Handwork in Wood Part 5

You’re reading novel Handwork in Wood Part 5 online at LightNovelFree.com. Please use the follow button to get notification about the latest chapter next time when you visit LightNovelFree.com. Use F11 button to read novel in full-screen(PC only). Drop by anytime you want to read free – fast – latest novel. It’s great if you could leave a comment, share your opinion about the new chapters, new novel with others on the internet. We’ll do our best to bring you the finest, latest novel everyday. Enjoy!

[Ill.u.s.tration: Fig. 60. Edge Action.]

When a knife or chisel is pressed into a piece of wood at right angles to the grain, and at some distance from the end of the wood, as in Fig. 60, a continuous cutting action is prevented, because soon the blade cannot force apart the sides of the cut made by the advancing edge, and the knife is brought to rest. In this case, it is practically only the first action which has taken place.

Both the actions, the cutting and the splitting, must take place together to produce a true continuous cut. The edge must always be in contact with the solid material, and the blade must always be pus.h.i.+ng aside the portions which have been cut. This can happen only when the material on one side of the blade is thin enough and weak enough to be readily bent out of the way without opening a split in front of the cutting edge. This cutting action may take place either along the grain, Fig. 61, or across it, Fig. 62.

The bending aside of the shaving will require less force the smaller the taper of the wedge. On the other hand, the wedge must be strong enough to sustain the bending resistance and also to support the cutting edge. In other words, the more acute the cutting edge, the easier the work, and hence the wedge is made as thin as is consistent with strength. This varies all the way from hollow ground razors to cold-chisels. For soft wood, the cutting angle (or bevel, or bezel) of chisels, gouges and plane-irons, is small, even as low as 20; for hard wood, it must be greater. For metals, it varies from 54 for wrought iron to 66 for gun metal.

[Ill.u.s.tration: Fig. 61. Edge and Wedge Action With the Grain.]

[Ill.u.s.tration: Fig. 62. Edge and Wedge Action Across the Grain.]

Ordinarily a cutting tool should be so applied that the face nearest the material lies as nearly as possible in the direction of the cut desired, sufficient clearance being necessary to insure contact of the actual edge.

There are two methods of using edge tools: one, the chisel or straight cut, by direct pressure; the other, the knife or sliding cut.

The straight cut, Fig. 63, takes place when the tool is moved into the material at right angles to the cutting edge. Examples are: the action of metalworking tools and planing machines, rip-sawing, turning, planing (when the plane is held parallel to the edge of the board being planed), and chiseling, when the chisel is pushed directly in line with its length.

[Ill.u.s.tration: Fig. 63. Straight Cut.]

[Ill.u.s.tration: Fig. 64. Sliding Cut.]

The knife or sliding cut, Fig. 64, takes place when the tool is moved forward obliquely to its cutting edge, either along or across the grain. It is well ill.u.s.trated in cutting soft materials, such as bread, meat, rubber, cork, etc. It is an advantage in delicate chiseling and gouging. That this sliding action is easier than the straight pressure can easily be proved with a penknife on thin wood, or by planing with the plane held at an angle to, rather than in line with, the direction of the planing motion. The edge of the cutter then slides into the material. The reason why the sliding cut is easier, is partly because the angle of the bevel with the wood is reduced by holding the tool obliquely, and partly because even the sharpest cutting edge is notched with very fine teeth all along its edge so that in the sliding cut it acts like a saw. In an auger-bit, both methods of cutting take place at once. The scoring nib cuts with a sliding cut, while the cutting lip is thrust directly into the wood.

The chisel and the knife, one with the edge on the end, and the other with the edge on the side, are the original forms of all modern cutting tools.

The _chisel_ was at first only a chipped stone, then it came to be a ground stone, later it was made of bronze, and still later of iron, and now it is made of steel. In its early form it is known by paleontologists as a celt, and at first had no handle, but later developed into the ax and adze for chopping and hewing, and the chisel for cuts made by driving and paring. It is quite likely that the celt itself was simply a development of the wedge.

In the modern chisel, all the grinding is done on one side. This const.i.tutes the essential feature of the chisel, namely, that the back of the blade is kept perfectly flat and the face is ground to a bevel.

Blades vary in width from 1/16 inch to 2 inches. Next to the blade on the end of which is the cutting edge, is the shank, Fig. 65. Next, as in socketed chisels, there is the socket to receive the handle, or, in tanged chisels, a shoulder and four-sided tang which is driven into the handle, which is bound at its lower end by a ferrule. The handle is usually made of apple wood.

[Ill.u.s.tration: Fig. 65. Firmer-Chisel.]

The most familiar form is the _firmer-chisel_, Fig. 65, which is said to get its name from the fact that it is firmer or stiffer than the paring-chisel. (See below.) The firmer-chisel is a general utility tool, being suited for hand pressure or mallet pounding, for paring or for light mortising.

Different varieties of chisels are named; (1) according to their uses; as paring-chisels, framing-chisels, mortise-chisels, carving-chisels, turning-chisels, etc.

[Ill.u.s.tration: Fig. 66. Paring-Chisel.]

[Ill.u.s.tration: Fig. 67. Framing-Chisel.]

[Ill.u.s.tration: Fig. 68. Mortise-Chisel.]

The _paring-chisel_, Fig. 66, has a handle specially shaped to give control over its movements, and a long thin blade, which in the best form is beveled on the two edges to facilitate grooving. It is intended only for steady pressure with the hand and not for use with a mallet.

The _framing-chisel_, Fig. 67, is thick and heavy and was formerly much used in house framing. It is usually made with the handle fitting into a socket on the shank, in order to withstand the shock of heavy blows from the mallet.

The _mortise-chisel_, Fig. 68, is made abnormally thick to give the stiffness necessary for levering the waste out of mortises.

(2) Chisels are also named according to their shapes: as, skew-chisels, corner-chisels, round-nosed chisels, etc.

[Ill.u.s.tration: Fig. 69. Paring with a Chisel.]

The angle of the bevel of a chisel is determined by the kind of wood for which it is most used, hard wood requiring a wider angle than soft wood, in order to support the edge. For ordinary work, the bevel is correctly ground to an angle of about 20. The chisel is a necessary tool in making almost every kind of joint. It may almost be said that one mark of a good workman is his preference for the chisel. Indeed an excellent motto for the woodworker is: "When in doubt, use a chisel".

In general, there are two uses for the chisel (1), when it is driven by a push with the hand, as in paring, and (2), when it is driven by blows of a mallet, as in digging mortises.

In relation to the grain of the wood, it is used in three directions: (1) longitudinally, that is with the grain, called paring; (2) laterally, across the surface, called cutting sidewise; (3) transversely, that is across the end, called cutting end-wood.

1. _Paring._ To remove shavings rapidly, the chisel is held flat side up, the handle grasped by the right hand, with the thumb pointing toward the shank, and the blade held in the left hand, as in Fig. 69.

Held in this way great control can be exerted and much force applied.

For paring the surface as flat and smooth as possible, the chisel should be reversed, that is, held so that the flat side will act as a guide. Held in this way the chisel has no equal for paring except the plane. Paring with the chisel is the method used in cutting stop chamfers. (See p. 185, Chapter VIII.) By holding the cutting edge obliquely to the direction of the grain and of the cut, the effective "sliding cut" is obtained, Fig. 64.

[Ill.u.s.tration: Fig. 70. Chiseling Out a Dado. (First Step).]

[Ill.u.s.tration: Fig. 71. Chiseling Out a Dado. (Second Step).]

2. In _sidewise chiseling_ the chisel is held in the same manner as in paring. A typical form of sidewise chiseling is the cutting out of a dado, Fig. 70. The work may be placed on the bench-hook or held in the vise with the side up from which the groove is to be cut. The chisel is pushed directly across the grain, the blade being somewhat inclined to the upper surface so as to cut off a corner next the saw kerf.

After a few cuts thus made with the chisel inclined alternately both ways, the ridge thus formed is taken off, Fig. 71. In this way the surface is lowered to the required depth. If more force be required, the palm of the hand may be used as a mallet.

[Ill.u.s.tration: Fig. 72. Perpendicular Chiseling.]

3. In _chiseling end-wood_, it is well, if possible, to rest the piece to be trimmed flat on the cutting board or on a piece of waste wood.

Work done in this way is often called perpendicular chiseling, Fig. 72.

The handle is grasped in the right hand, thumb up, while the blade of the chisel pa.s.ses between the thumb and first finger of the left hand, the back of which rests on the work and holds it in place. As the right hand pushes the chisel downwards the thumb and first finger of the left hand control its motion. When chiseling it is well to stand so as to look along the line being cut. Incline the chisel toward you, and use the near part of the cutting edge for a guide and the farther corner for cutting, pus.h.i.+ng the handle both down and forward at the same time, Fig. 73. Or, by pus.h.i.+ng the chisel sidewise with the thumb of the left hand at the same time that the right hand pushes it downward, the effective sliding cut is obtained.

[Ill.u.s.tration: Fig. 73. Chiseling End Wood.]

[Ill.u.s.tration: Fig. 74. Paring a Corner Round.]

[Ill.u.s.tration: Fig. 75. Right and Wrong Ways of Perpendicular Chiseling.]

End chiseling requires considerable force and therefore only thin shavings should be cut off at a time. Or the mallet may be used with caution. In order to leave a smooth surface the chisel must be very sharp. Even then the lower arris (corner) is likely to be splintered off. This can be prevented by clamping the work down tight with a handscrew to a perfectly smooth cutting board. It is often advisable however, to set the piece upright in the vise and pare off thin shavings horizontally, Fig. 74. In rounding a corner, both this and perpendicular chiseling are common methods. In both cases care should be taken to cut from the side toward the end and not into the grain, lest the piece split, Fig. 75. In horizontal end paring, Fig. 74, in order to prevent splintering, it is well to trim down the arrises diagonally to the line and then to reduce the rest of the end surface.

In all hand chiseling, it is a wise precaution not to try to cut out much material at each stroke but to work back gradually to the line.

[Ill.u.s.tration: Fig. 76. Mallet Chiseling. The Piece is Clamped Down on the Bench With the Bench Hook.]

A typical form of mallet chiseling is the digging of a mortise, Fig.

76. (See also p. 56.) The chisel is held perpendicular in the left hand, while the right hand drives blows with the mallet. The hammer should never be used. (See mallet, p. 96.) By rocking the chisel and at the same time giving it a twisting motion while the edge is kept on the wood, the edge can be stepped to the exact place desired. Care should be taken to work back to the lines gradually, to cut only part way thru from each side (in the case of a thru mortise-and-tenon), and to keep the cut faces perpendicular to the surfaces.

In sharpening a chisel it is of first importance that the back be kept perfectly flat. The bevel is first ground on the grindstone to an angle of about 20 and great care should be taken to keep the edge straight and at right angles to the sides of the blade.

[Ill.u.s.tration: Fig. 77. Whetting a Plane-Bit.]

After grinding it is necessary to whet the chisel and other edged tools. (See also under oilstones, p. 121.) First see that there is plenty of oil on the stone. If an iron box be used, Fig. 77, the oil is obtained simply by turning the stone over, for it rests on a pad of felt which is kept wet with kerosene.

Place the beveled edge flat on the stone, feeling to see if it does lie flat, then tip up the chisel and rub it at an angle slightly more obtuse than that which it was ground, Fig. 78. The more nearly the chisel can be whetted at the angle at which it was ground the better.

In rubbing, use as much of the stone as possible, so as to wear it down evenly. The motion may be back and forth or spiral, but in either case it should be steady and not rocking. This whetting turns a light wire edge over on the flat side. In order to remove this wire edge, the back of the chisel, that is, the straight, unbeveled side, is held perfectly flat on the whetstone and rubbed, then it is turned over and the bevel rubbed again on the stone. It is necessary to reverse the chisel in this way a number of times, in order to remove the wire edge, but the chisel should never be tipped so as to put any bevel at all on its flat side. Finally, the edge is touched up (stropped) by being drawn over a piece of leather a few times, first on one side, then on the other, still continuing to hold the chisel so as to keep the bevel perfect.

Handwork in Wood Part 5

You're reading novel Handwork in Wood Part 5 online at LightNovelFree.com. You can use the follow function to bookmark your favorite novel ( Only for registered users ). If you find any errors ( broken links, can't load photos, etc.. ), Please let us know so we can fix it as soon as possible. And when you start a conversation or debate about a certain topic with other people, please do not offend them just because you don't like their opinions.


Handwork in Wood Part 5 summary

You're reading Handwork in Wood Part 5. This novel has been translated by Updating. Author: William Noyes already has 497 views.

It's great if you read and follow any novel on our website. We promise you that we'll bring you the latest, hottest novel everyday and FREE.

LightNovelFree.com is a most smartest website for reading novel online, it can automatic resize images to fit your pc screen, even on your mobile. Experience now by using your smartphone and access to LightNovelFree.com

RECENTLY UPDATED NOVEL