Colonial Homes and Their Furnishings Part 2

The greatest difference noted in all these cla.s.ses is that in the third type the escutcheon or plate by which the knocker is fastened to the door is of little importance, while in the first two types it is the leading motive.

During the Gothic period, the design was diamond-shape, richly decorated with pierced work, and while this same motif was retained in the making of the Renaissance knocker, it was frequently varied by the double-headed or some similar style.

What is correct concerning the design of the Medieval knocker holds good in that of to-day. No door knocker ever designed was ugly, even at the time of the earliest manufacture, when so little was known concerning architectural construction. There is a fine individuality in the style of all knockers, and singularly enough one fails to find duplicates of even the most admirable specimens. Another fact that seems strange is that reproductions often sell for as much as genuine antiques. It would seem that the price of the old knocker would be high, on account of its historical value, and yet this type of knockers sells at a lower price than present-day specimens. Old bra.s.s examples can be purchased as low as two dollars and fifty cents, while large and elaborate ones bring only ten dollars. This is not on account of their true value not being known, but because there is, as yet, comparatively little demand for them; and their sale at the best is limited, for where a person could use twenty candlesticks, two knockers would suffice for door ornamentation.

There is an important phase of the copied specimens that must be taken into consideration, and that is that they have no historic value. This fact has made reproductions of no appeal to either the collector or the antiquarian, unless there is some special interest in the model from which they have been copied.

Whether a knocker is a reproduction or a genuine antique can often be told by examining the plate and noting if it is forged to the ring or flat plate. If so, it is a fine piece of workmans.h.i.+p and a genuine antique; otherwise, it is spurious.

The best place to purchase genuine old knockers is in the curio shops, where only such things are for sale. Even in this event, it is well to know the earmarks, for if one is anxious for a real antique, he should be posted on the characteristics, as a spurious specimen is apt to find its way even here.

The door knockers in general use to-day are the Georgian urn or vase, the thumb latch, and the eagle. Such designs as Medusa's head, and the head of Daphne with its wreath of laurel leaves are also sometimes found.

The lion with ring has always been more popular in England than in our country, and, indeed, during the Revolutionary War and for fifty years after, it was not even tolerated here, being superseded by the eagle, which came into vogue about 1775.

The garland knocker, which belongs to the early type, is still sometimes found to-day. One such specimen is shown on a modern colonial home at Wayland, Ma.s.sachusetts. This originally graced the doorway of one of Salem's merchant prince's homes, but it was purchased by a dealer in antiques at the time of the decline in favor of the knocker, later finding its original resting place, from which it has only recently been removed.

Another rare and unusual knocker is shown on a house on Lynde Street, Salem, Ma.s.sachusetts. This is of Mexican type, and has been on the house since its erection. It was painted over some years ago by an owner who cared little for its worth, and it was not until a comparatively short time ago that it was discovered to be a fine example of a rare type.

The horseshoe knocker, a specimen of the hammer cla.s.s, is a prized relic of many old homes. Like all true colonial specimens, it is made of wrought iron, painfully hammered by hand upon the forge in the absence of machinery for working iron, as even nails had to be hammered out in those early times. This is one of the quaintest and most original knockers, and is after the pattern of the earliest designed. Subsequent specimens were more elaborate, colonial craftsmen bestowing upon them their greatest skill. Among the most ornate were the purely Greek or Georgian vases or urns, eagles in all possible and impossible positions, heads of Medusa, Ariadne, and other mythological ladies, and Italian Renaissance subjects, such as nymphs, mermaids, and dolphins, with ribbons, garlands, and streamers.

Not a few of these knockers have wonderfully interesting histories.

Scenes have been enacted about them, which, could they be but known, would make thrilling tales. Take, for instance, the knocker on the Craigie House at Cambridge, Ma.s.sachusetts. How many men of letters from all over the world have lifted the knocker to gain admittance to our late loved poet's home, and think what stories such visits could furnis.h.!.+

On the Whittier homestead at Amesbury, Ma.s.sachusetts, is still to be seen the knocker which was on the door during the poet's life. This is of eagle design, probably chosen on account of its patriotic significance. Another interesting knocker formerly graced the house wherein the "d.u.c.h.ess" lived, on Turner Street, in Salem, many times lifted by Hawthorne, who was a frequent visitor to this dwelling, and who forever immortalized it in his famous romance, _The House of Seven Gables_. This is now replaced by another of different design.

Considered to be one of the oldest knockers in this section is that on the door of the May house at Newton, Ma.s.sachusetts. Be that as it may, it is certainly unique. The plate shows a phoenix rising from the plain bra.s.s surface, while the knocker has for ornamentation a Medieval head. This knocker has attracted the attention of antiquarians throughout the country, who have given it much study in attempts to find out the period in which it was made.

Thumb latches are not so common as the hammer and ring cla.s.s. Two of these specially unique show wonderful cutting. One is found on the front door of the Waters house on Was.h.i.+ngton Square, Salem, being brought from the John Crownins.h.i.+eld dwelling, while the other is seen on the side porch of this same residence, having been placed there at the time of the building's erection in 1795.

England is the seat of most of the old-time knockers, although they are still found in almost every part of the globe. Threading the narrow by-streets of London, one finds many historic specimens replaced by simple modern affairs. Some have become the prey of avaricious tourists, while others, because of their owners' little regard for their value, have been relegated to ash heaps and thrown away.

This is true of the knocker made famous by d.i.c.kens in the _Christmas Carol_. On the polished surface of this, Scrooge was said to have thought he saw reflected the face of Marley "like a bad lobster in a dark cellar." Later he spoke of it as follows: "I shall love it as long as I live. I scarcely ever looked at it before. What an honest expression it has in its face. It is a wonderful knocker." Clasped hands holding a ring of laurel is the form of the knocker still seen on the door of the famous Dr. Johnson house, and, as one gazes at it, he can in fancy see David Garrick and Sir Joshua Reynolds ascending the steps, and if he pauses a moment longer he can no doubt even hear the metallic ring of the knocker, as it responds to the vigorous raps that they give.

The most beautiful knocker left in London is the one shown on the outer gate of the Duke of Devons.h.i.+re's house at Piccadilly. The design here, as unique as it is beautiful, shows an angelic head with flowing hair.

Chapels and cathedrals in England have many examples of this type of door decoration, one being a knocker handle with pierced tracery seen on Stogumber Church in Somerset.

The history of door knockers is practically unwritten, and little is known concerning their make. The revival of antiques is responsible for their present popularity, and gives them an importance in house ornamentation little dreamed of a few years ago. To be sure, the coming of electric bells has precluded their necessity, but, on account of their ornamental value, it is doubtful if they ever become obsolete. The variety of design, the many artistic shapes to which they can be adapted, and, more than all, their decorative qualities, make them particularly valuable.

CHAPTER IV

OLD-TIME GARDENS

There was a restful charm and dignity surrounding the garden of olden times that is lacking in the formal ones of to-day. This effect was gained partly from the prim box borders and the straight, central path, and partly from the stateliness of the old-fas.h.i.+oned flowers. Gardens formed a distinctive feature in the colonists' home grounds, from the time of their landing on unknown soil. At first they were very small, and consisted mostly of wild flowers and plants that had been brought from their homes in England and Holland. The early settlers brought with them to this new land a deep love for floriculture, and the earliest garden plots filled with flowering plants, though rude in construction, saved the house mother many a heartache, reminding her as they did of the beautiful gardens in the motherland left behind.

We find in the earliest records of the new settlers allusions to flowers, and Reverend Francis Higginson speaks of the wild flowers which he saw blossoming near the sh.o.r.e. He considered them of enough importance to record in his diary on June 24, 1629, writing "that wild flowers of yellow coloring resembling Gilliflowers were seen near the sh.o.r.e as they sighted land, and that as they came closer they saw many of these flowers scattered here and there, some of the plots being from nine to ten feet in size."

Four of the men who went ash.o.r.e on the twenty-seventh of that month found on the headlands of Cape Cod single wild roses. Later on he tells again of the number of plants found growing, giving their names. These facts have enabled people in later years to locate the same flowers growing near the same places as when they were first discovered.

Governor Bradford also considered the flowers of importance, and in his historical account of the Colonies of New England, he tells us that "here grow many fine flowers, among them the fair lily and the fragrant rose."

On Governors Island in Boston Harbor were rich vineyards and orchards, as well as many varieties of flowers. Governor Winthrop, inserting a clause in the grant, said that vineyards and orchards should be planted here; that this was complied with is shown from the fact that the rent in 1634 was paid with a hogshead of wine.

Following the growth of colonist gardens, we find that John Josslyn arrived in Boston four years later, in 1638, and that soon after his arrival he visited his brother's plantation in Black Point, Maine. He made a careful list of plants that he found here, each one of which he carefully described and sent in part to England, and it is interesting to note that in those days, the colonists in the spring gathered hepaticas, bloodroot, and numerous other wild flowers.

His description of the pitcher plant is graphic: "Hollow leaved lavender is a plant that grows in the marshes, overgrown with moss, with one straight stalk about the bigness of an oat straw. It is better than a cubic high, and upon the top is found one single fantastic flower. The leaves grow close to the root in shape like a tankard, hollow, tight, and always full of water." The whole plant, so he says, comes into perfection about the middle of August, and has leaves and stalks as red as blood, while the flower is yellow.

Mr. Josslyn also speaks of the fact that shrubs and flowers brought from England and Holland by the Puritans as early as 1626 were the nucleus of old-fas.h.i.+oned gardens, and that woadwaxen, now a pest covering acres of ground and showing during the time of blossoming a brilliant yellow, was kept in pots by Governor Endicott, while the oxeye daisy and whiteweed were grown on Governor Endicott's Danvers farm.

He also tells us of the gardens with "their pleasant, familiar flowers, lavender, hollyhocks, and satin." "We call this herbe in Norfolke sattin," says Gerard, "and among our women, it is called honestie and gillyflowers, which meant pinks as well, and dear English roses and eglantine."

The evolution of the garden commenced at this time, and from then until fifty years ago the old-fas.h.i.+oned garden was in vogue. There was much sameness to this kind of garden; each one had its central path of varying width, generally with a box border on either side, while inside were sweet-smelling flowers, such as mignonette, heliotrope, and sweet alyssum. Vine-covered arbors were the central feature, and at the end of the walk stood a summer-house of simple proportions, sometimes so covered with trailing vines as to be almost unseen.

It was here on summer afternoons that our grandmothers loved to come for a social cup of tea, knitting while breathing in the sweet-scented air, permeated with the fragrance of single and double peonies, phlox, roses, and bushes of syringa. Tall hollyhocks swayed in the breeze, holding their stately cups stiff and upright, and there were tiger lilies, as well as the dielytra, with its row of hanging pink and white blossoms, from which the children made boats, rabbits, and other fantastic figures.

In some of the old-time gardens, the small, th.o.r.n.y Scotch roses intermingled with the red and white roses of York and Lancaster. Little wonder that the perfume of their blooms was wafted through the air, although they were hidden among the taller roses, and there was no visible trace of their presence.

One walked along the broad sidewalks of the old-time cities, expecting to find at every turn a garden of flowers. Not even a glimpse did they obtain, for the gardens of those days were not in view, but hidden away behind high board fences which have now in many cases been changed for iron ones, thus giving to the public glimpses of the central arbor and the long line of path with brilliant bloom on either side.

One reason that the gardens in the olden days were hidden from view was that the houses, more especially the Salem ones, were built close to the sidewalk, and there was no chance for flowers in front or at either side.

[Ill.u.s.tration: PLATE X.--Whittier Garden, Danvers, Ma.s.s.]

[Ill.u.s.tration: PLATE XI.--Peabody Garden, Danvers, Ma.s.s.]

Most of the noted old gardens have long since become things of the past, but a few are still left to give hints of the many that long ago were the pride of New England housewives. The estate of the late Captain Joseph Peabody at Danvers, Ma.s.sachusetts, was at one time famed for its old-fas.h.i.+oned garden. This lay to the right of the avenue of trees that formed the driveway to the house. These trees were planted in 1816 by Joseph Augustus Peabody, the elder son of the owner. The garden proper was hidden from view, as one pa.s.sed up the driveway, but lay at the front of the house. In its center was a large tulip tree, which still stands, said to be one of the oldest and largest in the country. One of the unique features of the grounds, and one that has existed since the days of Captain Peabody's occupancy, is a small summer-house, showing lattice work and graceful arches. Its top is dome-shaped, surmounted by a gilded pineapple.

There is, however, another historic summer-house on this estate. It was formerly on the Elias Hasket Derby property, and was built about 1790. This was purchased by the present owner of the estate, who had it moved to her grounds, a distance of four miles, without a crack in the plaster. It was built by Samuel McIntyre, and is decorated with the pilaster and festoons that are characteristic of his workmans.h.i.+p. Four urns and a farmer whetting his scythe adorn the top. Originally a companion piece was at the other end, representing a milkmaid with her pail. This latter figure was long ago sold by the former owner and placed with a spindle in its hand on the Sutton Mills at Andover, Ma.s.sachusetts, where it stood for many years until destroyed by fire.

The house itself contains a tool room on the lower floor, while at the head of the staircase is a large room, sixteen feet square, containing eight windows and four cupboards. It is hung with j.a.panese lanterns, and the closets are filled with wonderful old china. Its setting of flowers is most appropriate.

At Oak Knoll in Danvers is still left the garden that the poet Whittier so much loved. It stands at the side of the house, bordering the avenue that leads from the entrance gate. The paths have box borders, and inside is a wealth of bloom, the central feature being a fountain which was a gift from Whittier to the mistress of the home. It was here he loved to come during the warm summer afternoons to pace up and down, doubtless thinking over and shaping many of his most noted poems. The garden has been carefully tended, and it shows to-day the same flowers that were in their prime during his life.

Another fine example of a box-bordered, old-time garden is seen at Newburyport, Ma.s.sachusetts, on the estate of Mrs. Charles Perry. Here the colonial house stands back from the main road, with a long stretch of lawn at the front. Pa.s.sing out of the door at the rear, one comes upon a courtyard with moss-grown flagging that leads directly to the garden itself, fragrant with the incense of old-time blooms.

At Indian Hill, the summer home of the late Major Benjamin Perley Poore at West Newbury, much care has been given to the gardens to keep the flowers as they were in the olden days. A feature of this estate, in addition to the gardens, is a shapely grove of trees at the rear of the mansion, that took first prize years ago as being the finest and best-shaped specimens in the county. Many of these trees were named for the major's friends, and they bear names well known to New Englanders.

More than a century ago, when Salem was the trade center of the world, her gardens were renowned. These gardens were at the rear of the dwellings, and it was here that the host and his guests came for their after-dinner smoke, surrounded by the flowers that they loved.

The first improvements in garden culture were made by one George Heussler, who, according to Captain Jonathan P. Felt, came to America in 1780, bringing with him a diploma given him by his former employers.

Previous to this period he had served an apprentices.h.i.+p in the gardens of several German princes, as well as in that of the king of Holland, and was, in consequence, well qualified for the work. The first experience he had in America in gardening was at the home of John Tracy in Newburyport, where he worked faithfully for several years. Ten years afterwards he came to Salem to take charge of the farm and garden of Elias Hasket Derby, Senior, at Danvers, and later worked in other gardens in the city of Salem, where he lived until his death in 1817.

From the records we glean that on October 21, 1796, Mr. Heussler gave notice that he had choice fruit trees for sale at Mr. Derby's farm, while a newspaper of that date informs us that the latter gentleman had recently imported valuable trees from India and Africa and that he had "an extensive nursery of useful plants in the neighborhood of his rich garden." His son, E. Hersey Derby, had a garden of great dimensions at his estate in South Salem, or, as it was then called, South Fields. This was in 1802, and for a long time the fame of this rare and beautiful garden was retained.