Myths and Legends of Ancient Greece and Rome Part 17

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The change of seasons is symbolized in a myth which represents Vertumnus as metamorphosing himself into a variety of different forms in order to gain the affection of Pomona, who so loved her vocation that she abjured all thoughts of marriage. He first appears to her as a ploughman, typifying Spring; then as a reaper, to represent Summer; afterwards as a vine-gatherer, to indicate Autumn; and finally as a gray-haired old woman, symbolical of the snows of Winter; but it was not until he a.s.sumed his true form, that of a beautiful youth, that he succeeded in his suit.

Vertumnus is generally represented crowned with wheat-sheaves, and bearing in his hand a cornucopia.

PALES.

Pales, a very ancient Italian divinity, is represented sometimes as a male, sometimes as a female power.

As a male divinity he is more particularly the G.o.d of shepherds and flocks.

As a female deity, Pales presides over husbandry and the fruitfulness of herds. Her festivals, the Palilia, were celebrated on the 21st of April, the day on which the city of Rome was founded. During this festival it was customary for shepherds to ignite a ma.s.s of straw, through which they rushed with their flocks, believing that this ordeal would purify them from sin.

The name Palatine, which originally signified a pastoral colony, is derived from this divinity. Her offerings were cakes and milk.

{182}

PICUS.

Picus, the son of Saturn and father of Faunus, was a woodland divinity, gifted with prophetic powers.

An ancient myth relates that Picus was a beautiful youth, united to a nymph called Canens. The sorceress Circe, infatuated by his beauty, endeavoured to secure his love, but he rejected her advances, and she, in revenge, changed him into a woodp.e.c.k.e.r, under which form he still retained his powers of prophecy.

Picus is represented as a youth, with a woodp.e.c.k.e.r perched upon his head, which bird became henceforth regarded as possessed of the power of prophecy.

PIc.u.mNUS AND PILUMNUS.

Pic.u.mnus and Pilumnus were two household divinities of the Romans, who were the special presiding deities of new-born infants.

SILVa.n.u.s.

Silva.n.u.s was a woodland divinity, who, like Faunus, greatly resembled the Greek Pan. He was the presiding deity of plantations and forests, and specially protected the boundaries of fields.

Silva.n.u.s is represented as a hale old man, carrying a cypress-tree, for, according to Roman mythology, the transformation of the youth Cyparissus into the tree which bears his name was attributed to him.

His sacrifices consisted of milk, meat, wine, grapes, wheat-ears, and pigs.

TERMINUS.

Terminus was the G.o.d who presided over all boundaries and landmarks.

He was originally represented by a simple block of stone, which in later times became surmounted by a {183} head of this divinity. Numa Pompilius, the great benefactor of his people, anxious to inculcate respect for the rights of property, specially enjoined the erection of these blocks of stone, as a durable monument to mark the line dividing one property from another. He also caused altars to be raised to Terminus, and inst.i.tuted his festival (the Terminalia), which was celebrated on the 23rd of February.

Upon one occasion, when Tarquin wished to remove the altars of several deities, in order to build a new temple, it is said that Terminus and Juventas alone objected to being displaced. This obstinate refusal on their part was interpreted as a good omen, signifying that the city of Rome would never lose her boundaries, and would remain ever young and vigorous.

CONSUS.

Consus was the G.o.d of secret counsel.

The Romans believed that when an idea developed itself spontaneously within the mind of an individual, it was Consus who had prompted the suggestion.

This applied, however, more particularly to plans which resulted satisfactorily.

An altar was erected to this divinity on the Circus Maximus, which was kept always covered, except during his festival, the Consualia, which was celebrated on the 18th of August.

LIBITINA.

Libitina was the G.o.ddess who presided over funerals. This divinity was identified with Venus, possibly because the ancients considered that the power of love extended even to the realms of death.

Her temple in Rome, which was erected by Servius Tullius, contained all the requisites for funerals, and these could either be bought or hired there. A register of all deaths which occurred in the city of Rome was kept in {184} this temple, and in order to ascertain the rate of mortality, a piece of money was paid by command of Servius Tullius, on the demise of each person.

LAVERNA.

Laverna was the presiding G.o.ddess of thieves, and of all artifice and fraud. There was an altar erected to her near the Porta Lavernalis, which was called after her, and she possessed a sacred grove on the Via Salavia.

COMUS.

Comus was the presiding genius of banquets, festive scenes, revelry, and all joyous pleasures and reckless gaiety.

He is represented as a young man crowned with flowers, his face heated and flushed with wine, leaning against a post in a half-sleepy and drunken att.i.tude, with a torch falling from his hand.

THE CAMENae.

The Camenae were prophetic nymphs held in high veneration by the ancient Italians. They were four in number, the best known of whom are Carmenta and Egeria.

Carmenta was celebrated as being the mother of Evander, who led an Arcadian colony into Italy, and founded a town on the river Tiber, which became afterwards incorporated with the city of Rome. Evander is said to have been the first who introduced Greek art and civilization into Italy, and also the wors.h.i.+p of Greek divinities.

A temple was erected to Carmenta on the Capitoline Hill, and a festival, called the Carmentalia, was celebrated in her honour on the 11th of January.

Egeria is said to have initiated Numa Pompilius in the forms of religious wors.h.i.+p, which he introduced among his people. She was regarded as the giver of {185} life, and was therefore invoked by women before the birth of their children.

The Camenae are frequently identified by Roman writers with the Muses.

GENII.

A comforting and a.s.suring belief existed among the Romans, that each individual was accompanied through life, from the hour of his birth to that of his death, by a protecting spirit, called his genius, who prompted him to good and n.o.ble deeds, and acted towards him as a guardian angel, comforting him in sorrow, and guiding him throughout his earthly career.

In the course of time a second genius was believed to exist, of an evil nature, who, as the instigator of all wrong-doing, was ever at war with the beneficent genius; and on the issue of the conflict between these antagonistic influences, depended the fate of the individual. The genii were depicted as winged beings, greatly resembling our modern representations of guardian angels.

Every state, town, or city, (as well as every man), possessed its special genius. The sacrifices to the genii consisted of wine, cakes, and incense, which were offered to them on birthdays.

The genius which guided a woman was called, after the queen of heaven, Juno.

Among the Greeks, beings called Daemons were regarded as exercising similar functions to those of the Roman genii. They were believed to be the spirits of the righteous race which existed in the Golden Age, who watched over mankind, carrying their prayers to the G.o.ds, and the gifts of the G.o.ds to them.

MANES.

LEMURES (LARVae) AND LARES.

The Manes were the spirits of the departed, and were of two kinds, viz., Lemures (or Larvae) and Lares. {186}

Myths and Legends of Ancient Greece and Rome Part 17

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Myths and Legends of Ancient Greece and Rome Part 17 summary

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