The Expression of the Emotions in Man and Animals Part 3
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If we now turn to the gestures which are innate or common to all the individuals of the same species, and which come under the present head of ant.i.thesis, it is extremely doubtful, whether any of them were at first deliberately invented and consciously performed. With mankind the best instance of a gesture standing in direct opposition to other movements, naturally a.s.sumed under an opposite frame of mind, is that of shrugging the shoulders. This expresses impotence or an apology,--something which cannot be done, or cannot be avoided. The gesture is sometimes used consciously and voluntarily, but it is extremely improbable that it was at first deliberately invented, and afterwards fixed by habit; for not only do young children sometimes shrug their shoulders under the above states of mind, but the movement is accompanied, as will be shown in a future chapter, by various subordinate movements, which not one man in a thousand is aware of, unless he has specially attended to the subject.
Dogs when approaching a strange dog, may find it useful to show by their movements that they are friendly, and do not wish to fight. When two young dogs in play are growling and biting each other's faces and legs, it is obvious that they mutually understand each other's gestures and manners. There seems, indeed, some degree of instinctive knowledge in puppies and kittens, that they must not use their sharp little teeth or claws too freely in their play, though this sometimes happens and a squeal is the result; otherwise they would often injure each other's eyes. When my terrier bites my hand in play, often snarling at the same time, if he bites too hard and I say GENTLY, GENTLY, he goes on biting, but answers me by a few wags of the tail, which seems to say "Never mind, it is all fun." Although dogs do thus express, and may wish to express, to other dogs and to man, that they are in a friendly state of mind, it is incredible that they could ever have deliberately thought of drawing back and depressing their ears, instead of holding them erect,--of lowering and wagging their tails, instead of keeping them stiff and upright, &c., because they knew that these movements stood in direct opposition to those a.s.sumed under an opposite and savage frame of mind.
Again, when a cat, or rather when some early progenitor of the species, from feeling affectionate first slightly arched its back, held its tail perpendicularly upwards and p.r.i.c.ked its ears, can it be believed that the animal consciously wished thus to show that its frame of mind was directly the reverse of that, when from being ready to fight or to spring on its prey, it a.s.sumed a crouching att.i.tude, curled its tail from side to side and depressed its ears? Even still less can I believe that my dog voluntarily put on his dejected att.i.tude and "_hot-house face_," which formed so complete a contrast to his previous cheerful att.i.tude and whole bearing. It cannot be supposed that he knew that I should understand his expression, and that he could thus soften my heart and make me give up visiting the hot-house.
Hence for the development of the movements which come under the present head, some other principle, distinct from the will and consciousness, must have intervened. This principle appears to be that every movement which we have voluntarily performed throughout our lives has required the action of certain muscles; and when we have performed a directly opposite movement, an opposite set of muscles has been habitually brought into play,--as in turning to the right or to the left, in pus.h.i.+ng away or pulling an object towards us, and in lifting or lowering a weight. So strongly are our intentions and movements a.s.sociated together, that if we eagerly wish an object to move in any direction, we can hardly avoid moving our bodies in the same direction, although we may be perfectly aware that this can have no influence. A good ill.u.s.tration of this fact has already been given in the Introduction, namely, in the grotesque movements of a young and eager billiard-player, whilst watching the course of his ball. A man or child in a pa.s.sion, if he tells any one in a loud voice to begone, generally moves his arm as if to push him away, although the offender may not be standing near, and although there may be not the least need to explain by a gesture what is meant. On the other hand, if we eagerly desire some one to approach us closely, we act as if pulling him towards us; and so in innumerable other instances.
As the performance of ordinary movements of an opposite kind, under opposite impulses of the will, has become habitual in us and in the lower animals, so when actions of one kind have become firmly a.s.sociated with any sensation or emotion, it appears natural that actions of a directly opposite kind, though of no use, should be unconsciously performed through habit and a.s.sociation, under the influence of a directly opposite sensation or emotion. On this principle alone can I understand how the gestures and expressions which come under the present head of ant.i.thesis have originated. If indeed they are serviceable to man or to any other animal, in aid of inarticulate cries or language, they will likewise be voluntarily employed, and the habit will thus be strengthened. But whether or not of service as a means of communication, the tendency to perform opposite movements under opposite sensations or emotions would, if we may judge by a.n.a.logy, become hereditary through long practice; and there cannot be a doubt that several expressive movements due to the principle of ant.i.thesis are inherited.
CHAPTER III. -- GENERAL PRINCIPLES OF EXPRESSION--_concluded_.
The principle of direct action of the excited nervous system on the body, independently of the will and in part of habit--Change of colour in the hair--Trembling of the muscles--Modified secretions--Perspiration--Expression of extreme pain--Of rage, great joy, and terror--Contrast between the emotions which cause and do not cause expressive movements--Exciting and depressing states of the mind--Summary.
WE now come to our third Principle, namely, that certain actions which we recognize as expressive of certain states of the mind, are the direct result of the const.i.tution of the nervous system, and have been from the first independent of the will, and, to a large extent, of habit. When the sensorium is strongly excited nerve-force is generated in excess, and is transmitted in certain directions, dependent on the connection of the nerve-cells, and, as far as the muscular system is concerned, on the nature of the movements which have been habitually practised. Or the supply of nerve-force may, as it appears, be interrupted. Of course every movement which we make is determined by the const.i.tution of the nervous system; but actions performed in obedience to the will, or through habit, or through the principle of ant.i.thesis, are here as far as possible excluded. Our present subject is very obscure, but, from its importance, must be discussed at some little length; and it is always advisable to perceive clearly our ignorance.
The most striking case, though a rare and abnormal one, which can be adduced of the direct influence of the nervous system, when strongly affected, on the body, is the loss of colour in the hair, which has occasionally been observed after extreme terror or grief. One authentic instance has been recorded, in the case of a man brought out for execution in India, in which the change of colour was so rapid that it was perceptible to the eye.[301]
Another good case is that of the trembling of the muscles, which is common to man and to many, or most, of the lower animals. Trembling is of no service, often of much disservice, and cannot have been at first acquired through the will, and then rendered habitual in a.s.sociation with any emotion. I am a.s.sured by an eminent authority that young children do not tremble, but go into convulsions under the circ.u.mstances which would induce excessive trembling in adults. Trembling is excited in different individuals in very different degrees and by the most diversified causes,--by cold to the surface, before fever-fits, although the temperature of the body is then above the normal standard; in blood-poisoning, delirium tremens, and other diseases; by general failure of power in old age; by exhaustion after excessive fatigue; locally from severe injuries, such as burns; and, in an especial manner, by the pa.s.sage of a catheter. Of all emotions, fear notoriously is the most apt to induce trembling; but so do occasionally great anger and joy. I remember once seeing a boy who had just shot his first snipe on the wing, and his hands trembled to such a degree from delight, that he could not for some time reload his gun; and I have heard of an exactly similar case with an Australian savage, to whom a gun had been lent.
Fine music, from the vague emotions thus excited, causes a s.h.i.+ver to run down the backs of some persons. There seems to be very little in common in the above several physical causes and emotions to account for trembling; and Sir J. Paget, to whom I am indebted for several of the above statements, informs me that the subject is a very obscure one. As trembling is sometimes caused by rage, long before exhaustion can have set in, and as it sometimes accompanies great joy, it would appear that any strong excitement of the nervous system interrupts the steady flow of nerve-force to the muscles.[302]
The manner in which the secretions of the alimentary ca.n.a.l and of certain glands--as the liver, kidneys, or mammae are affected by strong emotions, is another excellent instance of the direct action of the sensorium on these organs, independently of the will or of any serviceable a.s.sociated habit. There is the greatest difference in different persons in the parts which are thus affected, and in the degree of their affection.
The heart, which goes on uninterruptedly beating night and day in so wonderful a manner, is extremely sensitive to external stimulants.
The great physiologist, Claude Bernard,[303] has shown bow the least excitement of a sensitive nerve reacts on the heart; even when a nerve is touched so slightly that no pain can possibly be felt by the animal under experiment. Hence when the mind is strongly excited, we might expect that it would instantly affect in a direct manner the heart; and this is universally acknowledged and felt to be the case. Claude Bernard also repeatedly insists, and this deserves especial notice, that when the heart is affected it reacts on the brain; and the state of the brain again reacts through the pneumo-gastric nerve on the heart; so that under any excitement there will be much mutual action and reaction between these, the two most important organs of the body.
The vaso-motor system, which regulates the diameter of the small arteries, is directly acted on by the sensorium, as we see when a man blushes from shame; but in this latter case the checked transmission of nerve-force to the vessels of the face can, I think, be partly explained in a curious manner through habit. We shall also be able to throw some light, though very little, on the involuntary erection of the hair under the emotions of terror and rage. The secretion of tears depends, no doubt, on the connection of certain nerve-cells; but here again we can trace some few of the steps by which the flow of nerve-force through the requisite channels has become habitual under certain emotions.
A brief consideration of the outward signs of some of the stronger sensations and emotions will best serve to show us, although vaguely, in how complex a manner the principle under consideration of the direct action of the excited nervous system of the body, is combined with the principle of habitually a.s.sociated, serviceable movements.
When animals suffer from an agony of pain, they generally writhe about with frightful contortions; and those which habitually use their voices utter piercing cries or groans. Almost every muscle of the body is brought into strong action. With man the mouth may be closely compressed, or more commonly the lips are retracted, with the teeth clenched or ground together. There is said to be "gnas.h.i.+ng of teeth" in h.e.l.l; and I have plainly heard the grinding of the molar teeth of a cow which was suffering acutely from inflammation of the bowels. The female hippopotamus in the Zoological Gardens, when she produced her young, suffered greatly; she incessantly walked about, or rolled on her sides, opening and closing her jaws, and clattering her teeth together.[304]
With man the eyes stare wildly as in horrified astonishment, or the brows are heavily contracted. Perspiration bathes the body, and drops trickle down the face. The circulation and respiration are much affected. Hence the nostrils are generally dilated and often quiver; or the breath may be held until the blood stagnates in the purple face.
If the agony be severe and prolonged, these signs all change; utter prostration follows, with fainting or convulsions.
A sensitive nerve when irritated transmits some influence to the nerve-cell, whence it proceeds; and this transmits its influence, first to the corresponding nerve-cell on the opposite side of the body, and then upwards and downwards along the cerebro-spinal column to other nerve-cells, to a greater or less extent, according to the strength of the excitement; so that, ultimately, the whole nervous system maybe affected.[305] This involuntary transmission of nerve-force may or may not be accompanied by consciousness. Why the irritation of a nerve-cell should generate or liberate nerve-force is not known; but that this is the case seems to be the conclusion arrived at by all the greatest physiologists, such as Muller, Virchow, Bernard, &c.[306] As Mr. Herbert Spencer remarks, it may be received as an "unquestionable truth that, at any moment, the existing quant.i.ty of liberated nerve-force, which in an inscrutable way produces in us the state we call feeling, MUST expend itself in some direction--MUST generate an equivalent manifestation of force somewhere;" so that, when the cerebro-spinal system is highly excited and nerve-force is liberated in excess, it may be expended in intense sensations, active thought, violent movements, or increased activity of the glands.[307] Mr. Spencer further maintains that an "overflow of nerve-force, undirected by any motive, will manifestly take the most habitual routes; and, if these do not suffice, will next overflow into the less habitual ones." Consequently the facial and respiratory muscles, which are the most used, will be apt to be first brought into action; then those of the upper extremities, next those of the lower, and finally those of the whole body.[308]
An emotion may be very strong, but it will have little tendency to induce movements of any kind, if it has not commonly led to voluntary action for its relief or gratification; and when movements are excited, their nature is, to a large extent, determined by those which have often and voluntarily been performed for some definite end under the same emotion. Great pain urges all animals, and has urged them during endless generations, to make the most violent and diversified efforts to escape from the cause of suffering. Even when a limb or other separate part of the body is hurt, we often see a tendency to shake it, as if to shake off the cause, though this may obviously be impossible. Thus a habit of exerting with the utmost force all the muscles will have been established, whenever great suffering is experienced. As the muscles of the chest and vocal organs are habitually used, these will be particularly liable to be acted on, and loud, harsh screams or cries will be uttered. But the advantage derived from outcries has here probably come into play in an important manner; for the young of most animals, when in distress or danger, call loudly to their parents for aid, as do the members of the same community for mutual aid.
Another principle, namely, the internal consciousness that the power or capacity of the nervous system is limited, will have strengthened, though in a subordinate degree, the tendency to violent action under extreme suffering. A man cannot think deeply and exert his utmost muscular force. As Hippocrates long ago observed, if two pains are felt at the same time, the severer one dulls the other. Martyrs, in the ecstasy of their religious fervour have often, as it would appear, been insensible to the most horrid tortures. Sailors who are going to be flogged sometimes take a piece of lead into their mouths, in order to bite it with their utmost force, and thus to bear the pain. Parturient women prepare to exert their muscles to the utmost in order to relieve their sufferings.
We thus see that the undirected radiation of nerve-force from the nerve-cells which are first affected--the long-continued habit of attempting by struggling to escape from the cause of suffering--and the consciousness that voluntary muscular exertion relieves pain, have all probably concurred in giving a tendency to the most violent, almost convulsive, movements under extreme suffering; and such movements, including those of the vocal organs, are universally recognized as highly expressive of this condition.
As the mere touching of a sensitive nerve reacts in a direct manner on the heart, severe pain will obviously react on it in like manner, but far more energetically. Nevertheless, even in this case, we must not overlook the indirect effects of habit on the heart, as we shall see when we consider the signs of rage.
When a man suffers from an agony of pain, the perspiration often trickles down his face; and I have been a.s.sured by a veterinary surgeon that he has frequently seen drops falling from the belly and running down the inside of the thighs of horses, and from the bodies of cattle, when thus suffering. He has observed this, when there has been no struggling which would account for the perspiration. The whole body of the female hippopotamus, before alluded to, was covered with red-coloured perspiration whilst giving birth to her young. So it is with extreme fear; the same veterinary has often seen horses sweating from this cause; as has Mr. Bartlett with the rhinoceros; and with man it is a well-known symptom. The cause of perspiration bursting forth in these cases is quite obscure; but it is thought by some physiologists to be connected with the failing power of the capillary circulation; and we know that the vasomotor system, which regulates the capillary circulation, is much influenced by the mind. With respect to the movements of certain muscles of the face under great suffering, as well as from other emotions, these will be best considered when we treat of the special expressions of man and of the lower animals.
We will now turn to the characteristic symptoms of Rage. Under this powerful emotion the action of the heart is much accelerated,[309] or it may be much disturbed. The face reddens, or it becomes purple from the impeded return of the blood, or may turn deadly pale. The respiration is laboured, the chest heaves, and the dilated nostrils quiver. The whole body often trembles. The voice is affected. The teeth are clenched or ground together, and the muscular system is commonly stimulated to violent, almost frantic action. But the gestures of a man in this state usually differ from the purposeless writhings and struggles of one suffering from an agony of pain; for they represent more or less plainly the act of striking or fighting with an enemy.
All these signs of rage are probably in large part, and some of them appear to be wholly, due to the direct action of the excited sensorium.
But animals of all kinds, and their progenitors before them, when attacked or threatened by an enemy, have exerted their utmost powers in fighting and in defending themselves. Unless an animal does thus act, or has the intention, or at least the desire, to attack its enemy, it cannot properly be said to be enraged. An inherited habit of muscular exertion will thus have been gained in a.s.sociation with rage; and this will directly or indirectly affect various organs, in nearly the same manner as does great bodily suffering.
The heart no doubt will likewise be affected in a direct manner; but it will also in all probability be affected through habit; and all the more so from not being under the control of the will. We know that any great exertion which we voluntarily make, affects the heart, through mechanical and other principles which need not here be considered; and it was shown in the first chapter that nerve-force flows readily through habitually used channels,--through the nerves of voluntary or involuntary movement, and through those of sensation. Thus even a moderate amount of exertion will tend to act on the heart; and on the principle of a.s.sociation, of which so many instances have been given, we may feel nearly sure that any sensation or emotion, as great pain or rage, which has habitually led to much muscular action, will immediately influence the flow of nerve-force to the heart, although there may not be at the time any muscular exertion.
The heart, as I have said, will be all the more readily affected through habitual a.s.sociations, as it is not under the control of the will. A man when moderately angry, or even when enraged, may command the movements of his body, but he cannot prevent his heart from beating rapidly. His chest will perhaps give a few heaves, and his nostrils just quiver, for the movements of respiration are only in part voluntary. In like manner those muscles of the face which are least obedient to the will, will sometimes alone betray a slight and pa.s.sing emotion. The glands again are wholly independent of the will, and a man suffering from grief may command his features, but cannot always prevent the tears from coming into his eyes. A hungry man, if tempting food is placed before him, may not show his hunger by any outward gesture, but he cannot check the secretion of saliva.
Under a transport of Joy or of vivid Pleasure, there is a strong tendency to various purposeless movements, and to the utterance of various sounds. We see this in our young children, in their loud laughter, clapping of hands, and jumping for joy; in the bounding and barking of a dog when going out to walk with his master; and in the frisking of a horse when turned out into an open field. Joy quickens the circulation, and this stimulates the brain, which again reacts on the whole body. The above purposeless movements and increased heart-action may be attributed in chief part to the excited state of the sensorium,[310] and to the consequent undirected overflow, as Mr.
Herbert Spencer insists, of nerve-force. It deserves notice, that it is chiefly the antic.i.p.ation of a pleasure, and not its actual enjoyment, which leads to purposeless and extravagant movements of the body, and to the utterance of various sounds. We see this in our children when they expect any great pleasure or treat; and dogs, which have been bounding about at the sight of a plate of food, when they get it do not show their delight by any outward sign, not even by wagging their tails.
Now with animals of all kinds, the acquirement of almost all their pleasures, with the exception of those of warmth and rest, are a.s.sociated, and have long been a.s.sociated with active movements, as in the hunting or search for food, and in their courts.h.i.+p. Moreover, the mere exertion of the muscles after long rest or confinement is in itself a pleasure, as we ourselves feel, and as we see in the play of young animals. Therefore on this latter principle alone we might perhaps expect, that vivid pleasure would be apt to show itself conversely in muscular movements.
With all or almost all animals, even with birds, Terror causes the body to tremble. The skin becomes pale, sweat breaks out, and the hair bristles. The secretions of the alimentary ca.n.a.l and of the kidneys are increased, and they are involuntarily voided, owing to the relaxation of the sphincter muscles, as is known to be the case with man, and as I have seen with cattle, dogs, cats, and monkeys. The breathing is hurried. The heart beats quickly, wildly, and violently; but whether it pumps the blood more efficiently through the body may be doubted, for the surface seems bloodless and the strength of the muscles soon fails.
In a frightened horse I have felt through the saddle the beating of the heart so plainly that I could have counted the beats. The mental faculties are much disturbed. Utter prostration soon follows, and even fainting. A terrified canary-bird has been seen not only to tremble and to turn white about the base of the bill, but to faint;[311] and I once caught a robin in a room, which fainted so completely, that for a time I thought it dead.
Most of these symptoms are probably the direct result, independently of habit, of the disturbed state of the sensorium; but it is doubtful whether they ought to be wholly thus accounted for. When an animal is alarmed it almost always stands motionless for a moment, in order to collect its senses and to ascertain the source of danger, and sometimes for the sake of escaping detection. But headlong flight soon follows, with no husbanding of the strength as in fighting, and the animal continues to fly as long as the danger lasts, until utter prostration, with failing respiration and circulation, with all the muscles quivering and profuse sweating, renders further flight impossible. Hence it does not seem improbable that the principle of a.s.sociated habit may in part account for, or at least augment, some of the above-named characteristic symptoms of extreme terror.
That the principle of a.s.sociated habit has played an important part in causing the movements expressive of the foregoing several strong emotions and sensations, we may, I think, conclude from considering firstly, some other strong emotions which do not ordinarily require for their relief or gratification any voluntary movement; and secondly the contrast in nature between the so-called exciting and depressing states of the mind. No emotion is stronger than maternal love; but a mother may feel the deepest love for her helpless infant, and yet not show it by any outward sign; or only by slight caressing movements, with a gentle smile and tender eyes. But let any one intentionally injure her infant, and see what a change! how she starts up with threatening aspect, how her eyes sparkle and her face reddens, how her bosom heaves, nostrils dilate, and heart beats; for anger, and not maternal love, has habitually led to action. The love between the opposite s.e.xes is widely different from maternal love; and when lovers meet, we know that their hearts beat quickly, their breathing is hurried, and their faces flush; for this love is not inactive like that of a mother for her infant.
A man may have his mind filled with the blackest hatred or suspicion, or be corroded with envy or jealousy, but as these feelings do not at once lead to action, and as they commonly last for some time, they are not shown by any outward sign, excepting that a man in this state a.s.suredly does not appear cheerful or good-tempered. If indeed these feelings break out into overt acts, rage takes their place, and will be plainly exhibited. Painters can hardly portray suspicion, jealousy, envy, &c., except by the aid of accessories which tell the tale; and poets use such vague and fanciful expressions as "green-eyed jealousy." Spenser describes suspicion as "Foul, ill-favoured, and grim, under his eyebrows looking still askance," &c.; Shakespeare speaks of envy "as lean-faced in her loathsome case;" and in another place he says, "no black envy shall make my grave;" and again as "above pale envy's threatening reach."
Emotions and sensations have often been cla.s.sed as exciting or depressing. When all the organs of the body and mind,--those of voluntary and involuntary movement, of perception, sensation, thought, &c.,--perform their functions more energetically and rapidly than usual, a man or animal may be said to be excited, and, under an opposite state, to be depressed. Anger and joy are from the first exciting emotions, and they naturally lead, more especially the former, to energetic movements, which react on the heart and this again on the brain. A physician once remarked to me as a proof of the exciting nature of anger, that a man when excessively jaded will sometimes invent imaginary offences and put himself into a pa.s.sion, unconsciously for the sake of reinvigorating himself; and since hearing this remark, I have occasionally recognized its full truth.
Several other states of mind appear to be at first exciting, but soon become depressing to an extreme degree. When a mother suddenly loses her child, sometimes she is frantic with grief, and must be considered to be in an excited state; she walks wildly about, tears her hair or clothes, and wrings her hands. This latter action is perhaps due to the principle of ant.i.thesis, betraying an inward sense of helplessness and that nothing can be done. The other wild and violent movements may be in part explained by the relief experienced through muscular exertion, and in part by the undirected overflow of nerve-force from the excited sensorium. But under the sudden loss of a beloved person, one of the first and commonest thoughts which occurs, is that something more might have been done to save the lost one. An excellent observer,[312] in describing the behaviour of a girl at the sudden death of her father, says she "went about the house wringing her hands like a creature demented, saying 'It was her fault;' 'I should never have left him;'
'If I had only sat up with him,'" &c. With such ideas vividly present before the mind, there would arise, through the principle of a.s.sociated habit, the strongest tendency to energetic action of some kind.
As soon as the sufferer is fully conscious that nothing can be done, despair or deep sorrow takes the place of frantic grief. The sufferer sits motionless, or gently rocks to and fro; the circulation becomes languid; respiration is almost forgotten, and deep sighs are drawn.
Pain, if severe, soon induces extreme depression or prostration; but it is at first a stimulant and excites to action, as we see when we whip a horse, and as is shown by the horrid tortures inflicted in foreign lands on exhausted dray-bullocks, to rouse them to renewed exertion. Fear again is the most depressing of all the emotions; and it soon induces utter, helpless prostration, as if in consequence of, or in a.s.sociation with, the most violent and prolonged attempts to escape from the danger, though no such attempts have actually been made. Nevertheless, even extreme fear often acts at first as a powerful stimulant. A man or animal driven through terror to desperation, is endowed with wonderful strength, and is notoriously dangerous in the highest degree.
On the whole we may conclude that the principle of the direct action of the sensorium on the body, due to the const.i.tution of the nervous system, and from the first independent of the will, has been highly influential in determining many expressions. Good instances are afforded by the trembling of the muscles, the sweating of the skin, the modified secretions of the alimentary ca.n.a.l and glands, under various emotions and sensations. But actions of this kind are often combined with others, which follow from our first principle, namely, that actions which have often been of direct or indirect service, under certain states of the mind, in order to gratify or relieve certain sensations, desires, &c., are still performed under a.n.a.logous circ.u.mstances through mere habit although of no service. We have combinations of this kind, at least in part, in the frantic gestures of rage and in the writhings of extreme pain; and, perhaps, in the increased action of the heart and of the respiratory organs. Even when these and other emotions or sensations are aroused in a very feeble manner, there will still be a tendency to similar actions, owing to the force of long-a.s.sociated habit; and those actions which are least under voluntary control will generally be longest retained. Our second principle of ant.i.thesis has likewise occasionally come into play.
Finally, so many expressive movements can be explained, as I trust will be seen in the course of this volume, through the three principles which have now been discussed, that we may hope hereafter to see all thus explained, or by closely a.n.a.logous principles. It is, however, often impossible to decide how much weight ought to be attributed, in each particular case, to one of our principles, and how much to another; and very many points in the theory of Expression remain inexplicable.
CHAPTER IV. -- MEANS OF EXPRESSION IN ANIMALS.
The emission of Sounds--Vocal sounds--Sounds otherwise produced--Erection of the dermal appendages, hairs, feathers, &c., under the emotions of anger and terror--The drawing back of the ears as a preparation for fighting, and as an expression of anger--Erection of the ears and raising the head, a sign of attention.
IN this and the following chapter I will describe, but only in sufficient detail to ill.u.s.trate my subject, the expressive movements, under different states of the mind, of some few well-known animals. But before considering them in due succession, it will save much useless repet.i.tion to discuss certain means of expression common to most of them.
_The emission of Sounds_.--With many kinds of animals, man included, the vocal organs are efficient in the highest degree as a means of expression. We have seen, in the last chapter, that when the sensorium is strongly excited, the muscles of the body are generally thrown into violent action; and as a consequence, loud sounds are uttered, however silent the animal may generally be, and although the sounds may be of no use. Hares and rabbits for instance, never, I believe, use their vocal organs except in the extremity of suffering; as, when a wounded hare is killed by the sportsman, or when a young rabbit is caught by a stoat.
Cattle and horses suffer great pain in silence; but when this is excessive, and especially when a.s.sociated with terror, they utter fearful sounds. I have often recognized, from a distance on the Pampas, the agonized death-bellow of the cattle, when caught by the la.s.so and hamstrung. It is said that horses, when attacked by wolves, utter loud and peculiar screams of distress.
Involuntary and purposeless contractions of the muscles of the chest and glottis, excited in the above manner, may have first given rise to the emission of vocal sounds. But the voice is now largely used by many animals for various purposes; and habit seems to have played an important part in its employment under other circ.u.mstances. Naturalists have remarked, I believe with truth, that social animals, from habitually using their vocal organs as a means of intercommunication, use them on other occasions much more freely than other animals. But there are marked exceptions to this rule, for instance, with the rabbit.
The principle, also, of a.s.sociation, which is so widely extended in its power, has likewise played its part. Hence it follows that the voice, from having been habitually employed as a serviceable aid under certain conditions, inducing pleasure, pain, rage, &c., is commonly used whenever the same sensations or emotions are excited, under quite different conditions, or in a lesser degree.
The Expression of the Emotions in Man and Animals Part 3
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