The Lion's Mouse Part 15
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"I almost think I would. I'll give the pearls up to Mrs. Heron if you'll do as--as Clodagh Riley asked you to do. Oh, for pity's sake! I'd pay more than the pearls for those papers. I'd pay with my life if that would be of any use. I know it wouldn't. But the pearls--can't we bargain with the pearls?"
"We can't bargain at all, Mrs. Sands," O'Reilly said gravely. "I must go. I have an engagement to dine with the Herons. I should like to hear how my namesake is, and then I will be off."
Beverley had expected little from an appeal to this man's pity, but the coincidence of Heron's desire for the pearls was so strange that it ought to mean something. It seemed terrible that such a chance should be wasted. Could she persuade Roger to let her give up the pearls? O'Reilly would look at the wonderful things and report upon their beauty. The Herons might be tempted to treat with her. In any case, the scheme was worth the trial.
Silently she went to the door that she had closed, and peeped into Sister Lake's room. It was no surprise to her that Clodagh should have vanished. That was part of the plan. Her exclamation was for O'Reilly's benefit.
"The child's gone!" she cried. "That means she's feeling better. She must be in my room--or in my boudoir. Will you come with me? We'll look for her. It will be on your way out."
O'Reilly followed into the hall. Beverley, thinking quickly, went to the door of her own special sitting room, which adjoined her bedroom. A backward glance told her that the man had stopped facing the vestibule which gave exit from the flat. "Wait one moment," she said. "I'll see where Clodagh is." As she touched the door of the boudoir she was surprised to find it yielding before she turned the handle. This was odd, because she remembered shutting it the last time she came out. She had left the room only at the moment when O'Reilly brought in the half-fainting girl; and she had been particular to close the door because of the pearls. She had placed them on a table in the boudoir, ready for the pearl-stringer. Not that she feared their being stolen!
Her own maid had been sent out for the afternoon. Two of the other servants had been given a holiday. Only the butler, the cook, and his a.s.sistant were at home, and all three had been in Roger's employ for years. They were above suspicion, and besides, they knew nothing of the pearls. Not a soul knew, save herself, Roger, Clo, and now O'Reilly.
Roger had started off in his car before she brought the pearls from her bedroom into the boudoir. Who, then, had opened the door? Perhaps, after all, Clo had not dared attempt the second adventure. Perhaps she was still in the flat, and for some reason to be explained later, had taken refuge in the boudoir?
A glance, however, showed that the girl was not there. The electric light flashed upon a room untenanted. There was the magnificent but broken rope in its case, wound in gleaming, concentric circles, the unstrung pearls retrieved from the floor grouped together on the purple cus.h.i.+on. The door stood open between boudoir and bedroom. Beverley thought that this had been shut also, though she was not sure. "Clo!"
she called softly. There was some slight sound, or she imagined it.
Quickly she went to the bedroom door, and peeped in, flooding the place with light. Clo was not to be seen. Turning off the electricity again Beverley went out to O'Reilly in the hall.
"Come with me one moment," she said. "I've something to show you."
O'Reilly hesitated.
"Is your friend there? Does she wish to speak to me?" he asked.
"Come and see," Beverley persisted. She led the way into the boudoir, and reluctantly her companion crossed the threshold. Mrs. Sands pointed to the pearls. "I wanted so much to show them to you. See how wonderful they are! Mr. Heron's so proud of his wife. I could arrange some plan, I'm sure, if--if----"
A door slammed, and Beverley's sentence broke off with a gasp.
Mechanically she shut down the cover of the velvet case. If Roger had come back; if, after all, he had only pretended to go for the pearl-stringer! She dared not guess what he would think at finding O'Reilly with her in his house. Too well she remembered the day of their one quarrel, when he had brought up this man's name in connection with Clo's, when he had accused her of crying it out in her sleep.
"Mr. O'Reilly," she said, very quietly, "that may be my husband coming home. If it is, you will have to meet him. It can't be avoided. But I should like to speak to him first, if you will wait in this room for a moment."
Without giving him time to answer she ran out. Minutes pa.s.sed. Justin heard voices, women's voices. One, it seemed to him, was raised in anger. After all, it couldn't be Sands who had come! O'Reilly grew impatient, and fumbling for his watch he found it gone. Great Scott!
Stolen! He remembered a certain small key attached to the chain. In a flash of enlightenment the whole plot mapped itself out before his eyes.
Furious, his impulse was to dash from the room and denounce the chief culprit. But Beverley Sands' appeal to his chivalry stopped him like a chain round his feet.
Now she called his name, and he opened the door.
"It was my friend's nurse who came in," she said. "She threatens to leave at once. I must talk with her, try to soothe her down before my husband comes. He hasn't arrived, after all--and may not for a long time. But the way I felt when I thought he was here, shows me I oughtn't to keep you. Tell me once and for all before you go, now you've seen the pearls; is there any hope?"
"None whatever," O'Reilly cut her short. "I'm going, Mrs. Sands. You need have no fear of me where your husband's concerned, though I understand now exactly why I was brought here, why I was kept till you were afraid to keep me longer. Your little friend is as smart at picking pockets as she is at acting. Again, I congratulate you upon her. But the effort's going to be wasted. Good-night."
Beverley stood still, and let him go. She had no answer to make.
Precisely what he meant by his accusation she did not understand, but she knew that, while she detained him, Clo had indeed dared the great adventure. For a moment Beverley thought of the pearls almost with distaste. That they should come to her to-day, when she cared for nothing in the world but the lost papers, was an irony of fate. She did not return to the boudoir. She forgot the mystery of the open door, and neglected to close it. She was nervously anxious to excuse herself to Sister Lake. Above all, it was her duty to defend Clo. She must confess that it was upon her errand the girl had defied authority.
"Please don't blame the child," she pleaded. "She knew I needed something done for me--a thing I couldn't do myself. So she made this sacrifice. You must forgive us both."
But Sister Lake was not to be placated. If Miss Riley were well enough to do Mrs. Sands' errands by day and night, a nurse's services were no longer needed. Sister Lake considered herself well paid, and would accept no present in addition. The butler was summoned to call a taxi and attend to sending down the small luggage. Meantime the Queen's pearls were forgotten.
XIV
THE STONE COPING
This was bad luck! Clo had not expected O'Reilly to track her down so soon. But he was at the door. There was only that frail barrier of wood, and the s.p.a.ce of a few seconds between them! He had discovered the loss of his door key, and doubtless the other loss as well. He had guessed who was the thief, and what was the thief's motive. He had hurried home.
A moment more--just the little delay of fitting in a pa.s.s key--and he would catch the culprit red-handed; he would deprive her of the spoils!
Clear as a "cut in" from some moving picture, a scene rose before Clodagh's eyes. She saw herself at grips with O'Reilly. She saw him wrench the envelope from her hands as she resisted. She saw herself sobbing over her failure and Angel's lost hopes. That picture mustn't come true! The key attached to the watch-chain, she had removed from the safe door, and had laid watch and all on a buffet. Beside them she had placed the door key. Now, as the chambermaid chattered in the corridor, and O'Reilly made light of his loss, Clodagh moved faster than any figure in a moving picture. She s.n.a.t.c.hed up everything on the buffet, pushed all into the safe, softly shut the steel door, concealed it with the panel which slipped readily into its groove, and fled into the adjoining bedroom.
Lights from across a court showed that the sole doors were those of a bath and a clothes-closet. There was no way out from the bedroom.
Entrance and exit to the suite were to be had only through the sitting room.
"I might have known," Clo reflected. Too late she recalled that through the nearest door had appeared the couple in evening dress. She was caught like a mouse in a trap (poor mouse, who had meant to gnaw the encircling net!) caught unless--unless! Her heart gave a leap as she saw the one way out.
The night was warm, and the window had been opened wide to let in the blue dusk. Light from opposite windows giving on the court shone upon a stone coping. It was broad, as copings go, broad enough for some white roses dropped from a window above to lodge without falling farther. It was this conspicuous splash of white on the dark stone which put into Clo's mind the word "unless."
The chambermaid was rattling her pa.s.s key in the lock. If the thing were to be done, it must be done now! Yes, that stone coping ran all the way along under O'Reilly's window as well as those opposite. It was quite fourteen or fifteen inches in width, Clo thought, and was placed twice as many inches below the window sill. It would be easy to step down on to the ledge; and only a short distance away was the window of the next room, a room in the suite occupied by the couple she had seen. That window was open, like O'Reilly's. Clo could be sure of this, because the lace curtains were blowing out in the draught from some other window.
They were of thick lace covered with embroidery, and if one could catch hold of a curtain as it blew the stuff wouldn't tear. As for the stolen envelope, it was safe in one of those odd, new-fas.h.i.+oned pockets of hers. Hastily she made it more secure with a big pin, by which she fastened it to the cloth of her dress. Thus both hands were free. But it took courage to start!
"Oh, I must, I must do it!" she thought, her body ice, her soul aflame.
"It's for Angel! If I don't look down, I shall be all right. And even if I fall and smash like an egg I'll be no worse off than before she saved me. I'll be back just where I was that day."
Uninvited, the chambermaid had followed O'Reilly into the next room. She was talking volubly, hoping that he'd mislaid the door key, that it hadn't been stolen. Clo, in making her dash for the bedroom, had quietly closed the door between, but she could hear that the two were talking.
Anyhow, the girl tried to think, it was the first step that cost! Once outside the bedroom window, plastered against the wall, the danger of being caught was over. O'Reilly would search the clothes-closet, and peer into the bath. Then he would suppose that the bird was already flown. Never would he dream that a girl would dare what she meant to dare.
Oddly enough, that reflection decided Clo to act. For the moment, fear left her free. She stepped briskly over the window sill with one foot, and landed on the ledge. It felt solid, almost comforting; but as she groped for it with the other foot, horror caught her again, poured through her veins like iced water and made her heart feel a dead thing.
She tried not to think of anything except that kind curtain flapping in the wind. She clung to the window-frame with fingers so damp that they slipped on the stone. Holding on for dear life--yes, life was dear, now it hung by a thread!--she edged along, her cheek sc.r.a.ping the wall as she moved. One step, two, three--another would take her so far that she must let go of the window frame. Could she reach the blowing curtain? A few moments ago it had seemed to beckon. Now she depended on it the white folds eluded her hand. If the wind dropped, she was lost. She couldn't help thinking of all the things she wished not to think of. She thought of that immense depth below her narrow perch. She didn't believe the man or woman lived strong-minded enough to forget it!
As she reached out with her free arm for the curtain, a light sprang up from the room she had left. O'Reilly was there, searching for her. It had been simple to say, while she stood on a solid floor, that he would not look out of the window. But he might look out: he might hear her feet shuffling along the ledge. If his head appeared now, she would fall.
The girl began to shake all over like a winter leaf on a high branch.
She would have to go, she thought. But the curtain was blowing very near, so near that she ventured another step. The lace brushed her fingers. With a last effort she grasped a fold. Courage came back. Now she had let go of O'Reilly's window frame. She had pa.s.sed on beyond hope of return, and yet she had no firm grasp upon the curtain. Before it could give the support a rope gives a climber, she must slowly, patiently, draw it toward her inch by inch until she had it taut.
"Angel, are you praying for me?" she wondered. Because she could not pray for herself. She could only count. Dimly, she felt it odd that it should calm her nerves to count each time her fingers closed upon the curtain. But it did calm them.
"Seven, eight, nine, ten." The fold of lace began to be taut. Drawing it toward her, she started on once more on that endless journey of a few inches. Thank heaven, the light in O'Reilly's bedroom had been switched off. The man must have given up the chase, and gone back to the sitting room. For the present she was safe from him. But what a queer word "safe" was, just then. "Eleven, twelve, thirteen." Thanks to the curtain rope, she had almost reached her goal. "Fourteen, fifteen." She had got so far that she could let the curtain go and fling her arms over the window sill. She threw her body upon it, and lay still for an instant, utterly spent now the strain was over. But was it over? No, not yet. If her feet slipped from the coping, she would have no strength for the effort of climbing in at the window. She would hang for a minute and then--drop.
"The papers," she reminded herself, for a mental tonic. "They're so nearly safe now. Brace up, Clo! A minute more and you'll be out of trouble."
The room beyond was, like O'Reilly's, unlighted. Thank goodness, there'd be no squalling lady's maid to give an alarm. Clo allowed herself time to breathe, resting on the window sill. Then she prepared to draw herself over. Wrapping the curtain round her right hand, and clutching the lace firmly with her left hand, she found a heavy piece of furniture just inside the window. It seemed to be a dressing-table with a mirror suspended between two spiral posts. Grasping one, Clo pulled the table closer, till it refused to move. This gave a lever on which she might depend. She clung to the curtain and post, till she could plant first one knee, then its fellow, on the window sill. It seemed an easy thing to do, and would have been easy had not her strength been nearly spent.
Her quivering muscles responded slowly to this last call, but they did respond. Soon she was kneeling on the window sill. Then one foot was over, groping for the floor. She had just found it when a key grated in a lock, and before she could hide behind the curtains a door opened wide. A flood of light streamed in from the corridor, and outlined her white form against the blue background of the night.
XV
The Lion's Mouse Part 15
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The Lion's Mouse Part 15 summary
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