The Red Lily Part 41
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"You see I have returned. I could not do otherwise. And then it was natural, since I love you. And you know it."
She knew very well that all she could say would only irritate him. He asked her whether that was the way she spoke in the Rue Spontini.
She looked at him with sadness.
"Jacques, you have often told me that there were hatred and anger in your heart against me. You like to make me suffer. I can see it."
With ardent patience, at length, she told him her entire life, the little that she had put into it; the sadness of the past; and how, since he had known her, she had lived only through him and in him.
The words fell as limpid as her look. She sat near him. He listened to her with bitter avidity. Cruel with himself, he wished to know everything about her last meetings with the other. She reported faithfully the events of the Great Britain Hotel; but she changed the scene to the outside, in an alley of the Casino, from fear that the image of their sad interview in a closed room should irritate her lover.
Then she explained the meeting at the station. She had not wished to cause despair to a suffering man who was so violent. But since then she had had no news from him until the day when he spoke to her on the street. She repeated what she had replied to him. Two days later she had seen him at the opera, in her box. Certainly, she had not encouraged him to come. It was the truth.
It was the truth. But the old poison, slowly acc.u.mulating in his mind, burned him. She made the past, the irreparable past, present to him, by her avowals. He saw images of it which tortured him. He said:
"I do not believe you."
And he added:
"And if I believed you, I could not see you again, because of the idea that you have loved that man. I have told you, I have written to you, you remember, that I did not wish him to be that man. And since--"
He stopped.
She said:
"You know very well that since then nothing has happened."
He replied, with violence:
"Since then I have seen him."
They remained silent for a long time. Then she said, surprised and plaintive:
"But, my friend, you should have thought that a woman such as I, married as I was--every day one sees women bring to their lovers a past darker than mine and yet they inspire love. Ah, my past--if you knew how insignificant it was!"
"I know what you can give. One can not forgive to you what one may forgive to another."
"But, my friend, I am like others."
"No, you are not like others. To you one can not forgive anything."
He talked with set teeth. His eyes, which she had seen so large, glowing with tenderness, were now dry, harsh, narrowed between wrinkled lids and cast a new glance at her. He frightened her. She went to the rear of the room, sat on a chair, and there she remained, trembling, for a long time, smothered by her sobs. Then she broke into tears.
He sighed:
"Why did I ever know you?"
She replied, weeping:
"I do not regret having known you. I am dying of it, and I do not regret it. I have loved."
He stubbornly continued to make her suffer. He felt that he was playing an odious part, but he could not stop.
"It is possible, after all, that you have loved me too."
She answered, with soft bitterness:
"But I have loved only you. I have loved you too much. And it is for that you are punis.h.i.+ng me. Oh, can you think that I was to another what I have been to you?"
"Why not?"
She looked at him without force and without courage.
"It is true that you do not believe me."
She added softly:
"If I killed myself would you believe me?"
"No, I would not believe you."
She wiped her cheeks with her handkerchief; then, lifting her eyes, s.h.i.+ning through her tears, she said:
"Then, all is at an end!"
She rose, saw again in the room the thousand things with which she had lived in laughing intimacy, which she had regarded as hers, now suddenly become nothing to her, and confronting her as a stranger and an enemy.
She saw again the nude woman who made, while running, the gesture which had not been explained to her; the Florentine models which recalled to her Fiesole and the enchanted hours of Italy; the profile sketch by Dechartre of the girl who laughed in her pretty pathetic thinness. She stopped a moment sympathetically in front of that little newspaper girl who had come there too, and had disappeared, carried away in the irresistible current of life and of events.
She repeated:
"Then all is at an end?"
He remained silent.
The twilight made the room dim.
"What will become of me?" she asked.
"And what will become of me?" he replied.
They looked at each other with sympathy, because each was moved with self-pity.
Therese said again:
"And I, who feared to grow old in your eyes, for fear our beautiful love should end! It would have been better if it had never come. Yes, it would be better if I had not been born. What a presentiment was that which came to me, when a child, under the lindens of Joinville, before the marble nymphs! I wished to die then."
Her arms fell, and clasping her hands she lifted her eyes; her wet glance threw a light in the shadows.
"Is there not a way of my making you feel that what I am saying to you is true? That never since I have been yours, never--But how could I? The very idea of it seems horrible, absurd. Do you know me so little?"
The Red Lily Part 41
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The Red Lily Part 41 summary
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