The Bobbin Boy Part 25
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Here was one of the fruits of going to the theatre. What had been witnessed there created the desire to undertake the same, although Nat's object was to improve himself in rhetorical exercises. But the enterprise grew out of his visits to the theatre, and was well suited to excite critical remarks. It is probable that most actors and actresses are made so by first witnessing theatrical performances. We are acquainted with a person, whose nephew is an actor, with no purer character than actors usually possess. He was a lover of books in his youth; and his desire to become an actor was begotten in the theatre.
He was so delighted with what he saw on the stage, that he finally resolved to make stage-playing his profession; and he now belongs to that unhonored fraternity. It is not strange that some people were surprised that Nat should originate such a society.
"What shall we play?" inquired Frank, on the evening the dramatic society was organized.
"'Macbeth,'" replied Nat, who had witnessed this at the theatre. "It may be more difficult than some others, but it is one of the best plays."
"_You_ must get up the scenery," said Frank.
"With the a.s.sistance of the rest of you," replied Nat. "It will be no great affair to paint what we want for this play."
"How long will it take?" inquired Marcus.
"We can do it in two evenings," answered Nat. "We ought not to be longer than that, if we intend to commit the play so as to act it next week."
"No one but members of the society will be admitted, I suppose," said Charlie, "until we have thoroughly practised the play."
"No; we must speak it over and over, so that it will be perfectly familiar, before we attempt it before visitors."
On that evening the society was organized by the choice of officers and the adoption of a const.i.tution and by-laws. Nat had the chief agency in preparing the const.i.tution and by-laws, as he did in the debating society, and he found that a knowledge of grammar was indeed a decided a.s.sistance. He was often reminded of the remarks of his teacher, when he (Nat) was opposed to studying the science.
[Ill.u.s.tration]
It was decided to act "Macbeth," and the parts were a.s.signed, and the time of the first meeting appointed. Many of the young people joined the society, and were much interested in its object. Such an organization was suited to awaken more enthusiasm among the young, than a debating society.
It was a pleasant evening on which the play was to be performed for the first time, and every member of the society was there, curious to behold the result. It went off with considerable eclat, although there were some blunders and mistakes, as might have been expected. Even Charlie, who was incredulous about their success, confessed that it pa.s.sed off very well. The scenery, which had been prepared by the boys, under Nat's direction, was quite decent, and it showed that Nat's early practice of drawing was very useful to him now. It would not bear very close inspection, it is true; but a short distance off, and by lamp-light, it looked very well.
Thus evening after evening they met, with closed doors, to practise the piece. At length, concluding that they could entertain an audience, they decided upon a public performance. The plan was adopted with much spirit, and all were resolved to do their best.
The entertainment was given at the appointed time, and a good audience a.s.sembled. Each one performed his part well, but Nat, as usual, was thought to excel.
"I had no idea the boys would do so well," said Mr. Graves. "I am surprised that Nat should perform so handsomely; he would make a complete actor with practice."
"Marcus did very well indeed," replied the gentleman to whom he addressed the remark; "in fact, all of them exceeded my expectations.
But Nat plays as if he were perfectly at home."
"I don't know about the influence of such things," added Mr. Graves. "I have my fears that such a society will foster a love for theatrical exhibitions of a far more exceptionable character."
"I feel exactly so, too. I think it may lead some of the young people here to attend the theatre, when otherwise they would not. There is no doubt that Nat originated this society in consequence of attending the theatre himself. If nothing worse than such an exhibition as we have had to-night would grow out of it, it would be well enough. I would say amen to it. But I fear that it will lead to something else."
"There is the danger," replied Mr. G. "Young people are easily led astray by such appeals to their senses, and the more easily because they do not see any evil in them. It is just as it is with using intoxicating drinks. A young man sees no wrong in sipping a little wine at a party; but that first wine-gla.s.s may create an appet.i.te that will make him a drunkard. So the sight of such a theatrical performance as this may lead some of the boys to want to witness a play on a grander scale at the theatre."
The exhibition of the Dramatic Society occasioned many remarks like the above in the village. Some people had expressed their opinions unfavorably before the exhibition, but this settled the matter in their view. The very skill which the boys displayed in the performance served to awaken still greater fears; for the greater the witchery of the play, the more danger to the young.
"Thar," said old Mrs. Lane, who entertained us on a former occasion, "I knowd that it would turn out so. It is jist what I telled ye, when I heard Nat went to Boston nights arter great speakers. You'll have to b'lieve me byme bye whether or no."
"Ah!" said the lady addressed, "it would all have been well enough if Nat had confined his attention to that. Perhaps it will be well enough now, though I fear that theatrical performances will have a bad influence."
"Pesky bad," replied the old lady. "When boys are runnin arter such things allers, there is no tellin whar they'll stop. And thar's the danger of too much edication. If Nat had stuck to his bobbin, and never knowd any thing else, I guess it would turn out better for him in the eend. I don't b'lieve in so many new-fangled notions as they have in these ere times."
"I have no fears for Nat," responded the lady; "for I think he partic.i.p.ates in these things for self-improvement; but others may do it for the sake of the amus.e.m.e.nt. I am afraid that others may imbibe a taste for the drama, and become theatre-goers in consequence."
"You seem to think that Nat can't be spiled; but I take it that his good motives can't make the theatre good. It is a corruptious place, anyhow, and if it don't spile him, it won't be because it ain't bad enough."
"Time will show us the result," continued the lady. "But they say Nat exhibited marked talents for the drama at the exhibition. Several persons have told me that they were surprised at his ability, but I am not; for he always excels in whatever he undertakes. He enters into every thing with all his heart, and does it with all his might."
"Lor, yes, we all know that," replied Mrs. Lane; "and so I reckon that if the theatre should spile him, he would be wicked with all his might.
He'd make a rale prodergal son, only more so."
On the point of Nat's excellence in performing the drama, the following conversation took place after this public entertainment.
"You ought to be an actor," said Charlie to him. "You are exactly cut out for it, and every one who heard you the other night would tell you so."
"So far as that is concerned," answered Nat, "the profession of an actor is the last one I should choose."
"Why?" inquired Charlie. "I thought you was in love with the business."
"By no means. I have told you over and over my object in going to the theatre, and in forming the Dramatic Society, but you always appear to doubt me. I would not be an actor even if I could be as famous as Booth."
"You would not? and yet many seem to think you have a taste in that direction, and _I_ have thought so too. But tell me why not."
"Because I have little respect for the business as a profession. It affords a brief pleasure to an audience for a short time, and that is all it amounts to. I think it is a good discipline for us in the Dramatic Society, and I know that I learned some valuable lessons at the theatre, and I am still of the opinion that a theatre might be so conducted as to prove a source of innocent amus.e.m.e.nt, and not a curse."
"You couldn't make many of the people in this community believe that,"
said Charlie. "They think it is a gone case with you since you have favored theatricals."
"I know that," replied Nat, "and they would not believe me if I should tell them what I have you, so that I see no way to convince them but to wait, and time will do it. I would carry bobbin all my life before I would be an actor."
"Well, what would you be, Nat, if you could have your own way?" inquired Charlie.
"I would be an orator and statesman like Edward Everett," quickly answered Nat. "I always had great respect for such men. It is easy to respect them; but no man can cherish high respect for an actor."
Here the conversation was interrupted.
CHAPTER XXIII.
THE SURPRISE.
"Heard the news, Nat?" inquired Frank one morning.
"No, what is it?"
"The men are going to annihilate our Dramatic Society in the lyceum next week. They are going to debate a question about dramatic exhibitions, I understand."
"Oh, I had heard of that," replied Nat. "We seem to be of much consequence just now. I hardly thought we were able to create such a commotion."
The Bobbin Boy Part 25
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The Bobbin Boy Part 25 summary
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