next to the story of David was that of the Emperor Trajan, when he did a thing so glorious, as moved St. Gregory to gain the greatest of all his conquests--the delivering of the emperor's soul from h.e.l.l.

A widow, in tears and mourning, was laying hold of his bridle as he rode amidst his court with a noise of horses and hors.e.m.e.n, while the Roman eagles floated in gold over his head. The miserable creature spoke out loudly among them all, crying for vengeance on the murderers of her sons. The emperor seemed to say, "Wait till I return."

But she, in the hastiness of her misery, said, "Suppose thou returnest not?"

Stories from the Italian Poets: with Lives of the Writers Volume I Part 9

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