Rambles in Womanland Part 25

CHAPTER II

DO THE BEST WITH THE HAND YOU HAVE

It would be absurd to say that there is no such thing as luck. Of course, there is luck, and fortunate is the man who knows how to seize it at once by the forelock.

For instance, it is luck to be born handsome, strong, and healthy; it is luck to be born rich, or of generous parents who spend a little fortune in giving you a first-cla.s.s education.

What is absurd, however, is to say that you are always unlucky. You cannot always be unlucky any more than you can always be lucky. When a man says to you, 'I am pursued by bad luck,' or, 'This is my usual bad luck,' you know that he is lazy, quarrelsome, unreliable, foolish, or a drunkard.

You may be unlucky at piquet a whole evening--even, though seldom, a whole week; but if you go on playing a whole year every day, you will find that, out of 365 games, you have won about 180 and lost about 180.

I take it for granted, of course, that you are as good a player as your opponent.

There is no more constant luck or constant bad luck in life than there is at cards, but there is such a thing as good playing with either a good or bad hand, and in life such a thing as making the best of fortunate and unfortunate occurrences. A man is bound to have his chance, and his 'luck' consists in knowing how to avail himself of it.

Practically every officer has had a chance to distinguish himself one way or the other, and therefore to be noticed by his chiefs and obtain promotion. Every artist has seen something which may reveal his talent, his genius, if he has any. Every good actor is bound to come across a part which may make his fortune.

The same may be said of literary men and journalists. Every man in business, if he keeps a sharp look-out, has a chance for a good investment that will be the nucleus of his fortune if he knows how to watch and nurse it carefully. What most men call bad luck is not that chance does not present itself to them, but simply that they let it go by and miss it.

If you want to be lucky in life, force luck and make it yourself.

Believe in yourself, and others will believe in you.

Rise early, be punctual, reliable, honest, economical, industrious, and persevering, and, take my word for it, you will be lucky--more lucky than you have any idea of.

Never admit that you have failed, that you have been beaten; if you are down, get up again and fight on. Frequent good company, be sober, constantly take advice, and refrain from giving any until you have been asked for it. Be cheerful, amiable, and obliging. Do not show anxiety to be paid for any good turn you may have the chance of doing to others.

When you have discovered who your real friends are, be true to them, stick to them through thick and thin.

Do not waste time regretting what is lost, but prepare yourself for the next deal. Forget injuries at once; never air your grievances; keep your own secrets as well as other people's; get determined to succeed, and let no one, no consideration whatever, divert you from the road that leads to the goal; let the dogs bark and pa.s.s on. According to the way you behave in life, you will be your greatest friend or your bitterest enemy. There is no more 'luck' than that in the world.

CHAPTER III

BEWARE OF THE FINIs.h.i.+NG TOUCH

'Leave well enough alone,' as the English say, is a piece of advice which may be followed with benefit in many circ.u.mstances of life.

How many excellent pictures have been spoiled by the finis.h.i.+ng touch!

How often have I heard art critics, after examining a beautiful portrait, exclaim, 'H'm, leche!' Well, I cannot translate that French art expression better than by 'Too much retouched--too well finished!'

This is a fault commonly found in women's portraits.

How many fortunes have been lost because people, instead of being satisfied with reasonable profits, waited for stocks to go still higher, and got caught in a financial cras.h.!.+

Even in literature I see sad results, when authors follow too closely that principle laid down by Boileau for the elaboration of style: 'Polish and repolish it incessantly.'

Alas! how many stilted lines are due to the too strict obedience to this advice! What is too well finished often becomes far-fetched and unnatural.

How many sauces have been spoiled by cooks trying to improve what was already very good!

How many wings have been singed for not knowing how to keep at a respectful distance from the fire or the light!

No doubt there is such a thing as perfection; but who is perfect and what is perfect in this world, except that ineffable lady who, some weeks ago, took me severely to task for having written an article in which I advised my readers to be good, but not to overdo it?

The firmaments are perfect, some flowers are perfect, but these are not the work of man. Nature herself seems to have divided her gifts so as to have no absolute perfection in her creatures. The nightingale has song, but no plumage; the peac.o.c.k has plumage, but his voice makes you stop your ears.

And the women! Well, yes, the women--let us speak of them.

Which of us, my dear fellow-men, has not admired a woman of ours whose toilet was finished? We thought she looked beautiful then, we admired her, and we put on our gloves proudly, saying:

'She is coming.' Yet she did not come. True, her hat was on and fixed when we saw her, and we thought that she was ready. Not a bit of it. She was not.

After she has finished dressing, and is absolutely ready to go out, she will begin to fret and potter about in her room for another hour. She goes from looking-gla.s.s to looking-gla.s.s. That is the time when she thinks of the finis.h.i.+ng touches.

She pulls her hat a little more to the right, then a little more to the left, in order to ascertain how that hat can be improved. She touches and retouches her hair.

Her complexion is beautiful, a natural rosy pink, for which she ought to return thanks, all day long, to the most generous and kind Nature who gave it to her. But, at the last moment, she thinks that this, too, might be improved.

So she rubs her cheeks and puts more powder on them. The rubbing makes her cheeks so red that she has to subdue the colour. She works and works, and now takes it into her head that, being warm, her nose must be s.h.i.+ning.

She takes the puff and puts powder on it. An hour before she was a woman who, in your eyes at all events, could not very well be improved.

Now she is ready, and emerges from her apartment. Her hair is undone behind and ruffed in front, her hat is too straight, and her face looks made-up. The rubbing has changed her lovely pink complexion into a sort of theatrical purple red.

You feel for her, because, being very proud of her complexion, you do not want your friends--you do not want anybody--to say: 'Oh, she is made-up.' And you own that she looks it, and altogether she does not look half so well as she did when she had finished dressing, and had not begun the finis.h.i.+ng touches.

Beware, ladies! Many a most beautiful woman has been spoiled by the finis.h.i.+ng touches.

CHAPTER IV

THE SELFISHNESS OF SORROW

Real sorrow is no more expressed by the correctness of a mourning attire and the despair written on a face than true religious fervour is expressed by the grimaces that are made at prayer-time.

Just as we are told in the Gospel to look cheerful and not to frown and make faces when we pray, just so, I believe, those who have gone before us would advise us not to advertise the sorrow we feel at their loss, but keep it in restraint, and not surround ourselves, and especially not compel those who are living with us to be surrounded, with gloom.

The outward signs of sorrow are often exaggerated and not uncommonly nothing but acts of selfishness. The memory of the departed is better respected by control over the most sincere sorrow, and children, young ones especially, who cannot at their age realize the loss they have sustained, have a right to expect to be brought up in that cheerfulness which is the very keynote of the education of children.

The real heroine is the woman who leaves her grief in her private apartments and appears smiling and cheerful before her children. The best way to serve the dead is to live for the living. There is no courage in the display of sorrow; there is heroism in the control of it.