A Pair of Schoolgirls Part 3
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Dorothy laughed. Already her face had lost its injured and woeful expression.
"That's as good as saying: 'Don't make a fuss about nothing'. All right, Auntie, I'm going. But I warn you that this is only a respite, and I mean to give you a full and detailed list of all my particular grievances after tea. So make up your mind to it, and brace your dear nerves!"
Miss Barbara Sherbourne was a most charming personality. She was young enough to be still very pretty and attractive, but old enough to take broad views of life, and to have attained that independence of action which is the prerogative of middle age. She was a clever and essentially a cultured woman; she had lived abroad in her youth, and the glamour of old Italian cities and soft, southern skies still seemed to cling to her. She was a good amateur musician, could sketch a little, and had lately obtained some success in writing. Ever since Dorothy could remember, she and Aunt Barbara and Martha, the maid, had lived together at Holly Cottage, a particularly harmonious trio, liking their own mode of life, and quite independent of the outside world. The little house seemed to fit its inmates, and, in spite of its small accommodation, to provide just what was wanted for each. First there was the old-fas.h.i.+oned dining-room, with its carved oak furniture, blue china, and rows of s.h.i.+ning pewter; its choice prints on the walls, its bookshelves, overflowing with interesting volumes; and the desk where Aunt Barbara wrote in the mornings--a room that seemed made especially for comfort, and reached its acme of cosiness on a cold winter's day, when arm-chairs were drawn up to the blazing fire that burnt in the quaint dog grate. Then there was the little drawing-room, with its piano and music rack, and its great j.a.panese cabinet, full of all kinds of treasures from foreign places. When Dorothy was a tiny girl it had been her Sunday afternoon treat to be allowed to investigate the mysteries of this cabinet, to open its numerous drawers and sliding panels, and to turn over the miscellaneous collection of things it contained; and she still regarded it in the light of an old friend. The artistic decorations, the chintz hangings, the water-colour paintings of Italian scenes, all helped to give an aesthetic effect to the room, and to make a very pleasant whole. The kitchen was, of course, Martha's particular domain, but even here there were books and pictures, and a table reserved for writing desk and work basket. I fear Martha did not often busy herself with pens and paper, for she held head-learning in good-natured contempt; but she appreciated her mistress's effort to make her comfortable, and polished the bra.s.s-topped inkpot diligently, if she seldom used it. Peterkin, the grey Persian cat, generally sat in the arm-chair, or on Martha's knee, which he much preferred, when he got the chance; and Draco, the green parrot, hobbled up and down his perch at the sunny window, repeating his stock of phrases, begging for t.i.tbits, or imitating smacking kisses.
Just at the top of the stairs was Dorothy's special sanctum. It had formerly been her nursery, and still contained her old dolls' house, put away in a corner, though her toys were now replaced by schoolgirl possessions. Here she kept her tennis racket, her hockey stick, her camera and photographic materials, her collections of stamps, crests, and picture postcards; there was a table where she could use paste or glue, or indulge in various sticky performances forbidden in the dining-room, and a cupboard where oddments could be stored without the painful necessity of continually keeping them tidily arranged. She could try experiments in sweet making, clay modelling, bookbinding, or any of the other arts and crafts that were represented at the annual school exhibition; in fact, it was a dear, delightful "den", where she could conduct operations without being obliged to move her things away, and might make a mess in defiance of Martha's chidings.
Dorothy often took a peep into her sanctum on her return from Avondale, but to-day she ran straight to her bedroom. She was anxious to finish tea and have a talk with Aunt Barbara. She felt she could not rest until she had mentioned Agnes Lowe's remarks, and either proved or disproved their truth. It was not a question that she could raise, however, when Martha was coming into and going out of the dining-room with hot water and toast; and it was only after she had cajoled Miss Sherbourne to the privacy of the summer-house, and had related her other school woes, that the girl ventured to broach the subject.
"I know it's nonsense, Auntie, but I thought I'd like to tell you, all the same," she concluded, and waited for a denial with a look of anxiety in her eyes that belied her words.
Miss Sherbourne did not at once reply. Apparently she was considering what answer to make.
"I knew you would ask me this some day, Dorothy," she said at last. "It seemed unnecessary for you to know before, but you are growing older so fast that it is time you learnt your own story."
Dorothy turned her face sharply away. She did not want even Aunt Barbara to see how her mouth was quivering.
"Is it true, then?" she asked, in a strangled voice.
"Yes, dear child. In a sense it is all absolutely true."
CHAPTER III
A Retrospect
More than thirteen years before this story begins, Miss Barbara Sherbourne happened to be travelling on the Northern Express from Middleford to Glasebury. She had chosen a corner of the compartment with her back to the engine, had provided herself with books and papers, had ordered a cup of afternoon tea to be brought from the restaurant car precisely at four o'clock, and had put a piece of knitting in her handbag with which to occupy herself in case she grew tired of reading or watching the landscape. After these preparations she antic.i.p.ated a comfortable journey, and she leaned back in her corner feeling at peace with herself and all the world. Her fellow-pa.s.sengers consisted of two old ladies, evidently returning home after a holiday in the South; a morose-looking man with a bundle of Socialist tracts, and a middle-aged woman, who, with a baby on her knee, occupied the opposite corner.
n.o.body spoke a word, except an occasional necessary one about the opening or closing of a window, and all settled down to read books and papers, or to enjoy the luxury of a snooze while the train sped swiftly northwards. The baby was sleeping peacefully, its lips parted, its long lashes resting on its flushed cheeks, and one little hand flung out from under the white woolly shawl which was wrapped closely round it. It made a pretty picture as it lay thus, and Miss Sherbourne's eyes returned again and again to dwell on the soft lines of the chubby neck and dimpled chin. She was fond of studying her fellow-creatures, and she could not quite reconcile the appearance of the child with that of the woman who held it in her arms. The latter was plainly though tidily dressed, and did not look like an educated person. There was nothing of refinement in her face: the features were heavy, the mouth even a trifle coa.r.s.e. Her gloveless hands were work-worn, and her wedding ring was of a cheap gold. The general impression she gave was that of a superior working woman, or the wife of a small tradesman. The baby did not resemble her in the least: it was fair, and pretty, and daintily kept, its bonnet and coat and the shawl in which it was wrapped were of finest quality, and the tiny boot that lay on the carriage seat was a silk one.
Miss Barbara could not help speculating about the pair. She amused herself first with vainly trying to trace a likeness, then with wondering whether the woman were really the mother of the child, and if so, how she managed to dress it so well, and whether she realized that its clothes looked out of keeping with her own attire. Finally she gave up guessing, in sheer despair of arriving at any possible conclusion.
The train had been ten minutes late in starting, and was making up for lost time by an increase in speed as it dashed across a tract of moorland. The oscillation was most marked, and walls and telegraph posts seemed to fly past so quickly as to dazzle the sight. Miss Sherbourne closed her eyes; the whirling landscape made her head ache, and the swaying of the carriage had become very unpleasant. She took hold of the strap to steady herself, and was debating whether it would be better to close the rattling window, when, without further warning, there came a sudden and awful crash, the impact of which hurled the baby on to her knee, and telescoped the walls of the compartment. For a few seconds she was stunned with the shock. When she recovered consciousness she found herself lying on her side under a pile of wreckage, instinctively clutching the little child in her arms. She moved her limbs cautiously, and satisfied herself that she was unhurt; part of the roof had fallen slantwise, and by so doing had just saved her from injury, penning her in a corner of the overturned carriage. The smashed window was underneath, about eighteen inches above the ground, for the train in toppling over had struck a wall, and lay at an inclined angle.
From all around came piteous groans and cries for help, but Miss Sherbourne could see n.o.body, the broken woodwork cutting her off completely from the rest of the compartment. The baby in her arms was screaming with fright. Fortunately for herself, she preserved presence of mind and a resourceful brain. She did not lose her head in this emergency, and her first idea was to find some means of escape. She stretched out her hand and broke away the pieces of s.h.i.+vered gla.s.s till the window beneath her was free; then, still clasping the child, she managed to crawl through the opening on to the line below. So narrow was the s.p.a.ce between the ground and the wreckage above her that she was forced to lie flat and writhe herself along. It was a slow and painful progress, and the light was so dim that she could scarcely see, while at any moment she expected to find her way blocked by fallen woodwork. Yet that was her one chance of safety, and at any cost she must persevere.
She never knew how far she crawled; to her it seemed miles, though probably it was no greater distance than the length of the carriage: but at last she spied daylight, and, struggling through a hole above her head, she climbed over the ruins of a luggage compartment, and so on to the bank of gra.s.s edging the line.
The wind was blowing strongly over the moor, so strongly that she had difficulty in keeping her feet as she staggered into the shelter of the wall. The scene before her was one of horror and desolation. She saw at once the cause of the accident--the express had dashed into an advancing train, and the two engines lay smashed by the terrific force of the collision. A few pa.s.sengers who, like herself, had managed to make their escape stood by the line--some half-dazed and staring helplessly, others already attempting to rescue those who were pinned under the wreckage.
The guard, his face livid and streaming with blood, was running to the nearest signal box to notify the disaster, and some labourers were hurrying from a group of cottages near, bringing an axe and a piece of rope. To the end of her life Miss Barbara will never recall without a shudder the pathetic sights she witnessed as the injured were dragged from the splintered carriages. But the worst was yet to come. Almost immediately a cry of "Fire!" was raised, and the flames, starting from one of the overturned engines and fanned by the furious wind, gained a fierce hold on the broken woodwork, which flared up and burned like tinder.
"Come awa'!" screamed a countrywoman, seizing Miss Sherbourne almost roughly by the arm. "You with a bairn! Bring it to our hoose yonder out o' the wind. The men are doing a' they can, and we canna help 'em. It's no fit sight for women. Come, I tell ye! Th' train's naught but a blazin' bonfire, and them as is under it's as good as gone. Don't look!
Don't look! Come, in the Lord's name!"
"Then may He have mercy on their souls!" said Miss Barbara, as with bowed head she allowed herself to be led away.
The news of the accident was telegraphed down the line, and as speedily as possible a special train, bearing doctors and nurses, arrived on the spot. The sufferers were carried to the little village of Greenfield, close by, and attended to at once, some who were well enough to travel going on by a relief train, while others who were more seriously injured remained until they could communicate with their friends. The fire, meanwhile, had done its fatal work, and little was left of any of the carriages but heaps of charred ashes. Those who had escaped comparatively unhurt had, with the aid of the few farm labourers who were near at the time, worked with frantic and almost superhuman endeavour to rescue any fellow-pa.s.sengers within their reach; but they had at last been driven back by the fury of the flames and forced to abandon their heroic task. No one could even guess the extent of the death roll. From the extreme rapidity with which the fire had taken hold and spread, it was feared that many must have perished under the wreckage, but their names could not be ascertained until the news of the disaster was spread over the country, and their friends reported them as missing.
Twenty-four hours later Miss Barbara Sherbourne sat in the parlour of the Red Lion Hotel at Greenfield. She had remained there partly because she was suffering greatly from shock, and partly because she felt responsible for the welfare of the little child whom she had been able to save. The account of its rescue was circulated in all the morning papers, so she expected that before long some relation would arrive to claim it. The woman who had accompanied it was not among the list of the rescued, and Miss Barbara shuddered afresh at the remembrance of the burning carriages.
"It's a bonnie bairn, too, and takes wonderful notice," said Martha, Miss Sherbourne's faithful maid, for whom she had telegraphed. "Those to whom it belongs will be crazy with joy to find it safe. Dear, dear! To think its poor mother has gone, and to such an awful death!"
The baby girl was indeed the heroine of the hour. The story of her wonderful escape appealed to everybody; newspaper reporters took snapshots of her, and many people begged to be allowed to see her out of sheer curiosity or interest. So far, though she had been interviewed almost continuously from early morning, not one among the numbers who visited her recognized her in the least. Fortunately she was of a friendly disposition, and though she had had one or two good cries, she seemed fairly content to be nursed by strangers, and took readily to the bottle that was procured for her. At about six o'clock Miss Barbara and Martha sat alone with her in the inn parlour. The afternoon train had departed, bearing with it most of yesterday's sufferers and their friends, so it was hardly to be expected that any more visitors would arrive that evening. The baby sat on Miss Barbara's knee, industriously exercising the only two wee teeth it possessed upon an ivory needlecase supplied from Martha's pocket. Outside the light was fading, and rain was beginning to fall, so the bright fire in the grate was the more attractive.
"I'm glad we didn't attempt to go home to-night, Martha," said Miss Sherbourne. "I expect I shall feel better to-morrow, and I shall leave much more comfortably when this little one has been claimed. No doubt somebody will turn up for her in the morning. It's too late for anyone else to come to-day."
"There's a carriage arriving now," replied Martha, rising and going to the window. "Somebody's getting out of it. Yes, and she's coming in here, too, I verily believe."
Martha was not mistaken. A moment afterwards the door was opened, and the landlord obsequiously ushered in a stranger. The lady was young, and handsomely dressed in deep mourning. Her face was fair and pretty, though it showed signs of the strongest agitation. She was deadly pale, her eyes had a strained expression, and her lips twitched nervously.
Without a word of introduction or explanation she walked straight to the child, and stood gazing at it with an intensity which it was painful to behold, catching her breath as if speech failed her.
"Do you recognize her?" asked Miss Barbara anxiously, turning her nursling so that the light from the lamp fell full on its chubby face.
"No! No!" gasped the stranger. "I don't know it. I can't tell whose it is in the least."
She averted her face as she spoke; her mouth was quivering, and her hands trembled.
"You've lost a baby of this age in the accident, maybe?" enquired Martha.
"No; I have lost n.o.body. I only thought--I expected----" She spoke wildly, almost hysterically, casting swift, uneasy glances at the child, and as quickly turning away her eyes.
"You expected?" said Miss Sherbourne interrogatively, for the stranger had broken off in the middle of the sentence.
"Nothing--nothing at all! I'm sorry to have troubled you. I must go at once, for my carriage is waiting."
"Then you don't know the child?"
"I don't," the stranger repeated emphatically; "not in the slightest. I tell you I have never seen it in my life before!"
She left the room as abruptly as she had entered, without even the civility of a good-bye; addressed a few hurried words in a low tone to the landlord in the hall, then, entering her conveyance, drove off into the rapidly gathering darkness.
"There's something queer about her," said Martha, watching the departure over the top of the short window blind. "She was ready to take her oath that she'd never set eyes on the child before, but the sight of it sent her crazy. Deny what she may, if you ask me, it's my firm opinion she was telling a lie."
"Surely no one would refuse to acknowledge it!" exclaimed Miss Barbara.
"She seemed so terribly agitated and upset, she must have expected to find some other baby, and have been disappointed."
"Disappointed!" sniffed Martha scornfully. "Aye, she was disappointed at finding what she expected. Agitated and upset, no doubt, but the trouble was, she knew the poor bairn only too well."
In spite of the publicity given by the newspapers, no friends turned up to claim the little girl. n.o.body seemed to recognize her, or was able to supply the least clue to her parentage. It was impossible even to ascertain at what station the woman, presumably her mother, had joined the train. She was already settled in the corner when Miss Sherbourne entered the compartment, and though a description of her was circulated, none of the porters remembered noticing her particularly. All the carriages had been full, and there had been several other women with young children in the accident. Any luggage containing papers or articles which might have led to her identification had been destroyed in the fire. The baby's clothing was unmarked. Day after day pa.s.sed, and though many visits were paid and enquiries made, the result was invariably the same, and in a short time popular interest, always fleeting and fickle, died completely away.
After staying nearly a fortnight at the Red Lion Hotel, in the hope that the missing relatives might come at last to the scene of the disaster, Miss Sherbourne returned to her own home, taking with her the child which so strange a chance had given into her charge. For some months she still made an endeavour to establish its ident.i.ty; she put advertis.e.m.e.nts in the newspapers and enlisted the services of the police, but all with no avail: and when a year had pa.s.sed she realized that her efforts seemed useless. Her friends urged her strongly to send the little foundling to an orphanage, but by that time both she and Martha had grown so fond of it that they could not bear the thought of a parting.
"I'll adopt her as my niece, if you're willing to take your share of the trouble, Martha," said Miss Barbara.
"Don't call it trouble," returned Martha. "The bairn's the very suns.h.i.+ne of the house, and it would break my heart if she went."
"Very well; in future, she's mine. I shall name her Dorothy Greenfield, because Dorothy means 'a gift of G.o.d', and it was at Greenfield that the accident occurred. I feel that Fate flung her into my arms that day, and surely meant me to keep her. She was a direct 'gift', so I accept the responsibility as a solemn charge."
A Pair of Schoolgirls Part 3
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