Sonnie-Boy's People Part 26
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"'Easy enough,' I says. 'n.o.body here cares whether I stay aboard or get away, and n.o.body's watching me too close. You ask the executive officer's permission to go down aboard your quarter-boat, swinging from the boom there, by way of seeing it's all right, and you get into it and look it over, and the last thing you do before leaving it you unfasten the painter and let her go adrift. And in the morning, when you see the _Hattie_, Johnnie Sing and his wife will be aboard--- on her deck in plain sight. And then you come and get 'em. But you'll have to come and get 'em yourself--and give me five hundred dollars now on account--good money, mind.' And he does--good money.
"And while he's going down over the boom ladder to one side I'm climbing down a side ladder on the other, and soon standing on the last rung, just above the water-line, and waiting. And pretty soon I see the shadow of our quarter-boat drifting past her stern, and as I do I slips overboard and strikes out for her, quiet and mostly under water, because I had my clothes on.
"I get aboard the quarter-boat and I let her drift till maybe I am a quarter of a mile away, and then I out oars and heads her in for where I can see the _Hattie's_ riding light. I comes alongside. Archie's shape looms up over the rail. 'Hi-i!' he yells, 'keep off!' 'It's all right, Archie,' I says, and he reaches down and takes the painter. 'What's doing?' he says.
"'Where's Johnnie Sing and his wife?'
"'She's asleep in the cabin and he's awake watching her. What you going to do?'
"'You tell Johnnie here's his five hundred pa.s.sage money back, will you, Archie? And then we'll make ready to skip out of here.'
"'Skip out? Not enough wind,' says Archie.
"'Not now,' I says, 'but there will be.'
"'I hope so,' says Archie, and calls Johnnie and tells him, and I gives him his money which he didn't want to take but had to and we slip her chain cable but left her riding light on a buoy in case the gunboat watch were having an eye on her. 'And now,' I says, 'to that lighter where those bales of hemp are.'
"'Hadn't we better put straight for the open sound and head to sea,'
says Archie, 'while it's dark? What do we want with a lot o' hemp?'
growls Archie.
"'We'll go after the hemp, all the same, Archie,' I says.
"It took us three hours from our anchorage to make the lighter, where the hemp was, and that made it midnight. We let the schooner drift a couple of hundred yards off the little pier, and Archie and me paddled ash.o.r.e in our quarter-boat with a spare lantern.
"There was the lighter, but no bales of hemp. Up on the pier, about two hundred yards, we see a streak of light. We crept up to that, and through a pane of gla.s.s high up--me standing on Archie's shoulders to get a look through--was four men playing cards, with money and a bottle of whiskey and a kerosene lamp on the table. We looked around. On the narrow-gauge railroad track we found the little flat hand-car, and on that, under a tarpaulin, were the bales of hemp.
"We crept around to the door of the shack. By feeling we saw it opened out; so the two of us felt around for big-sized stones, a hundred pounds apiece, or so, and them we piled in front of the door, fifteen or twenty of 'em, very softly, and then I whispers to Archie to hustle the flat car along to the pier.
"And he did, but in getting started the car wheels grinded a little, and somebody inside yells, 'What's that!' and again, 'Listen!' and then I could hear one of 'em jumping up and cursing and swearing: 'What started her?' Next thing somebody rattled the door-latch and pushed. And pushed again. And then--bam! his whole weight against the door. The top part springs out, but the bottom half sticks.
"Then there was a quiet, and then somebody said something quick, and I could hear 'em all jumping up and yelling out, and they came piling bang-up for the door and slammed against it, but the big stones held 'em. Then they stopped, and one of 'em says: 'We're locked in all right.' 'Yes,' I calls out, 'and you'd better stay locked in, for the first man, and the second man, and the third man comes out the door he gets his. And now, men,' I calls out, 'keep that door covered and cut loose if it's knocked open.' And then I hurried after Archie's lantern, which I see is now to the pier.
"It didn't take us more than a couple o' minutes to pitch those little bales off that car, tote 'em across the lighter and drop 'em into our quarter-boat. Then we rowed out to our vessel and threw them over the rail and let 'em lay there amids.h.i.+ps till we could get a chance to rip 'em open and see what we got.
"It was then two o'clock, and 's by this time the breeze'd made a bit, I was hoping we'd slip by the gunboat before daylight. And we did--almost; but not far enough by. Before the sun was fair up they saw us and puts after us. It took her a few minutes to get under way and steam up on her, and then she came a-belting. Twelve knots she was probably steaming, but by now the breeze was strong enough for the _Hattie_ to hold her own, but not to draw away. And soon the breeze comes stronger, and we begin to lengthen and draw away from the gunboat. And it breezed up more, and the _Hattie_, balloon and stays'l on now, and taking it over her quarter, was beginning to show the stuff in her.
"She was lifting her forefoot and kicking her way through like she knew what we wanted. We were walking away from the gunboat, and I was wondering why she didn't reach out for us with one of her long five-inch lads. But I see why pretty soon. In the clearing light a point of land shows up ahead of us, making out maybe a couple of miles to the windward of our course. We couldn't turn out, for here was the main sh.o.r.e and there was the gunboat. 'And a pity, too,' I says to Archie, 'with enough opium aboard to keep us many a year.'
"Archie'd 'most forgot the bales. 'Cut 'em open,' I says to him, and he did, and out they come--six or eight pound tins they looked--dozens of 'em. And Archie, looking at the bright s.h.i.+ny tins, said, 'What a pity!'
again, and we both said what a pity it was, too, for Johnnie Sing and his wife. 'But don't you worry about 'em,' I says; 'Nor you about your wife,' I says to Johnnie, who was looking heart-broken, with his arm around her.
"All the time we were hopping on toward the point, and if 'twas anything but a steamer with guns was chasing us we'd 'a' squeezed by, and, once by, it was good night to the gunboat or anything like her in that breeze. It looked that way even as it was, till a sh.e.l.l goes skipping across the water ahead of us. In half a minute there came another one astern. There wasn't any sea on this time--insh.o.r.e this and the water smooth, and the two sh.e.l.ls had a fine chance to show how they could pile up little hills of water and then go skipping across the surface, making quarter circles to the right. I had hopes, a few hopes yet. For the wind was still there, and the _Hattie_ she had everything on her, and she was pirooting 'tween earth and sky like a picnic swing. And looking out in terror was Johnnie Sing's little wife, and I was saying to her: 'She's all right--she'll stay up, never fear.'
"'Oh, she'll stay up,' says Archie, 'if one of them sh.e.l.ls don't come aboard,' and we both eying a flash o' flame that just then came out the side of the gunboat.
"'They're only fourteen-pounders,' I says.
"'Is that all?' says Archie. 'Only fourteen pounds o' nitroglycerine, or cordite, or dynamite, or guncotton, or whatever 'tis they packs into 'em! Only fourteen pounds!--and fourteen ounces is enough to send the _Hattie_ to the clouds and eternal glory if ever it comes aboard,' and just then one came right under her forefoot and another under her counter. And I looks back to the gunboat. She's less than a mile away now, and I takes the gla.s.ses and has a peek, and I imagines I sees a tall, rangy lad standing beside a long, slim, steel-s.h.i.+ny, needle-lookin' gun, and I says to myself: 'Eddie boy, you miss us about twice more and Alec Corning'll be buying you more than one drink next time we meet,' for I knew the end was near. Ahead of me I see a pa.s.sage making an island of the last half mile o' that point o' land, and it looked like water enough in the pa.s.sage to let the _Hattie_ through.
"I calls out to Archie and tells him to heave the tins of opium into the quarter-boat, and he did, and 'Now get into her,' I says, 'and pull for the beach.' And they did, me staying aboard the _Hattie_ to luff her for them to get away. And then I cut the stays'l free and gave the _Hattie_ her wheel again, and when she was going full-tilt I jibed her over, and she had everything on, and it was blowing blue devils, and only one thing you'd think could happen after that long main-boom went swinging across her deck--over the side had to go her spars. But they didn't. A twenty-two-inch forem'st she carried, a great stick, and when she was away again and going straight for the pa.s.sage I says to myself: 'You'll have to hurry, Ed Gurney, or I'll be beating you to it!' For after all, when you're put to it, Durks or no Durks, there's only one thing to do--try and save your vessel.
[Ill.u.s.tration: "Just then one came right under her forefoot and another under her counter. And I looks back to the gunboat."]
"The _Hattie_ rushes straight for the pa.s.sage, and I thought maybe she'd make it, when whing! whing! whing! you'd think somebody was trying to cut his initials in the water around her. One after the other, like somebody having fun with her, and then wr-r-t! I felt her s.h.i.+ver, and then she seemed to shake herself, and then straight into the air her bowsprit seemed to rise and point to the morning sky, and from out of her waist came flame and smoke. Straight on and up the bowsprit went, and down! and plump! her after-part went! and flying junks of one thing and another filled the air, and some smoke, and then in the sea around the small parts that'd blown up began to fall. But I wasn't watching them. I was watching the for'ard half of her as it went pitching up, the bowsprit making a quarter circle in the air, and then plunk! down and under. The great little _Hattie_ was gone. By that time I was in the water reaching out for the quarter-boat.
"'Too bad,' says Archie, 'too bad!' when I was safe in her. 'Too bad!'
he says, and stops rowing. 'Pull, you sentimental loafer; pull for the beach!' I yells at him.
"And he did, and we all did--all but Johnnie's wife--and landed, and ran up and hid in the brush up top of the cliff, and lay on our stomachs watching the gunboat come stealing in and put off a steam-barge and grab our quarter-boat with all the opium in it. And we could hear Ed Gurney whoop when he held a tin of it aloft. 'Man, tons of it, tons of it!'
Archie swore he could hear Ed yelling, and we guessed that would square him for those few wide shots. And then they headed back and went aboard the gunboat, and pretty soon she steamed off.
"'Vessel and opium both gone--I wonder how Durks is feeling now,' says Archie; 'and we with his--but how much is it altogether, Alec?' And that reminded me, and I says to Archie, 'Where'd you leave your two hundred dollars?' and he stops and swears. He'd left it under his mattress in the cabin of the _Hattie_. And I'd left my five hundred hanging up in my coat in the cabin of the _Hattie_, and there she was in ten fathom of water. I broke the news to Archie.
"Archie said he'd be d.a.m.ned. Then: 'How'll we get out of here? For we gotta go east after this, Alec.'
"And Johnnie Sing, listening, takes the five hundred I'd given him and hands it to me. I don't want to take it, and he says, 'Plenty more--see,' and with his jackknife begins opening the wadding of his coat, and out come bills and bills and bills. All his property, twenty-odd thousand dollars, was sewed up there in big bills. And when 'twas all out he offers it to us, telling us to help ourselves. And Archie and me said no, the five hundred would do us to pay our way back to Gloucester here, and meals on the way, o' course. And Johnnie, by our advice, he comes east, too, with his little wife, and stepped off in New York; and that's where we left him.
"A fine little team, Johnnie and his wife. And the _Hattie_? If there's any of you never seen her, then you ought to when she was alive. A great little vessel, the _Hattie Rennish_!"
KILLORIN'S CARIBBEAN DAYS
Revolutions? These days? In those South American countries? Sh-h, boy, sh-h--you don't know. In th' old gunboat days in the Caribbeans we never called it a good week 'nless we suppressed three or four. And at that I think we used to miss some.
Believe me, son, those were the days when they knew how to revolutionize. You'd turn in of a night with the Blues or the Reds or Greens, in, and have breakfast maybe in the mornin' with the Purples or the Violets and bra.s.s bands celebratin' the vict'ry in the Palace square.
And the first thing every new party did when they got in was to start up the Bureau of Printin' 'nd Engravin' and roll off a few billion dollars of gover'ment money. In Guadalquique the money for all parties was the same, except each party used to rubber-stamp its name across the face.
An old navy yeoman hit the beach there one time named Tommie Anderson and he was made chief of the Bureau o' Printin' 'nd Engravin' by the Greens because he could make a rubber hand-stamp while they waited.
Some traitor who didn't get his 'd absconded with the 'ficial one, Tommie said.
Of course that kind o' work tends to debilitate the best kind o' money.
In Almatara, which was one o' the best little revolutionary countries ever I struck, you could see n.i.g.g.e.r boot-blacks shootin' c.r.a.p for two or three thousand dollars a throw of a holiday in the market square. It used to cost a thousand dollars for a s.h.i.+ne--that's a first-cla.s.s s.h.i.+ne for a foreigner, I mean. The natives didn't have to pay that much.
Yes sir, son, a great old cruisin'-ground in the old days, the Caribbeans, and fine times there, believe me. In the old _Hiawatha_ we'd be layin' in to Kingston, or Havana, or Matanzas, or some port along there, with big liberty parties ash.o.r.e every day, when word 'd come from Was.h.i.+ngton tellin' us there was h.e.l.l to pay over to Guadalquique, or Almatara, or somewhere else, and for us to beat it over there and sit on 'em before they got going.
The _Hiawatha_ she was a good old gunboat ratin' four fourteen and two six-pounders, and, bein' the handiest thing in the fleet, 'twas always her they detailed for those little revolutionary jobs, and aboard her we got so, after a while, we didn't mind the report of a new revolution any more 'n you'd mind the ringin' of the cash-register in a barroom up here. Sometimes you'd see the skipper showin' signs of impatience, rumplin' his hair and rubbin' his chin and maybe cussin' a little; but he always ended by hurryin' a patrol party ash.o.r.e, and we'd beat up the grog-shops 'n' the dance-halls and the park benches and hustle everybody aboard, and the chief engineer he'd rouse out a couple of extra stokers, and up steam and away we'd go.
Foolish things--revolutions? Maybe. But people who say no good can come out o' revolutions, they don't know. I got rank an' fortune out of a revolution one time. Yes, sir, me, Killorin, bosun's mate, second cla.s.s, U.S.N. and on my first Caribbean cruise it was, and--but I'll get to the rest of it. When I was drafted to the _Hiawatha_ on the Caribbean station I had what you might call only a virgin notion of revolutions.
My first enlistment was 'most run out, and I was looking to be put aboard some home-bound s.h.i.+p, but I was still on the _Hiawatha_ when she was told to jog along over to Tangarine, a bustling young republic which was beginnin' to make a name for itself in the revolutionary way.
Whatever they were doin' we were to stop it. That was the Monroe Doctrine, the officers said. And so we put over there, but we didn't stop it. It was all over, with the Reds in an' printin' new money and postage-stamps and makin' a bluff to collect customs fine as could be when we got there.
There was nothin' to keep us there, but it was a fruitful-lookin'
country and the skipper he thought he might 's well get a little fresh grub for his mess, and he sends me ash.o.r.e to do the buyin'. And I goes.
Sonnie-Boy's People Part 26
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Sonnie-Boy's People Part 26 summary
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