The Red Lily Part 4

"I regret sometimes that I did not remain in the army. I know what you are going to say--one becomes a brute in that profession. Doubtless, but one knows exactly what one has to do, and that is a great deal in life.

I think that my uncle's life is very beautiful and very agreeable.

But now that everybody is in the army, there are neither officers nor soldiers. It all looks like a railway station on Sunday. My uncle knew personally all the officers and all the soldiers of his brigade.

Nowadays, how can you expect an officer to know his men?"

She had ceased to listen. She was looking at a woman selling fried potatoes. She realized that she was hungry and wished to eat fried potatoes.

He remonstrated:

"n.o.body knows how they are cooked."

But he had to buy two sous' worth of fried potatoes, and to see that the woman put salt on them.

While Therese was eating them, he led her into deserted streets far from the gaslights. Soon they found themselves in front of the cathedral. The moon silvered the roofs.

"Notre Dame," she said. "See, it is as heavy as an elephant yet as delicate as an insect. The moon climbs over it and looks at it with a monkey's maliciousness. She does not look like the country moon at Joinville. At Joinville I have a path--a flat path--with the moon at the end of it. She is not there every night; but she returns faithfully, full, red, familiar. She is a country neighbor. I go seriously to meet her. But this moon of Paris I should not like to know. She is not respectable company. Oh, the things that she has seen during the time she has been roaming around the roofs!"

He smiled a tender smile.

"Oh, your little path where you walked alone and that you liked because the sky was at the end of it! I see it as if I were there."

It was at the Joinville castle that he had seen her for the first time, and had at once loved her. It was there, one night, that he had told her of his love, to which she had listened, dumb, with a pained expression on her mouth and a vague look in her eyes.

The reminiscence of this little path where she walked alone moved him, troubled him, made him live again the enchanted hours of his first desires and hopes. He tried to find her hand in her m.u.f.f and pressed her slim wrist under the fur.

A little girl carrying violets saw that they were lovers, and offered flowers to them. He bought a two-sous' bouquet and offered it to Therese.

She was walking toward the cathedral. She was thinking: "It is like an enormous beast--a beast of the Apocalypse."

At the other end of the bridge a flower-woman, wrinkled, bearded, gray with years and dust, followed them with her basket full of mimosas and roses. Therese, who held her violets and was trying to slip them into her waist, said, joyfully:

"Thank you, I have some."

"One can see that you are young," the old woman shouted with a wicked air, as she went away.

Therese understood at once, and a smile came to her lips and eyes. They were pa.s.sing near the porch, before the stone figures that wear sceptres and crowns.

"Let us go in," she said.

He did not wish to go in. He declared that the door was closed. She pushed it, and slipped into the immense nave, where the inanimate trees of the columns ascended in darkness. In the rear, candles were moving in front of spectre-like priests, under the last reverberations of the organs. She trembled in the silence, and said:

"The sadness of churches at night moves me; I feel in them the grandeur of nothingness."

He replied:

"We must believe in something. If there were no G.o.d, if our souls were not immortal, it would be too sad."

She remained for a while immovable under the curtains of shadow hanging from the arches. Then she said:

"My poor friend, we do not know what to do with this life, which is so short, and yet you desire another life which shall never finish."

In the carriage that took them back he said gayly that he had pa.s.sed a fine afternoon. He kissed her, satisfied with her and with himself. But his good-humor was not communicated to her. The last moments they pa.s.sed together were spoiled for her always by the presentiment that he would not say at parting the thing that he should say. Ordinarily, he quitted her brusquely, as if what had happened were not to last. At every one of their partings she had a confused feeling that they were parting forever. She suffered from this in advance and became irritable.

Under the trees he took her hand and kissed her.

"Is it not rare, Therese, to love as we love each other?"

"Rare? I don't know; but I think that you love me."

"And you?"

"I, too, love you."

"And you will love me always?"

"What does one ever know?"

And seeing the face of her lover darken:

"Would you be more content with a woman who would swear to love only you for all time?"

He remained anxious, with a wretched air. She was kind and she rea.s.sured him:

"You know very well, my friend, that I am not fickle."

Almost at the end of the lane they said good-by. He kept the carriage to return to the Rue Royale. He was to dine at the club and go to the theatre, and had no time to lose.

Therese returned home on foot. Opposite the Trocadero she remembered what the old flower-woman had said: "One can see that you are young."

The words came back to her with a significance not immoral but sad. "One can see that you are young!" Yes, she was young, she was loved, and she was bored to death.

CHAPTER III. A DISCUSSION ON THE LITTLE CORPORAL

In the centre of the table flowers were disposed in a basket of gilded bronze, decorated with eagles, stars, and bees, and handles formed like horns of plenty. On its sides winged Victorys supported the branches of candelabra. This centrepiece of the Empire style had been given by Napoleon, in 1812, to Count Martin de l'Aisne, grandfather of the present Count Martin-Belleme. Martin de l'Aisne, a deputy to the Legislative Corps in 1809, was appointed the following year member of the Committee on Finance, the a.s.siduous and secret works of which suited his laborious temperament. Although a Liberal, he pleased the Emperor by his application and his exact honesty. For two years he was under a rain of favors. In 1813 he formed part of the moderate majority which approved the report in which Laine censured power and misfortune, by giving to the Empire tardy advice. January 1, 1814, he went with his colleagues to the Tuileries. The Emperor received them in a terrifying manner. He charged on their ranks. Violent and sombre, in the horror of his present strength and of his coming fall, he stunned them with his anger and his contempt.

He came and went through their lines, and suddenly took Count Martin by the shoulders, shook him and dragged him, exclaiming: "A throne is four pieces of wood covered with velvet? No! A throne is a man, and that man is I. You have tried to throw mud at me. Is this the time to remonstrate with me when there are two hundred thousand Cossacks at the frontiers?

Your Laine is a wicked man. One should wash one's dirty linen at home."

And while in his anger he twisted in his hand the embroidered collar of the deputy, he said: "The people know me. They do not know you. I am the elect of the nation. You are the obscure delegates of a department."

He predicted to them the fate of the Girondins. The noise of his spurs accompanied the sound of his voice. Count Martin remained trembling the rest of his life, and tremblingly recalled the Bourbons after the defeat of the Emperor. The two restorations were in vain; the July government and the Second Empire covered his oppressed breast with crosses and cordons. Raised to the highest functions, loaded with honors by three kings and one emperor, he felt forever on his shoulder the hand of the Corsican. He died a senator of Napoleon III, and left a son agitated by the same fear.

This son had married Mademoiselle Belleme, daughter of the first president of the court of Bourges, and with her the political glories of a family which gave three ministers to the moderate monarch. The Bellemes, advocates in the time of Louis XV, elevated the Jacobin origins of the Martins. The second Count Martin was a member of all the a.s.semblies until his death in 1881. His son took without trouble his seat in the Chamber of Deputies. Having married Mademoiselle Therese Montessuy, whose dowry supported his political fortune, he appeared discreetly among the four or five bourgeois, t.i.tled and wealthy, who rallied to democracy, and were received without much bad grace by the republicans, whom aristocracy flattered.

In the dining-room, Count Martin-Belleme was doing the honors of his table with the good grace, the sad politeness, recently prescribed at the Elysee to represent isolated France at a great northern court. From time to time he addressed vapid phrases to Madame Garain at his right; to the Princess Seniavine at his left, who, loaded with diamonds, felt bored. Opposite him, on the other side of the table, Countess Martin, having by her side General Lariviere and M. Schmoll, member of the Academie des Inscriptions, caressed with her fan her smooth white shoulders. At the two semicircles, whereby the dinner-table was prolonged, were M. Montessuy, robust, with blue eyes and ruddy complexion; a young cousin, Madame Belleme de Saint-Nom, embarra.s.sed by her long, thin arms; the painter Duviquet; M. Daniel Salomon; then Paul Vence and Garain the deputy; Belleme de Saint-Nom; an unknown senator; and Dechartre, who was dining at the house for the first time. The conversation, at first trivial and insignificant, was prolonged into a confused murmur, above which rose Garain's voice:

"Every false idea is dangerous. People think that dreamers do no harm.

They are mistaken: dreamers do a great heal of harm. Even apparently inoffensive utopian ideas really exercise a noxious influence. They tend to inspire disgust at reality."